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General Levy
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Key Information
Paul Scott Levy (born 28 April 1971), also known as General Levy, is an English ragga deejay, regularly employed on studio tracks by drum and bass DJs. He is best known for the track "Incredible" which he recorded with M-Beat. A remixed version of this reached number eight on the UK singles chart in 1994.[5]
Biography
[edit]General Levy was born in Central Middlesex Hospital in Park Royal, London on 28 April 1971. He is of Trinidadian descent.[6] Levy's formative years were spent in Harlesden and Wembley in the London Borough of Brent in northwest London. Levy's musical influence was developed in the area, collecting dancehall tapes, beginning in 1981. At the age of 12, General Levy began writing lyrics and went on to form his first sound system with friends, two years later, named Third Dimension.[7]
General Levy's first major releases were with the independent record label Fashion Records, who signed a distribution deal with London Records for the re-releases of the tracks he had recorded. He had earlier releases with the record producers Lloydy Crucial and Robbo Ranx (later of BBC 1xtra), but these were mainly tracks that were hits on the underground dancehall scene. General Levy was ostracized by the UK jungle scene in 1994, due to mis-reported comments he made relating to his collaboration with M-Beat on "Incredible".[8] He had claimed in an interview with The Face that "I run jungle at the moment". This controversy has since died down and he is now being cited as one of the 25 UK MCs "who changed the game".[9]
"Incredible" was featured in the film Ali G Indahouse, and as a TV advertising campaign by Honda.[10]
General Levy briefly collaborated with Rocco Barker of Flesh for Lulu in the band The Space Police. Levy also featured on the song "Only God Can Judge Me" by R&B singer Mark Morrison.
He collaborated with Madness singer Suggs on his 1998 album The Three Pyramids Club, on the track "Girl".
Levy featured on many sound systems in the late 1980s and early 1990s, such as Java One Love, Java and Tippertone Sound.[11]
His collaborations with dub producer Joe Ariwa appear on several releases including "In the Ghetto" and "Be Conscious & Wise: Dub Showcase".
In 2018, he collaborated with artists such as Chase & Status, Fedde Le Grand and Spragga Benz.
Discography
[edit]Albums
[edit]- Double Trouble (1991, Gussie P Records) – Capleton & General Levy[11]
- The Wickeder General (1992, Fashion Records)[11]
- Wickedness Increase (1993, FFRR/London)[11]
- Rumble in the Jungle Volume One (1994, Jungle Fashion Records) – Top Cat & General Levy
- New Breed (1999, Arts Records)
- Spirit & Faith (2008, BoombamMuzik)
- We Progressive (feat The PSB Family) (2011, X-Ray Records)
- In the Chamber of Dub (2012, Ariwa Sounds) – Joe Ariwa & General Levy
- 4ward (2014) – DJ Bonnot & General Levy
- Be Conscious and Wise – General Levy & Joe Ariwa
Singles
[edit]| Year | Song | UK [12] |
Certifications | |||
|---|---|---|---|---|---|---|
| 1992 | "Heat" | — | ||||
| "Champagne Body" | — | |||||
| "Sceeming" | — | |||||
| 1993 | "Mr. Push It Good" | — | ||||
| "Monkey Man" (with Junior Dan) | 75 | |||||
| 1994 | "Ready for the World" | — | ||||
| "Weh Dem a Watch We For" (with Cutty Ranks) | — | |||||
| "Incredible" (with M-Beat) | 39 | |||||
| "Incredible" (remix) (with M-Beat) | 8 | |||||
| 2004 | "Shake (What Ya Mama Gave Ya)" (General Levy vs Zeus featuring Bally Jagpal) |
51 | ||||
| 2007 | "Bring It On" (Dancehall Party Riddim) (with Ragga Meridional Crew) |
— | ||||
| 2012 | "Blaze the Fire" (with Danny Byrd) | — | ||||
| 2014 | "Pull Up" (with Sticky) | — | ||||
| 2017 | "Move" (featuring Toni Toolz) | — | ||||
| 2018 | "Flex" (with Fedde Le Grand & Funk Machine) | — | ||||
| "Are You Ready" (with Spragga Benz) | — | |||||
| "Heater" (with Chase & Status) | — | |||||
| 2020 | "Good Love" (with Reggae Roast) | — | ||||
| 2023 | "We Run the Area" (with Idris Elba, Toddla T & Naomi Cowan) | — | ||||
| 2024 | "Good Mourning" (with Shaznay Lewis & Shola Ama) | — | ||||
| 2024 | "Old Days" (with Leanne Louise & DJ Illatek) | — | ||||
| "—" denotes releases that did not chart. | ||||||
Book
[edit]On 13 November 2022 Levy self published his autobiography entitled Incredible exploring his life and career to date.[14]
References
[edit]- ^ "The 10 Best Jungle Tracks of All Time, according to General Levy". DummyMag.
- ^ a b "EXCLUSIVE: GENERAL LEVY'S 'INCREDIBLE' JOURNEY". DJMag.com. 19 January 2015.
- ^ a b "Student Pocket Guide - Jungle legend General Levy discusses new music". 23 February 2018.
- ^ "Welcome To the Jungle ft. General Levy live at the O2 Academy Bristol". 365 Bristol.
- ^ "Official Charts Company". Officialcharts.com. Retrieved 5 January 2019.
- ^ "Council of elders: UK club culture icons General Levy and Sticky in conversation". Fact. 28 November 2014. Retrieved 2 June 2021.
- ^ "General Levy". Townlands Carnival. Archived from the original on 26 August 2018. Retrieved 26 August 2018.
- ^ "Him only smoke cigarettes and strictly shag". Dilate.choonz.com. Archived from the original on 9 July 2012. Retrieved 14 May 2012.
- ^ "25 UK MCs who changed the game". Redbull.com. Retrieved 6 July 2020.
- ^ "Honda HR V TV Advert 'Honda Stepping'". Archived from the original on 13 December 2020. Retrieved 8 April 2021.
- ^ a b c d Colin Larkin, ed. (1994). The Guinness Who's Who of Reggae (First ed.). Guinness Publishing. p. 99. ISBN 0-85112-734-7.
- ^ Robertson, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 224. ISBN 1-904994-10-5.
- ^ "M-Beat Ft General Levy - Incredible". bpi.co.uk. Retrieved 30 August 2024.
- ^ levy, paul (13 November 2022). Incredible: written by General levy (1st ed.). Paul Levy.
External links
[edit]- General Levy discography at Discogs
- Official website
| International | |
|---|---|
| National | |
| Artists | |
| People | |
General Levy
View on Grokipediafrom Grokipedia
Early life
Childhood and influences
Paul Scott Levy, known professionally as General Levy, was born on 28 April 1971 at Central Middlesex Hospital in the NW10 area of London, England.[1] He spent his early years in the diverse neighborhoods of Harlesden and Wembley, where he was immersed in a multicultural environment shaped by West Indian, European, Asian, and African communities.[1] This vibrant setting fostered a deep connection to black culture and reggae music from a young age, instilling in him a sense of militancy and respect for "rebel music."[1][7] A pivotal influence on Levy's early musical development was his older brother, Winston Irie, an avid music enthusiast with an extensive record collection that spanned ska, rock steady, calypso, soul, hip-hop, and reggae.[1][2] Exposed to these genres through his brother's curation, Levy began building his own musical foundation, starting a collection of sound system dancehall tapes from Jamaica and the UK in 1981.[1] By age 12, he was writing his own lyrics, drawing inspiration from the energetic and defiant spirit of reggae and dancehall.[1] At 14, Levy took his first active steps into the music scene by forming the sound system Third Dimension with friends, marking the beginning of his engagement with London's underground music culture.[1] This early involvement in sound systems, combined with the rhythmic and cultural influences of his upbringing, laid the groundwork for his distinctive style as a deejay and MC, blending raw energy with lyrical prowess.[2][7]Entry into music
At age 14 in 1985, Levy took his first active steps into the music scene by forming his own sound system, Third Dimension, alongside friends in northwest London.[1] This venture allowed him to experiment with MCing and deejaying, honing his rapid-fire delivery and energetic style in local settings. Soon after, he joined established sound systems such as Vigilante, Java Nuclear Power, and TipperTone Sound, where he built a growing reputation as a dynamic MC within the burgeoning UK reggae and dancehall community.[1] These experiences on the sound system circuit were crucial, providing Levy with the platform to refine his unique vocal technique and connect with audiences in an underground scene dominated by live clashes and improvisational performances.[2] Levy's transition from sound systems to recorded music occurred in the late 1980s, marking his formal entry as a professional artist. His debut single, "New Cockatoo," was released in 1988 on Robbo Ranx's Musik Street label, showcasing his fresh, youthful energy and distinctive ragga style at just 17 years old.[8] This was followed by collaborations, including "Tell Me Why" with Junior Dan in 1989 and "Yu Can't Hurry Love" with Junior Dunn in 1990, both on Musik Street, which highlighted his versatility in blending reggae roots with emerging influences.[8] These early releases, produced in the vibrant London reggae scene, established Levy as a promising talent and laid the groundwork for his international recognition in the 1990s.[1]Career
Early releases and reggae roots
General Levy's entry into the music industry was deeply rooted in the UK's vibrant reggae and dancehall scenes of the 1980s. Born Paul Levy in 1971 in London, he grew up in Harlesden and Wembley, immersed in a multicultural community where reggae music and black culture were central influences. Exposed to genres like ska, rock steady, calypso, soul, hip-hop, and reggae through his older brother Winston Irie's extensive record collection, Levy began collecting sound system dancehall tapes as early as 1981. At age 14, he co-founded his own sound system, Third Dimension, with friends, honing his MC skills before joining established outfits such as Vigilante, Java Nuclear Power, and Robbo Ranx's TipperTone Sound. These experiences on the sound system circuit shaped his energetic, high-pitched "hiccup" vocal style, drawing from Jamaican dancehall traditions while adapting to the British urban context.[1] Levy's recording career began in earnest in 1988 with his debut single "New Cockatoo," released on DJ Robbo Ranx's independent Musik Street label and recorded at New A-Class Studio. Produced by Robbo Ranx and mixed by Mad Professor, the track showcased Levy's fresh, youthful approach to ragga, blending rapid-fire lyrics with dancehall rhythms and earning attention for its innovative energy at age 17. This was followed by collaborative efforts, including "Tell Me Why" in 1989 with Junior Dan on Musik Street, and "Yu Can't Hurry Love" in 1990 with Junior Dunn, both reinforcing his presence in the underground reggae scene through themes of love and social commentary delivered in a distinctive patois-inflected flow. These early singles highlighted Levy's transition from sound system performer to recording artist, establishing him as a promising talent in London's ragga circles.[9][8] By the early 1990s, Levy expanded into full-length projects, marking a consolidation of his reggae roots. His debut album, Double Trouble (1991), was a collaboration with Jamaican dancehall artist Capleton, released on Gussie P Records and featuring tracks that fused militant lyrics with roots reggae backings, earning acclaim for bridging UK and Jamaican styles. Subsequent solo work included the single "Heat" in 1992 on Fashion Records, which won a best single award and exemplified his commanding presence over sparse, echoing riddims. That same year, his album The Wickeder General on Fashion Records was voted the best reggae album, solidifying his reputation with cuts like "Breeze" and "The Wig," which emphasized lyrical dexterity and cultural pride. These releases positioned Levy as a key figure in the evolution of British ragga, paving the way for his later forays into jungle and drum and bass while remaining anchored in reggae's rhythmic and thematic foundations.[10][2][8]Breakthrough in jungle and drum and bass
General Levy's breakthrough in the jungle and drum and bass scenes occurred in 1994 with the release of "Incredible," a collaboration with producer M-Beat. Originally conceived as a reggae track, Levy recorded his vocals in a single take at M-Beat's studio in north London, infusing the song with his high-energy ragga style and the now-iconic refrain "Wicked, wicked, jungle is massive." The track was released independently by Renk Records and later licensed to London Records, marking a pivotal moment where Levy's dancehall roots merged with the emerging breakbeat-driven sound of jungle. This fusion helped propel the genre from underground raves to broader recognition, as "Incredible" captured the raw excitement of London's multicultural music scene.[11][12] The song's success was immediate and transformative. It debuted at Notting Hill Carnival in 1994, where it electrified crowds and quickly became a staple in pirate radio and club sets, embodying the fast-paced, bass-heavy essence of jungle. "Incredible" climbed to No. 8 on the UK Singles Chart, one of the highest peaks for a jungle track at the time, and was featured on influential compilations that introduced the genre to wider audiences. Its chart performance and relentless energy helped legitimize jungle as a viable commercial force, bridging the gap between hardcore rave sounds and MC-driven vocals, while influencing the evolution toward drum and bass. Levy's commanding delivery on the track elevated ragga MCs to central figures in the genre, shifting focus from purely instrumental productions.[13][14][11] However, the breakthrough was not without controversy, which underscored the tensions within the jungle community. In a 1994 interview with The Face magazine, Levy's enthusiastic comments about creating the music were misinterpreted as claiming sole credit, leading to backlash from DJs and promoters. This resulted in his blacklisting by the informal "Jungle Committee," a group of scene gatekeepers, causing canceled bookings and a temporary exile from the circuit. Despite this, "Incredible" endured as an anthem, later revived through its inclusion in the 2002 film Ali G Indahouse and a 2004 BBC Radio 1Xtra performance that reignited interest. The track's lasting impact solidified Levy's legacy in jungle and drum and bass, even as he received no royalties due to disputes between the labels involved.[12][13][15]Mid-career collaborations and evolution
Following his breakthrough in the jungle and drum and bass scenes of the early 1990s, General Levy shifted focus in the 2000s toward broader reggae explorations while maintaining his ragga roots, releasing albums that incorporated more traditional dancehall and dub elements to reconnect with his origins. His 2002 album New Breed on Trojan Records marked this transition, featuring tracks that blended energetic MCing with classic reggae riddims, signaling a return to foundational sounds after the high-energy rave culture of jungle. By 2008, Spirit & Faith on Boombam Muzik further emphasized spiritual and conscious themes in his lyrics, evolving his style toward introspective ragga over slower, groove-oriented beats.[8] In the 2010s, Levy deepened his collaborative efforts, partnering with producers to fuse his vocal style with dub and progressive reggae, expanding his influence beyond the UK underground. A key project was the 2011 album We Progressive with The PSB Family on X-Ray Production, which incorporated modern dancehall rhythms and featured tracks like "Oulala" and "Blow," showcasing his adaptability to contemporary production while preserving raw energy. This was followed by the 2012 release In The Chamber Of Dub!!! alongside producer Joe Ariwa on Ariwa Sounds, a dub-heavy album with 12 tracks including "Genocide" and "100% Dubwise," where Levy's rapid-fire toasting intertwined with heavy echoes and basslines, highlighting his evolution into dub experimentation.[16][17] Levy's partnership with Italian producer Bonnot in 2014 produced the album 4ward (also known as Forward) on Jungle Heritage Recordings, commemorating 20 years since "Incredible" and blending jungle breaks, reggae, and bass music; standout tracks like "Success" (featuring Serial Killaz) and "Warrior" (with Ricky Tuff) demonstrated his enduring relevance through genre fusion and live performance synergy. He continued this dub trajectory with Joe Ariwa on the 2017 Be Conscious & Wise Dub Showcase on Ariwa, featuring conscious anthems such as "In The Ghetto" and "No Terrorists," which emphasized social commentary amid immersive dub mixes.[18][19] Throughout this period, Levy engaged in cross-genre features, including collaborations with French reggae band Danakil on "Classical Option" from their 2008 album Dialogue de sourds and "Bomba Rumba" from his 2011 album We Progressive, bridging UK ragga with European roots scenes, and earlier nods to collaborations with Sly & Robbie and Shaggy in the 2000s that infused international reggae flair into his work.[20][2][21][22]Recent projects and performances
In 2024, General Levy collaborated with drum and bass producers Serial Killaz on the Heeey Marijuana! EP, released on April 20 via StreetLife Productions, featuring tracks such as "Heeey Marijuana," "High Grade Inna Me Head," and "Can't Stop Blaze Up," which revisited his signature ragga style over modern jungle rhythms.[5][23] Later that year, his contributions appeared on Serial Killaz's compilation The Chronicle 2024, including the track "Can't Stop Blaze Up."[24] Entering 2025, Levy teamed up with DJ and producer Danny Byrd for the single "Sexy Money," released on May 16 through Byrdhouse, blending high-energy drum and bass with his rapid-fire toasting.[25][26] This was followed by the release of his first studio album in eight years, Jah Jah Guide and Protect (Re-Recorded), on November 7 via Cleopatra Records, comprising 11 tracks including reimagined classics like "Professional Ganja Smoker" (the lead single) and new material such as "Body Shaping" and "Time Dread," emphasizing themes of protection, celebration, and cannabis culture.[6] Levy maintained an active performance schedule throughout 2024 and 2025, with over 40 shows across the UK, focusing on festivals and club events that highlighted his jungle and reggae roots. Notable 2024 appearances included headline sets at Brixton Jamm on December 21 and The Jazz Cafe on December 27, both in London, where he performed alongside acts like Congo Natty.[27] In 2025, he took the Shieling Stage at Knockengorroch Festival in Galloway, Scotland (May 22–25), delivering a jungle and drum & bass set as part of the Hot Cakes Takeover.[28][27] Further festival highlights in 2025 included a performance at City Splash Festival in Brockwell Park, London, on May 26, sharing the bill with Tarrus Riley and Spice, and a slot at Reggae Land in Milton Keynes' National Bowl on August 2, amid a lineup featuring Chronixx and Capleton.[27][29] He also appeared at Reggae Geel in Belgium on July 31 and Uprising Festival in Bratislava, Slovakia, on August 30, energizing crowds with classics like "Incredible" and newer cuts from his recent EP.[30][31] By October, Levy performed at the Marshall Arena in Milton Keynes on October 4 and Brixton Jamm on October 31, continuing his streak of high-impact live shows that blend live MCing with DJ support.[27]Musical style and impact
Vocal technique and lyrical themes
General Levy is renowned for his distinctive vocal technique, characterized by a rapid, staccato delivery that incorporates a signature "hiccup" style, blending Jamaican dancehall influences with UK soundsystem traditions. This hiccup effect creates a rhythmic interruption in his flow, giving his performances a unique, energetic bounce that has become a hallmark of his ragga jungle contributions.[32][11] His rhyming is non-stop and infectious, often delivered with raucous enthusiasm that translates into explosive live shows, where his physical energy amplifies the intensity of his voice.[33] In terms of lyrical themes, Levy's work balances the bravado typical of dancehall with deeper elements of consciousness, resistance, and street-level commentary, reflecting both Jamaican roots and UK urban experiences. His lyrics frequently address cultural pride, particularly the origins of jungle as a UK-born genre, emphasizing black music's role in its creation.[32][11] Themes of positive upliftment and "real education" recur as a personal motto, contrasting with more risqué "slackness" content that explores sensuality and bravado, as heard in early tracks like "New Cockatoo" from 1988.[32][33] Representative examples illustrate this duality: in "Incredible" (1994), Levy's hooks pulse with high-energy bravado and crowd-chanting motifs that celebrate the jungle scene's vibrancy, while collaborations like "Double Trouble" (1992) with Capleton ground his verses in roots reggae consciousness and social reflection.[32] This thematic range, delivered through his adapted vocal processing—such as delay and reverb in electronic contexts—allows Levy to maintain reggae's syncopated swing amid faster jungle breakbeats.[32]Influence on genres and artists
General Levy's contributions significantly shaped the subgenre of ragga jungle, which emerged in the early 1990s as a fusion of Jamaican dancehall and ragga vocal styles with the high-tempo breakbeats of UK jungle music. His 1994 collaboration with producer M-Beat on "Incredible" exemplified this blend, featuring Levy's improvised, high-energy ragga chants over a relentless amen break rhythm, and it peaked at number 39 on the UK Singles Chart, marking one of the first major crossover successes for the style.[34] This track not only popularized ragga jungle but also highlighted the role of live MCing in live sets, influencing the genre's emphasis on vocal improvisation and cultural fusion between Caribbean roots and British rave culture.[32][35] Levy's vocal technique—characterized by a raspy timbre, rapid delivery, and hype-building phrasing—became a blueprint for ragga-influenced MCs in jungle and its evolution into drum and bass. As described in accounts of "Incredible's" recording, Levy delivered his vocals in a single, unrehearsed take, capturing a raw, shouting intensity that embodied the genre's frenetic energy and set a precedent for spontaneous, street-level lyricism. This approach contrasted with the more sampled or instrumental focus of emerging drum and bass, preserving jungle's MC-driven heritage and inspiring vocalists to prioritize speed and charisma over polished production.[36][15] Through ongoing collaborations, Levy extended his impact into drum and bass, working with producers who adopted his ragga style to revitalize the genre. Notable examples include his 2014 album Forward with Italian producer Bonnot, featuring Serial Killaz, which fused classic jungle elements with contemporary basslines, demonstrating how Levy's vocals could bridge 1990s roots with modern sound design.[37] In 2023, his team-up with DJ Rap on "Life of the Party" showcased his enduring appeal, incorporating his signature patois flows into high-energy neurofunk, and underscoring his role in keeping ragga vocals relevant amid drum and bass's global expansion.[38] His 2025 album Jah Jah Guide and Protect continues to bridge classic ragga with modern production, solidifying his lasting impact.[6] Levy's influence reverberated into the 2010s jungle revival, where he performed alongside contemporaries like Shy FX and Congo Natty, contributing to renewed interest in the original sound and inspiring a new wave of artists to explore ragga-jungle hybrids. This legacy even permeated mainstream pop, as seen in Olly Murs' 2013 single "Dear Darlin'," which integrated jungle breaks and Jamaican patois phrasing reminiscent of Levy's style, illustrating the broader cultural reach of his contributions.[39]Discography
Studio albums
General Levy's studio discography spans over three decades, reflecting his evolution from ragga and dancehall roots to jungle, drum and bass, and later dub-influenced reggae. His solo albums emphasize his distinctive rapid-fire vocal style and themes of social commentary, spirituality, and ganja culture, often produced with UK sound system influences. While he has numerous collaborations and EPs, his full-length solo releases are selective, with a resurgence in the 2020s after a period of focus on singles and live work.[8][2]| Title | Release Year | Label | Notable Tracks and Details |
|---|---|---|---|
| Double Trouble | 1991 | Gussie P Records | Collaboration with Capleton; 10 tracks of dancehall, including "Dem Ben" and "Gal Picany"; debut album.[40] |
| The Wickeder General | 1992 | Fashion Records | Debut solo album featuring 10 tracks of raw ragga energy, including "Wickeder General" and "Heat," produced with early UK dancehall riddims; vinyl and cassette formats emphasized club play.[41] |
| Wickedness Increase | 1993 | FFRR / London Records | 12-track set with ragga tracks, highlighted by "Heat" and "Champagne Body"; major label push marked his breakthrough, with CD and vinyl releases.[42] |
| New Breed | 1999 | Arts Records (reissued 2002 by Trojan Records) | 13 songs updating his sound for late-90s drum and bass, including "New Breed" and "Incredible (Remix)"; focused on high-energy MCing over breakbeat rhythms, available on CD.[43] |
| Spirit & Faith | 2008 | Boombam Muzik | 20-track double album delving into roots reggae and spiritual themes, with standouts like "Professional Ganja Smoker" and "Most High"; CD format showcased mature lyrical depth post-jungle era.[44] |
| Jah Jah Guide and Protect | 2025 | Cleopatra Records | 11-track album of re-recorded classics including "Hey Marijuana," "Incredible," "Professional Ganja Smoker," and "Body Shaping"; digital and physical release on November 7, blending ragga revival with modern production.[6][45][46] |
Singles and EPs
General Levy's singles and EPs reflect his evolution from roots reggae and dancehall to jungle, drum and bass, and contemporary electronic collaborations, often showcasing his rapid-fire toasting style over innovative beats. His early releases on labels like Fashion Records established his presence in the UK reggae scene, while mid-1990s output with producers like M-Beat marked a pivotal shift to jungle, yielding anthemic tracks that influenced the genre's global spread. Later works demonstrate his adaptability, featuring remixes and partnerships in drum and bass and garage, with select releases achieving commercial success on the UK charts.[8][47] Notable singles and EPs include breakthrough hits like "Incredible," which peaked at number 8 on the UK Singles Chart in 1994 and became a cornerstone of jungle music due to its energetic fusion of ragga vocals and breakbeat rhythms.[48][49] Earlier efforts such as "Heat" (1992) highlighted his dancehall roots with playful, boastful lyrics over upbeat riddims, while the Wickeder General EP (1993) captured his escalating intensity in ragga-jungle hybrids.[50][51] In the 2000s and 2010s, collaborations like "Shake (What Ya Mama Gave Ya)" (2004) blended his vocals with house elements, reaching number 51 on the UK chart, and "Blaze the Fire (Rah!)" (2012) revived jungle energy in drum and bass, sampling his own earlier track "Heat."[52] More recent output includes "Pull Up" (2014), a garage-infused track with Sticky that underscored his enduring relevance in UK bass music.[53][54]| Year | Title | Collaborator(s) | Label | Notes |
|---|---|---|---|---|
| 1988 | New Cockatoo | - | Musik Street | Debut single, roots reggae style.[8] |
| 1991 | Pump It Up | Domonik | Fashion Records | Early dancehall hit emphasizing party vibes.[8] |
| 1992 | Heat | - | Fashion Records | Playful ragga track, later sampled in drum and bass.[50] |
| 1992 | The Wig | - | Fashion Records | Humorous dancehall single.[8] |
| 1993 | Wickeder General EP | - | Fashion Records | Four-track EP bridging ragga and emerging jungle sounds.[51] |
| 1994 | Incredible | M-Beat | Moving Shadow / Renk | Jungle anthem; UK Singles Chart #8, 12 weeks.[48][49] |
| 1994 | Scheming | Blackboard Junglists | Downbeat | Darker jungle cut with scheming lyrical themes.[55] |
| 2004 | Shake (What Ya Mama Gave Ya) | vs. Zeus (feat. Bally Jagpal) | East West | House-ragga fusion; UK Singles Chart #51, 2 weeks.[52] |
| 2012 | Blaze the Fire (Rah!) | Danny Byrd | Hospital Records | Drum and bass revival; samples "Heat." |
| 2014 | Pull Up | Sticky | Chapter Records | Garage collaboration highlighting vocal agility.[53] |
| 2024 | Heeey Marijuana! | Serial Killaz | Independent | EP reaffirming ragga influence.[56] |
| 2024 | Old Days | Illatek (feat. Leanne Louise) | Independent | Contemporary garage single reflecting on past eras.[57] |