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Georg Engel
Georg Engel
Georg Engel
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Georg Engel (before 1900)

Georg Julius Leopold Engel (born 22 October 1866 in Greifswald; died 19 October 1931 in Berlin[1]), also known as Johannes Jörgensen,[2] was a German writer, dramatist and literary critic. His novels appeared in large print runs.

Life

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Engel spent his youth in Breslau. After studying philosophy and history in Berlin from 1887 to 1890, he worked as an art and theatre critic for the Berliner Tageblatt newspaper and from 1891 he was active as a writer in Berlin.[1]

In his novel Hann Klüth, der Philosoph (1905) and in his collection of novellas Die Leute von Moorluke (1910), set in Greifswald and surrounds, he portrayed lively and life-affirming north German characters. He wrote many dramas, but they are no longer performed. Engel was the President of the Imperial Union of German Literatur (Reichsverband des deutschen Schrifttums). This organisation provided social security for independent authors. He acquired recognition and awards of merit for this.

During the National Socialist period, his work was considered undesirable as Engel was non-Aryan by the state's definition. The commemorative plaque was removed from the house in Greifswald where he was born, his gravestone in Elisenhain (a forest in Greifswald) was knocked over. Some of Engel's books were banned, removed from libraries and burnt.[3] His grave was fixed after 1945.

Works

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Fiction

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Source:[2]

  • "Ahnen und Enkel", 1892
  • "Das Nächsten Weib", 1893
  • "Blind und andere Novellen", 1894
  • Zauberin Circe, 1894
  • Die Last, 1898
  • Die Furcht vor dem Weibe, 1899
  • Hann Klüth, der Philosoph, 1905 (translated into English as "The Philosopher and the Foundling" (1932))
  • Der verbotene Rausch, 1909
  • Der Reiter auf dem Regenbogen, 1909
  • Die Leute von Moorluke, 1910
  • Die verirrte Magd, 1911
  • Die vier Könige, 1913
  • Der Fahnenträger, 1914
  • Die Herrin und ihr Knecht, 1917
  • Kathrin, 1918
  • Claus Störtebeker, 1920
  • Die Prinzessin und der Heilige, 1922
  • Die Mauer, 1923
  • Erlebtes und Erträumtes, 1923
  • Die Mauer, 1923
  • Die Liebe durch die Luft, 1925
  • Uhlenspiegel, 1927
  • Des Äthers und der Liebe Wellen, 1929
  • Das Gericht, 1931

Drama

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Source:[2]

  • Der Hexenkessel, 1894
  • Hadasa, 1895
  • Sturmglocken, 1899
  • Der Ausflug in's Sittliche, 1900
  • Über den Wassern, 1902
  • Jim Hafen, 1906
  • Die Hochzeit von Poël, 1906
  • Das lachende Mirakel, 1906
  • Die heitere Residenz, 1913
  • Die Unsichtbaren, 1920
  • Die Diplomaten, 1925

Films based on his works

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Bibliography

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Georg Engel

View on Grokipedia
from Grokipedia
Georg Engel is a German novelist, dramatist, and short-story writer known for his commercially successful books during the late 19th and early 20th centuries. Born on 29 October 1866 in Greifswald, he spent his youth in Breslau before studying philosophy and history in Berlin from 1887 to 1890. He initially worked as an art and theater critic for the Berliner Tageblatt and established himself as a freelance writer in Berlin from 1891 onward. Engel produced a wide range of novels, novellas, and plays that enjoyed large print runs and popularity in his lifetime, with several adapted into films during the 1920s. His notable works include the novels Hann Klüth, der Philosoph (1905), Die Herrin und ihr Knecht (1917), Die Furcht vor dem Weibe (1899), and Der verbotene Rausch (1909), as well as story collections such as Die Leute von Moorluke (1910). These often featured realistic depictions of everyday life, social themes, and regional settings, contributing to his reputation as a bestselling author in the Wilhelmine and early Weimar periods. Despite his contemporary success, many of his books were banned by the Nazi authorities, leading to their removal from libraries and public disfavor. Engel died on 19 October 1931 in Berlin. Although largely forgotten in modern German literary history, his works have seen some renewed interest through digital archives and selective republications.

Early life

Birth and youth

Georg Julius Leopold Engel was born on 29 October 1866 in Greifswald, Pomerania (today Mecklenburg-Vorpommern, Germany). He was the son of merchant Leopold Engel and Flora Engel (née Sochaczewska), who had married in Breslau the previous year. After his father's death when Engel was twelve years old, he relocated to Breslau (now Wrocław, Poland), where he spent his youth. This move marked the beginning of his formative years away from his birthplace, shaping his early experiences before he pursued higher studies in Berlin.

Education and early career

Georg Engel pursued higher education in Berlin, where he studied philosophy and history from 1887 to 1890. After completing his studies, he began his professional career as an art and theater critic for the Berliner Tageblatt, starting around 1891. This position marked his entry into cultural journalism in the vibrant literary and artistic scene of the German capital. From 1891 onward, Engel transitioned to working as a freelance writer in Berlin, which allowed him to expand beyond criticism into broader literary pursuits.

Literary career

Journalism and criticism

Georg Engel began his professional career in journalism and criticism after studying philosophy and history in Berlin from 1887 to 1890. He served as an art and theater critic for the Berliner Tageblatt, contributing reviews on artistic and theatrical matters in the Berlin press during the early 1890s. His work in this capacity focused on art and theatre criticism, reflecting his engagement with Berlin's cultural scene before he transitioned to freelance writing in 1891. Some sources also describe him as a literary critic associated with the Berliner Tageblatt, indicating broader contributions to cultural commentary in the late 19th and early 20th centuries. Engel's critical activity in the Berlin press established his early presence in German literary and artistic circles alongside his emerging creative pursuits.

Novels and novellas

Georg Engel was a prolific German novelist whose prose fiction achieved substantial commercial success during the early 20th century through large print runs and widespread popularity. His works characteristically drew on North German regional settings and portrayed life-affirming characters navigating everyday challenges. Among his notable novels are Die Furcht vor dem Weibe (1899), Hann Klüth, der Philosoph (1905), Der verbotene Rausch (1909), Die vier Könige (1913), and Die Herrin und ihr Knecht (1917). He also published story collections such as Die Leute von Moorluke (1910). These titles exemplify his focus on psychological depth and regional authenticity, contributing to his status as a best-selling author of the period. Select works received English translations, including The Philosopher and the Foundling in 1932. Some novels were later adapted into silent films.

Dramatic works

Georg Engel wrote numerous plays during his literary career, though his dramatic output has largely fallen into obscurity and the works are seldom performed in contemporary theater. His plays include Der Hexenkessel (1894), Jim Hafen (1906), and Die Unsichtbaren (1920). One of these, Jim Hafen (also known as Im Hafen), served as the basis for the Swedish silent film Fiskebyn (1920), directed by Mauritz Stiller with a screenplay adaptation by Bertil Malmberg. The contrast between Engel's prolific dramatic production and the current lack of performances underscores the limited lasting stage presence of his theatrical contributions compared to his prose works.

Organizational leadership

Reichsverband des deutschen Schrifttums

Georg Engel served as president of the Reichsverband des deutschen Schrifttums, an umbrella organization uniting various German writers' associations. The role allowed him to advocate for the professional interests of independent authors during the late Weimar Republic period. His leadership in this capacity contributed to institutional efforts aimed at supporting freelance writers through coordinated representation and related initiatives.

Film adaptations

Silent-era film credits

Georg Engel received writing credits on a small number of silent films in the 1920s, reflecting limited cinematic adaptations of his literary output during the era. These credits include Die Furcht vor dem Weibe (1921), a German silent film directed by Hanna Henning, drawn from his 1899 novel of the same name, with Engel receiving a writing credit. The final silent-era credit came with Die Herrin und ihr Knecht (1929), a German silent drama directed by Richard Oswald, based on Engel's 1917 novel and crediting him as a writer alongside Friedrich Raff. These two films—both German productions—stand as the known cinematic engagements with Engel's work in the silent period.

Later years and death

Legacy

Literary reception and Nazi persecution

Georg Engel achieved significant commercial success during his lifetime, with his novels and other works appearing in large editions and gaining widespread popularity among readers. After his death in 1931, his literary reputation faded considerably, and his oeuvre fell into obscurity. Under the National Socialist regime, Engel's works were deemed undesirable, as he was considered "non-Aryan" in the sense of the Nazi state. As a consequence, his books were banned, removed from libraries, and excluded from public circulation. A memorial plaque at his birthplace in Greifswald was removed during the Nazi period. His gravestone in Greifswald was toppled, though it was restored and has been maintained since 1945.

Posthumous recognition

In the 2010s, several of Georg Engel's novels were translated into English for the first time by K A Nitz Publishing, marking a modest posthumous revival of interest in his work after its suppression under Nazi rule. Sorceress Circe: A Berlin Romance appeared in 2014, followed by The Lady and Her Servant in 2018, along with other titles such as Thy Neighbour's Wife and The Burden in 2014. These publications focused on introducing Engel's naturalistic and regional narratives to English-language readers, many of which had not previously been available in translation. This activity reflects a limited but targeted publishing effort to recover early 20th-century German literature from the period, particularly works by authors whose careers were disrupted by political persecution. The scope of this recognition remains niche, centered on an independent publisher's initiative rather than widespread scholarly or mainstream attention.
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