George Grossmith

George Grossmith (9 December 1847 – 1 March 1912) was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades. As a writer and composer, he created 18 comic operas, nearly 100 musical sketches, some 600 songs and piano pieces, three books and both serious and comic pieces for newspapers and magazines.

Grossmith created a series of nine characters in the comic operas of Gilbert and Sullivan from 1877 to 1889, including Sir Joseph Porter, in H.M.S. Pinafore (1878), the Major-General in The Pirates of Penzance (1880) and Ko-Ko in The Mikado (1885–1887). He also wrote, in collaboration with his brother Weedon, the 1892 comic novel The Diary of a Nobody.

Grossmith was also famous in his day for performing his own comic piano sketches and songs, both before and after his Gilbert and Sullivan days, becoming the most popular British solo performer of the 1890s. Some of his comic songs endure today, including "See Me Dance the Polka". He continued to perform into the first decade of the 20th century. His son, George Grossmith Jr., became an actor, playwright and producer of Edwardian musical comedies; another son, Lawrence, was an actor.

George Grossmith was born in Islington, London, and grew up in St. Pancras and Hampstead, London. His father, also named George (1820–1880), was the chief reporter for The Times and other newspapers at the Bow Street Magistrates' Court and was also a lecturer and entertainer. His mother was Louisa Emmeline Grossmith née Weedon (d. 1882). Over the years, Grossmith's father spent less of his time at Bow Street and more of it touring as a performer. As a young man, Grossmith was usually credited as "Jnr" to distinguish him from his father, especially when they performed together, but for most of his career, he was credited simply as "George Grossmith". Later, his actor-playwright-theatre manager son was credited as George Grossmith "Jr" rather than "III"; some sources confuse the two men.

Grossmith had a younger sister, Emily, and younger brother, Weedon. In 1855, he went to boarding school at Massingham House on Haverstock Hill in the district of Hampstead. There he studied the piano and began to amuse his friends and teachers with shadow pantomimes, and later by playing the piano by ear. His family moved to Haverstock Hill when young Grossmith was 10, and he became a day student. At the age of 12, he transferred to the North London Collegiate School in Camden Town. He was back in St. Pancras by age 13. He was an avid amateur photographer and painter as a teenager, but it was his brother Weedon who went to art school. The Grossmith family had many friends engaged in the arts, including J. L. Toole, Ellen Terry, Henry Irving, H. J. Byron, Tom Hood, T. W. Robertson, and John Hollingshead (later, the manager of the Gaiety Theatre, London).

Grossmith had hoped to become a barrister. Instead, he worked for many years, beginning in the 1860s, training and then substituting for his father as the Bow Street reporter for The Times, among other publications, when his father was on his lecture tours. Among the cases on which he reported was the Clerkenwell bombing by the Fenians in 1867. At the same time as he began reporting, he began to write humorous articles for periodicals and to participate in amateur theatrical performances. He also joined his father in his entertainments, lectures, and imitations, and began to add music to the entertainments, which his father had not done.

Young Grossmith received some recognition for amateur songs and sketches at private parties and, beginning in 1864, at penny readings. He also participated in a small number of theatricals as an amateur, including playing John Chodd Jr. in Robertson's play, Society, at the Gallery of Illustration, in 1868. The after-piece was a burlesque, written by Grossmith's father, on the Dickens play No Thoroughfare. He then played the title role in Paul Pry, a comedy by Poole, also at the Gallery of Illustration, in 1870. But he and his father felt that his talents lay in "sketch" comedy rather than theatre. The younger Grossmith admired the comic pianist and entertainer John Orlando Parry, who created and performed in many of the German Reed Entertainments, and he tried to emulate Parry in developing his own sketches, consisting of humorous anecdotes, mildly satirical comment, ad lib chat, and comic songs centred on the piano.

Grossmith took to the professional stage in 1870 with a sketch called Human Oddities, written by his father, and a song called "The Gay Photographer" (that is, the "carefree" photographer). The song, with words by Grossmith's father and music by young Grossmith, concerns a photographer who broke the heart of a young lady named Miss Jenkins; so she drank his chemicals and died. In late 1870, the younger Grossmith appeared on his own with a nightly spot at the "old Polytechnic" in Regent Street, where comic sketches alternated with scientific and serious lectures for the entertainment of the public. Human Oddities and another sketch, The Yellow Dwarf, were successful for Grossmith, and he took the former work on tour for six months. An 1871 Grossmith sketch was called He was a Careful Man. Biographer Tony Joseph notes that, except for a few early pieces, nearly all of Grossmith's material was written and composed by Grossmith himself. Joseph describes the sketches as "a light-hearted sending up of various aspects of contemporary life and manners. ...he was the complete performer... as a pianist (he performed for the most part sitting at a piano)... as a raconteur... as a mimic, facial expression, timing—he had it all. A short, dapper figure, he turned his lack of inches to positive advantage, and audiences took to him everywhere."