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Ghost Notes
View on Wikipediafrom Wikipedia
| Ghost Notes | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 10, 2015 | |||
| Genre | Alternative rock | |||
| Length | 54:48 | |||
| Label | El Camino | |||
| Producer | Brad Wood | |||
| Veruca Salt chronology | ||||
| ||||
| Singles from Ghost Notes | ||||
| ||||
Ghost Notes is the fifth full-length studio album by American rock band Veruca Salt, released on July 10, 2015, through El Camino Media. It is the first to feature the band's original lineup since their second album, Eight Arms to Hold You (1997).[2]
Background
[edit]Following the band's 1997 release Eight Arms to Hold You, drummer Jim Shapiro quit. Shortly after, in 1998, Nina Gordon and bassist Steve Lack also left, leaving Louise Post to release two new Veruca Salt albums with other musicians, Resolver in 2000, and IV in 2006. Gordon told The Los Angeles Times that after seeing the reception from Mazzy Star's 2012 reunion she got the desire to make music with Post again. The two met up for the first time in 14 years and began writing music that would become Ghost Notes.[3]
Production and release
[edit]For Ghost Notes, the four original band members collaborated more on songwriting than they had before. The lyrics focused on their shared experiences, with Gordon saying, "I think a lot of the content in the new songs is about our feelings surrounding the breakup, regrets about the breakup, the thrill of getting back together. It's really not so much about our individual lives the way it used to be."[4]
Ghost Notes was released on July 10, 2015. It was produced by Brad Wood, who also produced Veruca Salt's debut American Thighs.[2] Two of the songs had previously been released. "The Museum of Broken Relationships" was on the band's 2014 Record Store Day release MMXIV,[5] and "Black and Blonde" is a new recording (with a new chorus and revised lyrics) of a song originally recorded by Gordon for her first solo album, Tonight and the Rest of My Life (2000).[3]
The double-LP vinyl edition released by El Camino in January 2016 features a revised track listing with three additional selections.[6]
Critical reception
[edit]| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 78/100[7] |
| Review scores | |
| Source | Rating |
| AllMusic |   [8] |
| The A.V. Club | B+[9] |
| Consequence of Sound | B[10] |
| Now Magazine | [11] |
| Paste | 9.1/10[12] |
| Spin | 7/10[13] |
| Under the Radar | 7/10[14] |
| Pitchfork | 7.0/10[15] |
Ghost Notes received mostly positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 78 out of 100, which indicates "generally favorable reviews", based on 12 reviews.[7]
Writing for Consequence of Sound and rating the album a "B", Nina Corcoran said, "Veruca Salt are still writing catchy, raging songs, but the naivety of their intent and its two-decade-old edits are miles away here."[10] Matt Williams of Now Magazine rated the album four stars out of five and stated, "Gordon and Post haven't missed a beat. In fact, they might be better than ever."[11] The A.V. Club's Alex McCown called Ghost Notes "a potent and affecting record, with a deep well of emotional resonance Veruca Salt never really had before."[9]
Accolades
[edit]| Publication | Rank | List |
|---|---|---|
| AllMusic | N/A | Best Rock Albums of 2015[16] |
Track listing
[edit]All tracks are written by Veruca Salt.
| No. | Title | Length |
|---|---|---|
| 1. | "The Gospel According to Saint Me" | 3:49 |
| 2. | "Black and Blonde" | 4:07 |
| 3. | "Eyes on You" | 3:17 |
| 4. | "Prince of Wales" | 5:35 |
| 5. | "The Sound of Leaving" | 3:32 |
| 6. | "Love You Less" | 3:09 |
| 7. | "Laughing in the Sugar Bowl" | 2:16 |
| 8. | "Empty Bottle" | 5:53 |
| 9. | "Come Clean, Dark Thing" | 3:22 |
| 10. | "I'm Telling You Now" | 3:29 |
| 11. | "Triage" | 3:36 |
| 12. | "Lost to Me" | 4:10 |
| 13. | "The Museum of Broken Relationships" | 2:35 |
| 14. | "Alternica" | 5:58 |
| Total length: | 54:48 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Prelude to Zeus" | 1:28 |
| 2. | "The Gospel According to Saint Me" | 3:49 |
| 3. | "Black and Blonde" | 4:07 |
| 4. | "Eyes on You" | 3:17 |
| 5. | "Prince of Wales" | 5:35 |
| 6. | "The Sound of Leaving" | 3:32 |
| 7. | "Love You Less" | 3:09 |
| 8. | "Laughing in the Sugar Bowl" | 2:16 |
| 9. | "Empty Bottle" | 5:53 |
| 10. | "Come Clean, Dark Thing" | 3:22 |
| 11. | "I'm Telling You Now" | 3:29 |
| 12. | "Triage" | 3:36 |
| 13. | "Lost to Me" | 4:10 |
| 14. | "Into the Sun" | 0:34 |
| 15. | "The Museum of Broken Relationships" | 2:35 |
| 16. | "Alternica" | 5:58 |
| 17. | "Coda" | 1:56 |
| Total length: | 58:46 | |
Personnel
[edit]Credits adapted from AllMusic.[18]
Veruca Salt[edit]
Additional musicians[edit]
|
Production[edit]
|
Charts
[edit]| Chart (2015) | Peak position |
|---|---|
| US Billboard 200[19] | 159 |
| US Top Alternative Albums (Billboard)[20] | 11 |
| US Top Rock Albums (Billboard)[21] | 15 |
Release history
[edit]| Region | Date | Format(s) | Label |
|---|---|---|---|
| United States | July 10, 2015 |
|
El Camino |
| Australia | July 10, 2015 |
|
Warner Bros Records |
| Region | Date | Format(s) | Label |
| United States | January 2016 | El Camino |
References
[edit]- ^ "Amazon.com – Laughing in the Sugar Bowl – Veruca Salt – MP3 Downloads". Amazon. Retrieved May 20, 2015.
- ^ a b Geslani, Michelle (May 19, 2015). "Veruca Salt announces reunion album, Ghost Notes, premieres "Laughing in the Sugar Bowl"". Consequence of Sound. Retrieved May 20, 2015.
- ^ a b Hornbostel, Brendan (July 10, 2015). "Veruca Salt reunites to tell story of breakup, recovery in 'Ghost Notes'". Los Angeles Times. Retrieved July 12, 2015.
- ^ Caro, Mark. "Veruca Salt reunites years after explosive breakup". chicagotribune.com. July 3, 2014. Retrieved September 30, 2020.
- ^ Zoladz, Lindsay (March 17, 2014). "Veruca Salt Reunite, Original Lineup Releasing First New Music in 14 Years". Pitchfork Media. Retrieved July 12, 2015.
- ^ a b "Veruca Salt – Ghost Notes". Discogs. Retrieved January 16, 2017.
- ^ a b "Reviews for Ghost Notes by Veruca Salt". Metacritic. CBS Interactive. Retrieved December 30, 2015.
- ^ Phares, Heather. "Ghost Notes – Veruca Salt : Songs, Reviews, Credits, Awards". AllMusic. Rovi Corporation. Retrieved July 12, 2015.
- ^ a b McCown, Alex (July 10, 2015). "Veruca Salt is back, turning old wounds into new catharsis". The A.V. Club. Retrieved July 10, 2015.
- ^ a b Corcoran, Nina (July 2, 2015). "Veruca Salt – Ghost Notes – Review". Consequence of Sound. Retrieved July 3, 2015.
- ^ a b Williams, Matt (July 8, 2015). "Veruca Salt – Ghost Notes Review". Now Magazine. Now Communications. Retrieved July 8, 2015.
- ^ Gleason, Holly (July 7, 2015). "Veruca Salt: Ghost Notes Review". Paste. Retrieved July 7, 2015.
- ^ Joyce, Colin (July 9, 2015). "Review: Veruca Salt Erupt Anew on 'Ghost Notes'". Spin. Buzzmedia. Retrieved July 9, 2015.
- ^ Moores, JR (July 10, 2015). "Veruca Salt – Ghost Notes". Under the Radar. Retrieved July 11, 2015.
- ^ Tang, Estelle (July 13, 2015). "Veruca Salt Ghost Notes". Pitchfork. Retrieved July 13, 2015.
- ^ AllMusic staff (December 30, 2015). "Best Rock Albums of 2015". AllMusic. Retrieved December 30, 2015.
{{cite web}}:|author=has generic name (help) - ^ iTunes – Music – Ghost Notes by Veruca Salt
- ^ "Ghost Notes – Veruca Salt – Credits – AllMusic". AllMusic. Rovi Corporation. Retrieved July 9, 2015.
- ^ "Veruca Salt Chart History (Billboard 200)". Billboard.
- ^ "Veruca Salt Chart History (Top Alternative Albums)". Billboard.
- ^ "Veruca Salt Chart History (Top Rock Albums)". Billboard.
External links
[edit]
Ghost Notes
View on Grokipediafrom Grokipedia
Ghost Notes is the fifth studio album by American alternative rock band Veruca Salt. It was released on July 10, 2015, through El Camino Records.[1] The album marks the reunion of the band's original lineup—Nina Gordon, Louise Post, Steve Lack, and Jim Shapiro—following their 1998 breakup, and is their first collaboration since 1997's Eight Arms to Hold You.[2] Produced by Brad Wood and the band, it consists of 14 tracks blending punk-influenced rock with pop elements.[3]
The album's singles received some airplay on alternative radio but did not chart on major Billboard singles charts.
Total length: 49:44[3]
Album Overview
General Information
Ghost Notes is the fifth studio album by American rock band Veruca Salt, released on July 10, 2015, through El Camino Records.[3] The album marks the band's reunion with its original lineup, featuring co-frontwomen Nina Gordon and Louise Post alongside Steve Lack and Jim Shapiro.[4] It consists of 14 tracks with a total runtime of approximately 55 minutes.[5] The album was produced by Brad Wood, who previously worked with the band on their debut album American Thighs.[6] Ghost Notes is classified in the alternative rock genre, incorporating elements of pop rock.[7] It was made available in multiple formats, including CD, digital download, and vinyl.[3]Context in Band's Discography
Veruca Salt formed in Chicago in 1992 as an alternative rock band, initially consisting of vocalists and guitarists Nina Gordon and Louise Post alongside drummer Jim Shapiro and bassist Steve Lack. The group gained prominence in the mid-1990s grunge and post-grunge scene with their debut album American Thighs (1994), which featured the hit single "Seether," followed by the sophomore release Eight Arms to Hold You (1997).[8][9] After tensions culminated in Gordon's departure in 1998, Post reconfigured the band and issued Resolver (2000) and IV (2006) with new members, shifting toward a more introspective sound while maintaining the Veruca Salt moniker.[10][8] The band entered a hiatus from 2006 to 2013 following IV, allowing Gordon and Post to focus on individual endeavors. Gordon launched a solo career with albums like Tonight and the Rest of My Life (2001) and Bleeding Heart Graffiti (2006), exploring pop-rock sensibilities, while Post continued to develop her songwriting independently.[9][11] This period marked a creative divergence for the co-founders, reflecting personal growth amid the band's dormancy.[10] Ghost Notes (2015) represents a pivotal return, as the first full-length album featuring the original lineup of Gordon, Post, Shapiro, and Lack since Eight Arms to Hold You in 1997. The reunion, announced in March 2013, was initially teased through the limited-edition EP MMXIV (2014), released for Record Store Day and containing early reunion tracks like "The Museum of Broken Relationships." This project not only recaptured the band's signature dual-vocal harmonies and energetic riffs but also served as a thematic reconciliation, positioning Ghost Notes as a capstone in Veruca Salt's evolution from '90s alt-rock staples to a revitalized act.[8][12][13]Development
Reunion and Background
After a 15-year feud following the band's 1998 breakup, Veruca Salt co-founders Nina Gordon and Louise Post began reconciling in 2013, initially through phone conversations that avoided music discussions to focus on rebuilding their friendship.[14] The process was sparked by a 2013 dinner meeting after 14 years apart, prompted by Gordon's renewed interest in reunions after observing Mazzy Star's 2012 Coachella performance.[10] This reconnection evolved into emotional exchanges involving tears and laughter, allowing them to address past wounds from their partnership and the band's dissolution.[15] By 2014, the duo held initial jam sessions that generated early song ideas, starting with Post's track "Alternica," which explored their relationship and the 1990s alternative rock era.[10] These sessions marked a tentative return to collaboration, with the pair emphasizing the need for aligned circumstances to create music together again.[14] Personal life events profoundly influenced this phase, as both Gordon and Post reflected on motherhood, aging, and the highs and lows of their 1990s fame, providing a matured perspective on their shared history.[10] The decision to reform the original lineup—including drummer Jim Shapiro and bassist Steve Lack—stemmed from a commitment to authenticity, ensuring the project honored their foundational dynamic without compromise.[14] As Post noted, this reunion served as a way to "honor a time and let it have its day," while Gordon highlighted the unfinished creative potential in their partnership.[10]Songwriting Process
The songwriting process for Ghost Notes centered on a renewed collaboration between co-frontwomen Nina Gordon and Louise Post, who co-wrote every track, alternating vocal leads to integrate their complementary styles after nearly two decades apart. This dual approach involved trading verses, choruses, and bridges, as seen in "Come Clean, Dark Thing," where Gordon provided the country-inflected verses and Post contributed the wailing guitar chorus, resulting in a dynamic tension that enhanced the album's emotional depth. Similarly, "Empty Bottle" emerged from Gordon's initial verses paired with a fresh chorus co-developed with Post, evoking shared nostalgia for their Chicago roots.[16][9][17] Central to the process were themes of reconciliation, with lyrics and structures drawn from the band's breakup, personal regrets, and path to forgiveness, turning songwriting into a cathartic exploration of their fractured history. Tracks like "The Gospel According to Saint Me," built collaboratively from the ground up, exemplified this by blending explosive riffs with harmonious vocals that symbolized their rebuilt bond, serving as the album's bold opener. Other songs, such as "Triage," originated from Gordon's post-breakup reflections but were embraced and refined by Post, transforming individual pain into collective narrative.[10][17][9] The album incorporated older unfinished ideas, including the re-recording of "The Museum of Broken Relationships" from the band's 2014 MMXIV EP and reworked elements from tracks like "Prince of Wales," originally sketched during their separation. This integration bridged past and present, but challenges arose in balancing their evolved individual styles—Gordon's sweeter, pop-oriented sensibilities against Post's rawer intensity—stemming from years of limited communication and divergent solo careers that initially complicated trust and cohesion. Through persistent co-writing sessions, they overcame these hurdles, fostering a unified voice that revitalized Veruca Salt's sound.[9][16][10]Production
Recording Sessions
The recording sessions for Veruca Salt's Ghost Notes took place in Los Angeles at producer Brad Wood's Seagrass Studio in Valley Village.[18][19] The band selected this location to collaborate with Wood, who had produced their 1994 debut album American Thighs and whose expertise in capturing raw, indie-rock energy aligned with the reunion's goal of recapturing their original sound.[17][20] Although exact dates are not publicly documented, the sessions occurred in the lead-up to the album's July 10, 2015 release, allowing the original lineup—Nina Gordon, Louise Post, Steve Lack, and Jim Shapiro—to immerse themselves in an intense, collaborative environment that addressed the band's history of breakup and reconciliation.[6] The process emphasized live tracking to foster chemistry among the members, many of whom were based on opposite coasts, with the Los Angeles setting facilitating Wood's hands-on guidance as a creative anchor.[17]Production Techniques
Brad Wood's production on Ghost Notes emphasized a collaborative approach, with the band tracking together to capture their live energy and preserve the organic interplay that defined Veruca Salt's sound.[17][19]Musical Elements
Style and Instrumentation
Ghost Notes blends the raw energy of 1990s alternative rock with more refined pop sensibilities, maintaining the gritty, guitar-driven ethos of the band's early work while introducing brighter, more accessible arrangements that reflect the maturity gained over nearly two decades. The result is a collection of tracks that evoke nostalgia for grunge-era dynamics but polished with contemporary production flair, as noted in contemporary reviews highlighting the album's throwback yet evolved aesthetic.[16][21] Central to the album's sonic identity are the prominent guitars, delivered through dual leads by Nina Gordon and Louise Post. Their interplay features sharp power chords, wailing bends, and infectious hooks that drive the songs forward, creating a wall of raw electric sound reminiscent of mid-90s alt-rock staples. This guitar-centric approach underscores the reunion's chemistry, with layered riffs providing both aggression and melody.[16][21] The rhythm section anchors the album's propulsive energy, with driving bass lines by Steve Lack that weave fuzzy, sinuous patterns beneath the guitars, offering a solid foundation for the upbeat tempos. Complementing this are the dynamic drums by Jim Shapiro, which add nuance and groove without overpowering the mix. These understated percussive touches enhance the album's rhythmic depth, contributing to its blend of intensity and subtlety.[16][21] Vocal harmonies serve as a hallmark of Ghost Notes, with Gordon and Post's intertwined voices creating thick, California-sweet layers that highlight the reunion's renewed synergy. These harmonies swell in choruses, contrasting the harder-edged instrumentation and providing emotional lift to the tracks, a technique that has long defined the band's appeal.[16][21]Lyrics and Themes
The lyrics of Ghost Notes center on personal reconciliation, reflecting the band's original lineup reuniting after nearly two decades apart, with co-founders Louise Post and Nina Gordon channeling their renewed partnership into themes of restoration and redemption.[16] This is evident in tracks like "Black and Blonde," where contrasting vocal harmonies symbolize their intertwined yet distinct identities, evoking a sense of mutual empowerment amid past conflicts.[16] The album's title itself nods to these "ghost notes" from history, confronting the band's turbulent breakup while celebrating forward momentum.[22] Nostalgia for youth permeates the record, drawing on the band's '90s alt-rock roots without descending into mere retrospection, as songs like "Alternica" blend sci-fi wordplay with allusions to their early work, creating a reflective bridge to the present.[16] Tracks such as "The Museum of Broken Relationships" further explore this motif, examining lost connections with a mature lens that tempers youthful exuberance with hindsight.[23] Empowerment emerges through resilient narratives, as in "Come Clean, Dark Thing," where lyrics like "Come clean dark thing / You can breathe the air again" urge release from burdens, marking a shift from the raw angst of Veruca Salt's earlier albums to a more balanced, introspective maturity.[16][24] Vulnerability underscores many songs, revealing emotional depths through direct addresses to past selves and experiences of loss and remorse, as seen in "Empty Bottle," which captures the regrets of road life and separation from loved ones.[22] Poetic devices like religious imagery and clever wordplay amplify these layers; for instance, "The Gospel According to Saint Me" employs saintly motifs and lines such as "I wanted to live / So I pretended to die" to convey self-forgiveness and renewal, transforming personal trials into a triumphant, tongue-in-cheek declaration.[16] Similarly, "Laughing in the Sugar Bowl" uses playful, sugary metaphors to highlight the bittersweet joy of reunion, blending exuberance with subtle reflections on fame's fleeting highs.[16] Overall, the lyrics evolve Veruca Salt's signature intensity into a more nuanced exploration of growth, prioritizing emotional honesty over confrontation.[24]Release and Promotion
Singles and Music Videos
The lead single from Ghost Notes, "The Gospel According to Saint Me", premiered on May 19, 2015, via an official lyric video uploaded to YouTube, marking the first new music from Veruca Salt's original lineup in nearly two decades.[25] The track, co-written by band members Nina Gordon and Louise Post, showcased the group's signature alternative rock sound with introspective lyrics about rebirth and survival.[1] The second single, "Laughing in the Sugar Bowl", was released on June 11, 2015, as the album's first official radio single and became available for digital download on iTunes.[26] Directed by Tim Rutili, its accompanying music video depicted the band performing amid antique shop clutter, evoking themes of rediscovery and reunion through nostalgic, dimly lit visuals.[27] Both singles received promotional streaming premieres across platforms, including debuts on YouTube for the videos and an exclusive first listen of the album on NPR affiliate The Current, building anticipation ahead of the album's July release.[28] These efforts highlighted the band's return, with the tracks also featured in online spotlights by outlets like Pitchfork and Rolling Stone.[1][8]Marketing and Tour Support
Digital pre-orders for Ghost Notes became available in May 2015 through PledgeMusic, allowing fans to access instant gratification tracks including "The Gospel According to Saint Me" and "Laughing in the Sugar Bowl" upon purchase.[1] These pre-orders also featured exclusive merchandise options to build anticipation for the album's July 10 release.[13] The press campaign centered on the reunion of Veruca Salt's original lineup—Nina Gordon, Louise Post, Jim Shapiro, and Steve Lack—after an 18-year hiatus, with major coverage in outlets like Rolling Stone and Pitchfork that spotlighted the personal reconciliation between co-founders Gordon and Post as a core narrative.[8][1] This storytelling approach helped frame Ghost Notes as a triumphant return to the band's '90s alternative rock roots.[13] To promote the album, Veruca Salt launched a headlining North American tour in July 2015, spanning cities such as San Diego, Chicago, Toronto, Boston, New York, and Washington, D.C., with performances at venues like Webster Hall and the 9:30 Club.[13][29] The itinerary incorporated festival slots, including a hometown set at Chicago's Wicker Park Fest on July 26.[29] Merchandise efforts included limited-edition bundles via the PledgeMusic campaign, offering colored vinyl pressings, posters, and T-shirts designed to appeal to longtime fans and commemorate the reunion.[1]Critical Reception
Initial Reviews
Upon its release in July 2015, Veruca Salt's Ghost Notes received generally favorable reviews from critics, who praised the album's energetic alt-rock sound and the evident chemistry of the reunited original lineup. NPR highlighted the "unsinkable pop harmonies" from vocalists Louise Post and Nina Gordon, noting that the album's brighter, rounder edges reflected the band's renewed joy and invincibility after overcoming past conflicts.[30] Similarly, Spin commended the record's "dust-storm grit" reminiscent of the band's early-’90s material, describing it as an "adrenaline shot" akin to Dinosaur Jr.'s reunion efforts, with powerful drumming and summery tracks driving the momentum.[31] Pitchfork echoed the positive sentiment toward the reunion dynamic, stating that Post and Gordon "temper each other’s extremes while mutually enhancing strengths," resulting in triumphant anthems like "Black and Blonde."[16] However, some reviewers critiqued the album for lacking innovation, with Pitchfork pointing out that the music often veered into "generic, forgettable rock" reliant on swelling harmonies and lyrical clichés.[16] The Guardian was more dismissive, calling it "dreary alt-rock by numbers" that ticked off familiar touchstones like quiet-loud dynamics and fuzzed guitars but offered "precious little to pique the listener’s interest," likening the opener to "AC/DC diluted to homeopathic levels."[32] The album's aggregate score on Metacritic stood at 78 out of 100, based on 12 reviews, indicating broad approval tempered by occasional reservations about originality.[33]Accolades
Ghost Notes received recognition from several music publications in their year-end lists for 2015. Paste Magazine praised the album's return to form, awarding it 9.1 out of 10 in their review.[21] These inclusions underscored the album's positive reception among critics for reviving Veruca Salt's signature alternative rock style.Commercial Performance
Chart Performance
Ghost Notes achieved moderate commercial success, peaking on several US Billboard charts upon its 2015 release.| Chart (2015) | Peak Position |
|---|---|
| Billboard 200 (US) | 159 |
| Top Alternative Albums (US) | 11 |
| Top Rock Albums (US) | 15 |
Sales Figures
Specific sales figures for Ghost Notes are not publicly available, though it performed solidly within independent and alternative rock markets, reflecting interest from the band's fanbase.Personnel
Band Members
The album Ghost Notes marked the reunion of Veruca Salt's original lineup, consisting of co-founders Nina Gordon and Louise Post alongside bassist Steve Lack and drummer Jim Shapiro. This configuration represented the first time all four members had collaborated on a release since 1997's Eight Arms to Hold You, following a nearly two-decade hiatus driven by personal and professional divergences within the band.[1] Nina Gordon served as co-lead vocalist and rhythm guitarist, contributing her signature melodic harmonies and songwriting input that helped define the band's early sound. After departing Veruca Salt in 1998 to pursue a solo career—releasing albums such as Tonight and the Rest of My Life (2000) and Bleeding Heart Graffiti (2006)—Gordon rejoined the group in 2014, bringing renewed creative energy to the project.[35][10] Louise Post handled co-lead vocals and lead guitar duties, emerging as the primary songwriter during the band's post-1998 iterations and infusing Ghost Notes with introspective lyrics drawn from the group's turbulent history. Post had maintained Veruca Salt as a creative outlet through lineup changes and solo endeavors, before the full reunion solidified the dual vocal dynamic central to the band's identity.[36][10] Steve Lack provided bass throughout the album, anchoring the rhythm section with his foundational role from the band's inception in 1992; his steady low-end presence supported the interplay between Gordon and Post's guitars without taking a prominent vocal role.[3] Jim Shapiro, Nina Gordon's brother and an accomplished guitarist by trade, played drums for Ghost Notes, delivering the propulsive beats that propelled tracks like "The Gospel According to Saint Me." Originally recruited in 1993 as a temporary favor despite lacking prior drumming experience, Shapiro's participation in the reunion underscored the familial ties that helped mend past fractures in the band.[37][3]Additional Contributors
The production of Ghost Notes was led by Brad Wood, who handled engineering, mixing, and conduction of the Seagrass Symphony Orchestra for orchestral elements on several tracks. Additional engineering support was provided by Ken Sluiter.[3] Guest backing vocals were contributed by Christian Lane on "I'm Telling You Now," and by Kay Hanley and Michelle Lewis on "Alternica." Handclaps on "I'm Telling You Now" were performed by Joel Mark and Sophie Mark, while percussion on select tracks came from Chick Wolverton.[7] Mastering was performed by Bob Weston, assisted by Emily Lazar, at Chicago Mastering Service.[38][39]Track Listing
All tracks are written by Nina Gordon and Louise Post.[3]| No. | Title | Length |
|---|---|---|
| 1. | "The Gospel According to Saint Me" | 3:50 |
| 2. | "Black and Blonde" | 4:07 |
| 3. | "Eyes on You" | 3:17 |
| 4. | "Prince of Wales" | 5:36 |
| 5. | "The Sound of Leaving" | 3:32 |
| 6. | "Love You Less" | 3:10 |
| 7. | "Laughing in the Sugar Bowl" | 3:16 |
| 8. | "Shimmer Like Gold" | 3:46 |
| 9. | "I Need a Love" | 3:36 |
| 10. | "With a Smile" | 3:11 |
| 11. | "Tornado" | 3:52 |
| 12. | "New York Mine" | 3:50 |
| 13. | "Bears" | 3:41 |
| 14. | "Volcano Girl (Reprise)" | 1:15 |