God Is a Woman
God Is a Woman
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God Is a Woman

"God Is a Woman" is a song by American singer Ariana Grande. It was released on July 13, 2018, by Republic Records as the second single from her fourth studio album Sweetener (2018). The song was written by Grande, Max Martin, Savan Kotecha, Rickard Göransson and its producer Ilya.

"God Is a Woman" received universal acclaim from music critics. The song debuted at number 11 and later reached a peak of number eight, becoming Grande's tenth top-10 single on the US Billboard Hot 100. It became her fourth single to top the US Mainstream Top 40 airplay chart. The song also attained a top-10 peak within the charts of 17 countries, including number one in Greece, Iceland and Israel, number four in the United Kingdom, Ireland, Singapore and Malaysia, number five in Australia, Canada, Hungary and New Zealand, as well as reaching the top-20 in Austria, Denmark, Norway, the Netherlands, and Switzerland. The single is certified Platinum in six countries in addition to Triple Diamond in Brazil. The song was nominated for Best Pop Solo Performance at the 61st Annual Grammy Awards.

"God Is a Woman" was first teased in a scene in the music video for lead single "No Tears Left to Cry", which displayed what appears to be a working track listing for the upcoming album. Grande confirmed the title on The Tonight Show Starring Jimmy Fallon on May 1, 2018. On June 27, Grande revealed that the song would become the official second single from her album. She initially announced on Twitter that the song would be released on July 20, however, she later confirmed the release date as July 13. During an interview with SiriusXM's Radio Andy, Camila Cabello commented that "God Is a Woman" was initially written for her, but eventually stating that "it didn't end up sounding right for me." The original version by Cabello, featuring Rita Ora, eventually leaked online in 2023. Grande’s version differs from the leaked version, containing new verses and a revised chorus.

"God Is a Woman" is a midtempo song that runs for three minutes and 17 seconds. It was characterized as a pop-hip hop hybrid track that blends "trip hoppy-R&B" and soft rock with influences of reggae over "hypnotic" trap-pop production. Time described the song as "an anthemic, sultry banger", and noted that "Grande's voice is layered so that it sounds like a choir, but really, it's only her, multiplied." The song contains assertive lyrics embracing her femininity and intertwining themes of sexuality and spirituality.

The song is performed in the key of E minor with a tempo of 145 beats per minute in common time. The song follows a chord progression of Em – D/E – Em – D/E – Cmaj7 – D/C –Am7 – Bm7, and Grande's vocals span from E3 to E6.

The song received widespread acclaim from critics and fans alike. Mike Nied of Idolator described it as "a sexually liberated bop", writing: "The beat picks up as [Grande] moves into the chorus. Incorporating a hip-hop edge, her voice gets progressively breathier. Although the single is obviously a sexy banger, it also includes a resilient message. In the face of critics, she defiantly takes a stand." Bryan Rolli of Forbes called it "an impressive show of both virtuosity and restraint" and "one of the best pop songs of the summer—if not the year". He also praised Grande's vocal performance "sprinkling her signature falsetto across the sultry chorus and reining in her vocal acrobatics in the verses. She tries on different flows at her whim, singing slow, seductive come-ons ("I can tell that you know I know how I want it") and riffing on Migos' triplet flow in the pre-choruses. The track is full of chilly, hypnotic trap beats, tasteful drops and electronic squawks, atop which Grande harmonizes with herself to suck listeners into the world she's created for three-and-a-half minutes. [Grande] performs with a maturity that her last two singles lacked, taking a fairly simple formula—heroic female pop vocals plus entrancing trap beats—and turning it into a bite-sized masterpiece. The track probably won't put to bed any controversial theological debates, but it sure made a lot of people believe in something tonight."

Upon release, "God Is a Woman" began receiving early radio support in the United States. The song drew in 172 spins from 52 Mediabase-monitored pop stations across the country on the final tracking period days. On the issue dated July 28, 2018, "God Is a Woman" debuted at number 11 on the Billboard Hot 100 chart, selling 43,000 digital downloads during its opening week, allowing it to enter the Digital Songs chart at number four while starting on the Streaming Songs chart at number 11 with 25.1 million US streams. In its second week, the song fell 10 positions to number 21 on the Hot 100. The song also entered Billboard's Mainstream Top 40 at number 27, moving up to number 23 the following week. It later reached number one on the chart, becoming Grande's eleventh top-10 single and fourth to reach the summit of the chart. In March 2019, "God Is a Woman" was certified double platinum by the Recording Industry Association of America for shipments exceeding two million units in the United States.

Following the release of Sweetener and its performance at the 2018 MTV Video Music Awards on August 20, 2018, "God Is a Woman" jumped 22 positions on the Hot 100 from number 30 to number 8, becoming Grande's tenth top-ten single there and placing her as the twelfth overall artist and seventh female artist with the most Hot 100 top 10s in the 2010s decade. The song subsequently rose to number 8 on Streaming Songs and climbed to number 39 on Billboard Radio Songs that week. It has since reached number six there, earning Grande her ninth top-10 on the Radio Songs chart and giving her the most top 10s among women since her first, "Problem" in June 2014, surpassing Taylor Swift who has amassed eight since that date. On the Billboard Dance Club Songs, "God Is a Woman" debuted at number 42 on the issue dated August 25, 2018, climbing to number 31 the following week. The song later topped the chart, becoming her second consecutive number one and third overall; consequently, Sweetener became her first album to spawn multiple top 10s on that chart. Similarly, the track also peaked at number six on the US Dance/Mix Show Airplay chart. In Canada, the song debuted at number five on the Canadian Hot 100.

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