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Gordon Chater
Gordon Chater
Gordon Chater
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Gordon Maitland Chater AM (6 April 1922 – 12 December 1999) was an English Australian comedian and actor, and recipient of the Gold Logie, he appeared in revue, theatre, radio, television and film, with a career spanning almost 50 years.[1]

Key Information

Biography

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Early life and career

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Chater was born in North Kensington, London, Middlesex to Maitland Charter, a chartered accountant and Evelyn Eleanor Riach[2], and attended Cottesmore School as a child, his mother was born in Shanghai.[3] He attended Cambridge University to study medicine but did not finish his degree,[4] instead taking part in many student revues.

Chater, having arrived in Australia after World War II, came to prominence as a stage and radio actor, and was a cast member of the 1963 Sydney season of Chekhov's The Cherry Orchard, the debut production by the Old Tote Theatre Company, the precursor to the Sydney Theatre Company. He appeared in a radio program opposite Gwen Plumb.[1]

Screen and television roles

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Chater appeared in TV movies and series, he became a national star when he was cast with Carol Raye and Barry Creyton in the Australian satirical television series The Mavis Bramston Show,[5] for which he won the 1966 Gold Logie Award for Most Popular Personality on Australian Television. He cemented his popularity with the title role in the popular sitcom My Name's McGooley, What's Yours?,[5] playing the elderly live-in father of a young married couple, played by John Meillon and Judi Farr. He appeared in many other television comedy series. His fellow actors included Ray Barrett, Stewart Ginn and Charles "Bud" Tingwell, among others.

Chater was critical of early Australian television direction which he characterised as too often "'feet, knees and in the distance pictures'. People watching TV are interested in people and close ups in Australia were hard to come by in the early days of Australian television."[6]

Theatre roles

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Amongst work in many other shows, Chater appeared in The Rocky Horror Show in Brisbane in 1988,[7] the Sydney Theatre Company production of The Importance of Being Earnest as both "Lane" and "Merriman" in 1990,[7] and Lady Bracknell's Confinement at the Playhouse, in Melbourne in 1993.[7]

Gordon Chater later worked in the United States, including appearing on Broadway.

In the 1970s Chater was particularly associated with the play The Elocution of Benjamin Franklin by Steve J. Spears, the stage role for which he became best known. The play broke new ground in Australian theatre with its shocking opening scene (in which Chater walked onstage naked) and its discussion of paedophilia.[5]

Death

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Chater died on 12 December 1999, aged 77 from heart disease in Southport, Queensland.[2]

Honours and awards

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Filmography

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Film

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Year Production Role Type
1958 Smiley Gets a Gun Rev. Galbraith TV movie
1963 My Three Angels Convict TV movie
1976 Me and Mr Thorne Reginald Thorne TV movie
1992 The Important in Being Ernest Lane, Merriman TV movie
1993 This Won't Hurt a Bit Dental Professor Feature film

Television

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Year Production Role Type
1957 The Adventures of Long John Silver Alfredo TV series
1958/59 ITV Television Playhouse Reverend Michael Brute / Victor Prine TV series, 2 episodes: Various Heavens, Private Lives
1959 Armchair Theatre TV series, Episode: To Ride A Tiger
1958/61 ITV Play of the Week Henry Straker / Mr Bullivant TV series, 2 episodes: Man and Superman, Break from Cover
1961 The Story of Peter Grey TV series
1964 The Mavis Bramston Show Various Characters TV series
1966-68 My Name's McGooley, What's Yours? Dominic McGooley TV series, 88 episodes
1968 Rita and Wally McGooley TV series
1968 The Gordon Chater Show Host TV series
1971 The Godfathers Jamieson TV series
1972 Snake Gully with Dad and Dave Dad Rudd TV series
1974 Behind the Legend Thomas Mitchell TV series, Episode: Thomas Mitchell
Mac and Merle John "Mac" McInern TV series
1975 The Dave Allen Show in Australia Various TV series
1975 Celebrity Squares Himself TV series, 2 episodes
1976 This Is Yoir Life Himself TV series
1976 Matlock Police Doc. Horton TV series
1980 Broadway on Showtime Dr. Cedric Seward TV series
1981 Parkinson in Australia Guest TV series

Theatre

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Year Production Role Venue / Theatre Co.
1963 The Cherry Orchard Old Tote Theatre
1970s The Elocution of Benjamin Franklin
1988 The Rocky Horror Show Brisbane
1990 The Importance of Being Earnest Lane / Merriman Sydney Theatre Company
1993 Confinement Playhouse, Melbourne

References

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Gordon Chater

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Gordon Chater is a British-born Australian actor and comedian known for his pioneering contributions to Australian satirical television during the 1960s and his acclaimed international stage performance in the one-man play The Elocution of Benjamin Franklin. Born in London on 6 April 1922, Chater served in the Royal Navy during World War II before arriving in Sydney on leave and deciding to settle permanently in Australia in 1947 to pursue acting. He built his early career through radio work, where his mastery of accents proved invaluable, and stage revues at Sydney's Phillip Street Theatre from 1954, which established him as a leading character actor and mimic in socially aware comedy. In the mid-1960s, he gained national prominence as a star of the groundbreaking television series The Mavis Bramston Show, where his creation of quintessentially Australian comic characters and bold drag sketches earned him the Gold Logie award in 1966. He followed this success with the sitcom My Name’s McGooley, What’s Yours?, in which he starred as the central character from 1966 to 1968. After a period of personal difficulties including depression and a career slowdown in the early 1970s, Chater achieved a remarkable comeback and international acclaim with Steve J. Spears' The Elocution of Benjamin Franklin in 1976, portraying a cross-dressing elocution teacher and multiple characters in a demanding solo role that toured Australia, the United States, and London, earning him an Obie Award for off-Broadway performance in 1979. He spent much of the 1980s working in New York theatre before returning to Australia in 1990, later becoming an Australian citizen in 1994 and settling on the Gold Coast. Chater was appointed a Member of the Order of Australia in 1999 for his services to the performing arts and died later that year on 12 December at Southport, Queensland.

Early life

Birth and family background

Gordon Chater was born on 6 April 1922 in North Kensington, London, England. He was the only child of Maitland Chater, a chartered accountant, and Evelyn Eleanor Chater (née Riach). From his father's first marriage, Chater had a half-sister named Betty. Chater grew up in a middle-class family in interwar London, where he later recalled being nurtured and cherished through his parents' undemonstrative love, with the family sharing a great deal of laughter together. Limited public information is available on further details of his immediate family or early childhood environment beyond these accounts drawn from his own memoir.

Education and early interests

Gordon Chater was educated at Haileybury College in the United Kingdom. He went on to study medicine at Gonville and Caius College, University of Cambridge, beginning in 1939. His university studies were interrupted by the Second World War in 1941, and he did not complete his degree. During his brief time at Cambridge, Chater became heavily involved in student revues, devoting substantial time to acting in these amateur productions instead of concentrating solely on his medical coursework. This participation reflected his early interest in performance and the theatre. There is no record of any formal dramatic training during this period.

World War II service

Gordon Chater served in the Royal Navy during World War II, enlisting in 1942 and beginning his service as an ordinary seaman. He participated in operations in the Atlantic and Pacific theatres throughout the conflict. On 7 January 1944 he was commissioned as a temporary acting sub-lieutenant, advancing to temporary sub-lieutenant on 7 July 1944. Chater was demobilised in 1946, arriving in Sydney on leave in mid-1946 following the end of his naval service.

Early career in Britain

Initial acting roles

Gordon Chater's interest in acting began early in life, as he decided around the age of five to pursue a career on the stage after attending a theatre performance with his mother. His family discouraged this ambition, with his father warning that actors "end up in the gutter" and his mother remarking that he was "too ugly for the stage." During World War II, while serving in the Royal Navy from 1942 onward in the Atlantic and Pacific theaters, Chater became a member of an entertainment troupe, providing his first practical experience in performing for audiences. No records exist of professional theater, radio, or television credits in Britain immediately following his demobilization. After the war, Chater arrived in Sydney on leave in mid-1946 and chose to remain in Australia to launch his professional acting career there.

Theater work in England

Gordon Chater's theater work in England prior to his emigration remains sparsely documented in available biographical sources. Born in London on 6 April 1922, he developed an interest in acting early in life. He served in the British Navy during World War II. No specific productions, roles, or reviews from his time in British repertory or stage work are prominently recorded, suggesting any early acting experience was limited or non-professional. He emigrated to Australia in the post-war period, where his professional stage career took shape with his first noted revue performances at Sydney's Phillip Street Theatre in 1954.

Emigration to Australia

Arrival in mid-1946

Gordon Chater emigrated to Australia in mid-1946, arriving in Sydney at the age of twenty-four while on leave after being demobilised from the Royal Navy following World War II. He quickly grew fond of the city and decided to remain there permanently rather than return to England. His decision was driven by a determination to pursue acting professionally, as he believed he possessed the necessary talent and wished to earn his living through it. Upon settling in Sydney, Chater secured an introduction to Kathleen Robinson, head of the Minerva Theatre, which enabled him to begin his acting career in Australia shortly thereafter. This move proved pivotal, allowing him to establish himself in the local entertainment industry over the subsequent decades.

Early Australian stage and radio work

Gordon Chater quickly became a prominent figure in Australian stage and radio through his adept comedy performances and mastery of accents and mimicry. His radio work included notable recognition in 1952 when he received a Macquarie award for best actor in a comedy role for his performance in the radio play Third Party Risk. He balanced daytime radio serials with nighttime stage commitments, building a steady presence in Sydney's entertainment scene. Chater's stage career took off with his participation in the satirical revues at William Orr's Phillip Street Theatre, where he first performed in 1954. He appeared in early revues such as Top of the Bill (commencing May 1954) and Hit and Run (commencing October 1954), contributing to shows that introduced socially aware humor to Australian audiences. These productions established him as a skilled character actor and mimic in the popular revue format. In the late 1950s and early 1960s, Chater remained closely associated with the Phillip Street Theatre, featuring in a series of revues and other productions that highlighted his comedic versatility. These included Around the Loop (1956–1957), Hey Diddle Diddle (1959–1960), Mistress Money (1960), Yes Please (1961), At It Again (1962), and Do You Mind! (1963). He also performed in pantomimes such as Alice in Wonderland (1956) and A Ride on a Broomstick (1959), as well as the play The Private Ear - The Public Eye (1963). This sustained body of work in revue and theatre solidified his reputation prior to his transition to television.

Television career

Breakthrough with The Mavis Bramston Show

Gordon Chater achieved his major breakthrough in Australian television as a core cast member of The Mavis Bramston Show, a satirical sketch comedy series that premiered on 11 November 1964 on ATN-7 (part of the Seven Network). Originally commissioned for just six weeks, the program was inspired by the Phillip Street Theatre revues and featured Chater alongside Carol Raye and Barry Creyton as the principal performers in a weekly hour of topical sketches, songs, send-ups, and mock advertisements. Chater distinguished himself through his ability to create comic characters that audiences recognized as quintessentially ordinary Australians, complemented by daring and witty drag performances that became a hallmark of his work on the series. The show rapidly became an instant hit, expanding from a Sydney broadcast to national coverage across Seven Network affiliates and achieving huge ratings success. By the end of 1965 it ranked as one of the most popular programs on Australian television, functioning as a genuine cultural event in an era before home recording, with its irreverent satire shaking the medium free from 1950s-era respectability. The program's cheeky, vulgar, and constantly provocative content—encompassing political send-ups, social commentary, and double entendres—both entertained viewers and provoked complaints from church groups and regulators, establishing it as a pioneering force in topical television comedy that mirrored and challenged contemporary Australian life and cultural attitudes. Chater's contributions earned him the Gold Logie Award for Most Popular TV Personality in 1966. The series itself received TV Week Logie Awards for Best New Show in 1965 and Best Live Show in 1966, underscoring its critical and commercial impact during its run through to September 1968.

My Name’s McGooley, What’s Yours?

Following his success on The Mavis Bramston Show, Chater left to star in Australia's first successful television sitcom, My Name’s McGooley, What’s Yours?, where he played the central character Dominic McGooley from 1966 to 1968.

Later television roles and guest appearances

After his prominent television roles in the 1960s, Gordon Chater's screen appearances became more sporadic as he increasingly prioritized theatre work. In 1972, he starred as Dad Rudd in the short-lived comedy series Snake Gully with Dad and Dave, a contemporary update of the classic Australian Dad and Dave stories originally popularized in print, radio, and film. The show, produced by ATN-7, featured location filming in Sydney's west and ran for 13 episodes broadcast in late 1972, with Chater heading the cast alongside Garry McDonald as Dave Rudd. Thereafter, Chater made only occasional television contributions, primarily guest spots and variety appearances, while his career achieved renewed acclaim through acclaimed stage performances, including an international tour of The Elocution of Benjamin Franklin starting in 1977 and extended work in New York during the 1980s. Upon returning to Australia in 1990, he continued selective performing, though television remained peripheral to his later professional focus.

Stage career

Major Australian theater productions

Gordon Chater made significant contributions to Australian theater through his starring roles in long-running satirical revues and acclaimed dramatic productions, particularly in Sydney's vibrant stage scene. He gained prominence with his performances in the hugely popular Phillip Street Theatre revues starting in the mid-1950s, which were defining for Australian satirical theater and showcased his exceptional skills as a character actor and mimic. These productions, including Hit and Run and Top of the Bill, drew large audiences with their sharp wit and topical commentary, establishing Chater as a key talent in the intimate Phillip Street venue under producer William Orr. He also appeared in later Phillip Street shows such as A Ride on a Broomstick around 1960, sharing the stage with performers like Jill Perryman and Kevan Johnston. In the 1970s, Chater continued to feature in topical revues, including The Mavis McMahon Show in 1972 and Scandals of '74, which maintained the satirical style that had defined much of his stage work. One of his most celebrated and groundbreaking stage achievements was starring as Robert O'Brien, an outwardly respectable elocution tutor, in Steve J. Spears' The Elocution of Benjamin Franklin, a role that became synonymous with his dramatic range and brought him widespread acclaim for its bold exploration of identity and language. This production marked a major highlight of his later theater career in Australia.

Notable performances and collaborations

Gordon Chater's stage career in Australia was marked by several standout performances and significant collaborations that highlighted his versatility as a character actor. His work in satirical revues at Sydney's Phillip Street Theatre helped establish his reputation as a skilled mimic and performer in the late 1950s and beyond. He achieved particular acclaim for his one-man portrayal of elocution teacher Robert O'Brien in Steve J. Spears' groundbreaking play The Elocution of Benjamin Franklin, first staged at the Nimrod Theatre in Sydney. The production, which opened with Chater appearing naked on stage, broke new ground in Australian theatre with its bold themes and shocked audiences while earning widespread praise for his commanding central performance. This role was regarded as a high point in his career and received rave reviews during its Australian run as well as subsequent engagements in Los Angeles and San Francisco. In the 1960s, Chater performed with Dame Sybil Thorndike and Sir Lewis Casson in Enid Bagnold's The Chalk Garden. Later collaborations included his work with Barry Creyton in the comedy thriller Corpse!, directed by Edgar Metcalfe. He also appeared in Ronald Harwood's The Dresser, further demonstrating his range in dramatic roles.

Film career

Selected film roles

Gordon Chater's film career was relatively minor compared to his extensive contributions to Australian television and theatre, where he achieved his greatest fame as a comedian and actor. His appearances on the big screen were infrequent and often in supporting or uncredited capacities. He made an early screen appearance in the 1958 family comedy Smiley Gets a Gun, playing Rev. Galbraith in an uncredited role. This film, directed by Anthony Kimmins, marked one of his early film appearances after his emigration to Australia. Later in his career, Chater appeared in the 1993 Australian comedy This Won't Hurt a Bit, portraying the Dental Professor in this feature directed by Robert Tickner. This role represented one of his few prominent feature film performances in later years. Overall, Chater's film work remained selective, with his legacy firmly rooted in his comedic timing and character portrayals in other mediums rather than a substantial cinematic output.

Personal life

Relationships and identity

Gordon Chater was homosexual but maintained strict privacy regarding his personal relationships and sexuality throughout his life, never discussing these aspects publicly. In a rare 1991 interview, he alluded to a significant past romantic attachment by stating "of course there was a love of my life too, but I’m over that now," without providing any further details on the relationship or its nature. This reticence aligned with his broader approach to keeping intimate matters separate from his public persona in the Australian entertainment industry. His discretion allowed him to focus attention on his professional versatility rather than personal identity. No long-term partnerships or other romantic details emerged in authorized biographies, obituaries, or interviews.

Later years and health challenges

Gordon Chater spent his later years in Labrador, Queensland, leading a quieter life after decades of prolific work in Australian entertainment. In the 1999 Australia Day Honours announced on 26 January, he was appointed a Member of the Order of Australia (AM) for his service to the arts as an actor and to the welfare of the artistic community. He experienced heart disease in his final period, which contributed to his declining health.

Death and legacy

Death in 1999

Gordon Chater died on 12 December 1999 at Southport, Queensland, aged 77. He was cremated, survived by a niece and a nephew.

Awards, honors, and cultural impact

Gordon Chater received significant recognition for his contributions to Australian performing arts and entertainment. He won the Gold Logie Award for Most Popular Personality on Australian Television in 1966 for his work on the satirical sketch series The Mavis Bramston Show. In 1979, Chater received an Obie Award from the Off-Broadway theater community for his acclaimed performance in the one-man show The Elocution of Benjamin Franklin. He was appointed a Member of the Order of Australia (AM) in the 1999 Australia Day Honours for service to the arts as an actor and to the welfare of the artistic community through the Actors' Benevolent Fund. Chater's work left a lasting cultural impact on Australian comedy and satire, particularly through his inventive characters and witty drag performances that resonated with audiences as representations of ordinary Australians. His pioneering role in television satire during the 1960s and his international success with The Elocution of Benjamin Franklin helped elevate Australian comedic and theatrical talent on both domestic and global stages.
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