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Graham Kennedy
Graham Kennedy
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Graham Cyril Kennedy AO (15 February 1934 – 25 May 2005) was an Australian entertainer, comedian and variety performer, radio and television host as well as a personality and actor of theatre, television and film. He was often referred to as "The King of Television" or simply "The King" and called "Gra Gra" (pronounced "gray-gray").[1]

Key Information

Honoured as an officer of the Order of Australia, he was a six-time recipient of the Gold Logie, including the Logie Hall of Fame award, and won the Star of the Year Award in 1959. He is the most awarded star of Australian television. He was known for his radio and television collaboration's with Bert Newton, including on In Melbourne Tonight and The Graham Kennedy Show.

Early life

[edit]

Childhood and education

[edit]

Kennedy was born in Camden Street, Balaclava, a suburb of Melbourne to Cyril William Kennedy and Mary Austin Kennedy (née Scott).[2] Kennedy's mother, who was 18 years old at the time of his birth,[3] was employed at a local picture theatre. His father worked variously as an engineer and handyman, mowed lawns and washed cars. In 1939 he joined the RAAF as an air gunner.[4] Kennedy's first home was a "small, crowded duplex" at 32 Nelson Street, Balaclava. A 20 cm diameter plaque was placed on the property by the City of Port Phillip, coincidentally in the week of Kennedy's death.[5]

When Kennedy was two years old, his parents moved to Carlisle Street, St Kilda, for two years.[4] His parents divorced shortly before World War II and Kennedy was largely raised by his grandparents, "Pop" Kennedy (who had been an electrician at Melbourne's Tivoli, Royal and Bijou theatres)[3] and "Grandma Scott", to whom he remained particularly close until her death. Kennedy later said that he had:

often wished his mother and father had never married. 'I wasn't enamoured of either of them [...] they betrayed me [...] divorce is not too much fun for a little nine-year-old [...][6]

After Kennedy's death, an article in The Bulletin by his friend and colleague John Mangos recorded that:

... he would sometimes talk about the violent arguments between his parents, how he gravitated to his grandmother's bosom, his two uncles ("one fought the Germans, the other fought the Japs") and how one of them took liberties with the boy. Graham never resented him, claiming he equated it with affection.[7]

Kennedy was educated firstly at Euston College (which no longer exists)[8] on the corner of Chapel and Carlisle streets, secondly at Caulfield North Central School (now Caulfield Junior College) and finally at Melbourne High School, South Yarra. In 1977, Kennedy chaired a project to raise funds for improvements at Melbourne High which raised more than $100,000 in its first year.[9]

After school

[edit]

During a school break in 1949, Kennedy worked at his uncle's hairdressing shop at 475 Collins Street, where he met clients who worked in the same building for the Radio Australia shortwave service of the Australian Broadcasting Commission (ABC). He accepted a job as a news runner from Collins Street to the ABC studios in Lonsdale Street. Shortly after he joined radio station 3UZ, working in the station's record library.[10]

Radio career

[edit]
Kennedy (top left) at a Radio 3UZ staff show, 1954

3UZ and "Nicky"

[edit]

Clifford "Nicky" Nicholls Whitta was a Melbourne radio personality. A radio performer since 1932, he presented a housewives' program, as well as "Chatterbox Corner" with his wife Nancy Lee (Kathleen Lindgren). In an era when Australian radio announcers routinely adopted false British accents and a "hard-sell" approach to advertisements, Whitta's authentic Australian voice and irreverent attitude towards his sponsors brought him a large audience.[11] In Nancy Lee's 1979 biography Being a Chum Was Fun she says: "Nicky went on to become the most popular announcer ever on Melbourne radio".[12]

In his foreword to Nancy Lee's book, Kennedy wrote:

About 40 years ago, when I was a snow haired six year old, I can remember being totally captivated by a grown man pretending to be a naughty little boy on 3AW's children session called "Chatterbox Corner". His name was Clifford Whitta, and he was to become the most important man in my life. Years later I was even more fascinated with this man when he conducted a breakfast program and let the boy who played his records actually talk on the air with him.[13]

Nicholls moved from 3KZ to 3UZ (where Kennedy was working), bringing with him his teenage panel operators Alf "Alfie Boy" Thesinger and Russell Archer. However, eighteen-year-olds, Thesinger and Archer were conscripted for National Service. Nancy Lee's book records:

I asked Nicky, "Have you decided on anyone to help you in the session yet?" When I heard the chosen one was to be young Graham, I was surprised. "Oh, no, not Graham! [...] he's a nice boy, but he can't talk." Nick said, "Mum, leave him to me."[14]

Nicky became a father-figure, personal friend and mentor to Kennedy, and the two built an extraordinary on-air rapport.[15] Kennedy wrote:

Being straight man to one of the greatest entertainers of our time was not all that easy. We were not always chums. He would spend weeks not talking to me (except on air) for something I had unknowingly said or done. Once he even suspended me from the programme for some trivial matter. [...] I worked with him until his sudden death in 1956. I never stopped being a fan. I did not realise then that I had been prepared for another career on another electrical medium: the most potent communication device of the century.[16]

Nicky died on 8 September 1956.

Other radio

[edit]

By May 1957, Kennedy was appearing on television, but also presented a 3AK morning radio program with Bert Newton in 1961–1962, which later originated from a studio built at Kennedy's home in Olivers Hill, Frankston.

In 1970, he worked at 3XY; from June to December 1975 he appeared on a 3LO drivetime program with Richard Combe; from September to November 1976 was on 3DB with Dennis Scanlan; in 1977 he returned to DB to cover the Silver Jubilee of Elizabeth II live from London.

RS Playhouse

[edit]

Kennedy recorded eight 30-minute radio comedies for the ABC under the title Graham Kennedy's RS Playhouse. Written by Gary Reilly and Tony Sattler (who together wrote the television programs Kingswood Country and The Naked Vicar Show), the shows were broadcast between 11 August and 23 September 1979.

Sattler and his wife (actress Noeline Brown) were two of Kennedy's closest friends.

2Day FM

[edit]

In 1980, Kennedy became a 10% shareholder in Sydney radio station 2Day FM, and from 24 May 1981 he presented a computer-edited, three-hour Sunday morning program of music and comedy.[17]

Television career

[edit]

Kennedy's first television appearance was in March 1957, representing 3UZ on a GTV-9 Red Cross telethon. Viewing his performance on the monitors, GTV-9's general manager Colin Bednall and producer Norman Spencer "... turned to one another without exchanging a word and shook hands."[18]

In Melbourne Tonight

[edit]

Bert Newton: Hello, I'm Bert Newton.
Graham Kennedy: Big deal.

Bednall and Spencer defied both the GTV-9 boardroom and the first sponsor (Philips) by choosing Kennedy, who began on a salary of £30 for five one-hour evening shows per week to be called In Melbourne Tonight (or IMT) which began on 6 May 1957 (A$213 per hour in 2022 terms). Thus, the 23-year-old Kennedy began a career of which he later said that he was "terrified for forty years".[19] The show's theme song, "Gee, But You're Swell", was written by Abel Baer and Thomas Tobias in 1936.

Kennedy was not GTV-9's first choice – they had planned to use either 3UZ personality John McMahon or 3DB's Dick Cranbourne. Despite later reports that the program's name had been intended to be The Late Show, and that rival station HSV-7 beat GTV-9 to the title by one week, contemporary press reports from several weeks before the show's debut list the title as "In Melbourne Tonight".[20] The program became extremely popular, although Kennedy had his detractors. Kennedy was quoted as saying:

Many women write to tell me that although their husbands may not like me, they do. It appears from the mail that the women have the say on what the household is watching. And we do remember that it is the women who do the buying of products that we advertise. Bearing that in mind we try and design our commercials for them.[21]

IMT was devised as a copy of the American Tonight Show format, with the host presiding over sketches, introducing star artists and reading advertisements live. His colleague Bert Newton records in his autobiography:[22]

(Norman) Spencer was the mastermind of IMT; don't let anyone forget that. Nothing happened on IMT that Norm did not approve personally [...] Norman Spencer chose Graham Kennedy as compère; Norm kept his eye on the show from day to day; he pushed the buttons from the control room which put the TV shots into viewers' homes at night; he added the talent around Graham and he set up the organisation.

Spencer wielded other influence, too. According to Hugh Stuckey, a writer on the show, the producer placed Kennedy with a series of attractive young women to displace rumours of Kennedy's homosexuality.

This was an era in which homosexuality was, well, horrifying. So every now and again Kennedy had to be seen about in case any viewers thought him the other persuasion. [...] It was cleverly manipulated – the station had the media at its disposal. It was all to give Graham a good old hetero image though he always seemed very unsexual.[23]

By July 1959, the program was still popular in Melbourne. Recurring comedy players Joff Ellen and Rosie Sturgess became regulars. Singer Toni Lamond joined the cast. Attempts were made at this time to launch Kennedy as a national personality. Special Friday night editions of IMT were produced under the title of The Graham Kennedy Show and recorded on videotape which had just come into use. After being transmitted live in Melbourne taped copies of the show would be shipped to Adelaide, Brisbane and Sydney for transmission there on subsequent evenings.[24] Producer Spencer observed there was critical and popular resistance to Kennedy in Sydney. Queensland too had shown suspicion to imports from down south trumpeted to Queenslanders as the best in Australia while Queensland itself had apparently been left out of this judgement.[25]

The Graham Kennedy Show began in February 1960 but was not popular in Sydney. The program was judged stilted compared to IMT itself; Kennedy seemed much more subdued than usual, was tense, and the comedy was not working. Critics in Sydney and Queensland disliked key components of the show.[26] Judged as a flop, The Graham Kennedy Show in Sydney was dropped by ATN7 after 13 weeks. The program however was immediately picked up by TCN9 – its general manager Ken G. Hall saw potential in the program. After continued bad reviews its popularity increased in Sydney. By July 1960 it had reached its twenty-fifth episode and had the highest ratings in Australia.[27]

Later in 1960 Kennedy faced opposition when Sir Frank Packer bought GTV-9. Unlike the previous owner, Packer interfered directly with the station's activities. GTV-9 executive Colin Bednall reported that Packer hated Kennedy and forcefully articulated his desire to have him removed from the IMT.

Packer had a phobia about homosexuals and he believed Kennedy to be one. He insisted he could pick one a mile off.[28]

Kennedy himself was aware that Packer "loathed" him:

Sir Frank did suspect that I and others were of that persuasion. I mean if everyone in the television industry was fired because of that, there would be few around! [...] I've been accused of everything. I've been accused of being homosexual, bisexual, heterosexual and worst of all asexual, which means you don't do anything. That's cruel.[29]

Packer's arrival prompted the departure of IMT producer Norman Spencer. IMT continued its run. Other regular performers on IMT were Patti Newton and Philip Brady. In 1961, Kennedy described his presentation of the program.

In the whole of the ten years I have been working on radio and television, I have been working to a majority of women. I think women prefer men to be well-mannered, so I always try to watch my manners. They like men to be well dressed, so I do my best to observe this. Others bring to my notice the fact that I sometimes make grammatical errors in my speech; so, because of this, I try to watch my grammar – but at the same time I bear in mind that it's more profitable for me to be entertaining than to be perfect in my use of English.[30]

By March 1961, the national show had been renamed Graham Kennedy's Channel 9 Show and was finding quiet acceptance nationally. Even at this time Kennedy admitted there were problems in the weekly national show.

We clam up and get tense. But I think the national show will improve in the next few weeks. We want to include the best segments of IMT in the national show. IMT is a lot more spontaneous than the national show – we've run up to an hour overtime. We like to get the audience to participate and if we can find someone interesting in the studio audience we throw away our scripts and just adlib.[31]

Kennedy by this stage did not always host IMT. Bert Newton hosted on Monday nights. Then a September 1961 reshuffle had Toni Lamond host Monday nights and Newton hosted only on Thursday nights. Kennedy took occasional nights off to be replaced by Fred Parslow, Jimmy Hannan, and Philip Brady. Despite resistance from network executives to the varied hosting line-up, the ratings remained strong.[32]

In January 1962 the national Graham Kennedy's Channel 9 Show was cancelled and replaced by The Channel 9 Show hosted by Bert Newton.[33] Kennedy continued to fine-tune his IMT performances. Kennedy had a strong understanding of key technical elements of television and perfected his comic timing, and watched the lenses on the TV cameras, adjusting his performance depending on whether he was in a wide shot or a close up.[34] Compilation highlight programs of IMT segments were screened in Sydney, Perth, Brisbane and Adelaide in May 1963 under the title The Best of Kennedy. The Best of Kennedy continued until December 1963.[35] On IMT, Noel Ferrier was appointed the new Friday night host. Also in 1963 writer Mike McColl-Jones joined. Kennedy had often disliked having writers on the program, was reluctant for them to be publicly acknowledged, and often ignored all their material, preferring to rely on Tivoli shtick and sketches remembered by veterans like Joff Ellen. In the case of McColl-Jones, Kennedy seemed to like him and his comedy material, which was apparently the key requirement by which Kennedy would use a writer's material. McColl-Jones continued as a writer on the series for several years. Also in 1963 Ernie Carroll joined the writing team. Kennedy had apparently relaxed his attitude towards writers by this stage and seemed happy to use their material with few complaints.[36]

In 1964 Bert Newton abruptly disappeared from the program. It was not publicly acknowledged at the time but he had suffered a nervous breakdown. After a long absence he returned to appear on the Monday, Tuesday and Wednesday evening episodes. On 14 June 1965 IMT reached its 2,000th instalment and more people watched the show per capita than any other television program in the world.[37]

By this stage Fred Parslow was well established on the program's writing team and was a confidante of Kennedy's.

When he was really down, depressed about things. A relationship had failed. He rang me in a terrible state and asked me to go down to his house in Frankston. Joan, my wife, said you better go. He sounded really desperate. There wasn't much he could do for such a long time. Of course, when he did start to get brave, he was too old for going around and picking up what he might enjoy. He was the first of our mega stars; there seem to be mega stars everywhere now. In those days, living in such a Sleepy Hollow like Melbourne, he found his life terribly, terribly difficult. And you can understand in those days. The times have changed. It's almost compulsory to be homosexual now.[38]

On 7 July 1965, Kennedy appeared on a then-innovative live split-screen link with Don Lane, the host of Sydney Tonight, via the recently completed co-axial cable linking Melbourne and Sydney. Starting late September 1966, IMT itself was transmitted to Sydney via the coaxial cable. This coincided with a cameo in the film They're a Weird Mob in which Kennedy plays himself. Like the film's protagonist, Kennedy in the film finds Sydney to be a city somewhat unwelcoming towards migrants from anywhere.[39] By early December 1966 ratings for Kennedy's show were strong in Sydney. There was an increase from one IMT episode a week in Sydney, to two, with a Monday night broadcast added that month.[40]

By 1968, there was a regular roster of IMT guest hosts, including Bert Newton, Tim Evans, Bobby Limb, Don Lane, Kevin Sanders, and Michael Preston.[41] The announcement of Kennedy's intention to leave IMT was made in October 1969 and he left the show on the expiration of his contract 23 December 1969. His final episode features newsreader Sir Eric Pearce placing on his head a crown made by the Channel Nine prop department in the style of that worn by Henry IV, symbolising Kennedy's reign as King of Australian television.[42]

In 2007, the crown (which a private collector had recognised at a junk store in Bowral NSW, and purchased for $5) was auctioned for more than $17,000 to a producer of the Seven Network's Sunrise program.[43]

The Graham Kennedy Show

[edit]

After specials on 15 November 1971 and 2 March 1972, Kennedy returned to regular television with The Graham Kennedy Show on 19 September 1972. This series lasted until late 1973. In 1974, when Kennedy claimed he wanted a rest, Nine allegedly paid him not to sign with another network. It was Frank Packer who paid Kennedy $50,000 to do nothing, as he was fearful he would work for someone else. Kennedy said in 1978:

It wasn't a retainer. It was $50,000 not to work. Sir Frank didn't know it but I had no intention of working.[44]

The Graham Kennedy Show resumed in March 1975, and was Kennedy's first series in colour.

Memorable, and controversial, moments, included the "crow call" controversy where, on 3 March 1975, Kennedy imitated a crow call ("faaaaaark") highly reminiscent of the word "fuck". This led the Australian Broadcasting Control Board (ABCB) to request that Kennedy "show cause" why he should not be removed from the airwaves.[45] Kennedy replied that he could not show cause,[46][47] suggesting that the Board take action to limit his appearances, while hinting at legal action should they do so.[48] Rather than removing him, the ABCB banned Kennedy from appearing live, forcing him to pre-record the show on videotape.[49]

Another notable moment was from 17 April 1975, when Kennedy attacked Senator Doug McClelland, the then Minister for the Media, over local content issues. His comments were edited, and a voiceover recorded by the general manager was inserted saying that Kennedy had made a "cowardly attack on a Labor Minister who was unable to defend himself."

Following the McClelland incident, Kennedy parted company with the Nine Network, but later returned.

Later television work

[edit]

Kennedy appeared as Clive Parker in an episode of the 26-part ABC drama Power Without Glory, which began on 21 June 1976.

He returned to television in 1977 for what is now Network Ten to host a comedy game show, Blankety Blanks. It dominated early evening television over two seasons, between 7 February 1977 and 15 September 1978. The show featured friends from his earlier days including Noeline Brown, Barry Creyton, Noel Ferrier, Ugly Dave Gray, Carol Raye and Stuart Wagstaff. It was only after the show became a ratings success and the network's most profitable program that it revealed Kennedy was paid an unprecedented $1 million per season.[50]

In 1979, "The King" became King of Moomba complete with his motorised desk, the second Melbourne-born recipient after Newton.[51]

In 1982 Kennedy provided the voice-over narration for a ten-episode ABC historical documentary The Blainey View.[52]

Kennedy appeared as the host of Channel Seven's morning news program Eleven AM in 1983 and again – for eight weeks – in 1984.[53] Nearly 60 by this point, Kennedy accepted an offer from the Nine Network's managing director Sam Chisholm to present Graham Kennedy's News Show from Sydney, to air five nights a week at 10:30 pm against Clive Robertson's Newsworld on the Seven Network.[54] Five trial programs were recorded but never broadcast.[55]

Kennedy initially "pulled the plug" and withdrew from the show but returned (see Harry M. Miller, below). Kennedy's contract stipulated that his co-presenter would be sports commentator Ken Sutcliffe.[56]

Kennedy's writers, who worked from a production cottage at the corner of Scott Street and Artarmon Road included Jim Pike, Tim Evans, Larry Burns, and Ken Sterling. Blundell records:

They worked in the back room shooting out gags over typewriters and word processors, united in their hatred of the 'Little Guy', as they also called him."[57]

The writers also referred to Kennedy as "the little buggle-eyed bastard",.[58] However, they admired his talent. Jim Pike said, ".. I hate him, but he is the best there is".[58]

Kennedy defied convention with his tasteless humour. Pointing out the irony of how a news show gets good ratings he said it would be helpful for his show's ratings if the Pope's aircraft were to fly into a mountain while it was full of orphans. He also remarked that Queen Elizabeth II "didn't have bad breasts ... for a woman of her age" and mocked 17 October 1989, San Francisco Loma Prieta earthquake with a re-creation on the set.

After a slightly heavy woman was caught for streaking at a cricket match, Graham explained on air that they would run the footage but had to cover certain offending parts of her body with black. The clip he played was all black, except for a single spot that revealed her pubic hair.

He also reprised the "Chum Song" from Melbourne radio days, saying that it originated in a 1920s children's newspaper column in Scotland. In Nancy Lee's book Being a Chum Was Fun she writes:[59]

The Chum Song, I believe, was written and recorded in Glasgow in 1930 by Jack Hylton's orchestra for a Scottish Newsboys Club. The recording Kennedy used to close the program was provided by Melbourne music Historian Alex Hehr

The lyrics of the chorus are:

Being a chum is fun,
That is why I'm one;
Always smiling, always gay,
Chummy at work,
(and) chummy at play -
Laugh away your worries,
Don't be sad or glum;
And everyone will know that you're a
Chum, chum, chum!

Sutcliffe would "corpse", with tears in his eyes, unable to continue; this became so frequent that Kennedy managed to coin a catchphrase, "I love it when he cries".

Kennedy called Sutcliffe "Two Dogs" after delivering a joke ending with the tag "Why do you ask, Two Dogs Rooting?"

Graham Kennedy's News Show was a rarity in that it was a live news show that had a studio audience. Five nights a week for most of the year, audiences lined up at 10:30 at night just to see Kennedy do his magic in the flesh. Often the funniest parts of the show were in the commercial breaks when Kennedy would come down and join the audience for a chat. He always made a point of telling them a particularly crude joke that was timed so they got the punchline just a second before the show was back on air. On 13 February 1989 the show became Coast to Coast, with Nine journalist John Mangos replacing Sutcliffe, and ran until 8 December 1989. Kennedy's last series was Graham Kennedy's Funniest Home Video Show which was broadcast between 29 March and 15 November 1990 on the Nine Network. Kennedy presented the introduction segment to the Nine Network special 35 Years of Television in 1991. The segment covered the very early days of television variety, including his own In Melbourne Tonight. Kennedy's last television appearance was in February 1994 in an interview for Ray Martin Presents Graham Kennedy's Sixtieth. Believing that Martin had ambushed him by departing from a pre-agreed list of questions, Kennedy ensured that much of the interview was unusable for broadcast by peppering his responses with obscenities.

In 2005 John Mangos wrote:

He (Kennedy) later explained the experience in a piece for TV Week in an article called 'In his own words'.

"Ray Martin and I had worked together before, and he well knows that if I have the questions in advance, he'll get a better interview. Everyone knows this – politicians in particular. Ray duly faxed the questions to me, but on the morning of the recording changed them. I was bewildered by this (I think a researcher let him down). I terminated the interview when I didn't know what he was talking about and went upstairs to lunch."

It was a critical turning point in his career. He vowed never to do television again.[7]

Ray Martin denied any ill intent, saying "We faxed a series of general topics, but it was clear at the outset that much would depend on the general run of the interview [...] An ambush was not on the agenda [...] He had no complaints. There was never a suggestion that he was unhappy."[60]

Logie awards

[edit]

Kennedy coined the name Logie Award in 1960, after the inventor of television, John Logie Baird.

Kennedy received many Logies, including:

  • 5 Gold Logies for the Most Popular Personality on Australian Television (1960, 1967, 1969, 1974, and 1978).
    • He also won the "TV Week Awards' Star of the Year" award at the inaugural presentation in 1959, and this is sometimes counted as his first Gold Logie, which would give him 6 in total
  • a Special Logie Award – the Star of the Decade in 1967
  • a Hall of Fame Logie Award in 1998. He did not attend the ceremony; the award was accepted on his behalf by Bert Newton.

Filmography

[edit]

Film

[edit]
Year Title Role Type
1959 On the Beach Cameo (uncredited) - cut from final film Feature film[61]
1966 They're a Weird Mob Himself (cameo) Feature film
1968 The World of the Seekers Himself TV movie
1975 The Box Himself Feature film
1976 Don's Party Mack, design engineer Feature film
1979 The Odd Angry Shot Harry Feature film
1980 We'll Be Back After This Break Himself TV movie
1980 The Club Ted Parker Feature film
1983 The Return of Captain Invincible Prime Minister (cameo) Feature film
1984 The Killing Fields Dougal Feature film
1984 Stanley Norm Norris Feature film
1987 Les Patterson Saves the World Brian Lannigan Feature film
1987 Travelling North Freddy (final film role) Feature film

Television

[edit]
Year Title Role Type
1957 GTV-9 Red Cross telethon 3UZ representative TV special
1957-69 In Melbourne Tonight (IMT) Host TV variety series, 87 episodes
1959 The Bob Dyer Show Himself TV special
1959 BP Super Show Himself TV series
1959 Adelaide Tonight Himself TV series
1960 The General Motors Hour Himself TV series, 1 episode
1961-62 Graham Kennedy's Channel 9 Show' Host TV variety series
1963 The Best of Kennedy TV highlights series
1965 In Perth Tonight Himself TV series
1972 ALP: It's Time Himself TV political campaign
1972-75 The Graham Kennedy Show Host TV variety series, 115 episodes
1975 Celebrity Squares Himself TV game series, 11 episodes
1976 Power Without Glory Clive Parker TV series, 1 episode
1976-83 The Don Lane Show Himself TV series, 2 episodes
1977-78 Blankety Blanks Host TV game series, 27 episodes
1980 Kingswood Country Himself TV series, the royal visit
1980 Celebrity Tattle Tales Himsf TV series, 2 episodes
1980 Cabaret Himself TV series
1981 The Love Boat Port Vila Jeweller TV series, 2 episodes
1982 The Blainey View Narrator TV documentary series, 10 episodes
1983 Silent Reach Chasser Fitzpatrick TV miniseries, 2 episodes
1983-84 Eleven AM Host TV series
1984 Five Mile Creek Walker the Hawker TV series, 1 episode
1988-89 Graham Kennedy's News Show Host TV series
1989 Coast to Coast TV series
1989 Channel Seven Perth Telethon Himself TV special, 1 episode
1990 Graham Kennedy's Funniest Home Video Show Host TV series, 1 episode
1991 35 Years of Television Presenter (introduction segment) TV specials
1994 Ray Martin Presents Graham Kennedy's Sixtieth Interviewee TV special

Personal life

[edit]

Being a period of that era of the 1950s I think being gay must have been pretty harsh for Graham. I can imagine...everybody knew, nobody cared, but I think it was such a time when you didn't talk about issues that were personal, and I think that made him much more secretive and reclusive, and I think that was probably quite a tough thing for him... – Susan Gaye Anderson[62]

Kennedy himself never publicly acknowledged that he was gay, but his homosexuality was considered an open secret within the Australian entertainment industry.

Kennedy (right) with Nunawading Mayor Owen Goldsborough at the opening of the Forest Hills Shopping Centre, 1964

In the 1960s, Bob Dyer described him as "probably the loneliest young man in Australia."[63]

In 1973, Melbourne newspapers reported that Kennedy was engaged to 28-year-old Australian singer Lana Cantrell, who became a successful New York lawyer. Many years later, Kennedy wrote to a newspaper that a photographer, taking pictures of him and Cantrell leaving a restaurant together, asked if he could "hint at a romance". The following Sunday, a poster proclaimed "Graham and Lana to wed".[64] His former housekeeper, Devona Fox, in the 2009 television documentary The Real Graham Kennedyproduced by Bob Phillips, one of the producers from Kennedy's breakthrough Channel 9 program In Melbourne Tonightis quoted as saying:

Graham always told me right early on that he would never get married. He told me that his life was devastated when his parents split up, and he said straight out, "Mrs Fox, I'll never get married", so I never expected anything more of him than what did happen. Even when Lana Cantrell came into the scene I was puzzled and I did say to him why all this, and of course we all know it was good publicity. Lana came to the house and I had to go up, and have it all cleaned, ready for her and her party to come one Sunday night. And then on the Monday night, this great big announcement was going to be made that he was supposed to be engaged to Lana Cantrell. Well, the ratings went through the roof...[62]

In his 2006 book King and I: My Life with Graham Kennedy, published by celebrity agent Anthony Zammit, broadcaster Rob Astbury stated that Kennedy and he had been lovers. Kennedy is portrayed as homosexual in the 2007 biopic The King.[65]

He was a Freemason.[66]

Lawsuit

[edit]

Kennedy engaged Harry M. Miller as his agent. According to biographer Blundell, Kennedy believed that Miller was to donate his commission of $2500 per week to the Wayside Chapel for Kennedy's appearance on Graham Kennedy's News Show.[67]

Miller later sued Kennedy for "wrongful termination and for a 20 per cent commission on his 1989 gross earnings."[68] During the court case, Miller "painted a picture of his client of twenty years as a late-night drunk in the habit of sending demanding faxes while under the influence."[69] Justice Brownie found against Miller, and ordered him to pay $75,699 and costs.

Retirement

[edit]

In 1991, Kennedy retired to a rural property at Canyonleigh, near Bowral in the Southern Highlands of New South Wales, near his friends Tony Sattler and Noeline Brown, where his main companions were two Clydesdale horses named Dave and Sarah, and Henry, a Golden Retriever.

Health problems

[edit]

Kennedy's health declined during the 1990s. He was diabetic, and a heavy smoker and drinker. Throughout his illnesses, his friends Tony Sattler and Noeline Brown rallied to his aid.

On 18 December 2001 his housekeeper found him unconscious and dehydrated. Sattler said "Between the diabetes and the booze, there's not much left of him", adding that the death of Kennedy's dog Henry was "the final trigger".[70]

On 14 June 2002 Kennedy was found unconscious at the foot of the stairs at his home, suffering a broken leg and skull with suspected brain damage.[71]

His Canyonleigh property was sold, and he moved into a townhouse and later a nursing home.

Benefactor

[edit]

Despite a career of high earnings, press reports said that his financial situation was, while not disastrous, insufficient to fund his ongoing care. Having made millions for the Packer family interests, he believed that "the Packers will always look after me".

According to Graeme Blundell's biography, Tony Sattler:

[...]spent several days ringing Kerry Packer's office [...] Nursing was going to cost $3000 a week. 'We could cope for several years but not longer. [...] After three days Di Stone, Mr Packer's personal assistant, called Sattler back: 'Mr Packer has considered his plight. Unfortunately, he is unable to assist.

[...] Sattler received a phone call from [...] an 'unnamed businessman' – [...] ten minutes later there was a call from Graham's bank to tell Sattler that $150,000 had been deposited in the ailing comedian's account.[72]

On 27 May 2005, Noeline Brown confirmed that the benefactor was Sam Chisholm.[73]

However, Kennedy's will reportedly left a seven-figure sum to the Sydney City Mission.[74]

Decline and death

[edit]

On 2 February 2004, The Daily Telegraph said:

The king of Australian TV Graham Kennedy will celebrate his 70th birthday next weekend with a few close friends. The low-key affair is expected to be at the Kenilworth Nursing Home at Bowral where Kennedy has lived since taking a nasty tumble a few years ago. Physically he's not in terrific shape. He can't walk any more and gets around in a wheelchair as a result of the diabetes and the years of heavy smoking.

Actor Graeme Blundell, who had worked with Kennedy on the movie The Odd Angry Shot, published a biography of Kennedy, King: The Life and Comedy of Graham Kennedy (MacMillan, 2003). A newspaper report stated that Kennedy "passed on his best wishes but declined to be involved 'for no particular reason [...] other than he believes he has a limited memory of many of the facts of his life'."[75] The book, which was completed before Kennedy's death, ends with "Graham read them [chapters of an early draft] ... asked if he wished to read any more, 'No', Graham Kennedy said. 'I know how it ends.'"

In 2001, Kennedy's friend and Coast to Coast colleague John Mangos was reported as saying:

I can say to his beloved fans that they won't see Graham again. He won't appear publicly again; he is in his twilight. He has made a personal decision to disappear quietly into the sunset.[76]

On 25 May 2005, aged 71, Kennedy died at the Kenilworth Nursing Home, Bowral, from complications from pneumonia.[77]

John Mangos wrote in The Bulletin:

A week before his 69th birthday, he was bedridden and infirm. His wasted and frail, aching body could take no more. I paid a short and emotional visit. Still, the ashtray was by his bedside next to a radio tuned to ABC Radio National. I leaned over to kiss him on the forehead and he whispered, 'Don't get too close, it hurts'.[7]

He also wrote:

I was often asked if he had cancer or AIDS. In fact at 67, he had diabetes, some rheumatism, the odd creaky joint, a healthy capacity to whinge and the usual symptoms connected with smoking and drinking. But by now the horses were gone and the dog had died. He was eating less and drinking more. One night, he fell down the stairs. He was discovered the next morning on the floor by his housekeeper. He was rushed to the local hospital where pneumonia in one lung was treated effectively and efficiently, a fracture near his hip was repaired and he was diagnosed with brain damage. We were to learn he had Korsakoff's syndrome (an alcohol-related condition) and we decided to keep it private.[7]

Korsakoff's syndrome is a form of amnesia seen in chronic alcoholics; briefly stated, victims eat too little and drink too much.

Derryn Hinch controversy

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After his death, controversial Melbourne-based 3AW radio broadcaster Derryn Hinch alleged that Kennedy had died from an AIDS-related disease. This was strenuously denied by his friends and carers Noeline Brown and Tony Sattler, and as a result Kennedy's biographer Graeme Blundell then published Kennedy's medical records, including a recent negative HIV test, to disprove this allegation.

Funeral

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Tony Sattler offered the Nine Network the right to televise the funeral but it declined, claiming it could not justify the cost of the outside broadcast. The Seven Network accepted, and gave coverage free of charge to the Nine Network. Hence, the one-hour funeral service was aired simultaneously across both Seven and Nine networks.

Stuart Wagstaff presented the funeral, which was attended by many of Kennedy's friends, colleagues and associates on the morning of 31 May 2005 at a small community theatre in the town of Mittagong. At the end of the funeral Kennedy's coffin was carried by players from the St Kilda Football Club, the Australian rules football team he supported.

Wagstaff's eulogy alluded to the claims made by Derryn Hinch about the cause of Kennedy's death:

Delivering a eulogy for a close friend and for someone who was so much admired is never a happy occasion. Though I must confess I would be quite happy to deliver a eulogy for a certain media personality who's tried the second Kennedy assassination of our time... and failed.[78][79]

The Age newspaper, on 26 June 2005, reported John Mangos as saying that he "knew Kennedy wanted his ashes scattered at sea. And that wish was carried out." This was confirmed in a report in The Sydney Morning Herald which stated that Kennedy's ashes were scattered in the sea at Kiama attended by a group which included "Noeline Brown, Tony Sattler, John Mangos, Stuart Wagstaff, Kennedy's former housekeeper Sally Baker-Beall and her husband John, and old friends Christine and Nicholas Deeprose."[80]

Legacy

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Four of Kennedy's television shows were named in the program 50 Years 50 Shows which counted down the top 50 Australian TV shows of all time, as decided by ratings data and the opinions of 100 television industry professionals, on the Nine Network on 25 September 2005. Kennedy's In Melbourne Tonight topped the poll, Power Without Glory was 15th, Blankety Blanks was 20th, and Coast to Coast was 42nd.

In the Australia Day honours of 26 January 2006, Kennedy was posthumously appointed an Officer of the Order of Australia (AO), for "service to the entertainment industry as an actor, comedian and presenter significantly influencing the development of the radio, television and film industries in Australia, and to the community".[81] The award was made effective from 5 May 2005.

The King telemovie

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A telemovie examining Kennedy's life, titled The King, began filming in December 2006. It stars Stephen Curry as Kennedy and Stephen Hall as Bert Newton, with Garry McDonald, Shaun Micallef, Steve Bisley, Jane Allsop as Noeline Brown, Beau Brady, Leo Taylor as Sir Frank Packer and Bernard Curry as John Wesley.

The project, which cost $2.1 million, premiered on 20 May 2007 on TV1 (becoming the highest-rating drama to be shown on pay-TV) to heavy criticism by Kennedy's friends. Tony Sattler and his wife, actress Noeline Brown, Kennedy's closest friends, said they were mortified by the movie, saying that "The film was obsessed with his homosexuality. I don't think people cared about that ... He was Australia's most famous, successful entertainer but how much do we see of that in the film? We see fuck all of it."[82] The Nine Network screened the film on 27 August 2007 .[83]

Comedic style

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Kennedy deliberately pushed the boundaries of acceptability in a socially conservative era. Inspired by stage comedians such as Roy Rene, his style was bawdy, irreverent, iconoclastic, often smutty, sometimes deliberately camp, and laden with innuendo and double-entendre. He regularly overstepped the boundaries of accepted "good taste", once telling a fan "There are no limits, love, there are no limits."[84]

Journalist Megan Gressor described Kennedy's style as having "... mongrel roots – a hybrid of vaudeville, slapstick and endless suggestiveness, plus a subliminal subversiveness all his own. It seems almost pantomimic to modern eyes, but Kennedy was a product of simpler times. And more complex. His was an act predicated upon repression; naughtiness loses its point in a world without taboos, where anything goes. It wouldn't work today, when people don't just say "fuck" on television, they do it."[85]

References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Graham Cyril Kennedy AO (15 February 1934 – 25 May 2005) was an Australian entertainer, comedian, variety performer, and pioneering television host who dominated Australian in the mid-to-late . Kennedy rose to prominence hosting the nightly variety program In Melbourne Tonight (IMT) on GTV-9 from 1957 to 1970, where his ad-libbed humor, rapport with guests like , and spontaneous style captivated audiences and set standards for entertainment. He later fronted The Graham Kennedy Show (1972–1975), further solidifying his status as a ratings powerhouse through sharp wit and banter that often pushed boundaries of broadcast norms. Regarded as the "King of Australian Television," Kennedy amassed a record 15 , including five Gold Logies for most popular personality (1959, 1967, 1969, 1974, 1978) and the Hall of Fame induction in 1998, reflecting his unparalleled influence on the medium. He received the Officer of the (AO) in 1998 for services to , alongside acting roles in films like The Club (1980) and radio work that extended his career across media. In his later years, Kennedy retreated from public life to a reclusive existence in ' Southern Highlands, succumbing to on 25 May 2005 at age 71 after prolonged health struggles. His legacy endures as a foundational figure in Australian TV, honored with statues and tributes for revolutionizing variety format through authentic, performer-driven content.

Early Life

Childhood and Family Background

Graham Cyril Kennedy was born on 15 February 1934 in the suburb of , , to parents Cyril William "Syd" Kennedy and Mary "Molly" Austin Kennedy. As the only child in a working-class family facing financial hardships during the , Kennedy experienced a modest upbringing marked by economic struggle. His parents divorced shortly after his birth, leading to Kennedy being primarily raised by his maternal grandmother, whom he later described with deep affection, while maintaining distant relationships with both his mother and father. Early childhood memories included living in a home with a dirt floor and witnessing intense parental conflicts, which he recalled as physically violent in later interviews. Described as a solitary and sensitive boy, Kennedy grew up in an environment that fostered independence amid familial instability.

Education and Initial Aspirations

Kennedy was educated at Euston College in East St Kilda, Caulfield North Central School, and in . He completed his formal schooling at age 15 in 1949, consistent with common practices of the era for working-class youth in post-war seeking early employment. From an early age, Kennedy demonstrated a keen interest in and , which shaped his initial ambitions toward radio rather than further academic pursuits. Upon leaving school, he immediately entered the industry as a messenger boy for , delivering news scripts after school hours prior to full-time commitment. By 1951, at age 17, he advanced to turntable operator at commercial station 3UZ in , handling record playback and gaining on-air exposure as a foil to morning host Cliff Nicholls. These entry-level roles reflected his self-directed drive to build skills in live performance and audience engagement, bypassing traditional paths like or apprenticeships in unrelated fields.

Radio Career

Entry into Radio

Kennedy began his professional involvement in radio at the age of 15 in 1949, securing an entry-level position as a messenger boy for , the shortwave international service of the Australian Broadcasting Commission (ABC). This role involved running news scripts from Collins Street to ABC studios in , providing him initial access to the broadcasting environment despite lacking formal qualifications or on-air experience at the time. Seeking greater immersion in radio operations, Kennedy transitioned to evening and Sunday shifts as a copy boy for the ABC, which allowed him to observe studio activities and network within the industry. By 1951, he moved to commercial station 3UZ, starting in the record library before advancing to turntable operator for the popular program Platters Over Australia, hosted by . This position marked his first significant technical role in music programming, handling disc playback and contributing to the show's format, which emphasized contemporary records and helped establish 3UZ's competitive edge in Melbourne's radio market. Kennedy's work at 3UZ evolved into announcing duties, positioning him as one of the station's early disc jockeys and honing skills in ad-libbing and audience engagement that would define his later career. These foundational experiences in the late and early occurred amid Australia's post-war radio expansion, where commercial stations like 3UZ prioritized youth-oriented music shows to rival the ABC's dominance.

Key Radio Programs and Innovations

Kennedy's breakthrough in radio came through his collaboration with Clifford Nicholls Whitta, known as Nicky, on station 3UZ. Starting as a turntable operator in 1951, Kennedy soon co-hosted the morning program Nicky and Graham from 1951 to 1956, which achieved a 73% listener share by 1956 and inspired a in The Argus . The duo's format emphasized spontaneous banter and infectious laughter, as captured in recordings from June 1955, helping Kennedy develop his quick-witted, conversational style. In 1961–1962, Kennedy co-hosted Graham's Hideout on 3AK with Bert Newton, featuring on-air stunts and informal audience engagement that blurred the line between broadcaster and listener. Later programs included morning shifts on 3XY in 1970–1971, a brief stint on 3LO with Richard Combe from June to December 1975, and work on 3DB with Denis Scanlan in 1976. He also produced Graham Kennedy's RS Playhouse for ABC Radio in 1979, consisting of eight comedic playlets adapting vaudeville sketches. Kennedy's innovations in Australian radio centered on fostering intimacy and irreverence, such as employing a soft, close technique to create a sense of personal conversation, alongside ad-libbed commercials laced with humor and double entendres. These elements, including catchphrases like "That was a joke, Joyce," prefigured his television persona and influenced subsequent broadcasters by prioritizing energy over rigid formats. His on-air stunts and audience interactions on shows like Graham's Hideout represented early experiments in participatory radio, enhancing listener retention amid competition from television.

Television Career

Breakthrough with In Melbourne Tonight (1957–1969)

Graham Kennedy debuted as host of In Melbourne Tonight (IMT), a live variety program on GTV-9 , on , 1957, airing at 9:45 PM. The show featured a mix of comedy sketches, musical performances, talk segments, and live commercials, initially broadcast five nights a week without scriptwriters, relying on Kennedy's ad-libbed delivery and impeccable timing. Kennedy, transitioning from radio, quickly established himself as the central attraction through cheeky, humor and rehearsed spontaneity, often diverting from planned segments for comedic effect. The program's format evolved with frequency reduced to three nights weekly from 1960 to 1968 and two nights in 1969, incorporating vaudeville-inspired sketches such as "The Wilsons" with members including Rosie Sturgess, Joff Ellen, and frequent collaborator . Innovations included riotous live advertisements, like those for Raoul Merton shoes around 1962, and recurring comedy routines that blended improvisation with structured bits, setting a benchmark for Australian late-night variety television. IMT's longevity—spanning over 3,000 episodes—reflected its dominance in ratings, with milestones like the 500th episode on April 3, 1959, marked by Kennedy's self-penned celebratory song. Kennedy's hosting propelled him to national stardom, earning him the nickname "King of Australian Television," formalized by a crown presentation on his final episode on December 23, 1969, after 12.5 years. During this period, he secured multiple , including the 1969 Gold Logie for Best Male Personality on Australian Television. His irreverent style and enduring on-air partnerships, particularly with Newton, influenced local entertainment by emphasizing unscripted energy over polished production. Kennedy departed due to exhaustion from the demanding schedule, seeking a break before new projects, though IMT continued briefly with rotating hosts.

The Graham Kennedy Show (1972–1975)

The Graham Kennedy Show was an Australian evening variety program hosted by Graham Kennedy that premiered on 19 September 1972 on the . It featured comedy sketches, live commercials read by announcers, and guest appearances, continuing Kennedy's style of ad-libbed humor and improvisation developed in prior work. Regular supporting performers included , , Pete Smith, Philip Brady, Rosie Sturgess, Joy Westmore, and Johnny Ladd, contributing to segments blending talk, sketches, and musical acts. The series initially ran from 1972 to 1973 before a hiatus, resuming in March 1975 as Kennedy's first production in . Kennedy's hosting earned him the 1974 Gold Logie Award for the most popular personality on Australian television, reflecting high viewership in despite mixed reception in other markets. Production shifted to taped episodes midway due to regulatory pressures on live broadcasts, limiting Kennedy's spontaneous style but preserving core elements like riotous sketches. The show's run ended amid controversy on its 3 March 1975 episode, when Kennedy's crow imitation during a Cedel hairspray advertisement—intended as a humorous sound effect—resembled the profanity "fark," prompting thousands of viewer complaints to Channel 9 and scrutiny from the Australian Broadcasting Control Board. This incident, recounted by Kennedy himself on later programs, resulted in his three-month suspension from live television. Further tension arose in the final episode on 16 April 1975, where Kennedy publicly criticized Minister for the Media Doug McClelland for inadequate government support of local content production and for network edits to his opening monologue, explicitly calling for McClelland's dismissal. Kennedy resigned immediately after the broadcast, effectively concluding the series after approximately 115 episodes across its runs. The episode included a censored student-submitted crow drawing and a recurring "" sketch with , underscoring the program's irreverent tone.

Subsequent Television Work and Challenges

Following the conclusion of The Graham Kennedy Show in 1975, Kennedy shifted focus to film roles and dramatic television appearances, including a part in the ABC miniseries Power Without Glory (1976), before returning to hosting with Graham Kennedy's Blankety Blanks on Network Ten starting in early 1977. This adaptation of the American game show Match Game featured Kennedy as host alongside celebrity panelists matching fill-in-the-blank phrases, emphasizing ad-libbed humor and ensemble interplay that highlighted the cast's comedic talents over scripted content. The series ran for two seasons through 1978, earning praise for its lively format but marking Kennedy's last regular network hosting role for over a decade amid his growing preference for selective projects. Kennedy's television output became increasingly sporadic in the 1980s, limited to guest spots and variety specials, as he prioritized film work and radio commitments while navigating heightened scrutiny from broadcasters wary of his improvisational style. A notable challenge stemmed from the 1975 "crow call" incident on his prior show, where an on-air imitation resembling a ("faaaaaark") drew condemnation from the Control Board for promoting , resulting in taped episodes and threats of a nationwide ban that strained relations with regulators and networks. This regulatory backlash, coupled with network demands for pre-recorded content to mitigate live risks, contributed to his temporary withdrawal from prime-time television, fostering a perception of Kennedy as unpredictable despite his proven ratings draw. In 1991, Kennedy briefly returned to host Australia's Funniest Home Video Show on the , adapting the U.S. format of viewer-submitted clips with his signature wry commentary, but the series lasted only one season before he retired from on-screen work. Health complications, including exacerbated by heavy and , increasingly limited his capacity for demanding live formats, prompting a full retreat to rural seclusion in by the early . These personal health struggles, alongside the industry's shift toward safer, scripted entertainment, effectively curtailed further television endeavors, though Kennedy's influence persisted through archival reruns and tributes.

Film and Other Media Appearances

Feature Films

Kennedy made his feature film debut in (1976), directed by , portraying Mack, a boisterous at an election-night gathering that devolves into personal revelations, adapted from David Williamson's play. His performance marked an early shift from television comedy to dramatic ensemble work in the Australian New Wave cinema. In (1979), Kennedy played Harry, a wisecracking Australian soldier in , in Tom Jeffrey's adaptation of Peter Wilton's semi-autobiographical novel, capturing the camaraderie and disillusionment of national servicemen through banter amid combat flashbacks. The film highlighted his ability to blend humor with pathos in a supporting role alongside John Hargreaves and . Kennedy portrayed Ted Parker, the club president, in The Club (1980), another Beresford-Williamson collaboration depicting power struggles in a Victorian team, where his character's authoritarian style clashed with players' ambitions. Released on 18 June 1980, the film earned critical acclaim for its incisive , with Kennedy's role underscoring tensions between tradition and change. He appeared as Brian in the comedy Stanley: Every Home Should Have One (1984), directed by Esben Storm, playing a suburban father navigating his family's eccentricities around a lovable , providing in a on Australian domestic life. In the international production The Killing Fields (1984), Kennedy had a minor role as Dougal, a medical officer, in Roland Joffé's Oscar-winning drama about journalist and Cambodian aide during the era; filmed partly in , his brief appearance contributed to the ensemble of Western expatriates. Kennedy returned to Williamson adaptations in Travelling North (1987), directed by Carl Schultz, as Freddie, the son of a terminally ill retiree () relocating to , exploring family dynamics and mortality in a role that showcased his dramatic restraint. His final feature was (1987), a comedy where he played Sir Les Patterson's assistant, delivering exaggerated support in a of diplomatic involving global threats. These sporadic film roles, totaling around eight from 1976 to 1987, demonstrated Kennedy's versatility beyond variety hosting, though he prioritized television until health issues curtailed further work.

Guest Roles and Variety Specials

Kennedy appeared as a special guest on the comedy series Kingswood Country, which aired on the Seven Network from 1980 to 1984, in an episode centered on Thelma Bullpitt's (Judi Farr) performance at the Sydney Opera House following her win in an Apollo Bay talent quest. This appearance leveraged his established comedic timing within a scripted narrative format, contrasting his typical hosting roles. In 1959, he participated in the variety television special The Bob Dyer Show, a one-off program featuring live entertainment and comedy segments typical of early Australian broadcast variety formats. Kennedy also guested on the 1981 special 25 Years of Australian Television, a retrospective hosted by marking the milestone of local TV broadcasting, where he contributed to discussions and performances reflecting his pioneering role in the medium. Additionally, he made a in an episode of the American series during its international guest-star era, showcasing Australian talent alongside actors like Alan Fletcher in a cruise-ship setting. These guest roles and highlighted Kennedy's versatility beyond sustained hosting, often capitalizing on his ad-lib skills and rapport with audiences in non-regular capacities, though such appearances diminished as he prioritized selective projects later in his career.

Comedic Style

Signature Techniques and Ad-Libbing

Kennedy's comedic approach emphasized ad-libbing, which he honed during his radio years and carried into television, allowing for spontaneous interactions that distinguished his hosting from more rigidly scripted formats. In the early episodes of In Melbourne Tonight (1957–1969), the program operated without dedicated scriptwriters, relying instead on performers' improvisational skills to fill airtime and generate humor through unscripted banter and reactions. This ad-lib style, adapted from live radio's fast-paced demands, created an unpredictable energy that captivated audiences and set a precedent for Australian variety television's informal, reactive tone. His signature techniques drew from and roots, incorporating bawdy, freewheeling elements such as self-mockery and exaggerated mockery of guests and everyday absurdities, often extending into extended, carnivalesque routines. Kennedy blended prepared scripts with on-the-fly embellishments, dissecting the mechanics of by timing pauses and reactions to amplify punchlines, a method analyzed in biographical accounts of his work. This hybrid approach, evident in shows like The Graham Kennedy Show (1972–1975), enabled him to transform mundane segments—such as live advertisements—into comedic highlights through improvised twists, reinforcing his status as a master of live performance adaptability.

Influence on Australian Entertainment

Graham Kennedy earned the moniker "King of Australian Television" through his dominance in live variety programming during the medium's formative years, beginning with In Melbourne Tonight in 1957. His career, spanning four decades, exemplified spontaneity, precise timing, and versatility across formats including variety, game shows, and current affairs, which collectively shaped the structure and appeal of Australian broadcast entertainment. Kennedy's popularity, nearly coterminous with television's introduction in Australia, established benchmarks for host-audience intimacy and self-reflexive comedy that influenced subsequent programming. Kennedy's comedic style featured masterful ad-libbing, risqué boundary-pushing, and elements such as physicality and self-mockery, which injected chaos and interactivity into shows like Blankety Blanks (1977–1978). This approach, honed in live settings with rehearsed yet improvisational sketches, revolutionized variety formats by prioritizing unscripted energy over rigid scripting, as seen in innovative segments like pancake tossing on In Tonight in 1965. His persona and double entendres fostered a liberalized public on television, challenging and enabling genre hybridization, such as blending news with in Graham Kennedy's Coast to Coast (1988–1989). Through collaborations, notably with on In Melbourne Tonight and later shows, Kennedy set precedents for ensemble hosting dynamics that emphasized freewheeling ad-libbing and peer interplay, influencing peers' approaches to live performance. His legacy endures in Australian comedy's tradition of laconic self-irony and destabilizing humor, with inductions into the Logies Hall of Fame in 1998 recognizing his foundational impact on radio, television, and film. Kennedy's innovations in audience engagement and boundary-testing content provided a blueprint for entertainers navigating the transition from to , cementing his role as a pivotal figure in the industry's maturation.

Personal Life

Relationships and Private Life

Kennedy never married and had no children, a fact corroborated by contemporaries and biographers who noted his early statements to colleagues that he would remain single. His personal life was marked by intense privacy, exacerbated by the social constraints of mid-20th-century , where he avoided public disclosure of intimate details despite widespread industry speculation about his . Kennedy formed deep platonic bonds that served as surrogate family; actors and her husband Tony Sattler, longtime friends and colleagues, assisted him in acquiring rural property in and provided emotional support in his later years, effectively becoming the family he lacked. Posthumously, details emerged of a long-term romantic relationship with journalist and television executive Rob Astbury, who served as Kennedy's and live-in partner for approximately 20 years until Kennedy's death in 2005. Astbury, who cohabited with Kennedy in and later in the Southern Highlands, described their bond in media interviews following Kennedy's passing but emphasized that Kennedy had chosen to keep his sexuality private during his lifetime, consistent with the era's legal and cultural hostilities toward prior to decriminalization reforms. This reticence aligned with Kennedy's broader reclusiveness off-screen, where he shunned publicity about personal matters even as his professional persona thrived on public adulation.

Philanthropy and Off-Screen Persona

Kennedy was known among colleagues and friends for maintaining a stark contrast between his exuberant, quick-witted on-screen and his off-screen demeanor, which was marked by , reclusiveness, and a preference for . Associates described him as pathologically shy and intensely private, traits that intensified in later years as he withdrew from public life. This reticence extended to his personal relationships, where he rarely granted insights into his private world, including his , which remained an open secret within entertainment circles but was never publicly acknowledged by Kennedy himself. His perfectionism and complex personality further defined interactions off-camera, with peers noting a demanding that bordered on isolation. Despite his reclusive tendencies, Kennedy demonstrated philanthropic commitment through targeted support for causes aligned with his background. In his will, probated after his death on May 25, 2005, he bequeathed a seven-figure sum to the Sydney City Mission, a aiding the disadvantaged, countering widespread perceptions of his financial struggles in later life. This substantial legacy, confirmed by associates including journalist John Mangos, underscored Kennedy's discreet generosity, as he had expressed intent to benefit the mission without prior publicity. The bequest reflected a pattern of understated giving, prioritizing direct impact over public recognition, consistent with his private nature.

Health, Retirement, and Death

Later Health Struggles

Kennedy's health began to deteriorate in the 1990s, primarily due to exacerbated by decades of heavy and alcohol consumption. These habits led to circulatory problems that severely limited his mobility, eventually rendering him bedridden and in need of nursing care. Despite support from close friends such as television producers Tony Sattler and , who assisted him through multiple illnesses, Kennedy largely withdrew from public life following his retirement to a rural property near , . A significant setback occurred on an unspecified date in 2003 when Kennedy fell down a flight of , fracturing his and ; this compounded his existing conditions and initiated a series of prolonged health crises. By early 2005, his condition had worsened critically, culminating in complications from that proved fatal on May 25, 2005, at age 71.

Reclusiveness and Final Years

Kennedy retreated from the entertainment industry after his last television appearance in 1991, settling on a rural property near in ' Southern . This marked the beginning of a deliberate reclusive existence, characterized by minimal public engagements and a conscious effort to shield his personal life from scrutiny, which allowed him to curate his legacy on his own terms rather than through ongoing media exposure. In the years leading to his death in 2005, Kennedy's isolation deepened, fostering public perceptions of him as a solitary figure estranged from his former circles. He avoided social events and interviews, with acquaintances noting his preference for amid declining health, though he occasionally maintained indirect connections through select friends or brief, unpublicized visits. This period of contrasted sharply with his earlier extroverted on-screen persona, reflecting a personal to disengage from an industry he felt had evolved into a more restrained environment.

Cause of Death and Immediate Aftermath

Kennedy died on 25 May 2005 at the age of 71 from complications of while under care at Kenilworth Nursing Home in , . His death followed a period of declining health, including a prior , but occurred suddenly enough that he retained his characteristic humor in final conversations with medical staff. Tributes from fellow entertainers and industry figures began flowing immediately upon news of his passing, with colleagues such as , Tony Sattler, , and publicly recalling his pioneering role in Australian television. Two days later, broadcaster claimed on air that Kennedy had died from AIDS-related complications and was homosexual—a assertion Hinch reiterated as his "duty" to disclose posthumously, though it conflicted with the reported cause and drew immediate backlash for lacking corroboration. Kennedy's funeral took place on 31 May 2005 at the Regent Theatre in , characterized by humor and cheers rather than overt mourning, reflecting his comedic legacy. His coffin was borne by members of the , with pre-recorded eulogies from and Jack Thompson, and attendees including Ray Martin among several hundred mourners who ended the service with three cheers as the hearse departed.

Controversies

The "Crow Call" Incident (1975)

On 3 March 1975, during a live sponsored advertisement for Cedel hair products on The Graham Kennedy Show broadcast on GTV-9, host Graham Kennedy performed his signature "crow call" routine—a nasal "Aaark" sound mimicking a crow—by prefixing it with an 'F', resulting in "Faaark," which numerous viewers perceived as the "fuck." The gag, part of Kennedy's ad-libbed humor defying prior warnings from Channel 9 management and the Australian Broadcasting Control Board, sparked immediate backlash, with thousands of complaints received by the station regarding indecency on the first color episode of the series. The Australian Broadcasting Control Board intervened swiftly, seizing the episode tape for review; a one-second edit was applied for delayed screenings in to excise the offending moment, but the original unedited footage was submitted to the board and has since been lost, rendering the episode unavailable. In response to the uproar and regulatory pressure, production of The Graham Kennedy Show shifted from live to pre-recorded broadcasts starting with subsequent episodes, aiming to prevent unscripted content from airing uncensored. Kennedy defended the act as an innocuous bird imitation, later recounting to interviewer that it stemmed from a desire to challenge restrictions, stating his motivation as "Because I wanted to. Because they didn’t want me to. Because I could. Because I should." The controversy escalated when Kennedy repeated variations of the "Faaaaark" sound in openings on later episodes, including 18 March 1975, leading to his suspension from after a board meeting; this effectively imposed a ban on his Australian appearances for several years, marking a turning point in his career amid tensions over comedic freedom versus . Of the 14 color episodes produced in 1975, only the final one survives in archives, underscoring the incident's role in curtailing the show's run and Kennedy's on-air spontaneity.

Posthumous Allegations by Derryn Hinch

Following Graham Kennedy's death from complications of pneumonia on May 25, 2005, radio broadcaster Derryn Hinch alleged on his 3AW program the next day that Kennedy was homosexual and had died from an AIDS-related illness. Hinch stated on air, "You're not going to like this, but I believe Graham Kennedy died with AIDS," while defending the disclosure as non-homophobic, citing personal friendships with individuals who had succumbed to the disease. He justified withholding the information during Kennedy's lifetime out of respect but argued that posthumous revelation was permissible since "you can't defame the dead." Kennedy's sexuality had long been within Australian media circles, with indirect hints in industry lore, though never publicly confirmed by Kennedy himself, who maintained a private . Hinch's elicited limited pushback on that aspect, as contemporaries did not dispute it, but the AIDS claim provoked immediate industry backlash, including criticism from Kennedy's longtime collaborator , who rejected it as unsubstantiated and insensitive. The official , as reported in contemporaneous accounts and confirmed by those close to Kennedy, was contracted during his final months in a , with no medical corroboration provided for Hinch's AIDS assertion. Facing mounting pressure, including the withdrawal of support from a children's charity he had financially backed, Hinch issued a qualified apology on May 30, 2005, followed by an unqualified on-air retraction for the AIDS claim on June 11, acknowledging he lacked definitive proof and regretting the distress caused to Kennedy's family and friends. He maintained his position on Kennedy's , however, which gained indirect support in June 2005 when an agent referenced interviews with Kennedy's former male partner, describing revelations that aligned with Hinch's account of a hidden long-term relationship. The episode underscored Hinch's history of provocative commentary on personal and health matters, often prioritizing public disclosure over privacy, amid a polarized response from Kennedy's reclusive estate and peers who viewed the allegations as an unwarranted intrusion.

Awards and Recognition

Logie Awards and Industry Honors

Kennedy achieved unprecedented success at the , the preeminent Australian television honors, winning a record six Gold Logies for Most Popular Personality on Australian Television in 1959, 1967 (as Star of the Decade), 1969, 1974, and 1978. These victories, primarily tied to his hosting of In Melbourne Tonight and The Graham Kennedy Show, underscored his dominance in variety and programming during the 1960s and 1970s. In 1998, Kennedy was inducted into the , recognizing his lifetime contributions to Australian television and cementing his status as the most awarded individual in Logies history. This honor, accepted on his behalf by colleague , highlighted his role in shaping the awards themselves, as Kennedy coined the "Logie" name in 1960 after inventor . Beyond the Gold Logies, Kennedy secured multiple Silver Logies for categories such as Most Popular Male in Victoria and other regional or personality-based awards, contributing to his overall tally of the highest number of Logie wins by any performer. His accolades reflected peer and public acclaim for pioneering live television entertainment, though specific counts vary across records due to the evolving categories in early ceremonies.
YearAwardProgram/Reason
1959Gold LogieIn Melbourne Tonight
1967Gold Logie (Star of the Decade)Career achievement
1969Gold LogieIn Melbourne Tonight / The Graham Kennedy Show
1974Gold LogieThe Graham Kennedy Show
1978Gold LogieGeneral popularity
1998Logie Hall of FameLifetime contributions

Posthumous Tributes

Following Kennedy's death on 25 May 2005, a memorial service was held on 31 May 2005 at St. Patrick's Cathedral in , attended by numerous entertainment industry figures who paid tribute to his pioneering contributions to Australian television. In the Honours announced on 26 January 2006, Kennedy was posthumously appointed an Officer of the (AO) for service to the entertainment industry as an , , and presenter who significantly influenced the development of Australian television comedy and variety formats. The nomination had been submitted by producer Mike McColl Jones prior to Kennedy's death. As part of the Variety Entertainers of the Century memorial at Waterfront City in Melbourne's Docklands precinct, a bronze statue of Kennedy, sculpted by Peter Corlett, was installed in April 2006 alongside statues of other prominent Australian performers including and . This public artwork recognizes Kennedy's status as a foundational figure in Australian variety entertainment.

Legacy

Cultural and Media Impact

Graham Kennedy's tenure as host of In Melbourne Tonight from 1957 to 1970 established a template for Australian late-night variety , emphasizing ad-libbed comedy, celebrity banter, and live improvisation that captivated audiences during the medium's early expansion. His style, rooted in traditions inherited from predecessors like Roy Rene, positioned him as the preeminent comic figure of broadcast entertainment, influencing generations of hosts with its blend of irreverence and precision timing. Kennedy played a pivotal role in technological milestones, including demonstrations of prototypes at the 1968 Royal Show and hosting segments during the national rollout on March 1, , which accelerated public adoption and transformed viewing habits across . In an era dominated by imported American and British programming, his prominence underscored the viability of homegrown talent, fostering a cultural preference for distinctly Australian humor that prioritized local idioms and social observation over scripted imports. Regarded as the "King of Australian Television," Kennedy's collaborations with performers like Bert Newton and his command of live broadcasts set enduring benchmarks for spontaneity and audience engagement, evident in ongoing archival revivals by institutions such as the National Film and Sound Archive. His unparalleled influence drew parallels to Donald Bradman in cricket, symbolizing an era when individual charisma defined television's cultural dominance in Australian households. This legacy persists in the mythology surrounding his persona, as explored in scholarly analyses of his role in shaping national screen identity.

Biopics and Archival Rediscoveries

The King, a 2007 Australian television biopic directed by Matthew Saville, dramatized Kennedy's career trajectory from a working-class youth in Balaclava to his dominance as a television entertainer, starring in the lead role. The film, which aired on Network Ten, emphasized his pioneering role in Australian broadcasting, including hosting In Melbourne Tonight and The Graham Kennedy Show, while touching on personal challenges like reclusiveness in later years. It received mixed reviews for its portrayal of Kennedy's public persona versus private life, with critics noting an overreliance on clichés about fame's isolating effects despite Curry's accurate mimicry of Kennedy's mannerisms. A 2004 television special, Graham Kennedy: The King of Television, hosted by Ray Martin, profiled Kennedy through interviews, archival clips, and location footage, highlighting his comedic innovations and industry influence. Additionally, the 2009 documentary The Real Graham Kennedy explored dual facets of his legacy—on-screen charisma and off-screen complexities—drawing on preserved materials to contrast public myth with personal reality. In archival efforts, the of (NFSA) maintains an online launched in , featuring rarely viewed television segments, early radio broadcasts, film clips, and personal documents spanning Kennedy's near-50-year career. More recently, in February 2025, the NFSA rediscovered unseen footage of Kennedy hosting experimental colour television broadcasts, captured during 's transition to the format in the late 1960s and early 1970s, coinciding with the 50th anniversary of national colour TV adoption on March 1, 1975. This material, described as featuring Kennedy's signature humor in test transmissions, has been digitized for public access, underscoring ongoing preservation of his contributions to broadcast history.

References

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