Grant Geissman
Grant Geissman
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Grant Geissman

Grant Geissman (born April 13, 1953) is an American jazz guitarist and Emmy-nominated composer. He has recorded extensively for several labels since 1976 and played guitar on the theme for Monk and other TV series.

Geissman was born in Berkeley, California and grew up in San Jose. When he was 11 years old, Geissman began his first guitar lesson with his private teacher Mrs. Allen. After his private tutoring was completed, he began taking guitar lessons from local musicians, such as Geoff Levin (of the pop group People!), Don Cirallo, Bud Dimock, and Terry Saunders. Encouraged by these teachers to learn jazz standards and to improvise, he began playing in rock bands on weekends and also with small jazz groups and big bands. As a high school senior, he entered formal study with avant-garde guitarist Jerry Hahn, who introduced him to the music of Charlie Parker, Miles Davis, John Coltrane, and Ornette Coleman.

After graduating from Prospect High School, Geissman attended De Anza College, where he played in both De Anza's jazz band and the Daddio Band (of older professionals). Both were led by jazz educator Herb Patnoe, who was the director of Stan Kenton's Jazz Clinics. Since the Kenton band at that time had no guitar player, Patnoe recommended Geissman to teach at Kenton's summer clinics in both Sacramento and in southern California. While teaching at these clinics for several summers, Geissman first met (and played with) drummer Peter Erskine and pianist Dan Haerle.

In 1973, Geissman moved to Los Angeles and attended one semester at Cal State Fullerton, where he played in the band led by pianist and clarinetist Tom Ranier. Transferring to Cal State Northridge in 1974 to be closer to the Hollywood studio scene, Geissman joined the Northridge "A" band led by jazz educator Joel Leach. While at Northridge, he began playing in both Gerald Wilson's Big Band and with Louie Bellson's Big Band, recording several albums with Bellson. For Louie Bellson's Live at the Concord Summer Festival, Geissman contributed an original composition, "Starship Concord." He began playing in local jazz venues with Tony Rizzi's guitar band, recording Tony Rizzi's Five Guitars Play Charlie Christian (1976), which featured Tom Ranier and Pete Christlieb.

Geissman's first gig with flugelhornist Chuck Mangione was at the Santa Monica Civic Auditorium on November 9, 1976. A short tour of the Pacific Northwest followed, and soon after Mangione asked Geissman to become a permanent member of the band. Mangione's band consisted of Geissman on guitar, Charles Meeks on bass, Chris Vadala on woodwinds, and James Bradley Jr. on drums. Geissman appeared on the album Feels So Good (1977), which sold two million copies. On radio, the single "Feels So Good", featuring Geissman's guitar solo, was an international hit. A 1980 issue of Current Biography called it the most recognized tune since "Michelle" by The Beatles.

In 1978 Geissman released his first solo album, Good Stuff (Concord Jazz), which featured fellow Northridge alumnus Gordon Goodwin on sax, Tom Ranier on piano, Bob Magnusson on bass guitar, and Steve Shaeffer on drums. Grant left Mangione's band in 1981 to pursue other endeavors, including his own albums, session work, and composing. Two of his albums (Flying Colors and Time Will Tell) reached number one in the Gavin and Radio and Records Contemporary Jazz airplay charts, and many of his recordings reached the top ten.

Geissman has been a regular member of Gordon Goodwin's Big Phat Band. He has appeared as a session musician on albums by Peter Allen, Sheila E., Miki Howard, Quincy Jones, Rodney Friend, Diane Schuur, Van Dyke Parks, and Luis Miguel. He has recorded with Keiko Matsui, 3rd Force, David Benoit, Cheryl Bentyne, and Lorraine Feather and had a guitar solo as a separate track on the album Hold an Old Friend's Hand by Tiffany.

Geissman reunited with Mangione in 2000 when they recorded the album Everything for Love (Chesky). Geissman's early musical influences came full circle in 2003 when he played Dobro on Ringo Starr's Ringorama album. In 2006, he released his thirteenth album as a leader, Say That!, on his own label, Futurism Records. A throwback to the jazz that first influenced him, he has described the sound of this album as "Wes Montgomery meets Horace Silver meets Jimmy Smith." In All About Jazz, John Kelman said,

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