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Key Information

Gordon Louis Goodwin (December 30, 1954 – December 8, 2025) was an American pianist, saxophonist, composer, arranger and conductor. He was the leader of Gordon Goodwin's Big Phat Band. He won three Daytime Emmy Awards, four Grammy Awards, and 25 Grammy nominations for his compositions and arrangements.

Early life and education

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Gordon Goodwin was born in Wichita, Kansas, on December 30, 1954.[1] He wrote his first big band chart, called "Hang Loose", when he was in the seventh grade. He continued his musical education at California State University, Northridge, with Joel Leach and Bill Calkins.

Career

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Following graduation from college, Goodwin was employed as a musician at the Disneyland theme park in Anaheim, California. Subsequently, Disney approached him to write a musical show featuring past and present Mouseketeers, including Britney Spears and Christina Aguilera.[2] Since then, Goodwin rose to prominence in the American studio music scene with his big band, The Big Phat Band.[3][1] He wrote and worked with artists including Ray Charles, Christina Aguilera, Johnny Mathis, John Williams, Natalie Cole, David Foster; Sarah Vaughan, Mel Tormé, Leslie Odom, Jr., Idina Menzel, Lang Lang, and Quincy Jones.[citation needed] Goodwin was the host of a nationally syndicated jazz radio program called Phat Tracks with Gordon Goodwin, that aired on weekends on KSDS, San Diego's 88.3 FM.

Death

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Goodwin suffered a stroke from which he did not regain consciousness and died in Los Angeles on December 8, 2025, due to complications of pancreatic cancer. He was 70 years old.[4][5][6]

Discography

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Awards and honors

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Goodwin received many individual awards, including a Grammy Award for Best Instrumental Arrangement for his work on the feature film The Incredibles.[1]

Grammy Awards

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Grammy Award nominations

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  • Best Large Jazz Ensemble Album: XXL (2003), Act Your Age (2008)
  • Best Instrumental Composition: "Sing, Sang, Sung" (2000), "Hunting Wabbits" (2003), "Hit the Ground Running" (2008), "Hunting Wabbits 3 (Get Off My Lawn)" (2011), "California Pictures for String Quartet" (2013), "Life in the Bubble" (2014)
  • Best Instrumental Arrangement: "Bach 2 Part Invention in D Minor" (2000), "Attack of the Killer Tomatoes" (2006), "Yo Tannenbaum" (2007), "Yesterdays" (2008), "Salt Peanuts! (Mani Salado)" (2012)
  • Best Instrumental Arrangement Accompanying Vocalist(s): "Comes Love" (2003)
  • Best Arrangement, Instrumental or A Cappella: "Get Smart" (2014)
  • Best Arrangement, Instruments and Vocals: "Party Rockers" (2014), "Do You Hear What I Hear?" (2016)
  • Best Arrangement, Instruments and Vocals: "I Loves You Porgy" / "There's A Boat That's Leavin' Soon For New York" (2017)

Source:[8]

Daytime Emmy Awards

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Memberships

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  • Goodwin was initiated into the men's music fraternity, Phi Mu Alpha Sinfonia, as a National Honorary member and was made a Signature Sinfonian at the 55th National Convention in New Orleans, Louisiana, 2015.[12]

See also

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References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Gordon Goodwin

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Gordon Goodwin (born 1954) is an American , saxophonist, , arranger, and conductor renowned for his work in and film scoring, particularly as the leader of the Grammy-winning , an 18-piece ensemble that blends classic swing from and with modern elements like and . Born in , Goodwin moved to with his family at age two, where he began lessons in and developed an early passion for influenced by jazz legends like Count Basie and , as well as pop and funk acts such as . As a child, he composed his first tune at age 13 and formed a middle school band inspired by Herb Alpert's Tijuana Brass; he later studied , , , , and at , under instructors Joel Leach and Bill Calkins. Goodwin launched his professional career performing and in a rock band during , followed by a stint as a musician at after graduation, before transitioning to Hollywood as a and arranger for film and television. His notable film scores include contributions to (for which he won a 2006 Grammy for Best Instrumental Arrangement on "Incredits"), , , , and , and he has collaborated with luminaries such as , , , , and . In 2000, he founded the Big Phat Band, which has released acclaimed albums like Swingin' for the Fences (2000), The Phat Pack (2005), That's How We Roll (2011), and Life in the Bubble (2014), earning four overall— including for Best Large Jazz Ensemble Album—and 25 nominations, alongside three for television music.

Early life and education

Early years

Gordon Goodwin was born on December 30, 1954, in . His family relocated to when he was two years old, where he spent the remainder of his childhood and teenage years. From an early age, Goodwin displayed a strong interest in music, influenced by his mother's observations of his playful conducting gestures while watching on television. By grade school, he began formal studies on and , instruments he continues to perform on professionally. His early exposure to music diverged from his peers' interests in 1960s rock and pop acts like and ; instead, Goodwin gravitated toward jazz icons such as Count Basie, , , and Thad Jones, often tuning in to their recordings. During his junior high years, Goodwin participated in school bands, including playing , and was introduced to through his band director's recommendation of Basie's Straight Ahead . At age 13, while in , he composed his first chart, titled "Hang Loose," marking the start of his arranging pursuits. These school experiences, including performances with youth orchestras that achieved success at events like the , shaped his foundational passion for music up to his teenage years.

Education

Goodwin pursued his formal musical training at (CSUN), where he enrolled to study classical performance while also delving into composition and arranging. His emphasized foundational skills in , with a particular focus on and , which provided the technical groundwork for his later work in ensemble writing. During his time there, Goodwin balanced rigorous academic study during the day with practical performance experience at night, playing and in local rock bands, an approach that honed his adaptability across genres. Key mentors at CSUN included professors Joel Leach and Bill Calkins, who significantly shaped his development as a and arranger. Leach, who directed the university's and taught arranging and performance courses, guided Goodwin in advanced techniques for scoring for large ensembles, including sectional voicing and dynamic interplay among instruments. Calkins, his primary saxophone instructor, focused on classical technique and tonal precision, helping Goodwin refine his instrumental proficiency while encouraging exploration beyond traditional boundaries. Goodwin has credited these instructors with instilling a disciplined yet creative , drawing from their expertise to experiment with hybrid arrangements that would later define his style. One notable project from his studies involved composing and arranging original charts for CSUN ensembles, where he applied principles to blend with structured formats, foreshadowing his professional output. These exercises in advanced arranging techniques—such as layering contrapuntal lines over rhythmic ostinatos—allowed him to practice balancing complexity and accessibility in group settings. Goodwin graduated from CSUN in the with a degree in music, having completed his formal equipped with a solid command of arranging and compositional tools that directly informed his approach. The and training he received proved instrumental in crafting the intricate, genre-fusing scores for which his Big Phat Band became known, enabling him to integrate classical precision with energy and pop accessibility. This academic foundation emphasized ensemble cohesion and innovative voicing, elements that became hallmarks of his conducting and writing.

Professional career

Early career

After graduating from California State University, Northridge, Goodwin secured his first professional position as a and arranger at in , in the late 1970s. He obtained the role through a recommendation from high school friend Tom Childs, who suggested him for an audition, leading to daily performances of five shows that honed his skills in live entertainment and professional discipline. During this period, Goodwin began composing and arranging for theme park productions, including charts for a live Mousketeers show that blended vintage and contemporary material, marking his initial foray into commercial writing tailored to directors' visions. His early side projects extended to local ensembles, such as adapting a college band arrangement for drummer Louie Bellson's group, which became his first professional recording in a studio environment during a European tour. Additionally, he contributed to session work, including a appearance on Gil Scott-Heron's album alongside trombonist . These efforts, spanning the late 1970s into the early 1980s, built his foundational experience in performance and composition. By the late 1980s, Goodwin had immersed himself in the Hollywood jazz and studio scenes through freelance gigs that diversified his portfolio. He performed on and across varied engagements, from TV shows and musical theater productions to private events like bar mitzvahs and weddings, while networking with established figures such as , whose mentorship from college days opened doors to arranging opportunities. This era of eclectic work in the early 1990s solidified his reputation as a versatile , paving the way for broader industry connections without focusing on a single ensemble.

Big Phat Band

Gordon Goodwin founded the Big Phat Band in 1999 as an 18-piece orchestra that combines traditional swing with contemporary musical influences, aiming to revitalize the for modern audiences. The was initially assembled for a one-time performance at Goodwin's alma mater, , but its success prompted ongoing activity. The band's core lineup features elite Los Angeles studio musicians, with standout members including trumpeter , known for his powerful leads and technical prowess, and saxophonist , a Grammy-winning artist celebrated for his versatile alto and soprano saxophone work. This all-star configuration allows the group to deliver complex arrangements with precision and energy, drawing on Goodwin's arranging expertise honed in his earlier freelance career. Following its debut, the Big Phat Band built its reputation through a series of early live performances and tours, starting with local engagements in and expanding to international venues, where its dynamic shows captivated audiences and showcased the band's tight ensemble playing. In 2025, the band marked its 25th anniversary with celebratory events, including a series of special concerts such as multi-night residencies at Tokyo, highlighting its enduring legacy through re-recorded classics and new material.

Compositions and collaborations

Gordon Goodwin has established himself as a prominent arranger and orchestrator for major film soundtracks, particularly within Disney's animated features. He provided the arrangement for "The Incredits" on the original soundtrack for Pixar's (2004), directed by , which earned him a Grammy Award for Best Instrumental Arrangement in 2006. For (2018), also scored by , Goodwin contributed orchestrations alongside Jeff Kryka, enhancing the film's heroic brass motifs with his signature flair. His work extends to other Disney animated projects, including composing music for the TV special : Bah Humduck! (2006), a holiday-themed production blending elements with cartoon antics. Beyond Disney, Goodwin's orchestration credits include high-profile live-action films such as (2010), where he amplified Jerry Bruckheimer's production with dynamic orchestral layers; (2009), a Disney remake requiring atmospheric scoring; and (2008), contributing to the comedic spy thriller's upbeat sequences. He also orchestrated for sports dramas like (2006) and historical epics such as (2004), often infusing scores with rhythmic vitality drawn from his jazz background. These contributions highlight his ability to bridge orchestral traditions with contemporary film demands, resulting in three Daytime Emmy Awards for music direction and composition on animated series like (1998–1999) and Histeria! (2000). Goodwin's collaborations with renowned artists span recordings and live performances, showcasing his versatility as an arranger. He worked with on studio sessions in the 1990s, arranging big band charts that complemented the singer's soulful delivery. Similarly, partnerships with involved orchestral arrangements for film-related concerts, while enlisted him for jazz-infused projects, including television specials where Goodwin's charts supported ensemble performances. Early in his career, Goodwin arranged music for a Disney musical revue featuring former Mouseketeers, including and , blending pop and orchestral elements for stage shows. These alliances have led to performances with symphonies such as the and the London Symphony Orchestra, where he conducts his original orchestral works and adaptations. In addition to films and artist collaborations, Goodwin has arranged music for theme park attractions and specials. During the late 1970s and early 1980s, he composed and arranged pieces for in , including parade and show music that integrated with Disney's whimsical themes. His arrangements for Disney series, such as orchestral versions of , continue to be performed in theme park settings and holiday specials, emphasizing lush string sections and brass ensembles.

Recent projects and tours

In recent years, Gordon Goodwin has continued to expand his contributions to jazz through collaborations and new recordings with his Big Phat Band. In 2023, he arranged and produced For Ella 2, a tribute album to featuring vocalist , which earned a Grammy nomination for Best Jazz Vocal Album at the 2024 . The project highlights Goodwin's expertise in arrangements, blending Austin's vocals with the band's energetic instrumentation to reinterpret Fitzgerald's standards. Goodwin released the EP The Reset with the Big Phat Band in October 2021, capturing the band's response to the global pandemic through five original tracks. The recording includes "My Man Sam," a heartfelt to the late arranger , as well as "Cell Talk," Nestico's final chart, emphasizing themes of resilience and renewal in a post-isolation world. This EP underscores the enduring legacy of the Big Phat Band in innovating within the tradition. Building on this momentum, Goodwin and the Big Phat Band have focused on anniversary celebrations and live performances. In 2025, the band re-recorded signature tracks like "The Jazz Police" for the upcoming 25th anniversary album 25 Years of Phatness, slated for release in 2026, marking a quarter-century of their influential sound. Live engagements have included a performance at Generations In Jazz in , , in May 2025, where Goodwin directed the Superband in selections from his catalog. The band's 2025 tour schedule featured a in on April 12 at the of Sarasota's Holley Hall, delivering their signature high-energy to enthusiastic audiences. Looking ahead, Goodwin is set to perform with the Big Phat Band and vocalist Vangie Gunn in a special with the Venice Symphony on March 7, 2026, at the Venice Performing Arts Center, promising a fusion of and symphonic elements.

Personal life

Family

Gordon Goodwin has been married to vocalist Vangie Gunn-Goodwin since July 31, 2021. The couple, who had known each other for 14 years prior to their marriage, resides in , where Goodwin balances his extensive music career with family life. From his previous marriage to Lisa Goodwin (1985–2019), he has three children: Madison, , and . He is also a grandfather. Gunn-Goodwin, a session singer and performer, frequently collaborates with her husband in musical performances, serving as the featured vocalist for . She has contributed vocals to several of the band's albums, including notable tracks like "Summertime" on The Gordian Knot (2020) and selections from The Reset (2021). Their partnership also includes joint work on Gunn-Goodwin's debut solo project, highlighting their shared musical endeavors. In private, the couple's family life provides essential support for Goodwin's demanding schedule of composing, arranging, and touring, fostering a stable foundation amid professional commitments.

Health challenges

In July 2025, Gordon Goodwin received a diagnosis of stage III , marking a significant turning point in his personal and professional life. His , Vangie Gunn-Goodwin, initiated a campaign to cover the costs of intensive treatments, underscoring the immediate financial and emotional strain on their family while expressing determination to navigate the challenges ahead. Goodwin openly shared details of his condition through a series of personal videos released starting in August 2025, employing the #fuckcancer to chronicle his experiences with symptoms, diagnostic processes, , and the psychological aspects of living with the disease. These disclosures aimed to provide transparency and support for others facing similar struggles, revealing the uncertainty and inherent in his medical path. Vangie played a central role in supporting Goodwin during his treatment, coordinating care and maintaining family stability amid the ordeal. The Big Phat Band adapted by continuing select performances without him, including an August 2025 show led by veteran trumpeter , which allowed the group to honor its commitments while rallying around Goodwin's recovery. This period also saw disruptions to his touring schedule and ongoing projects, yet Goodwin emphasized resilience in his communications, focusing on daily progress, community support, and an optimistic outlook for healing.

Musical style and influences

Style characteristics

Gordon Goodwin's musical style is characterized by a seamless fusion of the swinging jazz from the 1930s and 1940s with contemporary elements of modern , pop, and R&B, creating a vibrant and accessible sound that bridges historical traditions with current genres. This approach draws on classic big band orchestration while incorporating pop recording techniques for a polished, energetic delivery, resulting in music that feels both nostalgic and innovative. Central to Goodwin's style is an emphasis on high-energy arrangements and complex , often delivered through his signature 18-piece , which allows for dynamic contrasts between sections and spotlighted solos by musicians. His compositions feature intricate, witty charts that balance precision and exuberance, with a pervasive sense of described as "bright and punchy and forward-moving." The "Phat" branding in his Big Phat Band reflects an offbeat humor evident in playful titles and arrangements, infusing the music with fun and levity without sacrificing sophistication. Goodwin frequently incorporates Latin rhythms and grooves into his works, adding layers of rhythmic vitality and groove that enhance the swing foundation and appeal to diverse audiences. This blend enables sharp dynamic shifts—from crisp ensemble passages to fiery individual solos—while maintaining an upbeat, entertaining core that energizes live performances and recordings alike.

Key influences

Gordon Goodwin's musical development was profoundly shaped by the swing-era leaders, particularly Count Basie and , whose ensembles emphasized rhythmic drive and sophisticated arrangements that influenced his approach to bandleading and composition. Basie's tight, propulsive rhythm sections and Ellington's harmonic innovation provided foundational models for Goodwin's Big Phat Band, blending classic swing with modern elements. Additionally, arranger emerged as a pivotal early inspiration; Goodwin has credited hearing Nestico's chart "The Queen Bee" in as a life-changing moment that ignited his passion for big band music and prompted his first original composition. Contemporary figures like further molded Goodwin's versatile style, serving as a model for bridging , pop, and orchestral worlds through innovative arrangements and genre-blending productions. Jones's boundary-pushing work demonstrated the value of stylistic openness, directly informing Goodwin's fusion of with broader popular forms. composer [John Williams](/page/John Williams) also exerted significant influence, particularly in Goodwin's cinematic scoring techniques, as Williams's thematic grandeur and orchestral flair resonated with Goodwin's own Hollywood projects. On the saxophone front, early jazz icons such as impacted Goodwin's playing style, with Adderley's soulful, melodic phrasing and rhythmic vitality shaping his improvisational approach within contexts. Beyond specific artists, Goodwin drew from broader pop influences, including Herb Alpert's Tijuana Brass for its shuffle grooves, and Hollywood soundtracks like Disney's , which infused his work with playful, accessible energy. These elements occasionally surface in his arrangements as vibrant, genre-crossing textures that enhance the band's dynamic swing.

Discography

Albums with Big Phat Band

Gordon Goodwin's Big Phat Band has released a series of acclaimed studio albums blending jazz with contemporary elements, often featuring innovative arrangements and high-profile guests. The band's discography emphasizes Goodwin's compositional prowess, earning multiple Grammy recognitions for arrangements and ensemble performances. The debut album, Swingin' for the Fences (2000, Silverline Records), marked a milestone as the first commercially available title, showcasing high-fidelity production. Key tracks include energetic swings like "Swingin' for the Fences" and feature guests such as trumpeter and clarinetist . It received two Grammy nominations, highlighting its instrumental arrangements. Followed by XXL (2003, Silverline Records), this release expanded the band's sound with bold charts and vocal features. Standout tracks are "Hunting Wabbits" and the ballad "Comes Love," the latter featuring singer . Guests included , saxophonist , and vocal group Take 6. The album garnered three Grammy nominations and won a Award for its immersive audio engineering. In 2006, The Phat Pack (Immergent Records) delivered a mix of originals and standards, produced as a CD/DVD set with visual extras like photos and lyrics. Key tracks encompass the swinging "Too Close for Comfort," the funky "Play That Funky Music," and the poignant "It Was a Very Good Year," with guests on vocals, saxophonist , clarinetist , and Take 6. It positioned as a Grammy contender for Best Large Ensemble. The same year saw Bah, Humduck! A Christmas (Immergent Records), a integrating the band's style with animated holiday themes. It featured playful arrangements of classics like "" and original scores, produced in stereo and surround formats. Act Your Age (2008, Immergent Records), another CD/DVD hybrid, balanced seven Goodwin originals with five standards in a dynamic production. Highlights include the uptempo "Hit the Ground Running," Herbie Hancock's "Watermelon Man," and Chick Corea's "Señor Mouse," featuring guests like vocalist , guitarist , pianist , on , and a virtual Art Tatum on "Yesterdays." It earned three Grammy nominations: Best Large Jazz Ensemble Album, Best Instrumental Composition for "Hit the Ground Running," and Best Instrumental Arrangement for "Yesterdays." Shifting to Telarc Records, That's How We Roll (2011) comprised ten original compositions by Goodwin, emphasizing rhythmic drive and ensemble interplay. The track "" (an of George Gershwin's work) won a Grammy for Best Instrumental Arrangement. Guests included saxophonists Gerald Albright and , bassist , and Take 6. Life in the Bubble (2014, Telarc), a blend of seven originals and covers, captured the band's post-recession optimism through syncopated funk and ballads. Key tracks feature the title cut "Life in the Bubble," the breezy "Why We Can’t Have Nice Things," the nostalgic "" theme, and a Grammy-winning of "On Green Dolphin Street" (Best Instrumental Arrangement, 2014), plus "Party Rockers" with vocalist . The album itself won the Grammy for Best Large Jazz Ensemble Album in 2015. The holiday-themed A Big Phat Christmas Wrap This! (2015, Music of Content) offered ten festive arrangements, showcasing the band's versatility from hard-swinging to contemporary vibes. Standouts include "," "," "Do You Hear What I Hear?" with , and "Have Yourself a Merry Little Christmas" featuring trumpeter . Produced with rich, swinging charts by Goodwin, it served as the band's first dedicated release. The Gordian Knot (2019, Music of Content) presented eleven tracks in high-resolution formats, including vinyl and mixes, with a runtime emphasizing extended solos and complex harmonies. Key selections are "T.O.P. Adjacent" (a tribute to ), the title track "," "Lost in Thought," and "" (theme arrangement). Guests included saxophonist and trumpeter . The album was submitted for Grammy consideration in categories like Best Large Ensemble. The EP The Reset (2021, Music of Content), comprising five tracks reflecting pandemic-era themes of renewal, was produced with multiple mixes highlighting individual solos. The tracklist includes "The Reset" (featuring tenor saxophonist Brian Scanlon and guitarist Will Brahm), "Six Feet Away" (), "Through the Fire" (vocalist Vangie Gunn), "My Man Sam" (tribute to arranger ), and "Cell Talk" (Nestico's final chart). Released digitally with premium content options, it underscores the band's adaptability. The EP Six Feet Away (2023, Music of Content) is a special edition release featuring five tracks, including multiple mixes of the title track "Six Feet Away" (with solos by alto saxophonist ) and other singles from the band's recent repertoire. It highlights the ensemble's continued innovation in formats during the post-pandemic period.

Other recordings and contributions

Goodwin has led the smaller ensemble Gordon Goodwin's Little Phat Band, which features a core group of nine musicians drawn from his larger outfit, allowing for more intimate jazz interpretations. Their debut album, An Elusive Man (2016), showcases Goodwin's piano work alongside arrangements blending swing, Latin, and contemporary jazz elements, with tracks like "The Time of My Life" highlighting the group's dynamic interplay. The holiday EP Joyful (2020, Music of Content) includes four Christmas tracks such as "," "," "God Rest Ye Merry Gentlemen," and "Some Children See Him," arranged in a swinging style. Beyond ensemble leadership, Goodwin has made significant contributions to film soundtracks as a , orchestrator, and conductor. His arrangement of "The Incredits" for Pixar's (2004) earned him a Grammy Award for Best Instrumental Arrangement, capturing the film's adventurous spirit through . Other notable soundtrack involvements include scoring and for (2004), (2010), (2008), and (2006), where his jazz-infused cues enhanced dramatic sequences. Goodwin has also appeared as a guest musician and arranger on recordings by prominent artists, applying his arranging skills to elevate their projects. He contributed piano and arrangements to sessions with , including work on the posthumous album Genius & Friends (2005), and collaborated with on various productions, such as orchestral arrangements for live performances and recordings in the 1990s and 2000s. Additional guest spots include tracks with on her holiday album (2000) and with on vocal jazz projects. In recent years, Goodwin has explored vocal-centric recordings, notably serving as arranger and conductor for Patti Austin's For Ella 2 (2023), a tribute to featuring reinterpretations of standards like "" with lush backing. The album received a Grammy nomination for Best Jazz Vocal Album in 2024, underscoring Goodwin's role in bridging traditions with modern production.

Awards and honors

Grammy Awards

Gordon Goodwin has won four Grammy Awards, recognizing his exceptional contributions to instrumental arrangements and . His first victory came at the in 2006, where he received the award for Best Instrumental Arrangement for "The Incredits," a high-energy orchestral piece from the Pixar film . This arrangement, featuring dynamic brass swells and rhythmic drive, showcased Goodwin's ability to blend cinematic scoring with elements, earning praise for its inventive . In 2012, at the , Goodwin won Best Arrangement, Instruments and Vocals for his reinterpretation of George Gershwin's "," featured on his Big Phat Band's album That's How We Roll. Described as a tour-de-force that preserved the piece's iconic while infusing it with modern flair, the arrangement highlighted Goodwin's skill in reimagining classical works for contemporary ensembles. This win further elevated his reputation as an arranger capable of bridging genres. Goodwin's third Grammy arrived in 2015 during the , in the Best Arrangement, Instruments and Vocals category, for "On Green Dolphin Street" from the album Life in the Bubble. This lively tribute to pianist reimagined the standard with shimmering textures and improvisational energy, drawing on Peterson's historic recordings to create a vibrant showcase. The track's success underscored Goodwin's talent for honoring traditions while pushing ensemble boundaries. His fourth Grammy was awarded later in the same 2015 ceremony at the for Best Large Jazz Ensemble Album with Life in the Bubble. The album, featuring a mix of original compositions and standards performed by Goodwin's 18-piece Big Phat Band, was lauded for its polished production and infectious energy, solidifying the group's status in the world. This victory marked a career milestone, affirming Goodwin's leadership in revitalizing music. These awards have significantly impacted Goodwin's career, boosting the visibility of the Big Phat Band and establishing him as one of the most decorated leaders of the . The recognition from his 2006 win, in particular, helped propel the band's profile, leading to increased touring and recording opportunities. Collectively, the honors highlight Goodwin's enduring legacy in fusing Hollywood scoring techniques with innovation, though he has not secured additional wins since 2015.
YearCategoryWorkAlbum/Film
2006Best Instrumental Arrangement"The Incredits"
2012Best Arrangement, Instruments and VocalsThat's How We Roll
2015Best Arrangement, Instruments and Vocals"On Green Dolphin Street"Life in the Bubble
2015Best Large Jazz Ensemble AlbumLife in the BubbleN/A

Grammy nominations

Gordon Goodwin has accumulated 25 Grammy nominations across his career, highlighting his extensive impact in composition, arrangement, and performance from the early 2000s through 2024. These accolades reflect the diversity of his work, encompassing leadership, innovation, and collaborative vocal projects, often without resulting in wins despite his successes in related categories. His nominations frequently appear in categories such as Best Large Jazz Ensemble Album, Best Instrumental Arrangement, Best Instrumental Composition, and Best Arrangement, Instruments and Vocals, demonstrating consistent recognition for his Big Phat Band recordings and individual contributions. For instance, early in his Grammy trajectory, the 2003 album XXL earned three nominations: Best Large Jazz Ensemble Album for the album itself, Best Instrumental Composition for "Hunting Wabbits," and Best Instrumental Arrangement for "," showcasing his prowess in ensemble orchestration and creative reinterpretations of classics. Similarly, the 2008 release Act Your Age was nominated for Best Large Jazz Ensemble Album, affirming his enduring influence in the large jazz ensemble genre. In 2015, "Do You Hear What I Hear?" from It's the Most Wonderful Time of the Year brought a nomination in Best Instrumental Composition, extending his reach into holiday and thematic jazz works. More recently, the 2024 (66th Annual) Grammy nominations marked a significant near-miss with three nods, including Best Jazz Vocal Album for For Ella 2 ( featuring ), which highlighted his skill in blending energy with vocal artistry in to ; Best Arrangement, Instruments and Vocals for "April in Paris" ( featuring ); and Best Instrumental Composition for "Cutey and the Dragon" from The Beast ( Orchestral Works, Vol. 2). These nominations illustrate Goodwin's broadening scope into and orchestral reinterpretations of mid-20th-century composers, areas where his arrangements have garnered critical acclaim but eluded top honors. No additional nominations in the 67th (2025) or 68th (2026) Annual as of November 2025.

Daytime Emmy Awards

Gordon Goodwin has received three , all for Outstanding Music Direction and Composition in animated produced by during the late 1990s and early 2000s. These accolades recognize his contributions as a and arranger, where he collaborated with teams to create original scores that enhanced the whimsical and comedic elements of the shows. His first win came in 1998 for Animaniacs, shared with composers Richard Stone, Steve Bernstein, and Julie Bernstein, for their work on the series' musical direction and composition that featured energetic, parody-filled scores supporting the zany adventures of the Warner siblings and other characters. The following year, in 1999, Goodwin earned his second Daytime Emmy for the same category on Animaniacs, again collaborating with Stone, Bernstein, Tim Kelly, and Julie Bernstein, highlighting the show's continued success in blending orchestral arrangements with pop and classical influences to underscore its humorous sketches. Goodwin's third and final Daytime Emmy arrived in 2000 for Histeria!, where he shared the award with , Steve Bernstein, Julie Bernstein, and Tim Kelly for composing and directing music that animated historical events through satirical songs and lively orchestration, making educational content engaging for young audiences. These wins underscore his early career expertise in television animation scoring, building on his broader film composition experience. No further Daytime Emmy wins have been recorded for Goodwin after 2000.

Other recognitions

Goodwin is a member of the American Society of Composers, Authors and Publishers (ASCAP), through which his works such as arrangements for Grammy-nominated tracks are registered and recognized. He is also a member of , where he actively participates as a Grammy voter and attends chapter events. In 2012, the Jazz Society honored Goodwin with its Jazz Tribute Award, celebrating his contributions to jazz as a , arranger, and . Goodwin hosts the nationally syndicated Phat Tracks with Gordon Goodwin, which has aired weekly since 2018 on stations including KJAZZ 88.1 FM and reaches jazz audiences across the . In 2025, Goodwin's Big Phat Band marked its 25th anniversary with a year-long celebration, including re-recorded classics, international tours such as at , and special performances highlighting the ensemble's Grammy-winning legacy.

References

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  3. https://www.bigphatband.com/
  4. https://jazztimes.com/features/profiles/gordon-goodwin-the-phat-boys-are-back/
  5. https://www.allaboutjazz.com/musicians/gordon-goodwin/
  6. https://everythingsaxophone.libsyn.com/gordon-goodwin-multiple-grammy-winning-composer-arranger-saxophonist-pianist-ep-194
  7. https://www.bigphatband.com/meet-the-band
  8. https://www.grammy.com/artists/gordon-goodwin/12771
  9. https://www.allaboutjazz.com/musicians/gordon-goodwin
  10. https://www.alfred.com/authors/gordon-goodwin/
  11. https://asmac.org/2008/06/18/gordon-goodwin-luncheon-june-18-2008/
  12. https://www.laphil.com/musicdb/artists/8213/gordon-goodwins-big-phat-band
  13. https://digital-collections.csun.edu/digital/api/collection/Sundial/id/14963/download
  14. https://www.allaboutjazz.com/take-five-with-gordon-goodwin
  15. https://www.csun.edu/node/151086
  16. https://jazztimes.com/features/profiles/gordon-goodwin-the-big-phat-band/
  17. https://saxophonepodcast.com/gordon-goodwin-podcast-episode-194/
  18. https://jazzweekly.com/2015/05/gordon-goodwin-living-in-a-balanced-bubble-or-how-to-succeed-in-the-music-business-by-trying-really-hard/
  19. https://www.namm.org/library/oral-history/gordon-goodwin
  20. https://www.bigphatband.com/press/all-about-jazz-4-time-grammy-winner-gordon-goodwin-returns-with-new-5-song-ep
  21. https://www.bigphatband.com/members
  22. https://www.bluenote.co.jp/jp/artists/gordon-goodwin-big-phat-band/
  23. https://www.disneymusiccredits.com/album/incredibles-2/
  24. https://www.the360mag.com/gordon-goodwin/
  25. https://www.disneyconcerts.com/orchestral-arrangement/
  26. https://www.grammy.com/news/2024-grammys-nominations-full-winners-nominees-list
  27. https://downbeat.com/news/detail/recording-academy-announces-2024-grammy-nominations
  28. https://www.allaboutjazz.com/the-reset-gordon-goodwins-big-phat-band-music-of-content
  29. https://www.youtube.com/watch?v=awvwU2n8AAs
  30. https://www.instagram.com/p/DPKfnoxknc-/
  31. https://www.eventbrite.com/e/gordon-goodwins-big-phat-band-tickets-1257094015039
  32. https://www.thevenicesymphony.org/tvs-events/gordon-goodwins-big-phat-concert/
  33. https://www.sflmusic.com/gordon-goodwin/
  34. https://www.imdb.com/name/nm0329464/bio/
  35. https://www.facebook.com/gordon.goodwin.161/posts/i-had-a-wonderful-fathers-day-today-with-my-lovely-vangie-my-mom-alice-goodwin-m/3915341248612047/
  36. https://www.bigphatband.com/members/vangie-gunn
  37. https://www.allaboutjazz.com/album/the-reset-gordon-goodwin
  38. https://guitargirlmag.com/interviews/take-five-with-vangie-gunn/
  39. https://www.gofundme.com/f/help-gordon-goodwin-fight-pancreatic-cancer
  40. https://www.youtube.com/watch?v=4SmDFACz9RI
  41. https://internationalmusician.org/gordon-goodwin/
  42. https://bluejayjazz.org/gordon-goodwin-little-phat-aug-22/
  43. https://theinstrumentalist.com/april-may-2021/sammy-nestico-1924-2021/
  44. https://saxshed.com/gordon-goodwins-big-phat-band-2/
  45. https://www.allaboutjazz.com/the-phat-pack-gordon-goodwin-immergent-records-review-by-jack-bowers
  46. https://www.discogs.com/release/4908080-Gordon-Goodwins-Big-Phat-Band-Bah-Humduck-A-Looney-Tunes-Christmas
  47. https://www.allaboutjazz.com/act-your-age-gordon-goodwin-immergent-records-review-by-edward-blanco
  48. https://concord.com/concord-albums/life-in-the-bubble/
  49. https://jazzweekly.com/2015/11/gordon-goodwins-big-phat-band-wrap-this-a-big-phat-christmas/
  50. https://www.highresaudio.com/en/album/view/22p449/gordon-goodwin-s-big-phat-band-the-gordian-knot
  51. https://tinnitist.com/2021/10/21/gordon-goodwins-big-phat-band-hit-the-reset-button/
  52. https://music.apple.com/us/album/six-feet-away/1689282606
  53. https://www.discogs.com/release/11452335-Gordon-Goodwins-Little-Phat-Band-An-Elusive-Man
  54. https://open.spotify.com/album/1KJan8ipTMRQsqAWuBgIQ7
  55. https://downbeat.com/news/detail/gordon-goodwins-total-devotion/P1
  56. https://www.halleonard.com/biography/162/gordon-goodwin
  57. https://www.awn.com/news/incredibles-polar-express-win-grammys
  58. https://www.alfred.com/rhapsody-in-blue/p/00-33370/
  59. https://www.npr.org/sections/therecord/2014/01/26/266882052/daft-punk-lorde-and-macklemore-win-major-grammy-awards
  60. https://www.mixonline.com/the-wire/gordon-goodwin-s-big-phat-band-wins-grammy-award-help-royer-labs-microphones-424163
  61. https://1888media.wordpress.com/2023/11/13/gordon-goodwin-nominated-for-3-grammys-for-work-on-patti-austin-and-raymond-scott-projects/
  62. https://www.imdb.com/name/nm0329464/awards/
  63. https://www.billboard.com/music/awards/grammy-nominations-2024-list-1235468152/
  64. https://grammy.com/news/2024-grammys-nominations-full-winners-nominees-list
  65. https://www.awn.com/news/daytime-emmy-tech-awards-announced
  66. https://www.imdb.com/event/ev0000206/1999/1/
  67. https://www.ascap.com/news-events/articles/2016/12/ascap-members-nab-topgrammy-noms
  68. https://grammy.com/artists/gordon-goodwin/12771
  69. https://www.instagram.com/reel/C07jBTyNN3x/
  70. https://lajazz.org/annual-jazz-tribute-awards-concert/
  71. https://www.allaboutjazz.com/news/grammy-emmy-winning-composer-gordon-goodwin-makes-feature-film-debut-in-knights-of-swing-hollywood-bowl-jazz-fest-june-26/
  72. https://www.instagram.com/therealgordongoodwin/reel/DF3vnPEtywx/
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