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Key Information

Teneil Laetitia Throssell, known professionally as HAAi, is an Australian electronic music producer and DJ from Karratha, Western Australia.[2][3]

Career

[edit]

Throssell began her musical career in a series of rock bands, eventually moving to the UK as part of psychedelic rock duo Dark Bells.[4][5] She began DJing only after the band split up, going on to hold a residency at club Phonox in London from late 2016 for two years.[6][7] HAAi gained wider prominence after winning the BBC Radio 1 Essential Mix of the Year 2018.[8][9]

She released her debut EP in November 2019 with Systems Up, Windows Down.[10] This was followed-up by her debut album, Baby, We're Ascending, in May 2022.[11] She has collaborated with various other electronic artists, including Fred Again and Jon Hopkins.[12]

In 2025, she announced her next album, Humanise, which was released on October 10.[13]

Personal life

[edit]

Throssell has ADHD.[14][15] She has identified as queer.[16][17]

Discography

[edit]

Albums

[edit]
Title Album details
Baby, We're Ascending
Humanise

EPs

[edit]
Title Album details
Systems Up, Windows Down

References

[edit]

Further reading

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

HAAi

View on Grokipedia
from Grokipedia
HAAi is the stage name of Teneil Throssell, an Australian-born electronic music , songwriter, and DJ based in , recognized for her boundary-pushing integration of , , indie , and powerful beats. Born in , and raised in , Throssell began her musical journey in rock bands before transitioning to electronic music after moving to in her twenties, where she honed her DJ skills at venues like Ridley Road Market Bar in . She rose to prominence with her 2020 single "Head Above the Parakeets," secured a two-year residency at Phonox club from 2016 to 2018, and released her debut album Baby, We’re Ascending in 2022 on Mute Records, featuring collaborations with Jon Hopkins. Subsequent milestones include the 2023 DJ-Kicks mix, a remix of Kylie Minogue's "Padam Padam," and the single "Lights Out" with Fred Again.. and Romy, culminating in her sophomore album HUMANiSE released on October 10, 2025, which delves into themes of humanity amid digital and AI influences through tracks like "Stitches," "Hey!," and "Satellite." In 2024, HAAi expanded her footprint with over 100 performances across five continents, appearances at major festivals such as and , and the launch of her UNiSON party brand in , featuring artists like and .

Early life

Upbringing in Australia

Teneil Laetitia Throssell, professionally known as HAAi, was born in Karratha, a remote mining town in Western Australia's region. Raised in this isolated community approximately 22 hours' drive from Perth, Throssell experienced a childhood marked by limited entertainment options and frequent relocations within . At around age five, her family moved from Karratha to Bunbury, closer to Perth, where she continued to navigate a transient , changing schools multiple times and developing an early adaptability to new environments. As the middle child in her family, with parents later settling in Kalgoorlie and Karratha respectively, she grew up in a modest household where financial constraints shaped daily life, including limited access to extracurricular resources. Throssell's early years in these regional towns fostered a sense of and amid the sparse local scenes. dynamics provided initial sparks of inspiration, such as her older sister's acquisition of an when Throssell was 13, which she later accessed despite household limitations on formal pursuits. She later moved to Perth around age 17, further immersing her in Western Australia's coastal and urban fringes, where school activities emphasized community involvement over specialized hobbies. These experiences, including DIY approaches to learning and adapting to frequent changes, laid a foundational resilience that influenced her later path.

Initial musical interests

Born in , Teneil Throssell (professionally known as HAAi) developed an early curiosity for music during her childhood in , where she experimented with instruments available in her family environment. By her teenage years, after moving to Bunbury and later Perth around age 17, she began playing her sister's guitar, initially writing simple folk songs and exploring punk and genres influenced by local acts like and . Throssell's musical education was largely self-directed, as her family could not afford formal lessons; at age 13, she taught herself guitar using online tabs after taking her sibling's instrument without permission. In high school near Perth, she formed and joined various amateur bands, focusing on guitar-driven psychedelic and shoegaze styles, which marked her first structured forays into performance. These experiences, including open-mic nights in Sydney after moving there at 19, solidified her commitment to music as a serious pursuit, blending self-taught skills with local underground scenes. By the early , seeking greater opportunities beyond Australia's regional music circuits, Throssell relocated to around 2011, where she continued honing her craft in a more global context. This move represented a pivotal step from her exploratory teenage interests to a professional trajectory.

Career

Rock music beginnings

After relocating to the in the early 2010s, Teneil Throssell, known professionally as HAAi, entered her professional music career as the vocalist and guitarist of the duo Dark Bells, formed initially in , , with bassist Ash Moss. The band, characterized by , Anatolian, and influences with dusty, evocative soundscapes, expanded to a trio upon arrival in by adding drummer Luke Richardson (later Geno Carrapetta). This move was driven by the desire to access a more vibrant music scene for their indie guitar-based style. Dark Bells quickly integrated into London's underground circuit, becoming regulars at gigs and achieving a notable milestone with a performance at Festival's Williams Green stage in 2014. During their active period from approximately 2012 to 2014, the band released independent singles such as "" and "Want" in 2013, followed by "In Head" in 2014, which garnered interest from managers and labels. These efforts highlighted their sound but were constrained by the band's small-scale operations. The group disbanded around 2014, shortly after their appearance, amid the highly competitive rock scene, where extensive touring fostered intense and rivalries among acts. Throssell later reflected on the emotional toll, describing herself as heartbroken and deflated after investing significant energy into the project without achieving broader breakthroughs, which exposed the genre's limitations in sustaining momentum for emerging bands like theirs. This split marked the end of her rock phase and paved the way for solo pursuits.

Transition to DJing and electronic production

Following the dissolution of her psychedelic rock duo Dark Bells around 2014, HAAi, born Teneil Throssell, pivoted to DJing after a transformative trip to Berlin's club, where the venue's sound system and electronic music scene ignited her passion for the genre. She began experimenting with decks shortly thereafter, drawing from her extensive record collection of '60s and '70s psychedelic sounds, African rhythms, and Turkish influences. HAAi quickly gained traction in London's underground, securing an initial residency at Ridley Road Market Bar in , where she honed her style over two years by blending , , , and high-energy party tracks in sets that emphasized "primal" movement. This led to her appointment as a resident DJ at Phonox in from late 2016 to 2018, where she performed weekly six-hour sets characterized by bass-heavy, percussive, and experimental club music with global edges, often incorporating gradual builds and risk-taking transitions tailored to trusting crowds. Her residency, which succeeded DJ Jasper James, played a pivotal role in the local scene by nurturing emerging talent through hosted Coconut Beats nights featuring international artists like DJ and Mehmet , fostering a diverse, adventurous audience and solidifying her as a key figure in London's electronic ecosystem. Parallel to her DJ work, HAAi ventured into electronic production by founding her own imprint, Coconut Beats, in 2017, releasing her debut single "DaDaDa" that year as an initial foray into original material blending eclectic, tripped-out . This was followed by her first EP, Motorik Voodoo Bush Doof Musik, which captured her signature fusion of rhythms, vibes, and elements, marking her early label signings and self-releases as foundational steps in building her production identity. Her momentum culminated in September 2018 with a debut , a two-hour "psyched-out" journey weaving , melodic , and tracks into a cohesive, immersive trip that showcased her curatorial depth and global crate-digging. The mix was acclaimed by a panel of expert judges and awarded 's of the Year 2018, highlighting its innovative reception and propelling HAAi toward broader recognition in electronic music.

Breakthrough releases and collaborations

In 2019, HAAi signed to , a pivotal move that marked her entry into a major independent label and facilitated the release of her EP Systems Up, Windows Down that November. This partnership, initiated through a for label artist Daniel Avery, provided creative freedom under the guidance of founder Daniel Miller, who encouraged her to explore vocal elements in her productions. Her breakthrough came in early 2022 with the collaborative single "Lights Out," featuring and of , a track that blended euphoric with emotive vocals and garnered widespread acclaim for its innovative fusion of club energy and introspection. Later that year, HAAi released her debut album Baby, We're Ascending on May 27 via Mute, a project conceived during the lockdown in , where isolation inspired a shift toward more expansive, vocal-driven soundscapes. The album featured contributions from on the title track, creating hypnotic, atmospheric layers that bridged and ambient styles; it received strong critical praise, with awarding it four stars for its "rave rupture and heavy rhythms," highlighting its "rich, entrancing ambience," and commending its balance of dancefloor intensity and transcendence. HAAi's collaborations with deepened post-debut, including the 2023 single "Always Ascending" with KAM-BU, which incorporated spoken-word elements over pulsating rhythms, and continued into her sophomore work. Further milestones in 2023 included her remix of Kylie Minogue's "Padam Padam," released on July 20, and her mix, released on November 10 via !K7 Records, showcasing her eclectic selection of , , and global sounds. In May 2025, she announced HUMANiSE, her second album, released on October 10 via Mute, exploring themes of human connection, queerness, and identity amid digital alienation, with AI serving as a metaphorical lens for vulnerability and unity. The record featured alongside Obi Franky, ILĀ, TRANS VOICES choir, and , notably on the lead single "Satellite," a glitchy, celestial track emphasizing communal transcendence. Promotion for HUMANiSE included a conceptual live takeover at London's Drumsheds in early 2025, where HAAi performed the full album with her collaborators, captured in the concert film HUMANiSE - Live at Drumsheds, premiered in London on September 25 and streamed on YouTube from October 1, with a full release on November 14. Post-2022, her live presence expanded through extensive touring, including her largest North American headline run in fall 2025 across new and returning cities, alongside high-profile sets such as a three-hour performance in November and a 10-hour New Year's Eve residency at Phonox in London. Festival appearances have further solidified her ascent, with slots at events like Meredith Music Festival in December 2025, showcasing her immersive, community-focused live shows.

Artistry

Musical style

HAAi's music primarily operates within the realm of , incorporating psychedelic and experimental influences that distinguish her from conventional club sounds. Her productions often blend and rhythms with ambient textures, creating layered tracks that evoke both high-energy dancefloors and introspective atmospheres. This fusion is evident in her use of modular synthesis to generate unpredictable, evolving patterns, which she integrates into her to add organic depth to otherwise structured electronic forms. Signature elements of her sound include immersive soundscapes built from hefty drones, scudding basslines, and euphoric, reverberated melodies, often punctuated by warped vocal samples and breakbeats that introduce a sense of rupture and release. These components craft a collage-like aesthetic, where psychedelic synth work rattles alongside emotive bass, fostering a balance between machine precision and human vulnerability. For instance, her debut album Baby, We're Ascending (2022) showcases this through tight, echoey beats and colorful synth lines that weave personal ephemera into innovative electronic frameworks, earning praise from as a euphoric collection of "rave rapture and heavy rhythms" that feels both transcendent and grounded. Her style has evolved notably from the debut to her second album HUMANiSE (2025), shifting toward more human-centered and emotive productions that emphasize warmth and introspection amid technological themes. While Baby, We're Ascending leaned into high-frequency, club-oriented , HUMANiSE adopts a softer touch, harmonizing organic elements like live vocals with synthetic textures to create grounded, transportive experiences suitable for both dancefloors and personal reflection. This progression reflects a sonic step up, prioritizing emotional resonance over pure intensity, as noted in reviews highlighting its beautiful unison of human and machine sounds.

Influences and collaborations

HAAi's early musical influences were rooted in , particularly during her time in a band in , where she drew inspiration from and drone rock elements that shaped her initial songwriting and performance approach. This foundation evolved as she immersed herself in the UK electronic scene, incorporating slower tempos around 100-110 BPM from pioneers like , which influenced her residency sets and production techniques emphasizing hypnotic, extended builds. In the London underground, venues like fabric and Phonox played a pivotal role in refining her sound, exposing her to a vibrant ecosystem of , house, and experimental that encouraged her eclectic blending of global influences into textured, psychedelic . Her personal experiences as a artist have informed the thematic layers in her work, fostering collaborations with predominantly production teams and infusing lyrics with explorations of identity, connection, and fluidity within electronic music's club culture roots. Similarly, her ADHD diagnosis in has influenced her creative process, providing a framework for her high-energy, multifaceted approach to DJing and production, where rapid idea generation translates into dynamic, genre-spanning tracks. Key collaborations highlight HAAi's ability to merge her vision with established voices in . With , a long-term partner met post-lockdown, she co-produced tracks like "Baby, We're Ascending" from her 2022 debut album, where Hopkins' ambient expertise complemented her techno-driven structures to create transcendent, euphoric peaks; their dynamic emphasized mutual experimentation, as seen in the shared songwriting on "Always Ascending" from her mix. With Fred Again.., their 2022 collaboration on "Lights Out" alongside fused HAAi's psychedelic edges with Fred's emotive garage and breakbeat, resulting in a blockbuster that amplified her profile through its raw, communal energy. Other notable joint works include features with of Hot Chip on her debut, spoken-word poet Kai-Isaiah Jamal, vocalist Obi Franky, and KAM-BU on recent releases like "Shapeshift," where these partnerships explore human-AI tensions and queer resilience, often involving iterative studio sessions that prioritize emotional depth over rigid genre boundaries.

Discography

Studio albums

HAAi's debut studio album, Baby, We're Ascending, was released on May 27, 2022, through . The album explores themes of ascension and , blending high-energy electronic production with moments of euphoric tension and ambient introspection, reflecting the artist's journey through electronic music's evolving landscape. Production took place primarily in , where HAAi (Teneil Throssell) crafted the record with a focus on and elements, incorporating live instrumentation and vocal manipulations to create a sense of building momentum. Guest features include Kai-Isaiah Jamal and Obi Franky on "Human Sound," Obi Franky on "Purple Jelly Disc," on "Biggest Mood Ever," and on the title track, adding layers of emotional depth and rhythmic complexity. The album artwork, featuring abstract, cosmic imagery, was creatively directed and photographed by Imogene Barron, with by Raissa Pardini. While it did not achieve significant commercial chart success, it received positive critical acclaim for its innovative fusion of club energy and psychedelic exploration, earning praise from outlets like and .
No.TitleFeatured artist(s)Length
1"Channels"2:56
2"Pigeon Barron"6:39
3"Bodies of Water"5:04
4"Human Sound"Kai-Isaiah Jamal, Obi Franky5:26
5"Louder Always Better"4:25
6"Biggest Mood Ever"4:30
7"AM"3:52
8"FM"3:07
9"I've Been Thinking A Lot Lately"5:13
10"Purple Jelly Disc"Obi Franky5:14
11"Baby, We're Ascending"6:50
12"Orca"4:27
13"Tardigrade"3:37
HAAi's second studio album, HUMANiSE, followed on October 10, 2025, also via Mute Records, announced on May 28, 2025, alongside the lead single "Satellite." The record delves into themes of human emotion intersecting with technology, examining unity, queerness, and connection amid digital isolation and AI's rise, positioning itself between dystopian machine aesthetics and utopian emotional expression. Production emphasized vulnerable, community-driven sessions, blending digitized vocals with sweeping synths and HAAi's own singing, recorded in London with contributions from a diverse array of collaborators to underscore themes of collective humanity. Key guest features include Jon Hopkins and Obi Franky on "Satellite," James Massiah on "All That Falls Apart," ILĀ and Trans Voices across multiple tracks like "Rushing" and "New Euphoria," KAM-BU on "Shapeshift," Kaiden Ford on "Go" and "HQ," and Alexis Taylor on "New Euphoria," enhancing the album's emotional and sonic breadth. Pre-release singles "Hey!" (July 22, 2025) and "Stitches" (September 10, 2025) built anticipation, with "Satellite" highlighting queer and trans voices in its choir elements. The artwork evokes a blend of organic and synthetic forms, aligning with the album's conceptual tension. Critical reception has been strong, with Clash Magazine lauding its ambitious emotional resonance and ABC Double J noting its vibrant, life-affirming pulse, though specific chart data remains limited post-release.
No.TitleFeatured artist(s)Length
1"Satellite (Intro)", Obi Franky, ILĀ, 2:14
2"Satellite", Obi Franky, ILĀ, 4:25
3"All That Falls Apart"James Massiah3:15
4"Comes Together"3:03
5"Stitches"4:23
6"Can't Stand To Lose"4:52
7"Shapeshift"KAM-BU4:50
8"Voices"5:38
9"Go (Intro)"Kaiden Ford?:??
10"Go"Kaiden Ford3:45
11"HUMANiSE"4:10
12"Hey! (Intro)"?:??
13"Hey!"3:20
14"Rushing (Intro)"ILĀ, ?:??
15"Rushing"ILĀ, 4:15
16"New Euphoria (Intro)", ILĀ, ?:??
17"New Euphoria", ILĀ, 5:00
18"HQ"Kaiden Ford3:30

Extended plays

HAAi's extended plays represent key experimental phases in her evolution as an electronic producer, serving as concise platforms to explore sonic transitions between her fuller-length studio works. These releases, often issued on her own Beats imprint or , emphasize innovative sampling, integrations, and psychedelic elements that foreshadow the thematic depth of her albums. Her debut EP, Be Good, released in September 2017 on Coconut Beats, marked an early foray into and influences during her formative years in . Comprising two tracks, it showcased emotive basslines and subtle percussion that hinted at her emerging DJ-oriented production style. The EP received positive attention for its grooves, establishing HAAi as a rising talent in the underground scene.
No.TitleLength
1.Be Good6:34
2.DaDaDa6:03
Following the conclusion of her two-year Phonox residency in 2018, which honed her live performance skills and global profile, HAAi signed to and released Systems Up, Windows Down on November 14, 2019. This six-track EP embodied a transitional phase in her electronic sound, blending raw with breakbeats, , and big-room elements to create swampy, intense atmospheres through eclectic sampling. Critics praised its experimental vigor and "anything-goes" approach, noting how tracks like "Don't Flatter Yourself Love" built ominous static into cacophonous swells, previewing the mature, dancefloor-ready structures of her debut album Baby, We're Ascending. The release was lauded for its vibrant energy and innovative textures, earning an 8/10 rating for its bold fusion of genres.
No.TitleLength
1.Don't Flatter Yourself Love5:59
2.Stop Looking At Me Swan6:27
3.66664:57
4.CHONKIBOI6:14
5.It's Something We Can All Learn From5:38
6.Systems Up, Windows Down10:04
HAAi's second Mute EP, Put Your Head Above the Parakeets, arrived on September 18, 2020, amid the global , offering a reflective with woozy, summery synths and hopeful infusions. The four tracks, including the pseudo-title track "Head Above the Parakeets," evoked risk and nostalgia through silky tones reminiscent of and signature breakbeats, reacting to the "whirlwind" of her pre-lockdown life. Reception highlighted its concise emotional depth and psychedelic warmth, positioning it as a bridge to the expansive ruptures in Baby, We're Ascending by introducing tighter beats and scudding basslines.
No.TitleLength
1.Head Above the Parakeets7:16
2.Rotating in Unison5:01
3.Bon Viveur4:42
4.Bass Is the Place4:40
In 2025, HAAi issued Stitches on September 9 via Mute, a five-track EP compiling recent singles that previewed her sophomore album HUMANiSE. Featuring emotive, glitchy electronics and collaborations like "Satellite" with Jon Hopkins and Obi Franky, it explored themes of connection and self-reflection through naive, introspective lyrics and reworked dance elements. The release was well-received for its evocative buildup to the album's algorithmic critiques, blending hard-soft reworkings with soaring vocals to maintain her experimental edge.
No.TitleLength
1.Stitches4:23
2.Hey!3:45
3. (feat. , Obi Franky, ILĀ, Trans Voices)4:25
4.Shapeshift (feat. KAM-BU)4:50
5.Can't Stand to Lose4:52

DJ mixes

TitleRelease DateLabelNotable Details
November 10, 2023!K7Compilation mix featuring exclusive tracks like "ZiGGY (DJ-Kicks)".

Singles

HAAi's early singles emerged during her DJ-focused phase before signing with . Her debut single, "Be Good," was released on August 25, 2017, via Coconut Beats, marking a pivotal track in her transition from rock influences to electronic production with its hypnotic, vocal-driven sound. In 2022, following her label debut, HAAi contributed to the collaborative single "Lights Out" with Fred again.. and , released on February 11, which peaked at number 88 on the Official Singles Chart and featured an official emphasizing themes of . She also released a of the track, "Lights Out (HAAi Remix)," later that year, incorporating her signature electronic flourishes. The same year, "Baby, We're Ascending" (featuring ) served as the for her debut album, released on May 27, with an accompanying visualizer highlighting its euphoric build. In 2023, HAAi released a remix of Kylie Minogue's "Padam Padam" on July 21. Leading into the year, "Always Ascending" (with Jon Hopkins and Kam-Bu) was issued as a single on October 13, showcasing layered vocals and ambient textures, though it did not chart prominently. For her 2025 album HUMANiSE, HAAi released several lead singles, starting with "Can't Stand To Lose" on February 11, a reflective track with her own vocals that included a "hard soft rework" remix variant. This was followed by "Shapeshift" on April 9, an alternative indie-leaning electronic piece featuring KAM-BU. "Satellite" (featuring Jon Hopkins, Obi Franky, ILĀ, and Trans Voices) arrived on May 28 as the album's first promotional single, accompanied by a music video exploring communal themes. "Hey!" was released on July 22, co-produced with Pat Alvarez, focusing on dance floor connections and featuring background vocals by HAAi. The final pre-album single, "Stitches," dropped on September 10, described by HAAi as a "naive love letter" with introspective lyrics.
Single TitleRelease DateCollaboratorsLabelNotable Details
Be GoodAugust 25, 2017NoneCoconut BeatsDebut single; 6:33 duration.
Lights OutFebruary 11, 2022Fred again.., RomyAtlanticUK #88; music video.
Baby, We're AscendingMay 27, 2022Jon HopkinsMuteAlbum lead; visualizer.
Padam Padam (HAAi Remix)July 21, 2023Kylie MinogueBMGRemix single.
Always AscendingOctober 13, 2023Jon Hopkins, Kam-BuMuteAmbient collaboration.
Can't Stand To LoseFebruary 11, 2025NoneMuteIncludes remix; HUMANiSE lead.
ShapeshiftApril 9, 2025KAM-BUMuteHUMANiSE lead.
SatelliteMay 28, 2025Jon Hopkins, Obi Franky, ILĀ, Trans VoicesMuteMusic video; HUMANiSE lead.
Hey!July 22, 2025Pat Alvarez (co-producer)MuteHUMANiSE lead.
StitchesSeptember 10, 2025NoneMuteHUMANiSE lead.

Personal life

Identity and health

HAAi, whose real name is Teneil Throssell, has publicly identified as , emphasizing the importance of visibility for marginalized artists in the music . In a 2022 interview, she discussed how she had previously overlooked her queerness while navigating challenges as a in her field, but over the preceding 18 months, she made it a more central part of her public . Throssell has highlighted growing up in the small town of , describing it as an experience marked by a yearning for escape and freedom, which she later expressed through personal reflections. Her disclosures on queerness gained prominence around 2022, coinciding with increased vocal advocacy for her , including efforts to platform queer artists. Musical themes inspired by her identity appear in her work, such as reflections on small-town queer life in her 2025 track "Go." By 2023, she spoke openly about queer acceptance and the welcoming nature of LGBTQIA+ spaces in electronic music events. Throssell is in a relationship with Alice Pelly, with whom she co-founded the Radical New Theory label. In 2020, during the early months of the , Throssell received a diagnosis of (ADHD), which she described as a relieving revelation that clarified longstanding patterns in her thinking and daily functioning. The diagnosis helped her understand her brain's tendency to shift rapidly between ideas, providing insight into everyday challenges like maintaining focus amid distractions. Publicly sharing her experiences starting in early 2022, she noted how the ADHD label made sense of her internal world, allowing for better self-management in routine activities without the prior confusion of undiagnosed symptoms. Throssell has continued to discuss her ADHD in interviews through the mid-2020s, framing it as a key aspect of her personal growth and self-awareness.

Residences and lifestyle

HAAi relocated from her hometown of Karratha in to in the early 2010s, first moving to at age 19 before establishing a permanent base in the UK to pursue her music career. She has since made her primary residence, where her home reflects a vibrant blend of personal and cultural influences, including colorful posters, shelves filled with vinyl records, and elements inspired by African and Turkish aesthetics. Her lifestyle centers on balancing the demands of global performances with rooted routines in the UK, often hosting community-oriented events like the party series in to foster connections amid her travels. This includes pursuits such as curating her vinyl collection and integrating into her living space, which serve as creative anchors outside of production and DJing. As of 2025, HAAi continues to be based in , occasionally undertaking temporary relocations for specific projects, such as recording sessions in at Desa Potato Head. Her schedule includes international tours, like an upcoming performance in , while maintaining her home as a stable hub.

References

  1. https://www.liaisonartists.com/artists/haai/
  2. https://www.theguardian.com/music/article/2024/may/13/critics-pick-haai-the-dj-making-euphoric-electronica-with-kylie-fred-again-and-jon-hopkins
  3. https://us.novationmusic.com/articles/in-conversation-with-haai/
  4. https://higherplainmusic.com/2025/09/09/introducing-haai/
  5. https://www.beatportal.com/articles/331999-cover-story-haais-good-natured-passion-for-music-and-community-has-elevated-her-to-the-top
  6. https://thewest.com.au/lifestyle/stm/say-hello-to-haai-aka-teneil-throssell-the-karratha-born-musician-now-one-of-the-worlds-most-in-demand-djs-c-6928591
  7. https://archive.junkee.com/longform/haai-profile-interview
  8. https://dmy.co/features/the-rise-and-rise-of-haai
  9. https://www.phoenixmag.co.uk/article/teneil-throssell-dj-haai-debut-album-baby-were-ascending/
  10. https://junkee.com/longform/haai-profile-interview
  11. https://mixmag.net/feature/haai-cover-feature-interview-album-baby-were-ascending
  12. https://mixmag.net/feature/haai-has-a-thousand-new-plans
  13. http://youngonesuk.com/get-to-know-haai
  14. https://www.discogs.com/artist/3563453-Dark-Bells
  15. https://music.apple.com/us/artist/dark-bells/638841606
  16. https://www.timeout.com/london/nightlife/haai-phonoxs-new-resident-dj-on-landing-londons-coolest-job
  17. https://www.redbull.com/gb-en/haai-things-I-learned-from-phonox-residency
  18. https://www.theguardian.com/music/2019/dec/14/one-to-watch-haai-systems-up-windows-down
  19. https://xlr8r.com/news/stream-the-debut-track-from-haai/
  20. https://www.wonderlandmagazine.com/2019/03/14/interview-dj-haai/
  21. https://mixmag.net/read/listen-to-phonox-resident-haais-debut-ep-news
  22. https://www.ibiza-spotlight.com/magazine/2019/09/say-hello-coconut-beats-founder-haai
  23. https://www.bbc.co.uk/programmes/m0000hzp
  24. https://mixmag.net/read/haai-bbc-essential-mix-2018-news
  25. https://www.1001tracklists.com/tracklist/2l419byk/haai-bbc-radio-1-essential-mix-2018-09-29.html
  26. https://djmag.com/news/haai-wins-bbc-essential-mix-2018-award
  27. https://www.bbc.co.uk/programmes/articles/dcMQJ6dPXd58Y9XbwB2GQr/essential-mix-of-the-year-2018-see-the-shortlist
  28. https://www.clashmusic.com/news/haai-signs-to-mute-shares-new-systems-up-windows-down-ep/
  29. https://pitchfork.com/news/fred-again-shares-new-song-lights-out-featuring-the-xxs-romy-and-haai-listen/
  30. https://www.nme.com/reviews/album/haai-baby-were-ascending-review-radar-3233247
  31. https://www.theguardian.com/music/2022/may/29/haai-baby-were-ascending-review-rich-entrancing-ambience-from-a-party-starter-star
  32. https://pitchfork.com/reviews/albums/haai-baby-were-ascending/
  33. https://djmag.com/news/haai-links-jon-hopkins-and-kam-bu-new-single-always-ascending-listen
  34. https://www.youtube.com/watch?v=khJj7GNnjVw
  35. https://haai.bandcamp.com/album/dj-kicks-haai
  36. https://www.beatportal.com/articles/949896-haai-new-album-humanise-first-single-satellite-jon-hopkins-obi-franky
  37. https://djmag.com/news/haai-announces-new-album-humanise-shares-satellite-listen
  38. https://www.thenote.com.au/news/haai-releases-sophomore-album-humanise-and-new-concert-film
  39. https://ra.co/dj/haai/tour-dates
  40. https://www.musicradar.com/news/haai-interview
  41. https://djmag.com/reviews/haai-humanise
  42. https://www.clashmusic.com/reviews/haai-humanise/
  43. https://haai.bandcamp.com/album/humanise
  44. https://store.mute.com/products/haai-humanise
  45. https://www.facebook.com/loud.contact/posts/haai-at-fabric-x-loud-contacta-key-figure-in-londons-underground-scene-haai-is-a/1213808117456861/
  46. https://www.glamcult.com/articles/in-conversation-with-haai/
  47. https://www.musicmusingsandsuch.com/musicmusingsandsuch/2025/10/11/feature-spotlight-haai
  48. https://thequietus.com/interviews/haai-humanise-interview/
  49. https://portable-infinite.blogspot.com/2025/04/haai-shares-new-track-shapeshift-feat.html
  50. https://haai.bandcamp.com/album/baby-we-re-ascending
  51. https://www.discogs.com/master/2649770-HAAi-Baby-Were-Ascending
  52. https://www.youtube.com/watch?v=V34DRNPVX0o
  53. https://www.abc.net.au/listen/doublej/featured-music/feature-albums1/haai-humanise-album-review-teneil-throssell/105888256
  54. https://genius.com/albums/Haai/Humanise
  55. https://www.qobuz.com/us-en/interpreter/haai/2884337
  56. https://ra.co/reviews/24503
  57. https://www.discogs.com/release/10812741-HAAi-Be-Good-EP
  58. https://oye-records.com/releases/haai-be-good
  59. https://theplayground.co.uk/review-haais-dark-raw-psychedelia-in-systems-upwindows-down-ep/
  60. https://www.clashmusic.com/reviews/haai-put-your-head-above-the-parakeets/
  61. https://beatsperminute.com/haai-delivers-techno-infused-with-hope-in-head-above-the-parakeets-and-rotating-in-unison/
  62. https://haai.bandcamp.com/album/put-your-head-above-the-parakeets
  63. https://music.apple.com/in/album/stitches-ep/1823719197
  64. https://www.side-line.com/haai-shares-stitches-humanise-out-10-oct-mute/
  65. https://www.godisinthetvzine.co.uk/2025/09/16/news-haai-shares-evocative-new-track-stitches-from-forthcoming-album-humanise/
  66. https://www.officialcharts.com/songs/fred-againromyhaai-lights-out/
  67. https://www.albumoftheyear.org/album/502664-haai-jon-hopkins-baby-were-ascending.php
  68. https://music.apple.com/us/album/padam-padam-haai-remix-single/1697464717
  69. https://www.albumoftheyear.org/album/791899-haai-jon-hopkins-kam-bu-always-ascending.php
  70. https://www.albumoftheyear.org/album/1223397-haai-cant-stand-to-lose.php
  71. https://music.apple.com/gb/song/hey/1823719446
  72. https://northerntransmissions.com/haai-releases-new-single-stitches/
  73. https://www.russh.com/haai-baby-were-ascending/
  74. https://www.beatportal.com/articles/1110994-haai-on-community-connection-and-the-heartbeat-of-humanise
  75. https://www.gaytimes.com/amplify/the-ascension-of-haai/
  76. https://themusic.com.au/features/like-a-rolling-stone-why-are-so-many-djs-leaving-australia/J3WVOzo9PD8/29-04-25
  77. https://www.nme.com/features/music-interviews/haai-dj-producer-interview-debut-album-radar-3215573
  78. https://ra.co/exchange/775
  79. https://www.jomalone.com/our-stories/haai
  80. https://thecosmictiger.com/home/haai-interview
  81. https://www.songkick.com/artists/9100119-haai/calendar
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