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Ham House AI simulator
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Ham House
Ham House is a 17th-century house set in formal gardens on the bank of the River Thames in Ham, south of Richmond in the London Borough of Richmond upon Thames. The original house was completed in 1610 by Thomas Vavasour, an Elizabethan courtier and Knight Marshal to James I. It was then leased, and later bought, by William Murray, a close friend and supporter of Charles I. The English Civil War saw the house and much of the estate sequestrated, but Murray's wife Catherine regained them on payment of a fine. During the Protectorate his daughter Elizabeth Murray, Countess of Dysart on her father's death in 1655, successfully navigated the prevailing anti-royalist sentiment and retained control of the estate.
The house achieved its greatest period of prominence following Elizabeth's second marriage—to John Maitland, 1st Duke of Lauderdale, in 1672. The Lauderdales held important roles at the court of the restored Charles II, the Duke being a member of the Cabal ministry and holder of major positions in Scotland, while the Duchess exercised significant social and political influence. They began an ambitious program of development and embellishment at Ham. The house was almost doubled in size and equipped with private apartments for the Duke and Duchess, as well as princely accommodation suites for visitors. The house was furnished to the highest standards of courtly taste and decorated with "a lavishness which transcended even what was fitting to their exalted rank". The Lauderdales accumulated notable collections of paintings, tapestries and furniture, and redesigned the gardens and grounds to reflect their status and that of their guests.
After the Duchess's death, the property passed through the line of her descendants. Occasionally, major alterations were made to the house, such as the reconstruction undertaken by Lionel Tollemache, 4th Earl of Dysart, in the 1730s. For the most part, later generations of owners focused on the preservation of the house and its collections. The family did not retain the high position at court held by the Lauderdales under Charles II, and a strain of family eccentricity and reserve saw the fifth Earl refuse a request from King George III to visit Ham. On the death of the 9th Earl – the last Earl to live at Ham – in 1935, the house passed to his second cousin, Lyonel; he and his son, Major (Cecil) Lyonel Tollemache, donated it to the National Trust in 1948. During the second half of the 20th century the house and gardens were opened to the public, and were extensively restored and researched. The property has become a popular filming location for cinema and television productions, which make use of its period interiors and gardens.
The house is built of red brick, and was originally constructed to a traditional Elizabethan era H-plan; the southern, garden frontage was infilled during the Lauderdales' rebuilding. The architect of Vavasour's house is unknown although drawings by Robert Smythson and his son John exist. The Lauderdales first consulted William Bruce, a cousin of the Duchess, but ultimately employed William Samwell to undertake their rebuilding. Ham retains many original Jacobean and Caroline features and furnishings, most in an unusually fine condition, and is a "rare survival of 17th-century luxury and taste". The house is a Grade I listed building and received museum accreditation from Arts Council England in 2015. Its park and formal gardens are listed at Grade II*. Bridget Cherry, in the revised London: South Pevsner published in 2002, acknowledged that the exterior of Ham was "not as attractive as other houses of this period", but noted the interior's "high architectural and decorative interest". The critic John Julius Norwich described the house as a "time machine – enclosing one in the elegant, opulent world of van Dyck and Lely".
In the early 17th century the manors of Ham and Petersham were bestowed by James I on his son, Henry Frederick, Prince of Wales. The original construction of Ham House was completed in 1610 by Sir Thomas Vavasour, Knight Marshal to James I. The Thames-side location was ideal for Vavasour, allowing him to move between the palaces at Richmond, Hampton, London and Windsor as his court role required. It originally comprised an H-plan layout consisting of nine bays and three storeys, as shown in a 1649 miniature by Alexander Marshal, but the lack of estate documentation makes it impossible to verify the names of persons involved in the design and construction of the house. Robert Smythson's survey drawing of the house and gardens is a key record of the early structure. Prince Henry died in 1612, and the lands passed to James's second son, Charles, several years before his coronation in 1625. After Vavasour's death in 1620, the house was granted to John Ramsay, 1st Earl of Holderness, until he died in 1626.
In 1626, Ham House was leased to William Murray, courtier, a close childhood friend and alleged whipping boy of Charles I. Murray's initial lease was for 39 years and, in 1631, a further 14 years were added. When Gregory Cole, a neighbouring landowner, had to sell his property in Petersham as part of the enclosure of Richmond Park in 1637, he made over the remaining leases on his land to Murray. Shortly afterwards William and his wife Katherine (or Catherine) engaged the services of skilled craftsmen, including the artist Francis Cleyn and the painter Matthew Goodrich (or Goodricke), to begin improvements on the house as befitting a Lord of the Manors of Ham and Petersham. He extended the Great Hall and added an arch that leads to the ornate cantilever staircase to create a processional route for guests as they approached the dining room on the first floor. He remodelled the Long Gallery and added the adjoining Green Closet that was influenced by Charles I's own "Cabbonett Room" at Whitehall Palace, to which Murray had donated two pieces. As part of the Whitehall Group, Murray would have been in touch with the latest tastes in art and architecture at court.
In 1640 William was also granted a lease on the nearby Manor of Canbury, now in Kingston upon Thames, but in the run-up to civil war in 1641 he signed over the house to Katherine and his four daughters, appointing trustees to safeguard the estate for them. The principal of these was Thomas Bruce, 1st Earl of Elgin, a relative of his wife and an important Scottish Presbyterian, Parliamentarian supporter and ally of the Puritan party in London. Murray was raised to the peerage as Earl of Dysart in 1643, although his elevation appears not to have been confirmed at that time. As a Scottish title, the earldom could be inherited by daughters, as well as by sons.
Shortly after the outbreak of the Civil War, the house and estates were sequestrated, but persistent appeals by Katherine regained them in 1646 on payment of a £500 fine. Katherine skilfully defended her ownership of the house throughout the Civil War and Commonwealth, and it remained in the family's possession despite Murray's close ties with the Royalist cause. Katherine died at Ham on 18 July 1649 (Charles I had been executed on 30 January of the same year). The Parliamentarians sold off much of the Royal Estate, including the Manors of Ham and Petersham. These, including Ham House, were bought for £1,131.18s on 13 May 1650 by William Adams, the steward acting on behalf of Murray's eldest daughter, Elizabeth and her husband Sir Lionel Tollemache, 3rd Baronet of Helmingham Hall, Suffolk. Ham House became Elizabeth and Lionel's primary residence, as Murray was in exile abroad, predominantly in France.
Ham House
Ham House is a 17th-century house set in formal gardens on the bank of the River Thames in Ham, south of Richmond in the London Borough of Richmond upon Thames. The original house was completed in 1610 by Thomas Vavasour, an Elizabethan courtier and Knight Marshal to James I. It was then leased, and later bought, by William Murray, a close friend and supporter of Charles I. The English Civil War saw the house and much of the estate sequestrated, but Murray's wife Catherine regained them on payment of a fine. During the Protectorate his daughter Elizabeth Murray, Countess of Dysart on her father's death in 1655, successfully navigated the prevailing anti-royalist sentiment and retained control of the estate.
The house achieved its greatest period of prominence following Elizabeth's second marriage—to John Maitland, 1st Duke of Lauderdale, in 1672. The Lauderdales held important roles at the court of the restored Charles II, the Duke being a member of the Cabal ministry and holder of major positions in Scotland, while the Duchess exercised significant social and political influence. They began an ambitious program of development and embellishment at Ham. The house was almost doubled in size and equipped with private apartments for the Duke and Duchess, as well as princely accommodation suites for visitors. The house was furnished to the highest standards of courtly taste and decorated with "a lavishness which transcended even what was fitting to their exalted rank". The Lauderdales accumulated notable collections of paintings, tapestries and furniture, and redesigned the gardens and grounds to reflect their status and that of their guests.
After the Duchess's death, the property passed through the line of her descendants. Occasionally, major alterations were made to the house, such as the reconstruction undertaken by Lionel Tollemache, 4th Earl of Dysart, in the 1730s. For the most part, later generations of owners focused on the preservation of the house and its collections. The family did not retain the high position at court held by the Lauderdales under Charles II, and a strain of family eccentricity and reserve saw the fifth Earl refuse a request from King George III to visit Ham. On the death of the 9th Earl – the last Earl to live at Ham – in 1935, the house passed to his second cousin, Lyonel; he and his son, Major (Cecil) Lyonel Tollemache, donated it to the National Trust in 1948. During the second half of the 20th century the house and gardens were opened to the public, and were extensively restored and researched. The property has become a popular filming location for cinema and television productions, which make use of its period interiors and gardens.
The house is built of red brick, and was originally constructed to a traditional Elizabethan era H-plan; the southern, garden frontage was infilled during the Lauderdales' rebuilding. The architect of Vavasour's house is unknown although drawings by Robert Smythson and his son John exist. The Lauderdales first consulted William Bruce, a cousin of the Duchess, but ultimately employed William Samwell to undertake their rebuilding. Ham retains many original Jacobean and Caroline features and furnishings, most in an unusually fine condition, and is a "rare survival of 17th-century luxury and taste". The house is a Grade I listed building and received museum accreditation from Arts Council England in 2015. Its park and formal gardens are listed at Grade II*. Bridget Cherry, in the revised London: South Pevsner published in 2002, acknowledged that the exterior of Ham was "not as attractive as other houses of this period", but noted the interior's "high architectural and decorative interest". The critic John Julius Norwich described the house as a "time machine – enclosing one in the elegant, opulent world of van Dyck and Lely".
In the early 17th century the manors of Ham and Petersham were bestowed by James I on his son, Henry Frederick, Prince of Wales. The original construction of Ham House was completed in 1610 by Sir Thomas Vavasour, Knight Marshal to James I. The Thames-side location was ideal for Vavasour, allowing him to move between the palaces at Richmond, Hampton, London and Windsor as his court role required. It originally comprised an H-plan layout consisting of nine bays and three storeys, as shown in a 1649 miniature by Alexander Marshal, but the lack of estate documentation makes it impossible to verify the names of persons involved in the design and construction of the house. Robert Smythson's survey drawing of the house and gardens is a key record of the early structure. Prince Henry died in 1612, and the lands passed to James's second son, Charles, several years before his coronation in 1625. After Vavasour's death in 1620, the house was granted to John Ramsay, 1st Earl of Holderness, until he died in 1626.
In 1626, Ham House was leased to William Murray, courtier, a close childhood friend and alleged whipping boy of Charles I. Murray's initial lease was for 39 years and, in 1631, a further 14 years were added. When Gregory Cole, a neighbouring landowner, had to sell his property in Petersham as part of the enclosure of Richmond Park in 1637, he made over the remaining leases on his land to Murray. Shortly afterwards William and his wife Katherine (or Catherine) engaged the services of skilled craftsmen, including the artist Francis Cleyn and the painter Matthew Goodrich (or Goodricke), to begin improvements on the house as befitting a Lord of the Manors of Ham and Petersham. He extended the Great Hall and added an arch that leads to the ornate cantilever staircase to create a processional route for guests as they approached the dining room on the first floor. He remodelled the Long Gallery and added the adjoining Green Closet that was influenced by Charles I's own "Cabbonett Room" at Whitehall Palace, to which Murray had donated two pieces. As part of the Whitehall Group, Murray would have been in touch with the latest tastes in art and architecture at court.
In 1640 William was also granted a lease on the nearby Manor of Canbury, now in Kingston upon Thames, but in the run-up to civil war in 1641 he signed over the house to Katherine and his four daughters, appointing trustees to safeguard the estate for them. The principal of these was Thomas Bruce, 1st Earl of Elgin, a relative of his wife and an important Scottish Presbyterian, Parliamentarian supporter and ally of the Puritan party in London. Murray was raised to the peerage as Earl of Dysart in 1643, although his elevation appears not to have been confirmed at that time. As a Scottish title, the earldom could be inherited by daughters, as well as by sons.
Shortly after the outbreak of the Civil War, the house and estates were sequestrated, but persistent appeals by Katherine regained them in 1646 on payment of a £500 fine. Katherine skilfully defended her ownership of the house throughout the Civil War and Commonwealth, and it remained in the family's possession despite Murray's close ties with the Royalist cause. Katherine died at Ham on 18 July 1649 (Charles I had been executed on 30 January of the same year). The Parliamentarians sold off much of the Royal Estate, including the Manors of Ham and Petersham. These, including Ham House, were bought for £1,131.18s on 13 May 1650 by William Adams, the steward acting on behalf of Murray's eldest daughter, Elizabeth and her husband Sir Lionel Tollemache, 3rd Baronet of Helmingham Hall, Suffolk. Ham House became Elizabeth and Lionel's primary residence, as Murray was in exile abroad, predominantly in France.