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Hanabie. (Japanese: 花冷え。) is a Japanese metalcore[1] band from Tokyo, formed in 2015.[2][3] The band consists of singer Yukina, guitarist/singer Matsuri, bassist Hettsu, and drummer Chika. Their music combines metalcore hardcore punk, and nu metal, with influences from electronica, J-pop and contemporary culture centered around Harajuku district in a style self-described as "Harajuku-core".[4][5]

Key Information

The band was formed by four high school friends due to their shared admiration of Maximum the Hormone, as a part of their light music club activities.[6] Initially a cover band, they soon transitioned into writing original music, self-producing their first single in 2016.[7] After a period as an independent band, during which they released an album and an EP, they were signed by Epic Records Japan, a subsidiary of Sony Music Japan, in 2023.[8] In the same year, their second album Reborn Superstar! was released, reaching number 24 on Billboard Japan's weekly album charts.[9] The success of the album led to international recognition and appearances at various music festivals outside Japan.[10]

In 2024, Hanabie. became the first Japanese band since X Japan, as well as the first all-female Japanese band, to perform on the main stage at Lollapalooza.[11][12] Their music has been featured in the DMM TV drama Kenshiro ni Yoroshiku and the Japanese variety show Kannai Devil.[13][14] The band has written the opening themes of anime series Momentary Lily and Araiguma Calcal-dan.[15]

History

[edit]

2015–2016: Formation and early years

[edit]

Yukina, Matsuri, Hettsu, and Kaede attended the same middle school and high school.[6][16] During their final year of junior high, Yukina decided to form a Maximum the Hormone cover band with her friends after witnessing an upperclassman perform. She discussed about joining their school's music club and forming a band with Hettsu, who was surprised that Yukina enjoyed "such indecent music".[17] The following year, in their first year of high school, they became members of the light music club. Yukina invited Hettsu's classmate, Matsuri, to join the music club after observing her bring towels to gym class featuring the names of bands she also admired.[18] Subsequently, they recruited Matsuri's friend and classmate Kaede, who had previously been a member of the school's brass band. Together, the four of them formed Hanabie in July 2015.[16][7] Matsuri assumed the role of guitarist as she played guitar since childhood. Hettsu decided to play the bass though she had never played the instrument before, while Kaede opted for drums. Yukina chose to be the vocalist as it was the only role left.

The band name Hanabie is a Japanese word for the spring day on which the coldness of winter returns.[19] It is a reference to the birthdays of the founding members, who were born in either spring or winter months; Matsuri, Hettsu, and Kaede were all born in December, and Yukina was born in April.[17] The name was suggested by Kaede. The choice of a Japanese word for the band was deliberate as they felt that English band names were too common.[17] The "。" at the end is a nod to the band Cocoa Otoko of which Yukina and Hettsu were fans of during middle school.[17]

They soon moved on from covering Maximum the Hormone songs and started writing original music.[20] In October 2016, the band wrote their first songs, "Crash Over" and "Sweet Killer". In December 2016, Kaede left the band to focus on her studies.[7]

2017–2019: First mini album, band contests, indie career

[edit]
Hanabie. performing in 2017 with former drummer Boa

After discovering that high school students could perform at live houses, they reached out to the manager of Tachikawa Babel and made arrangements to perform there.[21] Subsequently, they started performing regularly at various venues across Tokyo.[7] Due to Kaede's departure, the band continued their activities with various support drummers.[7] They released their third song, "Envy," in June 2017, which was sold exclusively at their live performances as a part of the "Crash Over" demo CD. In July 2017, Boa officially joined the band, having previously performed as a support drummer.[7] In August, they took part in the national band competition "School Out,", where they finished as runners-up.[22][23] During the competition they caught the attention of Crystal Lake drummer Gaku Taura. Upon learning that they were searching for a recording studio, Taura offered to record their album at his studio.[21]

In January 2018, they participated in their first three-man live event with Oshamegane and Wacality at "Shinjuku Antiknock".[7] In August, the band entered the Japan Expo Rock contest and made it to the finals, becoming the only teenage band to do so.[7][23] During this period, they contemplated quitting music due to uncertainty about their future, but Taura convinced them otherwise, believing that "these kids could be big in the future."[21] On October 17, the band announced the release of their debut mini album, Cherry Blossoms Are Blooming, along with an accompanying tour.[24]

Boa decided to depart from the band in September 2018, leading them to continue their live performances with the assistance of various support drummers.[7] In November, they embarked on the "Flowering Declaration" release tour, which included shows in Shinjuku, Nagano, Osaka, Nagoya, Shizuoka, Kyoto, and Tachikawa.[25] They also performed at "Ro Jack for Countdown Japan 18/19".[25] Their single "L.C.G" was released in November 2019 on digital platforms, accompanied by a music video on YouTube.[7]

2020–2022: Girls Reform Manifest and indie success

[edit]
Hanabie. frequently performed at live houses in Tokyo

The band made an appearance at "Ro Jack for Rock in Japan 2020" in June 2020.[7] In August 2020, they released "Sentimental Heroine" on different music streaming platforms, accompanied by a lyric video on YouTube.[7] During the same month, they also announced a crowdfunding campaign to support their upcoming album.[26] Backers were offered various rewards, with the highest tier receiving a new customized song written by the band based on their requests.

In September 2020, the band introduced Sae as their new drummer, who had previously been active in the local underground scene. In that same month, they unveiled the song "Reiwa Matching Generation". Their breakthrough came with the release of "We Love Sweets" in January 2021, which garnered over one million views on YouTube.[27] The success of the song led to more opportunities to perform at different musical events and increased attendance at their shows.[20] They also participated in two-man and three-man shows with bands like C-Gate and Oshamagane.[7]

Due to the band members still being university students, they had to balance their studies, part-time jobs, and recording sessions while continuing to perform at live houses.[20][21] They squeezed in shows during holidays or whenever they had time off.[21] In 2021, the band members graduated from university. Later that year their first full album, Girls Reform Manifest, was released on 14 January 2021.[28] An album release concert was held in the same month.[7] In April 2022, they unveiled the single "Love♡ Ranbu", followed by "Neet Game" in August 2022, the latter of which also received a music video. After successfully establishing themselves in the indie scene of Tokyo, by 2022 they were performing at various venues in Shimokitazawa, Shibuya, Nagoya, and Shinjuku.[25]

2023–present: Reborn Superstar!, international recognition, and major record deal

[edit]
Hettsu (left) and Yukina performing during Hanabie's US tour in 2023

In January 2023, they released a new single "Pardon Me, I Have to Go Now". The success of the song attracted the attention of international promoters, with the band receiving invitations to perform at festivals in several countries including MetalDays,[29] Leyendas del Rock,[30] Dynamo Metalfest,[31] Blue Ridge Rock Festival,[32] Louder than Life,[33] and Aftershock.[34] Their performance at MetalDays was cancelled due to severe rainfall and flooding.[35]

Following a period of absence from live performances, it was announced in April that Sae would be departing from the band for personal reasons.[36] In a subsequent interview with Headbang magazine, the band members cited differences over the band's direction and personal disagreements among other reasons for Sae's departure.[37] With an international tour approaching, the band initially considered utilizing a support drummer due to the difficulty of recruiting a new drummer on short notice.[37] However, they ultimately opted to search for a permanent drummer to ensure a complete lineup for their major label debut. Matsuri reached out to her contacts, inquiring "We are a band in this genre, is there anyone who would be willing to do it?". Following an audition, Chika, who had previously worked as a drum instructor, was chosen for the role.[37] She was formally introduced as the band's new drummer in May during the encore of their performance at the "Great Spring Liberation Festival 2023".[38] In the same month, the band announced tours in Europe and the United States for summer 2023.[39][40]

The band participated in the Japanese music festival Satanic Carnival in June.[41] During the show, they revealed that they had signed with Epic Records Japan, a subsidiary of Sony Music Japan.[41] Shortly thereafter the band's first album under their new label was also announced. In July 2023 the band was featured in the Metal Hammer Japan magazine.[42] Also in July, the band held a promotional event in Tokyo called "Orihime Who Ran Away" to promote their upcoming album.[43]

Their second album Reborn Superstar! was released on July 26, 2023.[44] It received positive critical reviews and peaked at number 26 on Billboard Japan's weekly album charts.[9] The album's release coincided with their 8th anniversary national Japan tour. Shortly thereafter the band embarked on their first European tour in August which was followed by their first US tour in September. They opened for Limp Bizkit in November.[45] In the following month they accompanied the British metalcore band While She Sleeps on their Asia tour, as an opening act.[46]

A new single "Otaku Lovely Densetsu" was released on January 13, 2024.[47][48] In the same month they commenced on "Hajimete no Lovely Legend 2-man Japan Tour".[49] The band's second European and North American tours were announced in February with Left to Suffer and Outline in Color as supporting acts.[50] The tour would include appearances at Download Festival, Rock am Ring, Rock im Park, Grasspop Metal Meeting, Resurrection Fest, and Full Force.[51] In June the band announced their North American tour as an opening act for Jinjer, along with Born of Osiris.[52] In the same month, "Oishii Survivor" was adopted as the theme song for Momentary Lily, with the song being specifically written by the band for the anime series.[53] The band released the six-song EP Bucchigiri Tokyo in December 2024.[54] "Oishii Survivor" was released as a single on March 12 and peaked at rank 31 on Oricon weekly single charts.[55] "Spicy Queen" was released as a single on May 28th, 2025.[56]

Musical style and influences

[edit]

Musical style

[edit]

"Our style is inspired by melodic hardcore, loud rock, and metalcore. We are all huge fans of Maximum the Hormone, so we decided to form a copy band. We all have different musical roots and mixed them, which became our current music style."

Hanabie. on their origins and influences[6]

Hanabie.'s music can be broadly classified as metalcore albeit with influences from various musical styles.[57][58][59] Music critic Katarina McGinn opines that the band "incorporates as many different outside influences from a variety of genres along with the metalcore backbone to make a slurry that feels as inventive as it does abrasive".[60] In addition to metalcore, elements from nu metal, hardcore punk, electronica, EDM, and Japanese hyperpop have been observed in their music by Metal Hammer.[61][4] Their tongue-in-cheek lyricism and genre defying compositions share an aesthetic with Maximum the Hormone, whom they used to cover in their early days.[62] Most of the band's songs have a backdrop of heavy power chord-based riffs and feature breakdowns, but usually lack guitar solos, with "Envy" and "Be the GAL" being the only two of their songs to feature such. Some of their songs follow non-traditional, non-linear structures with no repeating verse or chorus. Vocals alternate between screaming and clean singing. They have been characterized as similar to Bring Me the Horizon by knotfest.com.[2] Metal Hammer magazine has compared their music to Maximum the Hormone, Enter Shikari, and Crossfaith.[63]

Songwriting

[edit]

Hanabie. songs are mostly written by Matsuri and Yukina. Matsuri is the band's primary music composer and is also involved in arrangements.[21] The lyrical theme of each song is written by Yukina based on Matsuri's instrumental demos. Yukina and Matsuri write melodies and lyrics for their respective vocal parts.[21] Hettsu usually only writes the bass lines but has also occasionally written lyrics. Drum sections have been composed by Matsuri during the absence of a permanent drummer.[21] Being the sole guitarist, Matsuri switches between rhythm and lead parts which she loosely writes in a 2:1 ratio.[64] Screaming and clean vocals constitute roughly equal portions of their songs.[20]

Influences

[edit]
Want to Tie-Up
The tenth song from the album Girl's Reform Manifest, demonstrates the influence of metalcore, hardcore and melodic hardcore. The dueling vocals, metalcore guitar riffs, and double bass drumming are staples of the band's music.
Problems playing this file? See media help.

Yukina cites Maximum the Hormone, A Crowd of Rebellion, Hysteric Panic, and Ellegarden as her influences.[17] Matsuri has stated her musical tastes were influenced by her parents, both of whom are fans of rock and metal music.[20] She cites Maximum the Hormone, Hi-Standard, Hysteric Panic, SiM, and Coldrain as her influences. Hettsu cites anime songs as her biggest influences.[6] Chika cites One OK Rock, Sekai No Owari, and Spitz as her musical roots.[37] Vocaloid and electronic music popular on Nico Nico Douga have also been cited as influences by the band members.[20] All of the members have admitted to being fans of anime and video games, influences of which can be seen in their music, album covers, and music videos.[61]

Image

[edit]
Hettsu (pictured in 2023) performing in a Harajuku street fashion inspired outfit

Hanabie. has been noted for their Gen-Z image of "authenticity, relaxation and messiness" by Metal Hammer magazine.[61] The band has often addressed Gen-Z issues in their lyrics.[65] Contemporary Japanese culture and fashion centered around the Akihabara and Harajuku districts of Tokyo are a notable part of the band's image.[66][67][3] The term "Harajuku-core" was originally coined by the band's overseas fans and they have since adopted it themselves.[37] Furthermore, the group has incorporated elements from various subcultures including Gal[68] and Otaku culture among others.[69][70] Anime imagery is frequently used by them and features of all of their albums covers as well as much of their merchandise. The band's outfits are designed by Hettsu,[71][72] who also makes some of them herself.[73][74]

Prior to 2019 the band had a more casual dressed-down look. According to Matsuri, "We didn’t want to be underestimated. Back then, the metalcore scene consisted of a lot of skinny black jeans. Skinny black jeans, white T, no smile. We tried replicating that for a bit as best we could." But eventually they decided to change their look to differentiate themselves from other similar bands.[18]

Members

[edit]
  • Chika
    Chika
  • Hettsu
    Hettsu
  • Matsuri
    Matsuri
  • Yukina
    Yukina

Current members

[edit]
  • Yukina – harsh vocals, clean vocals (2015–present)
  • Matsuri – guitar, clean vocals (2015–present)
  • Hettsu – bass, backing vocals (2015–present)
  • Chika – drums (2023–present)

Past members

[edit]
  • Kaede – drums (2015–2016)
  • Boa – drums (2017–2018)
  • Sae – drums (2020–2023)

Timeline

[edit]

Discography

[edit]

Studio albums

[edit]

Mini albums

[edit]

Singles

[edit]
List of singles
Title Year Album
"Crash Over" 2016 Non-album single
"L.C.G." 2019 Girl's Reform Manifest
"Love Ranbu" (Love乱舞) 2022 Non-album single
"Neet Game" Reborn Superstar!
"Osaki ni Shitsurei Shimasu" 2023
"Run Away" (Tousou)
"This Is the Year to Be a Gal" (Early Summer version)
"Believer" (Imagine Dragons cover) Non-album single
"Otaku Lovely Densetsu" 2024 Bucchigiri Tokyo
"Girl's Talk" Non-album single
"Metamorphose!" Bucchigiri Tokyo
"Tasty Survivor" 2025 Non-album single
"Spicy Queen" Non-album single
"Karu Garu Everyday!" Non-album single

Tours

[edit]

Japan

[edit]
  • I've Kept You Waiting! First One-Man Tour for the 8th Anniversary of Our Formation!! (2023)[77]
  • Hajimete no Lovely Legend 2-man Japan Tour (2024)[78]
  • Bucchigiri Japan Tour (2024)[79]

Overseas

[edit]
  • Hanabie. EU Tour (2023)[80]
  • Hanabie. US Tour (2023)[80]
  • Hanabie Europe Tour (2024)[81]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Hanabie.

View on Grokipedia
from Grokipedia
HANABIE. (花冷え。) is a Japanese all-female band from , formed in June 2015 by high school students Yukina, Matsuri, and Hettsu in their school's club, and known for pioneering the self-styled genre "Harajuku-core," which blends aggressive and with J-pop influences, electronic drops, melodic techno-like parts in beats and synths, pop sensibilities, Akihabara-inspired electronic elements, and fashion aesthetics. The band comprises vocalist Yukina, who performs guttural growls, wild sinister screams, and clean vocals; and backing vocalist Matsuri; and chorist Hettsu; and Chika, who joined in 2023 to complete the current lineup. Initially independent, HANABIE. released their debut demo single "CRASH OVER" in 2017 and built a domestic following through subsequent EPs and albums like Girl's Reform Manifest (2021) and Reborn Superstar! (2023), before signing with —a subsidiary of —in 2023 for their major label debut. Their music often explores themes of youthful rebellion, self-expression, and societal critique, delivered through high-energy performances featuring Matsuri's shredding guitar work, Yukina's versatile , and a visual style that contrasts cute, colorful outfits with intense stage energy. HANABIE. has achieved international acclaim, headlining tours across 17 countries with over 45 dates following their 2023 major debut, including their third studio album Bucchigiri in December 2024 and ongoing 2025 tours in and , and performing at prominent festivals including Chicago in 2024 and Wacken Open Air in 2025, solidifying their status as rising stars in the global metal scene.

History

Formation and early years (2015–2016)

Hanabie. was formed in 2015 in by high school friends Yukina (vocals), Matsuri (guitar and vocals), and Hettsu (bass and backing vocals), along with initial drummer Kaede, initially operating as a inspired by Japanese rock group . The quartet, all teenagers at the time, began rehearsing in school settings and soon started performing covers of and hardcore tracks at local venues, drawing from the energetic, youth-driven music scene. The band's name, stylized as HANABIE., derives from "hana" (meaning "flower" in Japanese, referencing Yukina's spring birth) and "bie" (meaning "cold," alluding to the winter births of her bandmates), evoking a contrast of warmth and chill that mirrors the vibrant yet sharp aesthetic of Harajuku's street culture. Early activities centered on building skills through these covers, with performances in areas like emphasizing a fusion of aggressive metal sounds and playful, colorful visuals. In 2016, the group transitioned toward original material, self-producing their debut singles "Crash Over" and "Sweet Killer". However, the period was marked by challenges, including balancing rigorous high school schedules with rehearsals and gigs; Kaede departed in December 2016 to prioritize her university entrance exams.

Indie career and initial releases (2017–2019)

In 2017, Hanabie. released their debut demo single "Crash Over" on July 13, marking their entry into recording and distribution as an independent act. This was followed by additional early singles such as "Sweet Killer," which showcased the band's emerging blend of riffs and pop sensibilities, often incorporating covers alongside original compositions inspired by groups like . These initial releases were self-produced and distributed through digital platforms and local channels, helping to establish their presence in Tokyo's underground scene. The band actively participated in local band contests to gain exposure, notably reaching the finals of Rocks in April 2018 as the only group out of ten selected, and winning the RO JACK award in November 2018, which earned them a slot at the Japan 18/19 festival. These achievements highlighted their raw energy and technical skill, drawing attention from industry scouts and local promoters in . In July 2017, drummer joined as an official member after serving in a support role, solidifying the lineup for more consistent performances and allowing a gradual shift from cover-heavy sets to fully original material. departed in September 2018. Throughout 2017–2019, Hanabie. built their indie career through frequent live shows at small venues across , including Cyclone, Jam, and other intimate spaces in and nearby areas like Kichijoji. These gigs, often part of multi-band bills, featured high-energy sets that evolved from punk-infused covers to their signature "Harajuku-core" style, attracting a dedicated local following. The band continued with support drummers following Boa's departure until 2020. Early fan engagement occurred via platforms, where the band shared performance clips and behind-the-scenes content, amassing initial followers through impromptu street performances in that fused their aesthetics with aggressive metal sounds.

Rising popularity and Girls Reform Manifest (2020–2022)

In 2020, the significantly disrupted Hanabie's live performance schedule, leading to the cancellation of shows and prompting the band to pivot toward online engagement. To maintain visibility and connect with fans, they diligently uploaded live videos and other content to and platforms, a strategy that helped sustain momentum during the restrictions. That September, Hanabie expanded their lineup by welcoming drummer Sae, who brought experience from the local underground scene and contributed to their evolving sound. This addition stabilized the rhythm section amid the challenges of the pandemic era. The band's efforts culminated in the release of their debut full-length album, Girl's Reform Manifest, on January 14, 2021, which showcased their signature blend of intensity and playful elements. Tracks like "We Love Sweets" emerged as standout hits, resonating with audiences through its energetic fusion of harsh vocals and catchy hooks, and quickly becoming a fan favorite that amplified their online buzz. By 2022, these online initiatives had fostered substantial fanbase growth, particularly via and , where short-form clips and music videos drew in a wider domestic audience interested in their high-energy, Harajuku-inspired performances. This digital presence not only rebuilt their connection with supporters but also set the stage for resumed small-scale live tours, marking a period of indie consolidation before broader breakthroughs.

Major label debut and Reborn Superstar! (2023–2024)

In early 2023, Hanabie signed with Epic Records Japan, a subsidiary of Sony Music, marking their transition from independent status to a major label. This deal followed the band's growing indie popularity and paved the way for their major debut. On July 26, 2023, they released their second studio album, Reborn Superstar!, which showcased an evolution toward a more polished "Harajuku-core" sound blending metalcore aggression with pop elements. The album achieved commercial success, peaking at number 24 on Billboard Japan's weekly album charts. That same year, the band underwent a lineup change with drummer Chika joining on May 27, replacing Sae and bringing fresh energy to their rhythm section. Bolstered by their new major label support and stable formation, Hanabie embarked on their first major one-man tour in Japan, titled the 8th Anniversary Tour, to celebrate the milestone and promote Reborn Superstar!. The tour highlighted their live prowess, drawing enthusiastic crowds across several cities and solidifying their domestic fanbase ahead of international ventures. In 2024, Hanabie continued their momentum with the release of the EP Bucchigiri Tokyo on December 4, featuring the title track as a high-energy single capturing their chaotic, Tokyo-inspired aesthetic. The EP received positive reviews for its fierce tracks infused with pop flair. Earlier that year, the band made history by performing on the main stage at in on August 4, becoming the first all-female Japanese band to achieve this feat since . This appearance amplified their global visibility, showcasing their unique blend of heavy riffs and visuals to an international audience.

Global expansion and recent activities (2025–present)

In 2025, Hanabie continued their trajectory of international growth with the release of three non-album singles that captured significant online attention and further established their Harajuku-core sound. The band debuted "Tasty Survivor" in March, a high-energy track blending metal riffs with elements that quickly amassed millions of streams on platforms like and . This was followed by "Spicy Queen" in May, which featured bold lyrical themes of and similarly went viral through social media challenges and tie-ins, reinforcing the band's appeal to global youth audiences. By July, "Karu Garu Everyday!!" arrived as the opening theme for the TV Araiguma Calcal-dan, highlighting Hanabie's increasing crossover into multimedia entertainment. The year's festival appearances underscored Hanabie's rising status on both domestic and European stages. In May, they delivered a dynamic set at Japan's Viva La Rock 2025 in , performing fan favorites like "O・TA・KUラブリー伝説" to a packed crowd during the event's Golden Week run, which solidified their position among top J-rock acts. Later, in late July at 2025 in —one of Europe's premier metal festivals—Hanabie braved rainy conditions to thrill attendees on the Louder Stage, with their performance of tracks including "Tasty Survivor" earning widespread acclaim for its infectious energy and drawing comparisons to established international bands. Hanabie's touring schedule in 2025 emphasized their expanding footprint across continents. Spring saw them co-headline a 24-date North American tour with Australian artist , supported by Crystal Lake and Kaonashi, kicking off in March at venues like Roxian Theatre in and concluding in April, where sold-out shows in cities such as and Anaheim boosted their U.S. fanbase significantly. Transitioning to Europe, the EU& 2025 tour spanned 21 cities from late October to early November, including stops at Electric in and in , with support acts enhancing the high-octane productions that attracted diverse crowds. Capping the year, Hanabie made their Mexico debut at Mexico 2025 on December 6 at Estadio Azteca's explanada, sharing the bill with headliners like and , marking a milestone in their Latin American outreach. Looking ahead, Hanabie announced plans for a 2026 Japan tour titled "Moshikashite! Kotoshikoso JAPAN," featuring multiple dates across the country to reconnect with home audiences, alongside their first-ever show on January 10 at The Republik in , signaling sustained global momentum following their 2024 breakthrough. These developments reflect the band's strategic push into new markets while maintaining their core aesthetic of vibrant, rebellious performances.

Musical style and influences

Musical style

Hanabie.'s musical style is defined by their self-coined genre "Harajuku-core," which fuses and with elements of , , and , featuring electronic drops and melodic techno-like parts in beats and synths, to create a high-energy, hybrid sound. This blend draws from the vibrant, eclectic culture of Tokyo's district, incorporating aggressive guitar riffs, heavy breakdowns, and influences alongside upbeat tempos and catchy electronic hooks. The band's instrumentation emphasizes distorted, fast-paced rhythms that evoke aggression, often layered with synthesizers to add a futuristic, pop-infused sheen. Vocally, Hanabie. features a dynamic contrast between screamed and clean deliveries, with Yukina delivering powerful harsh vocals, guttural growls, and wild, sinister screams that drive the heavier sections as well as clean vocals, while Matsuri provides melodic clean singing and backing vocals for choruses and hooks. This duality enhances the genre's accessibility, blending raw intensity with anime-inspired, vocaloid-like melodies that introduce playful, high-pitched elements. Tracks often shift abruptly between brutal breakdowns and soaring, pop-oriented refrains, as exemplified in songs like "NEET GAME," where aggressive riffs give way to infectious electronic motifs. The band's sound has evolved significantly since their formation, beginning with covers of that honed their metalcore foundations before transitioning to original compositions infused with pop sensibilities. This progression culminated in their 2023 album Reborn Superstar!, where dynamic song structures incorporate propulsive EDM breakdowns and choruses, marking a shift toward more polished, genre-mashing arrangements that retain their core heaviness while amplifying upbeat, hook-driven energy. Synthesizers play a key role in this maturation, often featured in intros and transitions to heighten the hybrid appeal, though occasional guest elements further diversify the palette without overshadowing the band's foundational aggression.

Songwriting and production

Hanabie's songwriting process is highly collaborative, primarily led by vocalist Yukina for and Matsuri for music composition. Matsuri typically begins by creating demos that incorporate electronic elements and synthesizers, which she shares with for input before are developed. Yukina and Matsuri then jointly craft the , with Yukina handling harsh and clean vocals and Matsuri contributing to clean vocals, while ensuring the words align with the instrumental's energy. This approach was evident in early works like the 2021 album Girl's Reform Manifest, where demos evolved through group discussions to capture the band's playful yet defiant spirit. The band's lyrics blend Japanese and English, exploring themes of , indulgence in sweets, and Gen-Z against societal norms, often delivered with a mix of whimsy and intensity. Songs frequently use metaphors drawn from food and tropes to address social issues, such as or , turning everyday frustrations into anthemic calls for self-expression—for instance, portraying spicy challenges as battles for personal freedom in tracks like the 2025 single "Spicy Queen," a reimagined take on their earlier "We Love Sweets." This metaphorical style keeps the content accessible and relatable, emphasizing resilience and joy amid . In production, Hanabie transitioned from a DIY indie approach in their early years—handling recording and mixing in small studios to preserve raw live energy—to polished major-label techniques after signing with Sony's in 2023. Albums like Reborn Superstar! (2023) featured professional engineers such as for production, recording, and mixing, allowing for layered synth hooks reminiscent of Vocaloid's catchy, electronic flair and dynamic drops that enhance the intensity without losing their performative edge. Recent releases, including the 2024 EP Bucchigiri and 2025 singles such as "Karu Garu Everyday!!," continue this evolution, balancing studio refinement with the band's emphasis on capturing onstage vitality through collaborative tweaks during mixing.

Influences

Hanabie.'s primary musical influence is the Japanese rock band Maximum the Hormone, whose high-energy metal-punk style and humorous, irreverent approach profoundly shaped the group's early sound and ethos. The band formed in 2015 as a cover group dedicated to Maximum the Hormone, with members citing the group's chaotic intensity and genre-blending as key inspirations during their high school years. This foundation is evident in Hanabie.'s aggressive riffs and playful lyrical delivery, which echo Maximum the Hormone's fusion of hardcore, hip-hop, and pop elements. The group's sound also draws from anime soundtracks and Vocaloid music, incorporating electronic and hyperpop textures that add a futuristic, playful layer to their metalcore base. Bassist Hettsu has highlighted anime culture from Tokyo's Akihabara district as a major personal influence, while guitarist Matsuri cites anime and video game soundtracks for their dynamic shifts and emotional range. Vocaloid elements, such as those associated with virtual singer Hatsune Miku, contribute to Hanabie.'s synth-driven hooks and high-pitched melodies, blending virtual idol aesthetics with live instrumentation. These influences align with broader J-rock trends, including pop-metal fusions seen in bands like Babymetal, emphasizing cute visuals paired with heavy riffs. Western acts, particularly , inform Hanabie.'s rhythmic grooves and rap-infused vocals, as vocalist Yukina has named frontman among her heroes for his raw energy and genre experimentation. Electronic artists further hybridize their style, adding and EDM drops that enhance the chaotic, danceable quality of their tracks. Visually and thematically, subculture serves as a core inspiration, with its vibrant street fashion and motifs influencing the band's colorful aesthetics and self-coined "Harajuku-core" identity. On a personal level, the members' shared affinity for sweets, fashion, and Tokyo's urban street life has evolved into a self-referential creative , manifesting in songs like "We Love Sweets" that celebrate everyday indulgences alongside heavy music. This otaku-inspired perspective, rooted in , gaming, and subcultural vibrancy, distinguishes Hanabie.'s work as a joyful against traditional metal norms.

Public image

Fashion and aesthetics

Hanabie.'s visual identity is defined by their self-coined "Harajuku-core" aesthetic, which fuses colorful, eclectic outfits blending cuteness, punk edge, and gothic influences, often incorporating DIY elements inspired by Tokyo's district. Band members wear bright Harajuku costumes, such as school uniforms and colorful kawaii outfits, reflecting their unique visual style. This style emphasizes vibrant patterns, layered clothing, and playful accessories that reflect Japanese subcultures like and street fashion, creating a high-contrast look that complements their aggressive music. Bassist Hettsu serves as the band's primary , crafting custom pieces in collaboration with friends from her studies to ensure functionality for live performances while highlighting each member's individuality. Her designs frequently feature whimsical details such as candy-themed accessories—like hats tied to their "We Love Sweets"—and anime-inspired prints, adding a layer of personal storytelling to their stage presence. These handmade elements underscore a DIY , allowing the band to evolve their look organically without relying solely on commercial production. The band's fashion has evolved significantly since their formation, transitioning from simpler, youthful outfits in their early high school years—often casual and cute—to more stage wear following their 2023 major label debut with . This shift incorporates Gen-Z influences like bold individuality and adaptable casual pieces, such as colorful sweatshirts and sport jackets for touring, while retaining core Harajuku-core vibrancy in formal suits and layered ensembles. Hanabie's aesthetic has notably influenced their fanbase, with merchandise lines replicating signature looks from music videos, such as themed accessories and apparel that encourage fans to adopt similar eclectic styles in everyday wear. Hettsu has expressed interest in expanding this impact through a future Hanabie. clothing brand focused on accessible, non-stage .

Media and cultural impact

Hanabie.'s music video for "We Love Sweets" (2022) went viral on , inspiring numerous user-generated dances, reactions, and covers that amassed millions of views collectively, with individual clips garnering tens of thousands of likes and shares. This surge contributed to the band's rapid growth on social platforms, reaching 275,000 followers as of November 2025 amid their international touring announcements. Following their debut performance at in August 2024, Hanabie. received widespread coverage in international music outlets, including a Kerrang! cover story in December 2024 that highlighted their global breakthrough and a feature in May 2024 exploring their "Harajuku-core" phenomenon. In , the band appeared in media tied to their anime opening theme "Tasty Survivor" for Momentary Lily, broadcast on BS Asahi and other networks starting in January 2025, alongside earlier features in Rolling Stone . As an all-female Japanese metal band, Hanabie. has played a pivotal role in elevating visibility for women in the genre, becoming the first such group to perform on Lollapalooza's main stage in 2024 and inspiring discussions alongside acts like and in lists of influential female-led ensembles. Their "Harajuku-core" aesthetic, blending vibrant street fashion with heavy riffs, has amplified global interest in culture, positioning the band as cultural ambassadors in interviews that tie their style to Tokyo's iconic district. This fusion resonates with Gen-Z audiences, as their high-energy tracks addressing contemporary youth experiences have been praised for capturing viral trends in and . Hanabie.'s "cute but aggressive" image—combining visuals with guttural screams and breakdowns—has drawn acclaim for subverting gender expectations in rock, challenging by merging J-pop's playfulness with metal's intensity in a way that empowers female expression without compromise, broadening metal's appeal and norms around in heavy . Their performance at in July 2025 further enhanced their global image, with official footage and fan reactions highlighting their high-energy stage presence and contributing to increased media buzz in the international metal scene.

Band members

Current members

The current lineup of Hanabie. consists of four members who have driven the band's evolution into a prominent force in Japanese metalcore. Formed as high school classmates in , the core trio of Yukina, Matsuri, and Hettsu has remained stable since the band's inception in 2015, with drummer joining in 2023 to complete the active roster as of 2025. Yukina serves as the and , a role she has held since the band's formation in 2015. Born in 1999 in , she is a native responsible for both harsh vocals and clean singing, often delivering bilingual lyrics in Japanese and English to appeal to international audiences. Yukina also contributes to lyric writing and is known for her high-energy stage presence, characterized by frenetic movements and commanding performances that energize crowds during live shows. With partial Dutch ancestry (one-eighth, from a great-grandparent), she brings a naïve and innocent persona to the band's dynamic Harajuku-core aesthetic. Matsuri handles and backing vocals, positions she has occupied since 2015 as an original member and the band's leader. Born in 1999 in , she crafts the band's riffs, harmonies, and melodic rap elements while overseeing music composition, arrangements, and additional lyric contributions. Her straightforward playing style supports the group's fusion of and pop influences, contributing to their distinctive sound. Hettsu plays bass and provides backing vocals, roles she has maintained since the band's start in 2015. Born on December 26, 1999, in , she studied at university before dropping out to dedicate herself fully to Hanabie., where she applies her skills to create custom outfits and costumes for the group. Her contributions extend beyond music, enhancing the band's visual identity rooted in fashion. Chika joined as the on May 27, 2023, bringing technical precision to amid the band's major label transition. Hailing from and having gigged extensively in her hometown of prior to joining, she infuses the performances with a punk-inflected drive drawn from her indie scene experience.

Former members

Hanabie.'s former members consist primarily of drummers who contributed to the band's early development during its independent phase. Kaede was the original drummer, joining at the band's formation in 2015 and departing in December 2016. joined as drummer in July 2017 and left in September 2018. Sae served as drummer from September 2020 until her departure on April 20, 2023, citing personal reasons after a period of absence from performances. The band has occasionally relied on session drummers, such as Ruka following Boa's exit, but these players did not significantly alter the core sound or receive full member status.

Membership timeline

Hanabie. was formed in June 2015 in by high school students Yukina (vocals), Matsuri (guitar and vocals), Hettsu (bass), and Kaede (drums). The original lineup supported the band's early independent releases and local performances. In December 2016, drummer Kaede departed to focus on her studies, marking the first lineup change. joined as the new drummer in July 2017, initially as a support member before becoming official. She contributed to the band's growing presence in the underground scene until her withdrawal in September 2018. Following Boa's departure, Hanabie. continued activities from late 2018 to mid-2020 with various support s, enabling releases such as the single 'L.C.G'. In September 2020, Sae was introduced as the official , bringing experience from the local scene and helping stabilize the group during their pre-major phase. Sae left the band on April 20, 2023, citing personal reasons. Chika joined as the permanent on May 27, 2023, formally introduced during an encore at the "Great Spring Liberation Festival 2023." This transition aligned with the band's signing to , fostering lineup stability that facilitated their major debut album Reborn Superstar! in July 2023 and subsequent international expansion. The current configuration—Yukina, Matsuri, Hettsu, and Chika—has remained unchanged since 2023, allowing Hanabie. to prioritize global touring and performances without further disruptions.

Discography

Studio albums

Hanabie has released two studio albums to date, marking their evolution from indie roots to major-label presence in the metalcore and Harajuku-core scenes. Their debut studio album, Girl's Reform Manifest (乙女改革), was independently released on January 14, 2021, following a successful crowdfunding campaign that funded its production. Featuring 10 tracks, including "SUNRISE MISO-SOUP" and "We Love Sweets," the album showcases the band's early fusion of aggressive metalcore riffs, melodic choruses, and playful pop sensibilities, reflecting themes of youth, rebellion, and everyday frustrations. It received positive acclaim for its raw energy and genre versatility, establishing Hanabie as innovative voices in Japan's alternative music landscape. The band's second studio album, Reborn Superstar! (来世は偉人!), arrived as their major-label debut on Epic Records Japan on July 26, 2023, comprising 12 tracks such as "NEET GAME," "TOUSOU," "Be the GAL -Early Summer Version-," and "Tales of Villain." Produced with a polished, expansive sound to broaden international reach, it blends metalcore breakdowns, synth-driven J-pop hooks, and electronic beats, emphasizing empowerment and escapism. The album achieved commercial success, peaking at number 24 on the Billboard Japan Hot Albums chart and number 34 on the Oricon Albums Chart in its first week, with approximately 1,956 physical units shipped. Critics lauded its vibrant, genre-mashing appeal and high-energy execution, highlighting its potential for global crossover while maintaining the band's signature cute-aggressive aesthetic. As of November 2025, no additional studio albums have been announced.

Extended plays

Hanabie released their debut mini-album, Kaika Sengen (also known as Cherry Blossoms Are Blooming), on October 17, 2018. This 6-track release marked the band's first nationally distributed effort, featuring early originals that showcased their emerging sound blended with punk influences. Key tracks include the instrumental opener "Cherry Blossoms Are Blooming," the aggressive "," and "Ghost Mania" featuring Yojiro from A Ghost of Flare, highlighting the band's raw energy and collaborative spirit during their indie phase. The mini-album served as a foundational work, building on their 2017 demo Crash Over and helping secure contest wins like runner-up in Schools Out . The band's latest EP, Bucchigiri Tokyo, arrived on December 4, 2024, following their high-profile Lollapalooza Chicago performance in August 2024. Comprising 6 tracks over 17 minutes, it ties into anime-inspired themes with its title evoking the 2024 series Bucchigiri?!, emphasizing chaotic Tokyo street culture through loud rock and metalcore. Standout opener "Bucchigiri Tokyo" delivers high-speed screams and breakdowns, while "Metamorphose!" and "OTAKU Lovely Densetsu" mix cutesy vocals with heavy grooves, reinforcing Hanabie's global momentum under Epic Records Japan. The EP's energetic production underscores their post-festival surge, with limited editions including bonus Blu-ray content for live visuals.

Demos

  • Crash Over (2017) – Debut demo single.

Singles

Hanabie. has issued a series of standalone digital singles that exemplify their Harajuku-core sound, fusing aggressive metal riffs with bubbly pop sensibilities and themes drawn from everyday Japanese culture, , and youthful rebellion. These releases, often accompanied by visually striking , have propelled the band to viral success on platforms like and , amassing millions of streams and views while establishing their international fanbase. The band's early independent era featured tracks like "Pardon Me, I Have To Go Now," a 2023 digital single depicting the members in surreal office scenarios symbolizing escape from mundane routines, which exploded in popularity with over 10 million views. Similarly, "We Love Sweets" from captured late-night cravings through candy-themed antics and hyperactive energy, becoming a viral hit with more than 3.8 million views on its official . Entering their major-label phase under , Hanabie. continued releasing non-album singles tied to projects and celebratory anthems. "Tasty Survivor," their January 2025 debut tie-in as the opening for Momentary Lily, portrays resilient heroines battling odds in a dystopian world, blending heavy breakdowns with empowering lyrics. Later that year, "Spicy Queen" arrived in May, inspired by fiery , with a of the band in provocative, spice-infused attire thrashing through mosh-pit-ready choruses. Closing out the period, "Karu Garu Everyday!!" in July served as the theme for Araiguma Calcal-dan, mixing cute motifs with the group's signature ferocity in an upbeat, everyday-adventure narrative.
TitleRelease DateFormat/LabelKey Notes
Pardon Me, I Have To Go NowJanuary 9, 2023Digital single (Independent)Music video theme: Escaping corporate drudgery; 10.6 million+ YouTube views.
We Love SweetsJanuary 14, 2021Digital (from album, promoted as single; Independent)Viral hit with sugar-rush visuals; 3.8 million+ YouTube views.
Tasty SurvivorJanuary 30, 2025Digital/CD single (Epic Records Japan)Anime Momentary Lily OP; post-apocalyptic survival theme in video.
Spicy QueenMay 28, 2025Digital single (Epic Records Japan)Food-inspired aggression; bold, fiery aesthetics in video.
Karu Garu Everyday!!July 18, 2025Digital single (Epic Records Japan)Anime Araiguma Calcal-dan theme; playful animal-adventure visuals.

Tours and live performances

Performances in Japan

Hanabie. began their live performances in small venues across during their formative years from 2017 to 2019, focusing on areas such as , , and Tachikawa to build a local following in the indie scene. Early shows often took place at intimate clubs like Shibuya's and , which typically hold capacities of around 100 to 250 attendees, allowing the band to hone their energetic "Harajuku-core" style through frequent gigs in the city's circuit. These performances marked the start of their domestic presence, emphasizing raw energy and fan interaction in confined spaces that fostered a dedicated audience. Following their major label signing with in 2023, Hanabie. expanded their reach with more ambitious domestic outings, including their first one-man national tour titled "I've Kept You Waiting! First One-Man Tour for the 8th Anniversary of Our Formation!!" that same year, which showcased their growth by visiting multiple cities beyond . This highlighted their transition to mid-sized venues, reflecting increased popularity after viral singles like "Pardon Me, I Have to Go Now." Subsequent post-2021 activities included headline slots at festivals, such as their appearance at Viva La Rock 2025 on May 6 at , where they performed on the Cave Stage amid a multi-day event drawing tens of thousands of rock fans. The band's audience has notably grown over time, evolving from crowds of approximately 100 at early Tokyo club shows to performances in venues with capacities over 5,000, such as Zepp halls and major festival stages that accommodate larger-scale production and broader appeal. This progression underscores their rising status in Japan's loud rock scene, with domestic shows now routinely filling mid-tier halls like those in the Zepp series, which hold 2,000 to 2,500 people. Looking ahead, Hanabie. announced their "Moshikashite! Kotoshikoso JAPAN" tour for February 2026, featuring five dates across Fukuoka's Drum Logos on February 7, Osaka's Gorilla Hall on February 14, Aichi's Nagoya Diamond Hall on February 15, Miyagi's Rensa on February 22, and Tokyo's Tsutaya O-East on February 23, signaling continued expansion in their home market.

International tours and festivals

Hanabie launched their international touring career in 2023 with a debut European headline run in , spanning multiple cities including , where they played a sold-out show at The Underworld. This was followed by their first tour from to November, consisting of 20 dates, including performances at festivals such as . In 2024, the band achieved a breakthrough with their appearance on the main stage at on August 4, delivering a high-energy set that blended with their signature Harajuku-core aesthetic and drew widespread attention from festival audiences. The band's momentum continued into 2025 with a co-headlining North American tour alongside from March 5 to April 12, featuring 24 dates across the US and with special guests Crystal Lake and Kaonashi. Hanabie began their EU & Tour on October 31, 2025, scheduled to run until November 30 across 22 stops in 12 countries, including headline shows in cities like , , and . They also performed at on July 30 in , captivating crowds on the Louder Stage despite rainy conditions, and are scheduled for Mexico on December 6 as part of the festival's diverse lineup headlined by and . On November 11, 2025, Hanabie announced their headline North American tour for 2026, comprising 21 dates starting March 13, supported by and . These international outings have been met with strong reception, including multiple sold-out headline shows and features in prominent publications such as Kerrang!, where the band discussed their global touring evolution, and , which highlighted their vibrant live energy and genre-blending style.

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