Community hub
Recent from talks
Contribute something to knowledge base
Content stats: 0 posts, 0 articles, 1 media, 0 notes
Members stats: 0 subscribers, 0 contributors, 0 moderators, 0 supporters
Subscribers
Supporters
Contributors
Moderators
Harris tweed
Harris tweed (Scottish Gaelic: Clò mór or Clò hearach) is a tweed cloth that is handwoven by islanders at their homes in the Outer Hebrides of Scotland, finished in the Outer Hebrides, and made from pure virgin wool dyed and spun in the Outer Hebrides. This definition, quality standards and protection of the Harris tweed name are enshrined in the Harris Tweed Act 1993.
The original name of tweed fabric was "tweel", the Scots word for twill, as the fabric was woven in a twill weave rather than a plain (or tabby) weave. A number of theories exist as to how and why "tweel" became corrupted into "tweed"; in one, a London merchant in the 1830s, upon receiving a letter from a Hawick firm inquiring after "tweels", misinterpreted the spelling as a trade name taken from the River Tweed, which flows through the Scottish Borders. Subsequently, the goods were advertised as "tweed", the name used ever since.
For centuries, the islanders of Lewis and Harris, the Uists, Benbecula and Barra wove cloth known as clò-mòr (lit. 'big cloth' in Scottish Gaelic) by hand. Originally woven by crofters, this cloth was woven for personal and practical uses and was ideal protection against the often cold climate of northern Scotland. The cloth was also used for trade or barter, eventually becoming a form of currency amongst islanders; it was not unusual for rents to be paid in blankets or lengths of clò-mòr.
By the end of the 18th century, the spinning of wool yarn from local raw materials had become a staple industry for crofters. Finished handmade cloth was exported to the Scottish mainland and traded, along with other commodities produced by the Islanders, such as goat and deer skins.
As the Industrial Revolution reached Scotland, mainland manufacturers developed mechanised weaving methods, with weavers in the Outer Hebrides retaining their traditional processes. The islanders of Lewis and Harris had long been known for the quality of their handwoven fabrics, but up to the middle of the nineteenth century, this fabric was produced mainly for either home use or for trade and barter at the local market.
When Alexander Murray, 6th Earl of Dunmore, inherited the North Harris Estate from his father in 1836, production of tweed in Outer Hebrides was still entirely manual. Wool was washed in soft, peaty water before being dyed using dyestuffs derived from local plants and lichens. It was then processed and spun, before being hand woven by the crofters in their cottages.
Traditional island tweed was characterised by the flecks of colour achieved through the use of natural dyes, including the lichen known as "crottle" (Parmelia saxatilis and Parmelia omphalodes), which gave the fabric deep red or purple-brown and rusty orange colours respectively. The use of these lichens also resulted in a distinctive scent that made older Harris tweed fabrics easily identifiable.
Upon the death of Murray in 1843, responsibility for his estate on the Isle of Harris passed to his wife, Lady Catherine Herbert. Herbert noticed the marketing potential and high quality of the tweed cloth produced locally by two sisters from the village of Strond. Known as the Paisley Sisters after the town where they had trained, the fabric woven by them was of a remarkably higher quality than that produced by untrained crofters. In 1846, the Countess commissioned the sisters to weave lengths of tweed with the Murray family tartan. She sent the finished fabric to be made up into jackets for the gamekeepers and ghillies on her estate. Being hardwearing and water resistant, the new clothing was highly suited to life on the Dunmores' estate.[citation needed] Her ideas were complemented by the work of "Fanny" Beckett. She organised the weavers, created training and quality control procedures, and promoted Harris tweed as a sustainable and local industry.
Harris tweed
Harris tweed (Scottish Gaelic: Clò mór or Clò hearach) is a tweed cloth that is handwoven by islanders at their homes in the Outer Hebrides of Scotland, finished in the Outer Hebrides, and made from pure virgin wool dyed and spun in the Outer Hebrides. This definition, quality standards and protection of the Harris tweed name are enshrined in the Harris Tweed Act 1993.
The original name of tweed fabric was "tweel", the Scots word for twill, as the fabric was woven in a twill weave rather than a plain (or tabby) weave. A number of theories exist as to how and why "tweel" became corrupted into "tweed"; in one, a London merchant in the 1830s, upon receiving a letter from a Hawick firm inquiring after "tweels", misinterpreted the spelling as a trade name taken from the River Tweed, which flows through the Scottish Borders. Subsequently, the goods were advertised as "tweed", the name used ever since.
For centuries, the islanders of Lewis and Harris, the Uists, Benbecula and Barra wove cloth known as clò-mòr (lit. 'big cloth' in Scottish Gaelic) by hand. Originally woven by crofters, this cloth was woven for personal and practical uses and was ideal protection against the often cold climate of northern Scotland. The cloth was also used for trade or barter, eventually becoming a form of currency amongst islanders; it was not unusual for rents to be paid in blankets or lengths of clò-mòr.
By the end of the 18th century, the spinning of wool yarn from local raw materials had become a staple industry for crofters. Finished handmade cloth was exported to the Scottish mainland and traded, along with other commodities produced by the Islanders, such as goat and deer skins.
As the Industrial Revolution reached Scotland, mainland manufacturers developed mechanised weaving methods, with weavers in the Outer Hebrides retaining their traditional processes. The islanders of Lewis and Harris had long been known for the quality of their handwoven fabrics, but up to the middle of the nineteenth century, this fabric was produced mainly for either home use or for trade and barter at the local market.
When Alexander Murray, 6th Earl of Dunmore, inherited the North Harris Estate from his father in 1836, production of tweed in Outer Hebrides was still entirely manual. Wool was washed in soft, peaty water before being dyed using dyestuffs derived from local plants and lichens. It was then processed and spun, before being hand woven by the crofters in their cottages.
Traditional island tweed was characterised by the flecks of colour achieved through the use of natural dyes, including the lichen known as "crottle" (Parmelia saxatilis and Parmelia omphalodes), which gave the fabric deep red or purple-brown and rusty orange colours respectively. The use of these lichens also resulted in a distinctive scent that made older Harris tweed fabrics easily identifiable.
Upon the death of Murray in 1843, responsibility for his estate on the Isle of Harris passed to his wife, Lady Catherine Herbert. Herbert noticed the marketing potential and high quality of the tweed cloth produced locally by two sisters from the village of Strond. Known as the Paisley Sisters after the town where they had trained, the fabric woven by them was of a remarkably higher quality than that produced by untrained crofters. In 1846, the Countess commissioned the sisters to weave lengths of tweed with the Murray family tartan. She sent the finished fabric to be made up into jackets for the gamekeepers and ghillies on her estate. Being hardwearing and water resistant, the new clothing was highly suited to life on the Dunmores' estate.[citation needed] Her ideas were complemented by the work of "Fanny" Beckett. She organised the weavers, created training and quality control procedures, and promoted Harris tweed as a sustainable and local industry.
Recent media
Recent media