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Harry Babbitt
Harry Babbitt
Harry Babbitt
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Harry Babbitt (November 2, 1913 – April 9, 2004) was an American singer and star during the Big Band era.

Key Information

Early career

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Born in St. Louis, Missouri, Babbitt organized his own band after high school, directing the group in addition to singing and playing saxophone and drums. Later, his work as an announcer and soloist on a radio station in St. Louis caught the attention of bandleader Kay Kyser.[1]

Music career

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Babbitt joined the Kyser band in the winter of 1936. With Kyser he recorded several hits in his rich baritone. On some novelty tunes he adopted a high-pitched falsetto.[2] Babbitt sang such hits as "Three Little Fishies," "(I'd Like to Get You on a) Slow Boat to China" and "Jingle, Jangle, Jingle," but his biggest hit was the cover of Vera Lynn's "The White Cliffs of Dover".[2] He also sang the Spike Jones holiday hit, "All I Want for Christmas Is My Two Front Teeth" and did the laugh on Kyser's "Woody Woodpecker" song with vocalist Gloria Wood. He appeared as a regular on Kyser's radio program, Kay Kyser's Kollege of Musical Knowledge,[3]: 189  and in seven movies with Kyser, including That's Right – You're Wrong (1939), Thousands Cheer (1943) and Carolina Blues (1944).

Babbitt served in the United States Navy from 1944 to 1946, then returned to Kyser's band, which he eventually left for good in 1949.

Radio and television

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Babbitt was host of an early morning radio show, The Second Cup of Coffee Club on CBS.[4] It ran 10 years in the 1940s and 1950s. He also co-starred with Mary Small on By Popular Demand, a weekly program on Mutual in 1945–1946.[3]

Babbitt's obituary in Variety called him "a television pioneer," noting that "he hosted two long-running musical shows on KTLA-TV in Los Angeles: Bandstand Review and Hollywood Opportunity. He also hosted an NBC program, Glamour Girl,[5] which ran in 1953–1954 and provided "wardrobe advice, beauty treatments and other tips ... designed to make the average woman a glamour girl."[6]

Later years

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Babbitt retired from showbusiness in 1964 and made money in real estate in Orange County, California. He also managed the Newport Tennis Club and headed public relations for a retirement community, both in Orange County.[7]

After Kyser died, Babbitt went on tour with a new band, using Kyser's name and music. He retired from that in the mid-1990s.[8]

Death

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Babbitt died at the age of 90 in Aliso Viejo, California.[2] He and his wife, Betty, were married 69 years. He was survived by her, their sons Michael, Stephen and Christopher, six grandchildren and two great-grandchildren.[8]

References

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Harry Babbitt

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Harry Babbitt is an American singer and entertainer known for his long tenure as lead vocalist with Kay Kyser's orchestra, where he contributed to numerous popular recordings during the swing era, and for providing the iconic laugh on the 1948 novelty hit "Woody Woodpecker." His warm baritone voice and comedic versatility, including high-pitched novelty characters like "Little Audrey," made him a standout in both ballads and humorous numbers, earning him popularity among audiences in radio, records, and film appearances with the band. Born in St. Louis, Missouri, on November 2, 1913, Babbitt began his career performing locally before joining Kay Kyser's group in 1938, quickly becoming a featured singer on the band's NBC radio program Kay Kyser's Kollege of Musical Knowledge and hits such as "Three Little Fishies," "The White Cliffs of Dover," "Jingle Jangle Jingle," and "On a Slow Boat to China." He interrupted his tenure to serve in the U.S. Navy from 1944 to 1946 during World War II, returning to perform with Kyser until around 1949. Babbitt also appeared in several films with the orchestra and later enjoyed success as a solo recording artist, notably with the novelty Christmas song "All I Want for Christmas Is My Two Front Teeth," delivered in a childish lisp. After Kyser's band disbanded, Babbitt hosted radio and television programs in Los Angeles, including a long-running morning show on CBS and musical series on KTLA, before retiring from show business in 1964 to enter real estate. Following Kay Kyser's death in 1985, he acquired rights to the band's name and catalog, leading a revived Kay Kyser orchestra on tours into the mid-1990s. Babbitt died on April 9, 2004, in Aliso Viejo, California, at the age of 90.

Early life

St. Louis beginnings and entry into music

Harry Babbitt was born on November 2, 1913, in St. Louis, Missouri. As a native of St. Louis, he began his professional career as a radio and nightclub performer in his hometown, marking his entry into the music industry through local entertainment venues. His work in St. Louis radio and nightclubs positioned him for discovery by bandleader Kay Kyser during one of the orchestra's tours through the city. Babbitt auditioned successfully and joined the Kay Kyser band on tour in 1938.

Career with Kay Kyser

Joining the orchestra and rise to prominence

Harry Babbitt joined Kay Kyser's orchestra in 1938 after auditioning during the band's tour in his native St. Louis, Missouri, where a lighting technician recommended him to Kyser with the suggestion that he ought to be singing with the group. He was quickly integrated as the lead baritone vocalist, earning the nickname "Handsome Harry" from Kyser due to his appealing appearance. Babbitt became known for his warm, high-baritone voice on romantic standards and his comic high-pitched falsetto on novelty numbers, providing a versatile presence that fit the orchestra's informal, good-natured style. His fresh and down-to-earth approach complemented the band's folksy atmosphere, contributing to its overall appeal and helping put "a smile on the face of the band," as noted by Kyser archivist Steve Beasley. As a regular featured vocalist on the popular NBC radio quiz program Kay Kyser's Kollege of Musical Knowledge, Babbitt played a key role in the show's success during its most prominent years in the late 1930s and 1940s. He remained the band's lead male vocalist from 1938 until approximately 1949, with an interruption for service in the U.S. Navy from 1944 to 1946. His arrival coincided with a period of heightened popularity for the orchestra, and Kyser reportedly viewed him as a good-luck charm whose presence helped propel the group's rise.

Notable recordings and performances

Harry Babbitt was the lead baritone vocalist for the Kay Kyser Orchestra from 1938 to 1949 (with a break for military service), contributing his warm, versatile voice to numerous recordings that blended sentimental ballads and novelty numbers. He often employed a comic high-pitched falsetto for novelty tunes, which complemented the band's informal, folksy style and helped define many of its hits. Among his most recognized performances were vocals on the million-selling novelty "Three Little Fishies" (1939), where he sang in a high "Little Audrey" voice alongside Ginny Simms, Ish Kabibble, and Sully Mason. He also provided lead or shared vocals on other popular tracks, including "The Umbrella Man" (1939), "(Lights Out) 'Til Reveille" (1941), "(There'll Be Bluebirds Over) The White Cliffs of Dover" (1941), "Jingle, Jangle, Jingle" (1942), and "(I'd Like to Get You on a) Slow Boat to China" (1948). Babbitt's most distinctive contribution came on the 1948 novelty recording "The Woody Woodpecker Song," where he supplied the raucous, signature Woody Woodpecker laugh that punctuated vocalist Gloria Wood's performance; this one-time feature helped make the track a major hit but was unrelated to ongoing voice acting for the animated character. He occasionally incorporated a childish lisp into his novelty characterizations, as later heard on his solo recording of "All I Want for Christmas Is My Two Front Teeth."

Film appearances

Harry Babbitt's film appearances were closely tied to his tenure as a vocalist with Kay Kyser's orchestra, where he featured in musical comedy and wartime all-star films during the late 1930s and early 1940s. He typically appeared as himself or as a band member, contributing vocals to song performances rather than taking on scripted acting roles. Babbitt made his screen debut in That's Right - You're Wrong (1939), credited as Harry Babbitt. He followed with credited appearances in You'll Find Out (1940) as Harry Babbitt, where he sang "You've Got Me This Way," Playmates (1941) as Harry Babbitt, performing "Humpty Dumpty Heart," and Around the World (1943) as Harry Babbitt. In My Favorite Spy (1942), he was credited as a member of Kay Kyser's Band, while in Swing Fever (1943) he appeared as Vocalist with Kay Kyser's Orchestra and in Carolina Blues (1944) as Band Member, singing "There Goes That Song Again." Additionally, Babbitt had uncredited roles in Stage Door Canteen (1943) as Kay Kyser Band Singer and Thousands Cheer (1943) as Singer in the "I Dug a Ditch" number. These appearances marked the extent of his on-screen work, all connected to his association with Kyser's band.

Military service

U.S. Navy enlistment and return to Kyser

Babbitt enlisted in the United States Navy in May 1944 after receiving his draft notice earlier that year and completing film work with Kay Kyser. He served until his discharge in early 1946. This period interrupted his tenure with the Kay Kyser orchestra. Upon discharge, Babbitt returned to the Kay Kyser band and continued as a featured soloist until about 1949.

Later career

Radio and television hosting

Following his departure from Kay Kyser's orchestra in 1949, Harry Babbitt shifted focus to hosting roles in radio and television. He hosted the early-morning CBS radio program The Second Cup of Coffee Club, which ran for approximately ten years spanning the 1940s and 1950s. Babbitt also hosted television programs on KTLA-TV in Los Angeles, including Bandstand Review and Hollywood Opportunity. In 1953, he was the initial host of the NBC-TV series Glamour Girl, a program offering wardrobe and beauty advice to viewers. His contributions to early television earned him recognition as a television pioneer, as noted in his obituary in Variety.

Retirement, real estate, and late revival

In 1964, Harry Babbitt retired from show business and launched a successful career in real estate in Newport Beach, California. After Kay Kyser's death in 1985, an agent urged Babbitt to re-form the Kay Kyser band amid renewed interest in big band music. He obtained rights to the band's name and catalog from Kyser's widow and toured the country with a new version of the orchestra until the mid-1990s.

Personal life

Family and later years

Harry Babbitt married Betty Babbitt in 1934, and their marriage endured for 69 years until his death. The couple had three sons: Michael, Christopher, and Stephen. In his later years, Babbitt was a longtime resident of Newport Beach, California. At the time of his death, he was survived by his wife Betty, his three sons, six grandchildren, and two great-grandchildren.

Death

Passing and legacy

Harry Babbitt died on April 9, 2004, at the age of 90 in a nursing home in Aliso Viejo, Orange County, California. He was survived by his wife of 69 years, Betty, and their family. Babbitt's legacy endures as a notable figure of the Big Band era, best remembered as the lead vocalist for Kay Kyser's orchestra during its peak in the late 1930s and 1940s, where he contributed to popular radio broadcasts and recordings. He supplied the distinctive laugh for Kay Kyser's 1948 novelty hit "Woody Woodpecker." In addition, Babbitt was among the early performers to transition to television hosting.
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