Harvester Vase
Harvester Vase
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Harvester Vase

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Harvester Vase

The Harvester Vase is a Late Bronze Age stone rhyton, dating to about 1550 to 1500 BC, found at Hagia Triada, an ancient "palace" of the Minoan civilization in Crete. It is now in the Heraklion Archaeological Museum, and is an important example of Minoan art from the Neopalatial Period.

The vase was made in three parts, of which the lowest is missing and has been replaced in modern times with undecorated plaster. A band of relief running around the widest part of the vase depicts marching men, and has variously been interpreted as a harvest celebration, a religious procession, or a military scene.

The scene has been praised for its "impression of vital, rhythmic movement", though exactly what it shows has been much argued about. Two other Minoan stone vases with figural scenes of humans were found at Hagia Triada. The "Chieftain Cup" is probably by the same artist, perhaps working at the nearby palatial site of Knossos. The third is known as the "Boxer Vase".

The rhyton was made during the Neopalatial period of Minoan civilization, around 1550 to 1500 BC. It was found at the "palace" of Hagia Triada in central Crete. It is made from steatite in the form of an ostrich egg; this was a rare and exotic object in the Bronze Age Mediterranean, used to make rhyta. It would have had a second hole at the bottom for ritual drinking or libation, that was stopped with a finger until a flow was required. It was probably originally coated with gold leaf, in whole or part.

The surviving fragments of the neck and shoulder measure approximately 4 inches (10 centimetres) in height, while the diameter of the vase is 4.5 inches (11 centimetres) at its greatest. The vase was made in three parts, of which the lowest is missing and has been replaced in modern times with undecorated plaster.

Around the widest part runs a relief of a procession, perhaps a dance, of 27 men. This is cut off at the level of their legs, but presumably was continued on the missing lowest section. Most of the men are young and dressed in the same way, with short kilts and "flat roll-brimmed caps". Exceptions are an older-looking man with long hair and a coat decorated with a pattern of scales or scallops. He carries a long staff curved at the bottom, and seems to be leading the group. There is also a man with a sistrum, a rattle-like musical instrument, who has his mouth wide open, and may be singing. This is the only known depiction of a sistrum in Minoan art.

Behind him come four men wearing cloaks, who also have their mouths wide open. One figure near the end of the procession appears to have fallen: the archaeologist Sinclair Hood suggests that he may be helping another figure, whom Hood interpreted as perhaps having fallen down through drunkenness.

Hood praised the vase's artwork for its "impression of vital, rhythmic movement", though exactly what it shows has been much argued about. The vase's discoverers considered the men in depicted upon it to be warriors, but this interpretation has been less popular with later writers.

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