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Herbert Selpin
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Herbert Selpin
Herbert Selpin (29 May 1904 – 1 August 1942) was a German film director, film editor, and screenwriter of light entertainment during the 1930s and 1940s.
He is known for his final film, the partly suppressed 1943 propaganda film Titanic, during the production of which he was arrested by Propaganda Minister Joseph Goebbels. He was later found dead in his prison cell.
Herbert Selpin was born on 29 May 1904 in Berlin. After his medical studies in the same city, Selpin worked as a dancer, boxer, librarian, and art seller before he obtained, in the mid-1920s, an internship at the UFA film studios. Among other assignments at UFA, he worked on the set of Friedrich Wilhelm Murnau's Faust (1926).
Selpin was subsequently employed by the European subsidiary of the Fox Film Corporation, where he held several positions, including – in 1927 – that of director's assistant to Walther Ruttmann on the set of Berlin: Sinfonie einer Großstadt.
After several positions as editor, Selpin received an assignment as director for the comedy film Chauffeur Antoinette, released in 1931 by Excelsior Films. In the following two years, Selpin ran into conflict with the Nazi Party for his sympathetic portrayals of the British in his films.
From 1933 onwards, he made propaganda films for the UFA studios, which was by then under the control of Propaganda Minister Joseph Goebbels. After several propaganda films that were not well received (Schwarzhemden in 1933, Die Reiter von Deutsch-Ostafrika in 1934, and Alarm in Peking in 1937), Selpin was successful in 1941 with Carl Peters, an anti-British film. This was followed by another propaganda film Geheimakte W.B.1 in 1941–42.
Selpin was chosen by Goebbels to direct Titanic, intended by the Goebbels to be both a blockbuster hit and effective anti-British propaganda. The story of the doomed ship was re-written by Walter Zerlett-Olfenius to put blame on J. Bruce Ismay, chairman of the White Star Line, and his British and American capitalist backers who, according to the screenplay, wanted the ship to make the passage as quickly as possible, no matter what the danger was to the passengers, in order to gain advantage in the line's competition with the Cunard Line, and thereby to make as much money as they could. A German character was also introduced to replace the First Officer who warned about the danger the ship was in by traveling so quickly.
In 1942, on the set of Titanic, after having experienced many time-consuming problems caused by drunk German sailors and soldiers acting as extras for the film, Selpin made several remarks critical of the military. He was denounced for these remarks by Zerlett-Olfenius, once his personal friend, and, upon failing to retract his statements during a meeting with Joseph Goebbels, was arrested on 31 July 1942.
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Herbert Selpin
Herbert Selpin (29 May 1904 – 1 August 1942) was a German film director, film editor, and screenwriter of light entertainment during the 1930s and 1940s.
He is known for his final film, the partly suppressed 1943 propaganda film Titanic, during the production of which he was arrested by Propaganda Minister Joseph Goebbels. He was later found dead in his prison cell.
Herbert Selpin was born on 29 May 1904 in Berlin. After his medical studies in the same city, Selpin worked as a dancer, boxer, librarian, and art seller before he obtained, in the mid-1920s, an internship at the UFA film studios. Among other assignments at UFA, he worked on the set of Friedrich Wilhelm Murnau's Faust (1926).
Selpin was subsequently employed by the European subsidiary of the Fox Film Corporation, where he held several positions, including – in 1927 – that of director's assistant to Walther Ruttmann on the set of Berlin: Sinfonie einer Großstadt.
After several positions as editor, Selpin received an assignment as director for the comedy film Chauffeur Antoinette, released in 1931 by Excelsior Films. In the following two years, Selpin ran into conflict with the Nazi Party for his sympathetic portrayals of the British in his films.
From 1933 onwards, he made propaganda films for the UFA studios, which was by then under the control of Propaganda Minister Joseph Goebbels. After several propaganda films that were not well received (Schwarzhemden in 1933, Die Reiter von Deutsch-Ostafrika in 1934, and Alarm in Peking in 1937), Selpin was successful in 1941 with Carl Peters, an anti-British film. This was followed by another propaganda film Geheimakte W.B.1 in 1941–42.
Selpin was chosen by Goebbels to direct Titanic, intended by the Goebbels to be both a blockbuster hit and effective anti-British propaganda. The story of the doomed ship was re-written by Walter Zerlett-Olfenius to put blame on J. Bruce Ismay, chairman of the White Star Line, and his British and American capitalist backers who, according to the screenplay, wanted the ship to make the passage as quickly as possible, no matter what the danger was to the passengers, in order to gain advantage in the line's competition with the Cunard Line, and thereby to make as much money as they could. A German character was also introduced to replace the First Officer who warned about the danger the ship was in by traveling so quickly.
In 1942, on the set of Titanic, after having experienced many time-consuming problems caused by drunk German sailors and soldiers acting as extras for the film, Selpin made several remarks critical of the military. He was denounced for these remarks by Zerlett-Olfenius, once his personal friend, and, upon failing to retract his statements during a meeting with Joseph Goebbels, was arrested on 31 July 1942.