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Herman Rarebell
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Key Information
Hermann Erbel[1] (born 18 November 1949), known professionally as Herman Rarebell, is a German musician, best known as the drummer for the hard rock band Scorpions from 1977 to 1996, during which time he played on eight studio albums. Aside from playing drums, Rarebell wrote or co-wrote several songs for the group such as "Another Piece of Meat", "Falling in Love" and "Passion Rules the Game". He wrote the lyrics for some of the band's most well known songs such as "Rock You Like a Hurricane", "Blackout", "Make It Real", "Arizona", "Bad Boys Running Wild" and "Tease Me Please Me".
Herman Rarebell received his education in the subjects drums and piano at the Musikhochschule Saarbrücken. Rarebell played drums from 1965 with the band The Mastermen, from 1968 with The Fuggs Blues and RS Rindfleisch, with whom he released one single[2] and performed in the clubs of the US military throughout Germany. In 1972–73, he played on three albums by the Krautrock band Missus Beastly,[3] with a lineup consisting of three RS Rindfleisch members with a new singer and two additional musicians. The following year, he joined the band Onyx after the name change to Vineyard. During his time in Scorpions, Rarebell released two solo albums Nip in the Bud (1981) and Herman Ze German (1986).
Setup
[edit]
Rarebell has been a long-time user of Ludwig drums and Paiste cymbals, which he used for his entire duration with Scorpions, though he would occasionally alter the amount of drums and cymbals he would have on his setup.
Discography
[edit]- Missus Beastly
- 1972 – Volksmusik
- 1973 – Spinatwachtel
- 1973 – Weramean · Missus Beastly (split) – Super Rock Made in Germany / Im Garten des Schweigens
- Scorpions
- 1977 – Taken by Force
- 1978 – Tokyo Tapes
- 1979 – Lovedrive
- 1980 – Animal Magnetism
- 1982 – Blackout
- 1984 – Love at First Sting
- 1985 – World Wide Live
- 1988 – Savage Amusement
- 1990 – Crazy World
- 1993 – Face the Heat
- 1995 – Live Bites
- Solo
- 1981 – Nip in the Bud
- 1986 – Herman Ze German
- 1986 – Herman Ze German and Friends: "Wipe Out" b/w "Pancake" (Single)
- 2005 – Drum Legends (Rarebell/Pete York/Charly Antolini)
- 2007 – I'm Back! (released in Germany, not distributed in the US)
- 2008 – My Life as a Scorpion
- 2008 – Herman's Collection (Best of solos)
- 2010 – Herman Ze German + My Life as a Scorpion (Box set)
- 2010 – HZG: "Top of the Rock" (Single) [4]
- 2010 – Take It as It Comes (US version of I'm Back!)[5]
- 2013 – Acoustic Fever
- 2020 – Thomas Tomsen: "No Return to Earth"
- Michael Schenker's Temple of Rock
- 2011 – Temple of Rock
- 2013 – Bridge the Gap
- 2015 – Spirit in a Mission
References
[edit]- ^ "Ein 'Scorpion' kehrt zurück". Saarbrücker Zeitung (in German). 21 March 2011. Retrieved 10 January 2024.
- ^ "RS Rindfleisch". Discogs. Retrieved 5 April 2019.
- ^ "Missus Beastly". Discogs. Retrieved 5 April 2019.
- ^ "Herman Rarebell "Top of the Rock" (single) Sweet Sounds/Interscope, Produced by Duke Jackson". Sweetsounds.us. Archived from the original on 2 November 2011. Retrieved 25 October 2011.
- ^ "Herman Rarebell Discusses 'Take It As It Comes' Solo Album In Interview – Sep. 8, 2010". Roadrunnerrecords.com. Archived from the original on 10 September 2012. Retrieved 25 October 2011.
External links
[edit]- Official website
- HardRadio.com interview with Herman Rarebell
- MetalExpressRadio.com interview with Herman Rarebell
- Herman Rarebell at IMDb
Herman Rarebell
View on GrokipediaEarly life and education
Childhood in Germany
Hermann Erbel, professionally known as Herman Rarebell, was born on November 18, 1949, in Hüttersdorf, a locality now incorporated into Schmelz in the Saarland region of West Germany.[4][5] Growing up in this working-class environment, Rarebell's childhood was shaped by the modest conditions of the region, where he began banging on pots and pans as a young child, as later recalled by his mother.[6] By the age of 12, his passion for music ignited, particularly for percussion, leading him to improvise drumming on an old sloped chair before gaining access to formal instruments.[1]Musical training and early influences
In the mid-1960s, Herman Rarebell began his formal musical education at the Musikhochschule Saarbrücken, where he studied drums and piano, qualifying in both instruments.[1] This structured training provided him with a solid technical foundation in rhythm and harmony, complementing his growing passion for rock drumming.[7] Rarebell's early influences were drawn from prominent drummers in jazz and rock, including Buddy Rich for his technical precision and swing, Ginger Baker of Cream for innovative double bass techniques, and John Bonham of Led Zeppelin for powerful, groove-oriented playing.[8] Broader inspirations came from artists like Jimi Hendrix, whose drummer Mitch Mitchell introduced creative, jazz-infused rhythms; The Who, particularly Keith Moon's explosive style; and the Small Faces, whose energetic mod rock sound shaped his sense of dynamics and ensemble feel.[9] These influences were absorbed through avid listening to albums such as Cream's Disraeli Gears, Led Zeppelin's II, and The Who's early works, which motivated Rarebell to blend jazz complexity with rock's raw energy.[9] Complementing his formal studies, Rarebell developed self-taught skills through relentless practice on improvised setups, such as an old sloped chair serving as a makeshift drum kit, starting around age 12.[1] He further honed his foundational rhythm skills in 1965 by joining amateur groups for local jam sessions and performances, where he experimented with grooves and band interaction before pursuing more professional opportunities.[1]Professional career
Early bands and pre-Scorpions work
Herman Rarebell began his professional drumming career in the mid-1960s while still a teenager in Saarbrücken, Germany, where his formal training at the local music school provided a foundation for his early gigs. At age 15 or 16, he joined his first band, The Mastermen, in 1965, performing covers of British Invasion acts like The Beatles and The Rolling Stones in small clubs and pubs around the Saarland region during the burgeoning beat music scene.[1][10] By 1968, Rarebell had moved on to The Fuggs Blues, a local group that incorporated blues influences into their setlists, allowing him to refine his rhythmic style through weekend performances in regional venues. That same year, he also drummed for RS Rindfleisch, a krautrock outfit featuring singer Pedro Schemm, guitarist Tony Schaefer, and bassist George Phillips, with whom he recorded and released a single while gigging in clubs, including for U.S. military audiences in Germany.[1][11][12] In 1971, seeking greater opportunities in the international rock scene, Rarebell relocated to England, where he immersed himself in the progressive and hard rock circuits. There, he joined the Cornish band Onyx around 1973, replacing their original drummer and contributing to rehearsals and recordings that experimented with heavy riffs and extended jams. The group later rebranded as Vineyard, under which Rarebell participated in session work, laying down tracks for an unreleased LP that showcased his growing versatility in fusion-tinged rock arrangements.[13][14] Returning to Germany briefly in the early 1970s, Rarebell collaborated with members of RS Rindfleisch on projects released under the Missus Beastly moniker from 1972 to 1973, blending jazz-rock fusion elements on their albums Volksmusik (1972), Missus Beastly (1973), and Spinatwachtel oder Wie die Medusa zum Stein wurde (1973), which featured improvisational drumming and complex rhythms that highlighted his technical prowess developed through prior club experience. These engagements in the German underground scene solidified his reputation as a reliable session drummer capable of adapting to progressive and experimental styles before transitioning to more prominent rock endeavors.[15][16]Tenure with Scorpions
Herman Rarebell joined the Scorpions in 1977 as their drummer, replacing Rudy Lenners, and made his recording debut on the band's fifth studio album, Taken by Force, released that December.[17] His integration into the lineup coincided with the departure of guitarist Uli Jon Roth, marking a transitional period for the group as they shifted toward a more accessible hard rock sound.[18] During his 19-year tenure, Rarebell contributed to eight Scorpions studio albums, including Lovedrive (1979), Animal Magnetism (1980), Blackout (1982), Love at First Sting (1984), Savage Amusement (1988), Crazy World (1990), and Face the Heat (1993).[18] His drumming provided a solid, energetic foundation that propelled the band's evolution from progressive hard rock to arena anthems, particularly evident in the polished production of albums like Blackout and Love at First Sting.[19] Rarebell also emerged as a key songwriter, earning co-writing credits on several iconic tracks, such as "Another Piece of Meat" from Lovedrive (music and lyrics), "Dynamite" from Animal Magnetism (lyrics), "Rock You Like a Hurricane" from Love at First Sting (lyrics), "Blackout" from the album of the same name (lyrics), "Tease Me Please Me" from Crazy World (lyrics and music), and "Don't Stop at the Top" from Savage Amusement (lyrics).[20][21][22][23][24][25] These contributions helped define the band's high-energy style and commercial hits. Rarebell's time with the Scorpions aligned with their ascent to global stardom, including extensive world tours such as the massive Love at First Sting arena tour in 1984 and the Crazy World tour in 1990–1991, which played to millions of fans across continents.[18] The band achieved their commercial peak during this era, selling over 100 million records worldwide, with albums like Love at First Sting reaching multi-platinum status in multiple countries.[26] His rhythmic drive and songwriting were integral to this success, blending technical precision with rock intensity that resonated on stages from Europe to the United States. Rarebell departed the Scorpions in 1996, prior to the recording of Pure Instinct, citing creative differences over the band's direction—particularly the increasing emphasis on ballads like "Wind of Change"—and a desire to pursue solo projects and establish his own record label, Monaco Records.[27][28] He expressed a preference for maintaining the group's hard rock roots rather than shifting toward more pop-oriented material.Post-Scorpions projects and collaborations
After departing from the Scorpions in 1996, Herman Rarebell co-founded the record label Monaco Records in 1997 alongside Prince Albert II of Monaco, with the aim of producing and promoting emerging rock artists through album releases and musical projects.[1] The label facilitated Rarebell's involvement as a producer and drummer on various recordings, including his own solo efforts, though it focused primarily on nurturing new talent in the rock genre.[29] In the 2010s, Rarebell collaborated extensively with guitarist Michael Schenker in the project Michael Schenker's Temple of Rock, serving as the drummer from 2011 to 2015 and contributing to three studio albums: Temple of Rock (2011), Bridge the Gap (2013), and Spirit on a Mission (2015), as well as live performances that revisited classic hard rock material.[30][31] He also participated in the supergroup Rock Wolves, a hard rock outfit formed in 2015 featuring vocalist-guitarist Michael Voss and bassist Stephan "Gudze" Hinz, where Rarebell handled drums and backing vocals on their self-titled debut album released in 2016.[32] Rarebell took on guest drumming roles in several post-Scorpions endeavors, including the Drum Legends project alongside drummers Pete York and Charly Antolini, which resulted in the live album Drum Legends – Live 2005 and subsequent performances showcasing percussion techniques.[33] These appearances highlighted his versatility in supporting other artists within the rock and fusion scenes. Beyond recording, Rarebell engaged in production and mentorship by conducting drum clinics and workshops worldwide, such as his 2010 session in Chicago and a 2011 seminar at Fresno State University, where he shared insights on rhythm, technique, and rock drumming while occasionally performing Scorpions classics to engage audiences.[34] These events served as platforms for guiding emerging drummers, drawing on his extensive experience to foster the next generation of musicians. In 2025, Rarebell released What About Love?, a covers album of 1980s hits with Herman Rarebell & Friends, featuring collaborations with musicians including Michael Voss and Arno Baum.[35] Rarebell has made occasional guest appearances with the Scorpions for tributes and special events, including joining the band onstage at Wacken Open Air in 2006 for a performance of archival songs with former members, though he has not returned to the group in a full-time capacity as of 2025. In a 2025 interview, Rarebell revealed he had emailed the band suggesting a collaboration but received no response, and stated that for him, the band has been over since 1996 due to creative differences and their shift toward ballads.[1][36]Solo career and recordings
Debut solo efforts
Rarebell's debut solo album, Nip in the Bud, was released in 1981 on the Harvest label while he remained the drummer for the Scorpions, marking his initial transition from band member to bandleader with original hard rock compositions.[37] The record featured Rarebell handling drums, percussion, and co-writing duties alongside lead vocalist and bassist George Phillips and guitarist D.H. Cooper, delivering a straightforward rock sound across ten tracks.[16] Produced by Rarebell himself, the album showcased his songwriting ambitions beyond the Scorpions' framework, though it received modest critical attention at the time.[38] In 1986, Rarebell revisited the material by re-recording it as Herman Ze German & Friends on Capitol Records, infusing the project with a humorous twist through his self-adopted "Ze German" moniker—a playful nod to his heritage—and incorporating guest appearances to broaden its appeal.[39] Notable contributors included vocalists Don Dokken on tracks like "I'll Say Goodbye" and Jack Russell of Great White on "Junk Funk," alongside bassist Juan Croucier of Ratt, creating a collaborative hard rock effort with glam metal edges and covers such as the surf rock classic "Wipe Out."[40] This version emphasized Rarebell's lighthearted persona, blending originals with fun reinterpretations to distinguish it from the more serious tone of his Scorpions work.[41] To promote the re-recorded album, Rarebell issued the single "Wipe Out" b/w "Pancake" in 1986 under the Herman Ze German and Friends banner, highlighting the surf-inspired cover alongside an original upbeat track to capture a party-oriented vibe.[42] The release supported European media appearances and limited promotional activities, where Rarebell leaned into his comedic "Ze German" image for interviews and performances, though these efforts were constrained by his ongoing Scorpions obligations during the band's peak touring years.[1] This balancing act underscored the challenges of advancing a solo identity amid major band commitments, limiting widespread solo tours but allowing creative outlets like these experimental projects.[43]Later solo albums and ventures
Following his earlier solo endeavors, Herman Rarebell's output in the 2000s and beyond shifted toward reflective projects that celebrated his drumming legacy and explored acoustic reinterpretations of rock classics. In 2004, he released the collaborative album The Rhythm of Art with his wife, artist Claudia Raab, blending music and visual art in an experimental fusion.[44] In 2005, he collaborated on Drum Legends (Live 2005), a live album recorded in Gran Canaria with drummers Pete York and Charly Antolini, featuring high-energy drum showcases alongside covers of Scorpions hits like "Rock You Like a Hurricane," serving as a compilation-style highlight of his career-spanning technique.[33] Rarebell returned to studio recording with I'm Back! in 2007, an album credited to Herman Rarebell's Band and released on Mausoleum Records, which blended hard rock energy with contemporary production on original tracks emphasizing his signature driving rhythms.[45] This release marked a resurgence of his rock roots after years focused on production and collaborations.[46] By 2013, Rarebell embraced a more intimate sound with Acoustic Fever, an album by Herman Rarebell & Friends that presented unplugged versions of 12 Scorpions songs he co-wrote, including "Loving You Sunday Morning" and "Passion Rules the Game," featuring guest vocalists like John Parr and Michael Voss to strip down the originals to their emotional core.[47] The project underscored his evolution toward acoustic arrangements, prioritizing melody and legacy over high-octane percussion.[48] In April 2025, Rarebell released What About Love?, a covers album by Herman Rarebell & Friends featuring reimagined 1980s love-themed rock songs such as "In the Air Tonight" and "I Want to Know What Love Is," continuing his tradition of collaborative reinterpretations.[49] Through his label Monaco Records, co-founded in 1997 with Prince Albert II of Monaco, Rarebell contributed to archival efforts, including involvement in The History of Rock series and other projects that preserved and reissued classic rock material, allowing him to curate and produce content tied to rock's foundational eras.[4] As of November 2025, no new original solo albums have been announced, though ongoing digital reissues of his catalog, such as remastered editions of earlier works, continue to make his contributions accessible to new generations.[50]Musical style, equipment, and legacy
Drumming technique and influences
Herman Rarebell's drumming style is characterized by powerful, groove-oriented beats that drive hard rock anthems, often incorporating dynamic shifts to build tension and release in live performances. His approach emphasizes a solid, relentless pocket, as he has stated that "if the groove is good, the band is good," reflecting his focus on rhythmic foundation over flashy excess.[10] This style evolved from more experimental, fusion-leaning complexity in his early Krautrock work with bands like Missus Beastly, where he explored intricate rhythms, to the precise, arena-ready execution that defined his Scorpions tenure, adapting to large-scale production demands while retaining a raw energy.[5] Key elements of Rarebell's technique include proficient double-bass pedal work, evident in high-energy tracks like "Rock You Like a Hurricane," where rapid foot patterns propel the song's iconic riff-driven momentum. Influenced by Ginger Baker's dual-bass setup on Cream's Disraeli Gears, he incorporated similar pedal techniques early on, enhancing his ability to deliver thunderous, synchronized beats suitable for heavy rock. In his solo recordings, Rarebell showcased improvisational solos, drawing on jazz-infused fills for creative expression, blending structured grooves with spontaneous phrasing. His practice regimen, centered on rudiments like paradiddles, flams, and triplets—often replicated from John Bonham's parts—ensured technical precision and endurance for live improvisation.[9][3] Rarebell's influences span classic rock and progressive elements, with Led Zeppelin's II inspiring his integration of drum breaks into song structures, courtesy of Bonham's heavy, innovative style, which he credits as the foundation of heavy rock drumming. Other pivotal records include Jimi Hendrix's Are You Experienced? for Mitch Mitchell's fluid, jazz-tinged rhythms; The Who's Who Are You for Keith Moon's explosive energy; and Queen's A Night at the Opera for Roger Taylor's and Cozy Powell's solid, Bonham-esque grooves. These shaped his hybrid approach, merging rock power with subtle jazz dynamics.[9][51] His legacy endures through influencing 1980s metal drummers with his blend of groove and power, as seen in Scorpions' global hits that set a template for arena hard rock. In 2025, Rarebell released the album What About Love? with Herman Rarebell & Friends, featuring 1980s covers that highlight his enduring style. Rarebell has shared this hybrid rock-jazz methodology via drum clinics, such as his 2010 Chicago session, where he demonstrated rudiment-based techniques and live dynamics for aspiring players, emphasizing consistent practice and fun in performance.[10][34][3]Signature equipment and setup
Herman Rarebell used a variety of drum kits during his career, including Yamaha in the 1980s for touring with Scorpions.[52] Rarebell has been a dedicated Paiste artist since 1979, favoring their cymbals for their versatility in rock settings. His preferred Paiste setup included a 24" Giant Beat ride for its warm, defined ping, 20" 2002 crashes for explosive accents, and elements from the Signature series for customized expression.[12] His drum setup evolved over the decades, beginning with a compact four-piece configuration in the 1970s focused on simplicity and portability. By the 1980s, it expanded to include double bass drums—a pair of 26" kicks—along with rack and floor toms (15", 16", 18", and 20") and a Black Beauty snare, accommodating the band's growing hard rock intensity.[53] In the 2010s, Rarebell shifted toward acoustic kits emphasizing natural resonance over electronics, reflecting his enduring preference for organic sounds in solo and collaborative work.[10] Rarebell incorporated custom modifications such as triple-flanged hoops on his toms for enhanced rimshot clarity and Remo drumheads across his kit to ensure consistent tone during extensive tours.[54] As of 2025, Rarebell endorses DW Drums and Paiste cymbals through instructional videos, demonstrating setups tailored to classic rock grooves and sharing tips on maintenance and sound optimization.[10]Personal life
Family and residences
Herman Rarebell has been married to Claudia Raab, a saxophonist, actress, and songwriter formerly with the band Seven Sins, since the early 2000s.[1] The couple has collaborated professionally, with Raab contributing saxophone to Rarebell's solo projects, including his 2007 album Heya-Heya, where she performed alongside him in his band.[55] Their partnership extends beyond music, as Raab has co-written material for Rarebell's recordings.[56] Rarebell is a father to at least one daughter, who was living at home and married as of 2016.[57] Throughout his career with the Scorpions and beyond, his family provided emotional support during periods of intense touring and professional transitions, helping him navigate the demands of rock stardom.[57] He resided in Monaco during the 1990s, returned to Germany in 2001, and later relocated to England, where he lived with Raab as of the mid-2010s.[57] Periods in Hamburg, the base for Scorpions activities, and Los Angeles for recording sessions marked his professional residences during peak career years.[56] Rarebell has engaged in philanthropy by sponsoring children through World Vision, an international aid program, providing ongoing support for their basic needs and education with a $35 monthly donation per child; for instance, he has sponsored individuals in Africa for over 25 years, two of whom became doctors in Germany after completing their education.[29] This commitment reflects his dedication to youth development, separate from his musical endeavors.[58]Health and later years
In his later years, Herman Rarebell has maintained robust health despite the physical toll of decades of intensive touring and performing with high-volume rock bands. At age 76 as of November 2025, he reports feeling great and free of major illnesses, attributing his well-being to consistent fitness routines tailored for drummers, including daily one-hour drumming sessions and walks of 3-4 miles.[59] These habits help preserve his stamina and prevent the minor joint and endurance issues common among veteran musicians from prolonged road life, allowing him to demonstrate his skills through video performances.[3] Following the conclusion of extensive touring with projects like Temple of Rock around 2015-2016, Rarebell entered a phase of semi-retirement from full-scale live schedules, prioritizing studio recordings and selective engagements over constant travel.[57] This shift enabled him to focus on creative endeavors, such as the release of his 2025 album What About Love? with Herman Rarebell & Friends, featuring re-recorded 1980s rock classics alongside collaborators like Bob Daisley and Howard Leese.[60] He remains active with occasional performances and jamming sessions, expressing confidence in his ability to handle a complete Scorpions set if desired, while enjoying a more balanced lifestyle in his 70s.[59] Rarebell has reflected positively on his career legacy in recent interviews, expressing deep satisfaction with his contributions to Scorpions' iconic 1980s era and his songwriting role in hits like "Rock You Like a Hurricane." He advises young musicians to practice daily—starting with 1-2 hours on rudiments, bass drum patterns, and playing along to favorite tracks—to build technique patiently while prioritizing enjoyment to sustain long-term passion.[59][3] Looking ahead, he contemplates possibly retiring at 85 but harbors no regrets, viewing his enduring fitness and creative output as testaments to a life fully lived in rock music.[59]Discography
Scorpions contributions
Herman Rarebell served as the drummer for the Scorpions on eight studio albums, beginning with Taken by Force in 1977 and concluding with Face the Heat in 1993. His percussion work provided the rhythmic foundation for the band's hard rock sound during this period, contributing to their transition from European cult favorites to international superstars.[17][61][62] The studio albums featuring Rarebell's drumming include:- Taken by Force (1977)
- Lovedrive (1979)
- Animal Magnetism (1980)
- Blackout (1982)
- Love at First Sting (1984)
- Savage Amusement (1988)
- Crazy World (1990)
- Face the Heat (1993)
