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Pete York
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Key Information
Pete York on drums
Peter York (born 15 August 1942 in Middlesbrough, Yorkshire, England) is an English rock drummer who has been performing since the 1960s.[1] He is best known for his time with the Spencer Davis Group.
Biography
[edit]Born in Middlesbrough but growing up in Redcar, York attended the Nottingham High School and learnt to play the trumpet and snare drum in a school band.[2] He also attended Trent College. Upon leaving school he embarked on a commercial apprenticeship.
He was one of the original members of the Spencer Davis Group, along with Spencer Davis and the brothers Steve and Muff Winwood. York stayed with the band until 1969. He left the Spencer Davis Group to form Hardin and York with Eddie Hardin. York was a member of Eric Clapton's Powerhouse—a short-lived blues band in 1966. It starred Eric Clapton (guitar), and featured Paul Jones (harmonica) and Jack Bruce (bass), Steve Winwood (vocals) with York (drums), and Ben Palmer (piano). Under the name of The Blueshounds (with Roger Hill, guitar, and Graham Gallery, bass) he backed New Orleans singer and piano player Cousin Joe on his 1974 album "Soul-shouting Bluesman from New Orleans" (Big Bear Records).
In the 80s he fronted an all-star band called Olympic Rock & Blues Circus featuring a rotating line-up of the likes of Jon Lord, Miller Anderson, Tony Ashton, Brian Auger, Zoot Money, Colin Hodgkinson, Chris Farlowe and many others. Olympic Rock & Blues Circus toured primarily in Germany, in 1981/82 and 1989, and also appeared sporadically in the UK under the name Endangered Species.
In February 1987, York started his first German television series of "Superdrumming" featuring Ian Paice, Louie Bellson, Cozy Powell, Gerry Brown and Simon Phillips. The next year, 1988, the second series of "Superdrumming" featured Billy Cobham, Bill Bruford, Dave Mattacks, Zak Starkey, Nicko McBrain, Jon Lord and Eddie Hardin. The third series of "Superdrumming" featured Jon Hiseman, Steve Ferrone, Mark Brzezicki, Trilok Gurtu and the return of Ian Paice. The band on this series featured Miller Anderson, Colin Hodgkinson, Brian Auger, Jon Lord and Barbara Thompson. In 1989, Brian Auger was musical director for the thirteen-part film retrospective series Villa Fantastica, made for German TV. A live recording of the series, Super Jam (1990), featured Brian Auger on piano, York on drums, Dick Morrissey on tenor saxophone, Roy Williams on trombone, Harvey Weston on bass guitar, plus the singers Zoot Money and Maria Muldaur. In 1990, the fourth series of "Superdrumming" was held in Freiburg, Germany with drummers Ian Paice, Jon Hiseman, Cozy Powell and York.
York has played drums for German entertainer and jazz musician Helge Schneider several times since 2004, both on Schneider's recordings and on tour. York also acted in Schneider's film Jazzclub. York participated in the 'Drum Legends' project with Herman Rarebell, where they released a live CD and DVD along with jazz drummer Charly Antolini.
Discography
[edit]With the Spencer Davis Group
[edit]Studio albums
[edit]| Year | Title | Details |
|---|---|---|
| 1965 | Their First LP |
|
| 1966 | The Second Album |
|
| Autumn '66 |
| |
| 1968 | With Their New Face On |
|
EPs
[edit]| Year | Title | Details |
|---|---|---|
| 1965 | You Put the Hurt on Me |
|
| Every Little Bit Hurts |
| |
| 1966 | Sittin' and Thinkin' |
|
Singles
[edit]| Year | Single |
|---|---|
| 1964 | "Dimples" |
| "I Can't Stand It" | |
| 1965 | "Every Little Bit Hurts" |
| "Strong Love" | |
| "Keep On Running" | |
| 1966 | "Somebody Help Me" |
| "This Hammer" (Norway and Sweden-only release) | |
| "Sittin' and Thinkin'" (Netherlands-only release) | |
| "When I Come Home" | |
| "Together 'Til the End of Time" (Norway-only release) | |
| "Take This Hurt Off Me" (Norway-only release) | |
| "Georgia on My Mind" (Netherlands-only release) | |
| "Gimme Some Lovin'" | |
| "Det war in Schöneberg" (Germany-only release) | |
| "High Time Baby" (Norway-only release) | |
| 1967 | "I'm a Man" |
| "Time Seller" | |
| "It's Gonna Work Out Fine" (New Zealand-only release) | |
| "When a Man Loves a Woman" (Italy-only release) | |
| "Mr. Second Class" | |
| 1968 | "After Tea" |
| "Looking Back" (US, Canada and Germany-only release) | |
| "(Aquarius) Der Wassermann" (Germany and Netherlands-only release) | |
| "Short Change" |
With Hardin & York
[edit]- Tomorrow Today Bell SBLL125 (1969)
- The World's Smallest Big Band Bell SBLL136 (1970)
- For the World Bell SBLL141 (1971)
- Hardin & York with Charlie McCracken Vertigo 6360622 (1974)
- Hardin & New York Teldec 624595 (1979)
- Live at the Marquee 1971 RPM RPM135 (1994)
- Hardin & York Live Repertoire REP 4459-WY (1994) 1970 recording, previously a bootleg
- Still a Few Pages Left RPM Thunderbird CSA 106 (1995)
Reissues
[edit]- For the World See For Miles (1985)
- Tomorrow Today Repertoire REP 4481-WY (1994)
- World Smallest Big Band Repertoire REP 4482-WY (1994)
Other recordings
[edit]- Nazareth – Nazareth (1971)
- Jon Lord – Windows (1974)
- Eddie Playboy Taylor & The Blueshounds – Ready for Eddie (1975)
- Jon Lord – Sarabande (1976)
- Rick Sanders/Pete York/Steve Richardson – String Time (1983)
- Pete York/"Wolfhound" Wolfgang Schmid/Lenny Mac Dowell – Once Upon A Time... Der Rattenfänger Von Hameln (1983)
- Pete York/"Wolfhound" Wolfgang Schmid/Lenny Mac Dowell – Wireless (1984)
- Spencer Davis/Pete York/Colin Hodgkinson – Live Together (1985)
- Brian Auger/Pete York/Colin Hodgkinson – Steaming (1985)
- Chris Farlowe/Spencer Davis/Pete York/Colin Hodgkinson/Zoot Money/Miller Anderson – Extremely Live At Birmingham Town Hall (1988)
- Jon Lord – Pictured Within (1998)
- Jon Lord – Beyond the Notes (2004)
- GoodTimes-All-Star-Band – Good Times Songs (2009)
- Helge und Band – Komm Hier Haste Ne Mark! Live (2011)
- Jon Lord Blues Project – Live (2011)
Solo projects
[edit]- The Pete York Percussion Band – The Pete York Percussion Band (1972)
- Pete York's New York – Into the Furnace (1980)
- Pete York's New York – What's the Racket (1981)
- Olympic Rock & Blues Circus – Olympic Rock & Blues Circus (1981)
- Open Road (1981)
- Pete York's New York – Pete York's New York (1983)
- Super Drumming Vol. 1 (1987)
- Super Drumming Vol. 2 (1989)
- Super Drumming Vol. 3 (1990)
- String Time in New York (1990)
- Superblues (1994)
- Swinging Hollywood (1994)
- Pete York's Blue Jive Five – Live – Listen Here! (1996)
- Pete York's Blue Jive Five – Live – Second Set (1998)
- Pete York Jazz Stars – Live & Swinging (1998)
- The Pete York Percussion Band – Extension 345 – Live 1974 (2005)
- Herman Rarebell/Pete York/Charly Antolini – Drum Legends – Live 2005 (2007)
- Pete York & Young Friends – Basiecally Speaking (2013)
References
[edit]- ^ Cianci, Bob (1 July 2006). Great Rock Drummers of the Sixties. Hal Leonard Corporation. pp. 223–. ISBN 978-0-634-09925-0. Retrieved 3 July 2011.
- ^ Artists:Pete York actmusic.com
External links
[edit]- Official website
- Pete York discography at Discogs
- Pete York at Drummerworld.com
- Pete York at IMDb
- Biography at Drumsoloartist.com Archived 8 December 2007 at the Wayback Machine
Wikimedia Commons has media related to Pete York.
| International | |
|---|---|
| National | |
| Artists | |
| People | |
Pete York
View on Grokipediafrom Grokipedia
Pete York (born 15 August 1942) is an English rock drummer renowned for his foundational role in the Spencer Davis Group during the 1960s British beat era, as well as his subsequent collaborations in jazz, blues, and percussion ensembles.[1] Born in Middlesbrough, England, York began playing drums at age eight using a toy set and household items, progressing to local jazz bands in his teens before entering the Birmingham music scene in 1960.[2] His versatile style, blending R&B, blues, and jazz influences, has defined a career spanning over six decades, including television production and high-profile drum showcases.[1]
York's breakthrough came in 1963 when he joined the Spencer Davis Group alongside Spencer Davis, Steve Winwood, and Muff Winwood, becoming a core member of the band that electrified the UK charts with its energetic R&B sound.[3] The group achieved two UK number-one singles—"Keep On Running" in 1966 and "Somebody Help Me" in 1966—along with top-ten hits like "Gimme Some Lovin'" (UK No. 2, 1966) and "I'm a Man" (UK No. 9, 1967), selling millions worldwide and earning acclaim for their live performances in pubs, films, and television.[4] He also contributed to early recordings by Eric Clapton and appeared on shows like Top of the Pops, solidifying the band's status in the British Invasion.[1] York left the group in 1969 amid lineup changes, but reunited for milestone events, including a celebrated drum solo at London's Royal Albert Hall in 2002.[1]
Following his Spencer Davis tenure, York formed the duo Hardin & York in 1969 with keyboardist Eddie Hardin, dubbed the "World's Smallest Big Band" for their innovative two-man rock-jazz fusion that achieved success in Europe and toured extensively with acts like Deep Purple.[5] The pair released albums such as For the World (1970) and Tomorrow Today (1971), emphasizing York's dynamic percussion alongside Hardin's vocals and keys, and later revived the project in the 2000s.[1] In the 1970s and 1980s, he led the Pete York Percussion Band, featuring drummers like Ian Paice and Keith Moon, and collaborated with artists including Jon Lord on Rock Meets Classic tours (from 1998), Chris Barber's band (1976–1979, over 300 shows), and Klaus Doldinger.[1] York pioneered the award-winning TV series Pete York's Super Drumming starting in 1987, showcasing international percussionists like Billy Cobham and Cozy Powell in collaborative jams broadcast across Europe.[1] Based in Germany since 1984, he continues performing and producing, marking his enduring influence on rock and jazz drumming.[2]
Early life
Childhood and family
Pete York was born on 15 August 1942 in Middlesbrough General Hospital, England, and spent his early years in the nearby coastal town of Redcar, North Yorkshire.[6] His family frequently relocated within industrial regions due to his father's employment in the iron and steel sector, a common occupation in the post-World War II era that reflected the area's economic reliance on heavy industry for recovery and rebuilding efforts.[6] Growing up in this working-class environment amid rationing and reconstruction, York was shaped by the resilient, community-oriented fabric of Yorkshire's coastal and industrial communities.[6] Music entered York's life early through familial influences, with his grandmother playing piano and his mother enjoying recordings of Frank Sinatra and Benny Goodman, fostering a household appreciation for swing and jazz.[6] Around 1950, at the age of eight, he began experimenting with rhythm using improvised items like pencils on a brass bell and banging on his mother's cooking pots, inspired by American jazz broadcasts on the radio, particularly the drumming of Gene Krupa.[6] By age ten, he acquired a toy drum set. This makeshift percussion play, amid the limited resources of post-war households, marked the onset of his lifelong passion for drumming, influenced by the era's accessible big band sounds from artists like Louis Armstrong and Duke Ellington.[6]Education and early drumming
York attended Mount St. Mary's College near Chesterfield starting at age eight, Nottingham High School for a short period as a day student, before enrolling at Trent College, a boarding school located between Nottingham and Derby, at the age of 14 in the mid-1950s.[6][7] During his time at Trent College, he became actively involved in the school's musical activities, including the jazz club, orchestra, and the Army Cadet Force Band, where he played snare drum and contributed to military-style performances.[8] His early drumming experiences began around 1950, at age eight, when he started practicing on improvised percussion and his mother's cooking pots, mimicking jazz rhythms heard on the radio, such as those of Gene Krupa.[9] By age twelve, he had acquired a basic snare drum using his pocket money, honing self-taught techniques on rudimentary equipment without formal instruction from his family, who showed limited enthusiasm for his pursuits.[7][6] His first structured training came through the Army Cadet Force Band at Trent College, where, starting at age 13, an ex-Royal Marines bandmaster taught him essential snare drum rudiments like singles, doubles, and paradiddles, providing a foundational discipline to his developing style.[9][8] This school-based involvement, combined with self-practice, built York's initial proficiency on basic percussion before he left education in 1960.Musical career
Spencer Davis Group
Pete York left school in 1960 and relocated to Birmingham, where he developed his drumming skills and met Spencer Davis along with brothers Steve and Muff Winwood at the university's rhythm club.[2] He joined their nascent band as drummer in 1963, completing the lineup of what was initially called the Rhythm and Blues Quartet—later renamed the Spencer Davis Group—and contributing to its raw R&B sound rooted in blues covers and jazz influences.[10] The group quickly built a following through club performances in Birmingham, where York incorporated comedic elements and jazz improvisations into their sets, before embarking on early tours in Germany starting in 1963, including high-profile shows at the Star-Club in Hamburg.[6][11] Their breakthrough came with hits like "Keep On Running," which topped the UK charts in 1965, and "Gimme Some Lovin'," reaching number 2 in the UK and 7 in the US in 1966; York's energetic, driving rhythms underpinned these tracks, emphasizing powerful backbeats that fueled the band's high-octane live energy.[12][10] During this period, in 1966, York joined Steve Winwood for the short-lived Powerhouse project alongside Eric Clapton, Jack Bruce, and Paul Jones, recording three blues originals for Elektra Records' What's Shakin' compilation.[13] Following the departure of Steve and Muff Winwood in 1967, the Spencer Davis Group underwent significant lineup changes, incorporating keyboardist Eddie Hardin and guitarist Phil Sawyer (later Ray Fenwick), shifting from straightforward R&B toward psychedelic and progressive elements evident in albums like With Their New Face On.[14] York adapted to this evolution by incorporating drum solos and more experimental percussion, but amid ongoing creative tensions and declining commercial success, he left the band in October 1968 alongside Hardin to pursue new ventures.[6][15]Hardin & York
Following the departure of Pete York and Eddie Hardin from the Spencer Davis Group in late 1968, the pair formed the duo Hardin & York in 1969, drawing briefly on the rhythmic foundations of their prior work while shifting toward a fusion of rock, jazz, R&B, and soul elements.[16][17] Dubbed "the World's Smallest Big Band" for their expansive sound achieved through just keyboards, vocals, and drums—often augmented by guest musicians—the duo emphasized improvisational flair and orchestral textures.[18][5] The partnership's output centered on three key albums released between 1969 and 1971: Tomorrow Today (1969), the self-titled Hardin & York (1970), and For the World (1971).[5] These recordings showcased a proto-progressive style with psychedelic undertones, gaining particular traction in Europe through extensive tours, including performances in Germany where live sessions were captured in 1969–1970.[16] York's contributions were pivotal, providing forceful percussion arrangements that supported Hardin's multi-keyboard layers and enabling dynamic live improvisations rooted in his jazz background.[18][19] The duo disbanded after the 1971 release of For the World, with York and Hardin pursuing individual projects thereafter.[19] Their catalog saw reissues on CD during the 1980s and 1990s, sustaining interest among European audiences.[20] A reunion in the 1990s produced the album Still a Few Pages Left (1995), marking a brief return to their collaborative jazz-rock sound before further periodic collaborations ended with Hardin's death in 2015.[16]Other collaborations
In 1966, Pete York contributed drums to Eric Clapton's short-lived blues project Powerhouse, appearing under the pseudonym Peter Howard alongside Steve Winwood on vocals, Jack Bruce on bass, Paul Jones on harmonica, and Ben Palmer on piano; the group recorded three tracks for the Elektra compilation What's Shakin'.[13] York made a guest appearance on Nazareth's self-titled debut album in 1971, providing congas, jawbone, and tambourine on the track "Silver Dollar Forger."[21] Throughout the 1970s, York collaborated extensively with Deep Purple keyboardist Jon Lord on several solo projects, including drumming on Lord's orchestral rock album Sarabande (1975), which blended classical influences with rock elements, and participating in the inaugural "Rock Meets Classic" concerts in 1974 that paired rock musicians with symphony orchestras.[1] York engaged in European tours and recordings with German artists prior to his later work with Helge Schneider, notably joining Klaus Doldinger's jazz fusion band Passport for a 1973 tour featuring guests Alexis Korner, Brian Auger, and Johnny Griffin, and contributing to a 1975 tour with Doldinger alongside Johnny Griffin, Les McCann, and Buddy Guy; he also drummed on Eberhard Schoener's Bali Agung album and accompanying TV special that year, recorded during a six-week stay in Bali.[1] In the realm of progressive rock and jazz fusion experiments, York's session work included his role in Passport's fusion-oriented live performances, which incorporated electric jazz, rock, and improvisation, reflecting the era's genre-blending trends.[1] During the 1980s, York fronted the all-star ensemble Olympic Rock & Blues Circus, touring Europe with rotating lineups that included vocalist Chris Farlowe, keyboardist Brian Auger, Jon Lord, bassist Colin Hodgkinson, and guitarist Miller Anderson, and releasing a direct-to-disc live album in 1981 capturing their blues-rock jams.[22][1] York also led the jazz-rock group Pete York's New York from the early 1980s to 1983, producing several recordings that explored fusion styles with an international lineup.[1] His partnerships with guitarist and vocalist Miller Anderson extended into the 1980s and 2000s, beginning with Anderson's involvement in York's Percussion Band in 1972, followed by a 1989 European tour as part of an all-star group, a 1990 performance in the Superdrumming live show in Freiburg, and ongoing appearances in York's Blues Project during the 2000s, including a 2012 Vienna concert where Anderson handled vocals on tracks like "Keep On Running."[1]Solo work
Superdrumming series
The Superdrumming series, launched by Pete York in February 1987, was a German television production for SDR/ARD that showcased performances by leading international drummers alongside an all-star backing band.[1] York served as host, producer, and performer, incorporating live demonstrations of drumming techniques, interviews, and humorous elements to highlight diverse styles from rock, jazz, and fusion genres.[1] The first volume featured prominent drummers including Ian Paice of Deep Purple, Louie Bellson, Cozy Powell, Gerry Brown, and Simon Phillips, with episodes filmed in distinctive locations such as a church to emphasize acoustic qualities.[1] Subsequent volumes expanded the series through 1988 and 1989, with the second installment including Billy Cobham, Bill Bruford, Zak Starkey, Nicko McBrain, and others, while the third, shot in a disused steelworks for an industrial ambiance, spotlighted Jon Hiseman, Steve Ferrone, Mark Brzezicki, Trilok Gurtu, and a return appearance by Ian Paice.[1] These episodes blended ensemble playing—often with keyboardists like Brian Auger and Jon Lord—and solo showcases, providing viewers with insights into advanced rhythms and improvisational approaches drawn from the participants' professional experiences.[1] The series aired in segments on ARD-TV, reaching a broad European audience interested in percussion education.[1] Complementing the TV format, York released the related solo album Super Drumming Volume 1 in 1987 on Inakustik, a double LP (later issued on CD and cassette) that captured studio recordings from the series, including tracks like "Laid Back Heart Attack Tango" featuring Bellson and Phillips.[23] This album, produced by York and Wolfgang Schmid, extended the educational reach through audio formats, allowing drummers to study grooves and fills at home.[23] Volumes 2 and 3 followed in 1989 and 1990, respectively, mirroring the TV content with similar guest lineups.[1] The series had a notable impact on drumming education in Europe, earning a Silver Award in the United States for its innovative presentation of global talent and inspiring aspiring percussionists through accessible demonstrations of technique and collaboration.[1] Its success led to sold-out live extensions, such as a 1990 concert in Freiburg featuring Paice, Hiseman, and Powell, further bridging broadcast media with practical workshops.[1] By focusing on real-time interplay rather than isolated instruction, Superdrumming filled a gap in visual learning resources for drummers during the late 1980s.[1]Drum Legends and later projects
In the late 2010s, Pete York joined forces with fellow drumming icons Ginger Baker of Cream and Herman Rarebell of Scorpions to form the short-lived ensemble Drum Legends, aimed at showcasing their diverse styles through live performances. The project culminated in a notable UK debut at the Brighton Dome on April 12, 2019, where the trio, backed by a band including guitarist Miller Anderson and keyboardist Zoot Money, delivered high-energy sets blending rock, jazz, and drum battles that highlighted their individual legacies.[24][25] Since 2004, York has maintained a steady collaboration with German jazz entertainer and musician Helge Schneider, contributing drums to numerous live tours and recordings that fuse jazz standards with Schneider's improvisational humor. Their partnership includes the 2017 album Heart Attack No. 1, featuring tracks like "One For My Baby (And One More For The Road)" and "Mood Indigo," recorded in a quartet setting with Schneider on Hammond organ. Ongoing club tours, such as the 2020 "Deadly Bros." series with guitarist Henrik Freischlader, have kept their jazz-blues performances active across Europe, often exceeding 100 shows per year in peak periods.[26][27] York revived his Olympic Rock & Blues Circus concept for a series of European tours in 2018–2019, assembling an all-star lineup with Deep Purple bassist Roger Glover, guitarist Miller Anderson, keyboardist Zoot Money, and saxophonist Albie Donnelly to perform blues-rock standards in intimate venues. The tour, which included dates in Germany such as Neuruppin and Hamburg, emphasized ensemble interplay and drew on York's history of all-star projects. A 2024 interview reaffirmed the Circus's enduring appeal, with York expressing interest in future iterations amid his continued touring.[28][29] Post-2019, York has remained active in European performances, including guest appearances and speeches at events like the October 2024 Concerto tribute to Jon Lord in Munich, where he addressed the audience on shared musical histories. At age 83 as of 2025, he continues selective gigs, focusing on jazz and blues collaborations while based in Germany.[30]Discography
Studio Albums
Their First LP (1965)
This debut studio album was released in June 1965 on Fontana Records in the UK and peaked at No. 6 on the UK Albums Chart.[31][32] Track listing:- My Babe
- Dimples
- Searchin'
- Every Little Bit Hurts
- I'm Blue (Gong Gong Song)
- Sittin' And Thinkin'
- I Can't Stand It
- Here Right Now
- Jump Back
- It's Gonna Work Out Fine
- Midnight Train
- It Hurts Me So[33]
The Second Album (1966)
Released in 1966 on Fontana Records in the UK, the album peaked at No. 3 on the UK Albums Chart.[34] Track listing:- Look Away
- Keep On Running
- This Hammer
- Georgia On My Mind
- Please Do Something
- Let Me Down Easy
- Strong Love
- I Washed My Hands In Muddy Water
- Since I Met You Baby
- You Must Believe Me
- Hey Darling
- Watch Your Step[35]
Autumn '66 (1966)
Released in September 1966 on Fontana Records in the UK, the album peaked at No. 4 on the UK Albums Chart.[36] Track listing:- Together 'Til The End Of Time
- Take This Hurt Off Me
- Nobody Knows You When You're Down And Out
- Midnight Special
- When A Man Loves A Woman
- When I Come Home
- Mean Woman Blues
- Dust My Blues
- On The Green Light
- Neighbour, Neighbour
- High Time Baby
- Somebody Help Me[37]
With Their New Face On (1968)
Released in April 1968 on United Artists Records in the UK, the album peaked at No. 30 on the UK Albums Chart.[38] Track listing:- With His New Face On
- Mr. Second Class
- Alec in Transitland
- Sanity Inspector
- Feel Your Way
- Morning Sun
- Moonshine
- Don't Want You No More
- Time Seller
- Stop Me, I'm Falling[39]
EPs
The Spencer Davis Group (1965)
Released in 1965 on Fontana Records in the UK. This EP featured selections from the band's early material.[40] Track listing:- Dimples
- Searchin'
- I Can't Stand It
- Sittin' And Thinkin'[33]
You Put the Hurt on Me (1966)
Released in 1966 on Fontana Records in the UK, this EP included tracks from the band's evolving R&B sound.[41][40] Track listing:- Keep On Running
- Strong Love
- Georgia On My Mind
- Please Do Something[35]
Singles
The band's singles during this period achieved significant commercial success in the UK, with several reaching the top of the charts.[4]- "Dimples" / "Sittin' and Thinkin'" (1964, Fontana): Did not chart.
- "I Can't Stand It" / "Searchin'" (1964, Fontana): Peaked at No. 47 (UK).[42]
- "Keep On Running" / "High Time Baby" (1965, Fontana): Peaked at No. 1 (UK).[43]
- "Somebody Help Me" / "Dust My Blues" (1966, Fontana): Peaked at No. 1 (UK).[44]
- "When I Come Home" / "Neighbour Neighbour" (1966, Fontana): Peaked at No. 12 (UK).[45]
- "Gimme Some Lovin'" / "Stevie's Blues" (1966, Fontana): Peaked at No. 2 (UK).[46]
- "I'm a Man" / "I Can't Get Enough of It" (1967, United Artists): Peaked at No. 9 (UK).[47]
- "Time Seller" / "Don't Want You No More" (1967, United Artists): Peaked at No. 30 (UK).
- "Mr. Second-Class" / "Let It Go" (1968, United Artists): Peaked at No. 35 (UK).[4]
With Hardin & York
Hardin & York, the duo of Eddie Hardin and Pete York, issued three studio albums during their original active period from 1969 to 1971. These releases featured a blend of original compositions and covers, often expanded with medleys, and were primarily distributed through Bell Records and Decca/London affiliates in the UK and Europe.[5] The debut album, Tomorrow Today, was released in 1969 on Bell Records (SBLL 125). Its original track list included:- Tomorrow Today (3:30)
- 100 Years From Now (2:37)
- I'm Lost (8:13)
- Drinking My Wine (4:47)
- Candlelight (4:36)
- Beautiful Day (2:27)
- Mountains Of Sand (6:38)
- Can't Keep A Good Man Down (6:00)
- Listen Everyone (3:42) [48]
- Just A Case Of Time (4:00)
- I Can't Find My Way Home (3:36)
- Love, A Song For You (6:16)
- Rock & Roll Medley [Jailhouse Rock / Mean Woman Blues / Rip It Up] (4:50)
- The Pike (8:58)
- Northern Medley [Lady Madonna / Norwegian Wood] (10:08) [49]
- Deep In My Despair (3:33)
- Have Mercy Woman (3:58)
- For The World (2:39)
- Some Places Are Better To Be (2:48)
- Extension 345 (5:42)
- Cowboy (4:20)
- I'll Be Back Again (3:03)
- Feeling, Seeing, Hearing (2:33)
- Natural Gas (2:38)
- Take Away Today (6:03) [50]
- Credit Card City (4:15)
- My Eyes Don’t See (When You Are Gone) (3:55)
- Stuck On You (Parts i-iii) (9:21 total)
- Is This Love (4:08)
- Stocktaking (5:13)
- Salvation (4:08)
- Still A Few Pages Left Suite (Parts i-iii) (6:00 total)
- It’s Just A Feeling (4:45) [51]
Other recordings
Throughout his career, Pete York contributed his drumming and percussion skills to numerous guest appearances and session recordings outside his primary band affiliations, spanning blues, rock, jazz, and fusion genres. These collaborations often featured him on full drum kits or auxiliary percussion, adding rhythmic drive to high-profile artists and ensembles from the late 1960s onward.[56] One of York's earliest notable session works was with Eric Clapton and the Powerhouse, a short-lived blues ensemble that recorded three tracks for the 1966 Elektra compilation What's Shakin': "I Feel Free," "Strange Brew," and "Tales of Brave Ulysses," where he provided drums alongside Clapton on guitar, Steve Winwood on vocals and guitar, Jack Bruce on bass, Paul Jones on harmonica, and Ben Palmer on piano. Released by Elektra Records, these recordings captured an early supergroup energy in the British blues scene.[57] In 1971, York added congas, jawbone, and tambourine to the track "Witches Brew" on Nazareth's self-titled debut album, released by A&M Records, enhancing the Scottish hard rock band's raw sound during their formative sessions. Three years later, he delivered dynamic drum performances on Jon Lord's orchestral-prog fusion album Windows, a live recording from Munich's Herkulessaal on June 1, 1974, featuring compositions by Lord and conductor Eberhard Schoener, with additional contributions from Deep Purple members like David Coverdale and Glenn Hughes; the album was issued by Harvest (EMI). That same year, York drummed on Doldinger Jubilee Concert by Passport with guests Brian Auger, Johnny Griffin, Alexis Korner, and Volker Kriegel, a live jazz-rock outing released by Atlantic Records. He followed this in 1975 with drums on Doldinger Jubilee '75 by Passport featuring Les McCann, Philip Catherine, Johnny Griffin, and Buddy Guy, also on Atlantic.[58][59][60] During the 1980s, York was a key member of the Olympic Rock & Blues Circus, an all-star blues-rock outfit with rotating lineups including Brian Auger and Chris Farlowe. He drummed on their 1981 self-titled album, recorded at Tonstudio Bauer in Ludwigsburg and released by Jeton Records, covering classics like "Stormy Monday" and originals with a circus-themed flair. In 1983, he contributed drums to String Time by Rick Sanders, Pete York, and Steve Richardson, another Jeton release blending strings and rock. Later that decade, in 1988, York played drums on Extremely Live at Birmingham Town Hall by Chris Farlowe with Spencer Davis, Colin Hodgkinson, Zoot Money, and Miller Anderson, a live blues set issued by Inak Records.[22][61] Into the late 1990s and 2000s, York's guest work leaned toward jazz and tribute projects. In 1998, he drummed on Happy Birthday, Mr. Gershwin! by Kammerorchester Schloss Werneck & The Jazz Age Quintet featuring Sandy Lomax, a Gershwin celebration released by Balthasar Records. The year 2000 saw him on Second Step by Brass And Fun feat. Pete York, a brass-jazz album on Bella Musica Edition. In 2002, York made a special guest appearance drumming on Happy Birthday, Duke by Kammerorchester Schloss Werneck & The Jazz Age Sextet feat. Sandy Patton, honoring Duke Ellington via Balthasar Records. His 2005 contributions included drums on the live album Drum Legends (Live 2005) with Herman Rarebell and Charly Antolini, released by Skinfire Records, and on Another Cup of Coffee (Krups Jazz-Edition Vol. 1) by Pete York And The Allstar Jazzband, a promotional jazz release. Finally, in 2010, he drummed on Pete York And The Susie Who Swing Revue by Pete York And The Susie Who Swing Revue, a swing-jazz collaboration on Shoobeedoo Records. These lesser-documented 2000s sessions highlighted York's versatility in jazz ensembles before later projects.Solo projects
Pete York's solo projects encompass a range of percussion-focused recordings, beginning with his debut effort in 1972 and extending through collaborative drumming showcases and live performances up to the 2010s. These works highlight his role as a bandleader and presenter, often featuring guest musicians while emphasizing innovative drum arrangements and fusion elements.[56] His first solo album, The Pete York Percussion Band (1972), was released on Decca Records in LP format and featured a ensemble of percussionists including Ray Allen on congas and Eddie Coombes on timbales, with production by Ian Paice. The album blended jazz, rock, and classical influences across 10 tracks, such as "Keep On Running," "Sombrero Sam," and an arrangement of Handel's "The Arrival of the Queen of Sheba." It showcased York's vision for a percussion-driven ensemble, drawing from his rock background.[62] The Super Drumming series, initiated in 1987, represents York's most extensive solo endeavor, comprising four volumes released between 1987 and 1990 on labels including BMG and Global Satellite, primarily in 2xLP, cassette, and later CD and DVD formats. These live recordings captured performances in a former church in Ulm, Germany, with York as host and drummer alongside rotating guest artists, focusing on drum duets, solos, and ensemble pieces to demonstrate diverse styles from jazz to rock. Volume I (1987) included 20 tracks like "I Got Rhythm," "Dance With the Devil," and "Skin Deep," featuring guests such as Louie Bellson, Cozy Powell, Ian Paice, Simon Phillips, and Nippy Noya.[63] Volume II (1989) expanded to 17 tracks, including medleys like "Lady Madonna / Norwegian Wood" and "Gimme Some Lovin' / I'm a Man," with collaborators such as Mark Brzezicki, Steve Ferrone, Trilok Gurtu, Jon Hiseman, Herman Rarebell, and Ed Thigpen. Volume III (1990) featured suites incorporating themes from "2001: A Space Odyssey," "Star Wars," and Deep Purple's "Smoke on the Water," alongside guests including Billy Cobham, Ginger Baker, and Dennis Chambers across tracks like "Footloose" and "After Midnight." Volume IV (1990) continued the format with additional international drummers, though specific track details are less comprehensively documented; the series as a whole emphasized educational interplay among percussionists. A compilation, Pete York Presents Super Drumming: "The Best" (1998), later summarized highlights on CD.[64][65][66] Steaming (1985, reissued 2009 on Inakustik in CD format), presented by York, paired him with keyboardist Brian Auger and bassist Colin Hodgkinson for an 11-track jazz-fusion exploration, including originals like "Bumpin'" and covers such as "Compared to What." The album highlighted York's rhythmic interplay in a trio setting, recorded live in Freiburg, Germany.[67] In the 2010s, York led Drum Legends & Band - Live in Gran Canaria (2011, DVD and CD on Sony Music), a 15-track live recording from the Maspalomas Jazz & Salsa Festival featuring fellow drummers Herman Rarebell and Charly Antolini, backed by a band including guitarist Wolfgang Hierl and keyboardist Jörg Raabe. Tracks ranged from rock staples like "Rock You Like a Hurricane" to drum showcases such as "All Good Things Come In Threes." Later, Heart Attack No. 1 (2017, Polydor in LP and CD formats) was a 14-track jazz-blues collaboration with Helge Schneider, where York contributed drums and co-composed the title track, blending swing and improvisation on pieces like "One for My Baby" and "Mood Indigo." No new solo releases were documented after 2017 as of November 2025, though digital reissues of earlier works appeared sporadically.[68][69]| Album/Project | Year | Format | Key Collaborators | Representative Tracks |
|---|---|---|---|---|
| The Pete York Percussion Band | 1972 | LP | Ian Paice (producer), Ray Allen, Eddie Coombes | "Keep On Running," "Sombrero Sam," "The Arrival of the Queen of Sheba" |
| Super Drumming Volume I | 1987 | 2xLP, CD, DVD | Louie Bellson, Cozy Powell, Ian Paice, Simon Phillips | "I Got Rhythm," "Dance With the Devil," "Skin Deep" |
| Super Drumming Volume II | 1989 | 2xLP, Cassette | Mark Brzezicki, Trilok Gurtu, Herman Rarebell | "Limin' Track," "Amazonas Suite," "Medley: Gimme Some Lovin' / I'm a Man" |
| Super Drumming Volume III | 1990 | 2xLP, CD | Billy Cobham, Ginger Baker, Dennis Chambers | "Footloose," "Smoke on the Water," "After Midnight" |
| Super Drumming Volume IV | 1990 | 2xLP | Various international drummers | Drum duets and suites (details vary by edition) |
| Steaming | 1985 (reissue 2009) | CD | Brian Auger, Colin Hodgkinson | "Bumpin'," "Compared to What" |
| Drum Legends & Band - Live in Gran Canaria | 2011 | CD, DVD | Herman Rarebell, Charly Antolini | "Rock You Like a Hurricane," "All Good Things Come In Threes" |
| Heart Attack No. 1 | 2017 | LP, CD | Helge Schneider | "Heart Attack No. 1," "One for My Baby," "Mood Indigo" |