Hoodstar
View on WikipediaThis article is missing information about the album's background, music and lyrics, and promotion. (September 2024) |
| Hoodstar | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | September 19, 2006 | |||
| Recorded | 2005–2006 | |||
| Genre | Hip-hop | |||
| Length | 51:27 | |||
| Label | Capitol | |||
| Producer | ||||
| Chingy chronology | ||||
| ||||
| Singles from Hoodstar | ||||
| ||||
Hoodstar is the third studio album by the hip-hop artist Chingy, following the release of Powerballin'. Released on September 19, 2006, the disc is split into two sides with different musical styles. While the "Hood" segment has the tracks "Hands Up" and "Cadillac Door", "Star" has more uptempo and club-oriented tracks like "Brand New Kicks" and "Dem Jeans". The guest features are by Three 6 Mafia, Chopper and Chingy's cousin Young Spiffy. The album was produced by Jermaine Dupri, Timbaland, the Trak Starz, Mannie Fresh, Mr. Collipark and the dance group Hoodstarz, among others. The album entered the Billboard 200 at number 9 with first week sales of 77,000 copies in the US. It was certified Gold by RIAA for shipping over 500,000 copies in the US.[1]
Singles
[edit]The first official single was "Pullin' Me Back", featuring the R&B singer/actor Tyrese. The second single was "Dem Jeans", featuring Jermaine Dupri.
Critical reception
[edit]| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 41/100[2] |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Blender | |
| Entertainment Weekly | C−[5] |
| Los Angeles Times | |
| PopMatters | |
| RapReviews | 7/10[8] |
| Rolling Stone | |
| Spin | 6/10[10] |
| Vibe | |
| XXL | M[12] |
Hoodstar garnered mixed reviews from music critics. On Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 41, based on 11 reviews.[2]
Steve 'Flash' Juon of RapReviews commended the production and featured guests for providing appeal for Chingy, despite an overreliance on his St. Louis accented gimmick to overcompensate for his lack of charisma, concluding that "You can call it silly if you like, but you can't say that Chingy hasn't found a niche and laid fucking DEEP in its cut. As such I suspect Hoodstar will be another successful album for the man with pennies in his name, regardless of critical acclaim. He'll keep on reppin' St. Louis to the death and you can't fault him for that."[8] Thomas Golianopoulos of Spin said of the record, "Despite Chingy’s love for sneakers, freaky girls, and packed dance floors, the most memorable songs on his third album are decidedly buzz killers: "Pullin' Me Back" is a gloomy breaking-up-is- hard-to-do anthem crafted by superproducer Jermaine Dupri, and on the surprisingly candid "Cadillac Door," the St. Louis rapper laments lost friends. Of course, sandwiched between the two is the more familiar "Dem Jeans," an ode to, yup, women in tight jeans."[10] Julianne Shepherd of Vibe wrote that: "Occasionally, his drawled vernacular and sleepily melodic flow can compensate for his lack of thematic range (the holy trinity of kicks, chicks, chains), but generally, Chingy is blank, as flat as tap water."[11]
Jon Caramanica, reviewing for Blender, found the album inconsistent throughout its track listing and caused Chingy to run out of steam musically, concluding that, "At his best, Chingy raps in a whimsical tone that becomes a melodic element in its own right, and he delivers the odd sharp pick-up line: "I bet you had to jump up and down just to put 'em on," he leers on "Dem Jeans." But mostly he just sounds bored, a pretty boy tired of being denied his inner turmoil."[4] Clover Hope of Billboard said that despite some early cuts and "a few catchy club tracks," she criticized Chingy for remaining in his "stale comfort zone" and delivering basic lyricism, calling Hoodstar "a middle-of-the-road rap record."[13] Michael Harris of XXL criticized the record for its continued use of the typical hip-hop formula and Chingy's persona for delivering generic party tracks, concluding that "Although Chingy isn't ready to cash out just yet, Hoodstar, is another losing hand."[12] Hua Hsu of Rolling Stone found the album to be more of the same from Chingy's previous efforts but found him being overshadowed by the guest artists instead of being on the same level.[9]
Track listing
[edit]| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Intro (Rid'in Wit Me)" |
| Matthew "Vudu" McAllister | 1:46 |
| 2. | "Hands Up" |
| Poli Paul | 4:38 |
| 3. | "Club Gettin' Crowded" (featuring Three 6 Mafia) |
| 4:35 | |
| 4. | "Nike Aurr's & Crispy Tee's" |
| Poli Paul | 3:46 |
| 5. | "Bounce That" |
| The Trak Starz | 3:53 |
| 6. | "Cadillac Door" (featuring Midwest City) |
| Poli Paul | 3:40 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 7. | "Dem Jeans" (featuring Jermaine Dupri) |
|
| 3:49 |
| 8. | "Pullin' Me Back" (featuring Tyrese) |
|
| 3:54 |
| 9. | "U a Freak (Nasty Girl)" (featuring Mr. Collipark and Kanary Diamonds) | Mr. Collipark | 4:07 | |
| 10. | "Brand New Kicks" (featuring Mannie Fresh) |
| Mannie Fresh | 4:31 |
| 11. | "Ass N Da Aurr" (featuring Young Spiffy) |
| Sanchez | 4:05 |
| 12. | "Let Me Luv U" (featuring Keri Hilson) |
| Timbaland | 4:55 |
| 13. | "Let's Ride" (featuring Fatman Scoop) |
| Kwamé | 3:48 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 14. | "How We Roll" (featuring Chopper Young City) |
| The Trak Starz | 3:58 |
| 15. | "All We Do Is This" |
| The Trak Starz | 4:08 |
Sample credits
- "Pullin' Me Back" contains excerpts from the composition "Rain", written by Brian Morgan and John Pastorius.
- "U a Freak (Nasty Girl)" contains interpolations from "Nasty", written by James Harris and Terry Lewis.
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| United States (RIAA)[21] | Gold | 500,000^ |
|
^ Shipments figures based on certification alone. | ||
References
[edit]- ^ "Gold & Platinum". Recording Industry Association of America.
- ^ a b "Reviews for Hoodstar by Chingy". Metacritic. CBS Interactive. Archived from the original on October 7, 2018. Retrieved April 21, 2012.
- ^ Kellman, Andy. "Hoodstar - Chingy". AllMusic. Archived from the original on January 13, 2016. Retrieved June 3, 2012.
- ^ a b Caramanica, Jon. "Chingy - Hoodstar". Blender. Alpha Media Group. Archived from the original on October 19, 2006. Retrieved December 14, 2016.
- ^ Dombal, Ryan (September 15, 2006). "Hoodstar Review". Entertainment Weekly. Time Inc. Retrieved April 21, 2012.
{{cite magazine}}: CS1 maint: deprecated archival service (link) - ^ Quinones, Ben (September 17, 2006). "Fergie is down with dirty". Los Angeles Times. Archived from the original on April 10, 2023. Retrieved September 28, 2024.
- ^ Schiller, Mike (November 1, 2006). "Chingy: Hoodstar". PopMatters. Archived from the original on September 24, 2014. Retrieved December 14, 2016.
- ^ a b Juon, Steve 'Flash' (September 26, 2006). "Chingy :: Hoodstar :: Capitol Records/EMI". RapReviews. Archived from the original on September 24, 2023. Retrieved June 3, 2012.
- ^ a b Hsu, Hua (September 29, 2006). "Chingy: Hoodstar". Rolling Stone. Wenner Media. Archived from the original on August 29, 2008. Retrieved April 21, 2012.
- ^ a b Golianopoulos, Thomas (October 18, 2006). "Chingy, 'Hoodstar' (Capitol)". Spin. SpinMedia. Archived from the original on August 13, 2012. Retrieved June 3, 2012.
- ^ a b Shepherd, Julianne (September 20, 2006). "Chingy 'Hoodstar'". Vibe. Archived from the original on October 18, 2006. Retrieved September 28, 2024.
- ^ a b Harris, Michael (September 25, 2006). "Chingy Hoodstar". XXL. Townsquare Media. Archived from the original on March 5, 2016. Retrieved October 7, 2018.
- ^ Hope, Clover. "Hoodstar". Billboard. Prometheus Global Media. Archived from the original on October 13, 2007. Retrieved December 14, 2016.
- ^ "Albums : Top 100". Jam!. October 1, 2006. Archived from the original on June 27, 2015. Retrieved April 10, 2023.
- ^ "Lescharts.com – Chingy – Hoodstar". Hung Medien. Retrieved August 9, 2020.
- ^ "フッドスター リミテッド・エディション" (in Japanese). Oricon. Archived from the original on March 7, 2023. Retrieved March 7, 2023.
- ^ "Charts.nz – Chingy – Hoodstar". Hung Medien. Retrieved August 9, 2020.
- ^ "Chingy Chart History (Billboard 200)". Billboard. Retrieved August 9, 2020.
- ^ "Chingy Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved August 9, 2020.
- ^ "Top R&B/Hip-Hop Albums – Year-End 2006". Billboard. Archived from the original on August 12, 2020. Retrieved August 9, 2020.
- ^ "American album certifications – Chingy – Hoodstar". Recording Industry Association of America. Retrieved January 9, 2024.
External links
[edit]Hoodstar
View on GrokipediaBackground and Development
Album Conception
Following the commercial achievements of his sophomore album Powerballin' in 2004, which sold over 593,000 copies but garnered mixed critical reception, Chingy sought to craft Hoodstar as a project that bridged his authentic street ("hood") persona with his burgeoning mainstream ("star") appeal.[1][9] This dual identity reflected Chingy's desire to reaffirm his St. Louis roots amid evolving expectations in the hip-hop landscape, where artists faced pressure to sustain crossover success without alienating core audiences.[9] The album's development unfolded from 2005 to 2006 at Capitol Records, Chingy's label since his debut, where executives emphasized a sound that could deliver hit singles while preserving urban authenticity to counter perceptions of over-commercialization from his prior work.[9] In July 2006, the release was delayed by one week to September 19.[1] Influenced by these dynamics, Chingy aimed to evolve beyond Powerballin', incorporating diverse production styles to appeal broadly without diluting his origins.[9] This period marked a transitional phase for the artist, as Capitol invested in high-profile collaborations to position Hoodstar as a pivotal release in his discography.[9] Central to the album's conception was the innovative structure dividing it into contrasting halves: the "Hood Side," emphasizing raw, energetic tracks like "Hands Up" to evoke gritty club energy and street narratives, juxtaposed against the "Star Side," which featured smoother, radio-friendly cuts such as "Dem Jeans" to highlight polished pop sensibilities.[10][11] This bifurcation underscored Chingy's intent to embody the "hoodstar" ethos—simultaneously grounded and aspirational—allowing listeners to experience his multifaceted identity through deliberate sonic shifts.[10]Recording Process
The recording sessions for Chingy's third studio album Hoodstar primarily took place at various studios in Atlanta, Georgia, and Los Angeles, California, spanning 2005 and 2006. Key facilities included Chalice Recording Studios and Studio Atlantis in Los Angeles for principal tracking and assistance on multiple tracks, while Atlanta served as a hub for mixing and additional recording at sites such as Stankonia Recording, SouthSide Studios, and Patchwerk Recording Studios.[12][11] These locations facilitated a workflow that blended East Coast and West Coast influences, aligning with the album's dual thematic conception of street-level ("hood") authenticity and mainstream aspiration ("star"). Chingy collaborated extensively with a roster of producers during these sessions, including Jermaine Dupri, Timbaland, Three 6 Mafia, and Mr. Collipark, yielding an initial pool of material that exceeded the final tracklist.[13] The process involved iterative experimentation across genres like hip-hop, crunk, and R&B, with sessions often extending to incorporate guest contributions from artists such as Tyrese on the lead single "Pullin' Me Back."[13] Ultimately, the standard edition was curated to 13 tracks, drawing from this broader output to streamline the project's cohesive narrative, while a deluxe version expanded to 20 tracks with bonus material.[14][8] The sessions emphasized creative flexibility, allowing Chingy to refine verses and hooks in real-time to capture the album's energetic, club-ready vibe.Production
Key Producers
Jermaine Dupri played a pivotal role in shaping the album's crossover appeal, producing tracks such as "Dem Jeans" and "Pullin' Me Back," where he infused hip-hop with smooth R&B elements, including swing rhythms and sampled hooks to create accessible, radio-friendly sounds.[5][15] His production on "Dem Jeans," co-credited with LRoc, emphasized bouncy, flirtatious beats that blended pop-rap sensibilities with soulful undertones, contributing to the track's playful tone about attraction and style.[16] On "Pullin' Me Back," Dupri incorporated a quiet storm groove with excerpts from SWV's "Rain," enhancing the emotional depth through Tyrese's sultry chorus delivery.[15] Timbaland contributed his signature futuristic production to "Let Me Luv U," delivering a slick, layered beat with electronic flourishes and rhythmic complexity that evoked a modern, club-oriented vibe, though he maintained a low-profile presence without vocal features.[5][15] This track, featuring Keri Hilson, showcased Timbaland's ability to merge hip-hop with R&B in innovative ways, using crisp percussion and atmospheric synths to support Chingy's verses on romance and seduction. The Trak Starz brought high-energy club anthems to the project, most notably on "Bounce That," where their production emphasized upbeat, dance-inducing rhythms rooted in Southern hip-hop traditions, designed to energize live performances and party settings.[5] Mannie Fresh added his distinctive New Orleans bounce to "Brand New Kicks," infusing the track with bouncy basslines and a festive, braggadocious flow that highlighted themes of luxury and street swagger, aligning with his Cash Money-era style.[5][15] Mr. Collipark rounded out the production team with energetic, crunk-influenced beats on "U A Freak (Nasty Girl)," delivering gritty, bass-heavy sounds that amplified the album's playful, explicit edge and Southern club appeal.[5]Featured Contributors
The featured contributors on Hoodstar played pivotal roles in diversifying the album's sound, blending R&B, hip-hop, and Southern crunk elements through their vocal performances and verses.[5] Tyrese provided the hook on "Pullin' Me Back," delivering sultry R&B vocals that infused the track with emotional depth and crossover appeal, contrasting Chingy's rap verses to create a smooth, radio-friendly ballad about relationship struggles.[15] His contribution, produced by Jermaine Dupri, helped bridge urban and pop audiences by emphasizing melodic introspection amid the album's party-heavy themes.[5] Jermaine Dupri contributed a playful rap verse to "Dem Jeans," where his witty delivery and charismatic swagger added humor to the song's ode to female fashion and attraction, enhancing its lighthearted, flirtatious vibe.[5] As both performer and co-producer alongside LRoc, Dupri's involvement brought a polished So So Def production style that amplified the track's bouncy rhythm and relatable lyrics.[15] Other notable features included Three 6 Mafia on "Club Gettin' Crowded," where the group delivered high-energy verses and handled production, infusing the song with gritty Southern crunk intensity to craft a chaotic, dance-floor anthem that highlighted Memphis rap's raw edge.[5] Similarly, Keri Hilson supplied backing vocals on "Let Me Luv U," produced by Timbaland, adding seductive R&B layers to the club's sultry, seductive groove and broadening the album's appeal with her smooth harmonies.[5] These collaborations, often involving the artists in production as well, underscored Hoodstar's emphasis on regional flavors and genre fusion.[15]Musical Content
Style and Themes
Hoodstar exemplifies mid-2000s hip-hop with prominent crunk and snap influences, blended with R&B-infused hooks that emphasize Chingy's St. Louis roots and crossover appeal. The album's production alternates between gritty, bass-heavy beats suited for club environments and smoother, glossy tracks that highlight melodic flows, creating a dynamic contrast throughout its 13-track runtime of 51:27 minutes.[17][15] Producers like Three 6 Mafia and Mannie Fresh contribute to the crunk-driven energy, while Jermaine Dupri and Timbaland add polished R&B layers, resulting in a sound that bridges Southern hip-hop grit with pop-rap accessibility.[18][15] Lyrically, the album explores the duality of "hood" struggles and "star" success, framing Chingy's narratives around street life, romantic entanglements, and the trappings of fame. This thematic split is structurally reflected in the track sequencing, with the "Hood Side" delving into raw experiences of hardship and hustle, contrasted by the "Star Side" that celebrates achievement and luxury. For instance, the high-energy crunk track "Club Gettin' Crowded" captures the chaotic vibrancy of nightlife and party excess, embodying the escapist side of hood culture.[19][18] In opposition, "Cadillac Door" offers a more introspective reflection on personal growth from St. Louis streets to stardom, underscoring themes of resilience amid relational and societal pressures.[18][15] Overall, these elements reinforce Hoodstar's conceptual core, portraying fame as both a reward and a tension point in Chingy's journey, without veering into overly experimental territory. The alternation between upbeat, dance-oriented numbers and contemplative verses maintains listener engagement while prioritizing relatable storytelling over complex lyricism.[17][19]Track Listing
The standard edition of Hoodstar, released on September 19, 2006, by Capitol Records, contains 13 tracks with a total runtime of 51 minutes and 27 seconds.[17] The album is marked as explicit content throughout.[5]| No. | Title | Writer(s) | Producer(s) | Featured artist(s) | Length |
|---|---|---|---|---|---|
| 1 | "Intro (Rid'in Wit Me)" | M. McAllister | The Trak Starz | — | 1:46 |
| 2 | "Hands Up" | H. Bailey Jr. | N. Jean, J. Russell | — | 4:38 |
| 3 | "Club Gettin' Crowded" | H. Bailey Jr., J. Houston, P. Beauregard, D. Beauregard, P. Smith | Three 6 Mafia | Three 6 Mafia | 4:35 |
| 4 | "Nike Aurr's & Crispy Tee's" | H. Bailey Jr. | The Trak Starz | — | 3:46 |
| 5 | "Bounce That" | H. Bailey Jr. | The Trak Starz | — | 3:53 |
| 6 | "Cadillac Door" | H. Bailey Jr., J. Jones | — | Midwest City | 3:40 |
| 7 | "Dem Jeans" | H. Bailey Jr., J. Dupri | Jermaine Dupri (co-prod. LRoc) | Jermaine Dupri | 3:49 |
| 8 | "Pullin' Me Back" | H. Bailey Jr., J. Dupri, B. Morgan, J. Pastorius | Jermaine Dupri (co-prod. LRoc) | Tyrese | 3:55 |
| 9 | "U A Freak (Nasty Girl)" | H. Bailey Jr., M. Crooms, J. Harris III, T. Lewis | Mr. Collipark | Mr. Collipark | 4:07 |
| 10 | "Brand New Kicks" | H. Bailey Jr., B. Thomas | Mannie Fresh | Mannie Fresh | 4:31 |
| 11 | "Ass N Da Aurr" | H. Bailey Jr., J. Bailey Jr., M. Holmes | Sanchez | Spiffy | 4:05 |
| 12 | "Let Me Luv U" | H. Bailey Jr., T. Mosley | Timbaland | — | 4:55 |
| 13 | "Let's Ride" | H. Bailey Jr., D. Jones, K. Holland | Kwamé | Fatman Scoop | 3:48 |
(See table above for details.) Disc 2 (Chopped & Screwed Remixes)
| No. | Title | Featured artist(s) | Remixer | Length |
|---|---|---|---|---|
| 14 | "Club Gettin' Crowded (Chopped & Screwed)" | Three 6 Mafia | OG Ron C | 5:32 |
| 15 | "Nike Aurr's & Crispy Tee's (Chopped & Screwed)" | — | OG Ron C | 5:10 |
| 16 | "Holidae In (Chopped & Screwed)" | Ludacris, Snoop Dogg | OG Ron C | 6:04 |
| 17 | "Fallin' (Chopped & Screwed)" | G.I.B. | OG Ron C | 5:45 |
| 18 | "One Call Away (Chopped & Screwed)" | J/Weav | OG Ron C | 4:58 |
| 19 | "Balla Baby (Remix) (Chopped & Screwed)" | — | OG Ron C | 4:25 |
| 20 | "Right Thurr (Chopped & Screwed)" | — | OG Ron C | 4:12 |
Release and Promotion
Singles
The lead single from Hoodstar, "Pullin' Me Back" featuring Tyrese, was released in July 2006 and produced by Jermaine Dupri. The track, which explores themes of relational conflict and temptation, achieved significant airplay success, topping both the Billboard Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for multiple weeks. Its music video, directed by Erik White, depicted scenes of romantic tension and urban nightlife, contributing to its promotion ahead of the album's September release.[21][22][23] The follow-up single, "Dem Jeans" featuring Jermaine Dupri, followed in August 2006, also produced by Dupri, and centered on themes of fashion, physical attraction, and club culture through its playful, bass-heavy production. It reached number 59 on the Billboard Hot 100 and number 21 on the Hot Rap Songs chart, receiving moderate radio and video rotation that highlighted its lighthearted, visual appeal in music outlets. The accompanying video emphasized stylish attire and party scenes, aligning with the song's focus on contemporary urban trends.[1][24][25] While tracks like "Hands Up" and "Nike Aurr's & Crispy Tee's" appeared on the album and received some promotional mentions, including radio play, they were not formally released as singles with dedicated chart runs or video campaigns.Marketing Efforts
Hoodstar was released on September 19, 2006, through Capitol Records, with promotional efforts centered on building anticipation through the lead single "Pullin' Me Back" featuring Tyrese, which garnered significant initial buzz via extensive radio play across urban and rhythmic formats.[26][27] The track topped the Most Added lists and achieved high spins, reaching No. 6 on the Urban chart with 3,875 plays and an audience impression of 25.594 million, while also ranking No. 5 on the Rhythmic chart with 3,146 plays and 21.612 million in audience reach.[27] To amplify visibility, Chingy participated in BET appearances, including performances tied to the album's rollout, alongside radio-driven promotions that emphasized the singles' rotation on urban stations.[27] Music videos for key singles like "Pullin' Me Back" and "Dem Jeans" were produced and aired on MTV and VH1, contributing to the album's exposure in visual media.[28] In-store promotions and club tours throughout 2006 further sustained momentum, highlighted by a sponsored release party at Club Xes in St. Louis, attended by industry figures such as Jermaine Dupri, Bun B, Lil Mo, and Remy Ma.[27] Marketing also leveraged the "hoodstar" theme through tie-ins with urban fashion brands, incorporating album-branded merchandise like promotional T-shirts that aligned with streetwear aesthetics to appeal to the hip-hop audience.[29] These efforts focused on endorsements and collaborations that reinforced the album's cultural narrative of aspiring success from humble origins.[26]Reception and Legacy
Critical Reviews
Hoodstar received mixed to negative reviews from music critics, aggregating to a Metacritic score of 41 out of 100 based on 11 professional reviews.[30] AllMusic rated the album 2.5 out of 5 stars, commending its catchy hooks as a highlight while critiquing the overall lack of originality in its approach.[17] Reviewers frequently identified strengths in the album's club-oriented tracks, which provided energetic moments suited for party settings, but pointed to weaknesses in lyrical depth and innovation.[31]Commercial Performance
Hoodstar debuted at number 9 on the Billboard 200, selling 77,000 copies in its first week.[2] The album also entered the Top R&B/Hip-Hop Albums chart at number 3, reflecting strong initial support within the genre. By the end of 2006, Hoodstar had achieved RIAA Gold certification for shipments exceeding 500,000 units in the United States.[4] Internationally, it reached number 17 on the UK Albums Chart and number 40 on the Canadian Albums Chart, demonstrating modest global appeal.[32] The album's chart longevity through late 2006 was bolstered by the radio success of its lead single "Pullin' Me Back", which peaked at number 9 on the Billboard Hot 100 and drove continued consumer interest. Promotional efforts, including music video releases and tour appearances, further supported its sustained performance.[21] As a transitional work following Chingy's earlier platinum albums Jackpot and Powerballin', Hoodstar highlighted a shift toward more commercial crunk and R&B sounds but marked the beginning of declining mainstream success in his career.[4]Charts and Certifications
Chart Positions
Hoodstar achieved moderate success on various international music charts following its release. In the United States, the album debuted and peaked at number 9 on the Billboard 200 chart, spending a total of 5 weeks on the ranking.[33] It also reached number 3 on the Top R&B/Hip-Hop Albums chart, where it remained for 12 weeks.[34] Additionally, it topped the Independent Albums chart at number 1. The album's lead single, "Pullin' Me Back," performed strongly on rap charts, topping the Billboard Hot Rap Songs chart at number 1. On year-end lists, Hoodstar ranked at number 195 on the 2006 Billboard 200.| Chart | Peak Position | Weeks on Chart |
|---|---|---|
| US Billboard 200 | 9 | 5 |
| US Top R&B/Hip-Hop Albums | 3 | 12 |
| US Independent Albums | 1 | N/A |