"Hotel California" is a song by American rock band the Eagles, released as the second single of their album of the same name on February 22, 1977. The song was written by Don Felder (music), Glenn Frey, and Don Henley (lyrics), featuring Henley on lead vocals and concluding with a 2-minute-12-second-long electric guitar solo performed by Felder and Joe Walsh, in which they take turns playing the lead before harmonizing and playing arpeggios together towards the fade-out.

The song is one of the best-known recordings by the band, and in 1998 its long guitar coda was voted the best guitar solo of all time by readers of Guitarist. The song was awarded the Grammy Award for Record of the Year in 1978. The meaning of the lyrics of the song has been discussed by fans and critics ever since its release. The Eagles themselves described the song as their "interpretation of the high life in Los Angeles". In the 2013 documentary History of the Eagles, Henley said that the song was about "a journey from innocence to experience ... that's all."

Since its release, "Hotel California" has been widely regarded as one of the greatest rock songs of all time, and has been covered by many artists. Julia Phillips proposed adapting the song into a film, but the members of the Eagles disliked the idea and it never came to fruition. Commercially, "Hotel California" reached the number 1 position on the Billboard Hot 100 and reached the top ten of several international charts. The Eagles have performed "Hotel California" well over a thousand times live, and it is the third most performed of all their songs, after "Desperado" and "Take It Easy".

A demo of the instrumental was developed by Don Felder in a rented house on Malibu Beach. He recorded the basic tracks with a Rhythm Ace drum machine and added a 12 string guitar on a four-track recording deck in his spare bedroom, then mixed in a bassline, and gave Don Henley and Glenn Frey each a copy of the recording. Felder, who met the Eagles through his high school bandmate Bernie Leadon, said that Leadon advised him to make tapes of songs he wrote for the band so that other band members like Henley, whose forte is in writing lyrics, might work with him on finishing the songs they liked. The demos he made were always instrumental, and on every album project he would submit 15 or 16 ideas. The demo he made for "Hotel California" showed influences from Latin and reggae music, and it grabbed the attention of Henley who said he liked the song that "sounds like a Mexican reggae or Bolero", which gave the song its first working title, "Mexican Reggae". Record World said that "a mild reggae flavor pervades the tune".

Frey and Henley were both interested in the tune after hearing the demo, and discussed the concept for the lyrics. In 2008, Felder described the writing of the lyrics:

Don Henley and Glenn wrote most of the words. All of us kind of drove into L.A. at night. Nobody was from California, and if you drive into L.A. at night [...] you can just see this glow on the horizon of lights, and the images that start running through your head of Hollywood and all the dreams that you have, and so it was kind of about that [...] what we started writing the song about.

Henley decided on the theme of "Hotel California", noting how The Beverly Hills Hotel had become a literal and symbolic focal point of their lives at that time. Henley said of their personal and professional experience in LA: "We were getting an extensive education, in life, in love, in business. Beverly Hills was still a mythical place to us. In that sense it became something of a symbol, and the 'Hotel' the locus of all that LA had come to mean for us. In a sentence, I'd sum it up as the end of the innocence, round one."

Frey came up with a cinematic scenario of a person who, tired from driving a long distance in a desert, saw a place for a rest and pulled in for the night, but entered "a weird world peopled by freaky characters", and became "quickly spooked by the claustrophobic feeling of being caught in a disturbing web from which he may never escape". In an interview with Cameron Crowe, Frey said that he and Henley wanted the song "to open like an episode of the Twilight Zone", and added: "We take this guy and make him like a character in The Magus, where every time he walks through a door there's a new version of reality. We wanted to write a song just like it was a movie." Frey described the song in an interview with NBC's Bob Costas as a cinematic montage "just one shot to the next [...] a picture of a guy on the highway, a picture of the hotel, the guy walks in, the door opens, strange people". Frey continued: "We decided to create something strange, just to see if we could do it." Henley then wrote most of the lyrics based on Frey's idea, and sought inspiration for the writing by driving out into the desert as well as from films and theater.