House of Pain

House of Pain was an American hip-hop trio who released three albums in the 1990s. The group consisted of DJ Lethal, Danny Boy, and Everlast. They are best known for their 1992 hit single "Jump Around", which reached number 3 in the United States, number 6 in Ireland, and number 8 in the United Kingdom. The group broke up in 1996.

Lead rapper Everlast went on to pursue a solo career and was a member of the supergroup La Coka Nostra which also featured DJ Lethal. DJ Lethal would later join and find commercial success with the band Limp Bizkit. House of Pain reunited briefly in 2010 for a world tour.

In 1990, Daniel O'Connor (Danny Boy O'Connor) got together with fellow rapper Erik Schrody (Everlast), who had just released a rap album called Forever Everlasting (1990), which did not have much success. O'Connor knew Schrody when he went to William Howard Taft High School in Woodland Hills, California (1984–1986), and various hip-hop events they attended in their teens. Both of Irish American descent, they decided to make a hip-hop group with this identity. While hanging out at O'Connor's home, Schrody noticed a cassette with the title House of Pain, which was a demo of a Punk group O'Connor tried to put together. Schrody really liked the name and felt they should reuse it as their name. Schrody brought in his former DJ Leor Dimant (DJ Lethal), who is of Latvian descent, and House of Pain was created. Schrody would become the lead rapper, while O'Connor acted as the hype man, second emcee, art director and the graphic artist of the group. After they recorded a demo, for which O'Connor designed the cover, that created a bidding war among labels. The label they chose was Tommy Boy Records, who credited O'Connor's artwork with having initially caught their attention.

In 1992, House of Pain released their debut album House of Pain, subtitled Fine Malt Lyrics. Their first single "Jump Around" was a major hit. In the United States, it peaked at number 3 on the Billboard Hot 100, while reaching number 5 on the Hot Rap Songs, 13 on Rhythmic Top 40, 1 on Hot Dance Music/Maxi-Singles Sales, number 17 on the Billboard Dance Club Songs, and is certified platinum. The song was produced by Lawrence Muggerud (DJ Muggs) and performed by Schrody. Both Muggerud and Schrody knew each other since Rhyme Syndicate. Muggerud, who had a beat he had submitted to various artists, eventually invited Schrody to give it a try. Schrody wrote lyrics in his driveway; being influenced by dance hall singer Shabba Ranks, part of the lyrics were "Jump around, if you love freedom. Jump around, if you love culture", which Muggerud suggested they trim down to "Jump Around". While re-working his lyrics, Muggerud came up with the iconic horn that accompanies the song. Their second single "Shamrocks and Shenanigans (Boom Shalock Lock Boom)" peaked at 65 on the Billboard Hot 100, 75 on the Hot R&B/Hip-Hop Songs, 14 on the Dance Club Songs, and 74 on Radio Songs. The album peaked at 14 on the Billboard 200, 14 on the U.S. Billboard Top Current Albums, 16 on the U.S. Billboard Top R&B/Hip-Hop Albums, 14 on the U.S. Billboard Top Album Sales, and is certified platinum.

In 1993, they were among the rap artists who had cameo roles in Ted Demme's film Who's the Man?. For this project they provided a theme song by the same name, which was also used as a single for the soundtrack and their subsequent album. It rose to number 97 on the Billboard Hot 100, 77 on the Hot R&B/Hip-Hop Singles & Tracks, and 10 on the US Billboard Hot Dance Music/Maxi-Singles Sales.^{[citation needed]} Also that year, they participated together with Helmet, along with several other rap acts, on the 1993 rap rock collaborative Judgment Night film soundtrack.

In 1994, they released Same as It Ever Was. The album peaked at 12 equally on the Billboard 200, the U.S. Billboard Top Current Albums, the U.S. Billboard Top R&B/Hip-Hop Albums, the U.S. Billboard Top Album Sales, and is certified gold. AllMusic gave it four out five stars. Matt Carlson of The Michigan Daily found the album quite good and noted "the music is laid back with some heavy driving forces underlying and strengthening it". J.D. Constantine of The Baltimore Sun did not like album and found it monotonous and unimaginative. Roger Catlin of the Hartford Courant said that while finding the continuity monotonous it's "hard and compelling" as well as a "strong outing". Andrew Love of The Ocala Star-Banner gave it four stars saying "this is a band that has definitely progressed over the course of one album". Music critic Robert Christgau, who did not like their previous and subsequent album, gave it an A− and described it as "the hardest hip-hop of the year".

In 1996, they released Truth Crushed to Earth Shall Rise Again. The album peaked at 47 on the Billboard 200, 47 on the U.S. Billboard Top Current Albums, 31 on the U.S. Billboard Top R&B/Hip-Hop Albums, and 47 on the U.S. Billboard Top Album Sales. At the release party, Schrody decided to disband the group.^{[citation needed]} Sputnikmusic wrote that "the trio’s most rounded, consistent & memorable LP is grossly under-appreciated." Dave Ferman of the Fort Worth Star-Telegram gave it one star and a half, calling it a "woeful mess". Steve Juon of RapReviews gave it a seven out of ten. AllMusic music gave it two point five stars out of five.

From then on, the members continued their separate careers. Schrody achieved multi-platinum solo fame in 1998 with his album Whitey Ford Sings the Blues, where he developed a style that blended rap with acoustic guitar, as well as singing.