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Human Traffic
Human Traffic is a 1999 British independent coming of age comedy-drama film written and directed by Justin Kerrigan. A cult film of the Cool Cymru era of arts in Wales, it stars John Simm, Lorraine Pilkington, Shaun Parkes, Danny Dyer, and Nicola Reynolds.
Exploring themes of coming of age, and drug and nightclub cultures, as well as relationships, Human Traffic includes scenes provoking social commentary and the use of archive footage to provide political commentary. The plot revolves around five twenty-something friends and their wider work and social circle, the latter devotees of the club scene, taking place over the course of a drug-fuelled weekend in Cardiff, Wales. A central feature is the avoidance of moralising about the impact of 1990s dance lifestyle; instead the film concentrates on recreating the "vibe, the venues and the mood" of the dance movement from the 1988–89 "Second Summer of Love" to the film's release in 1999. In the first 25 minutes, Lee, the 17-year-old brother of central character Nina, enthuses "I am about to be part of the chemical generation" and lists, using the slang of the period, a series of drugs that he might use later that night. The film is narrated by Simm, features numerous cameo appearances, is Dyer's film debut, and references another drug culture film of the era, Trainspotting.
With an original budget of £340,000, the production eventually came in for £2.2 million; the film was a financial success, grossing £2.5 million in the UK alone, also enjoying good VHS and DVD sales. Human Traffic has achieved cult status, especially amongst subcultures such as the rave culture.
A sequel, entitled Revolution, was announced in April 2019, with Dyer, Parkes, and Reynolds due to reprise their roles. However, Kerrigan confirmed in 2024 that he will never make the sequel.
The film is an ensemble piece in which the five protagonists plan, enjoy and come down from a weekend out in Cardiff; all motivated at least in part by the need for a weekend escape from the banality and misery of their daily lives. Jip is suffering from sexual anxiety brought on by a series of unsuccessful liaisons. Koop, Jip's best friend, is jealous of his girlfriend Nina's happy and care-free nature. Nina is being sexually harassed in a job she had no choice but to take after having failed a college interview. Lulu, Jip's best female friend and "dropping partner", has suffered infidelity in her last three relationships. Moff, the newest member of the group having met Jip at a warehouse party after moving from London to Cardiff, is an unemployed slacker who works as a small-time dealer, despite his father being a senior policeman. The five friends become very close, take drugs such as cannabis, ecstasy and cocaine, and "live for the weekend".
The film follows the antics of the five friends as well as various characters they meet along the way. They go to pubs and clubs on Friday, taking along Nina's 17-year-old brother Lee whose waning enthusiasm for his first drugs experience is played out in a debate between Jip and a doctor. Jip gives up his ticket to Lulu, whom he has talked into coming out and is forced to talk his way into the club as the group are a ticket short. The club scene is then examined through a series of cameos including two attempts by older journalists to understand the club scene. The ensemble then joins a house party, where Lulu and Jip finally kiss and attempt unsuccessfully to make love; whereas the established couple, Koop and Nina, fight over Koop's perceptions about her behaviour. Later, as expected by the group, "what goes up must come down" sets in as the effects of their drug use begin to hit home leaving them coping with feelings of anxiety and paranoia. They recover Lee from a group of younger partygoers he has spent the night with and make their way home.
On returning home, some of the group's issues are mended whilst some are thrown into sharper relief. Jip makes love with Lulu, overcoming his sexual problems. Koop and Nina's argument is resolved. Lee has made it through the weekend without any of his concerns being realised. Moff, however, is still caught up in the paranoia caused by his extensive drug use. He argues with his parents again and is seen walking alone around Cardiff feeling depressed. However, Moff joins his friends for an end of the weekend drink and having raged about his obsession with drugs is soon joking about his addiction with his friends. The film finishes with Jip and Lulu kissing in the street.
25 years old at the time, Welsh filmmaker Justin Kerrigan wrote the film along with producer Allan Niblo, Kerrigan's teacher and "mentor" at Newport film school. Kerrigan wanted the film to be as realistic as possible in depicting young people's lives in contemporary Britain, as well as realistically portraying drug culture and club culture, both walks of life in which Kerrigan had experience. Kerrigan based much of the film on his own exploits, and eventually took over in a director capacity. In an edition of UK gay lifestyle magazine Attitude, actor Danny Dyer spoke about the film being partly inspired by the 1995 BBC television drama Loved Up, and which had similar themes to the film.
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Human Traffic
Human Traffic is a 1999 British independent coming of age comedy-drama film written and directed by Justin Kerrigan. A cult film of the Cool Cymru era of arts in Wales, it stars John Simm, Lorraine Pilkington, Shaun Parkes, Danny Dyer, and Nicola Reynolds.
Exploring themes of coming of age, and drug and nightclub cultures, as well as relationships, Human Traffic includes scenes provoking social commentary and the use of archive footage to provide political commentary. The plot revolves around five twenty-something friends and their wider work and social circle, the latter devotees of the club scene, taking place over the course of a drug-fuelled weekend in Cardiff, Wales. A central feature is the avoidance of moralising about the impact of 1990s dance lifestyle; instead the film concentrates on recreating the "vibe, the venues and the mood" of the dance movement from the 1988–89 "Second Summer of Love" to the film's release in 1999. In the first 25 minutes, Lee, the 17-year-old brother of central character Nina, enthuses "I am about to be part of the chemical generation" and lists, using the slang of the period, a series of drugs that he might use later that night. The film is narrated by Simm, features numerous cameo appearances, is Dyer's film debut, and references another drug culture film of the era, Trainspotting.
With an original budget of £340,000, the production eventually came in for £2.2 million; the film was a financial success, grossing £2.5 million in the UK alone, also enjoying good VHS and DVD sales. Human Traffic has achieved cult status, especially amongst subcultures such as the rave culture.
A sequel, entitled Revolution, was announced in April 2019, with Dyer, Parkes, and Reynolds due to reprise their roles. However, Kerrigan confirmed in 2024 that he will never make the sequel.
The film is an ensemble piece in which the five protagonists plan, enjoy and come down from a weekend out in Cardiff; all motivated at least in part by the need for a weekend escape from the banality and misery of their daily lives. Jip is suffering from sexual anxiety brought on by a series of unsuccessful liaisons. Koop, Jip's best friend, is jealous of his girlfriend Nina's happy and care-free nature. Nina is being sexually harassed in a job she had no choice but to take after having failed a college interview. Lulu, Jip's best female friend and "dropping partner", has suffered infidelity in her last three relationships. Moff, the newest member of the group having met Jip at a warehouse party after moving from London to Cardiff, is an unemployed slacker who works as a small-time dealer, despite his father being a senior policeman. The five friends become very close, take drugs such as cannabis, ecstasy and cocaine, and "live for the weekend".
The film follows the antics of the five friends as well as various characters they meet along the way. They go to pubs and clubs on Friday, taking along Nina's 17-year-old brother Lee whose waning enthusiasm for his first drugs experience is played out in a debate between Jip and a doctor. Jip gives up his ticket to Lulu, whom he has talked into coming out and is forced to talk his way into the club as the group are a ticket short. The club scene is then examined through a series of cameos including two attempts by older journalists to understand the club scene. The ensemble then joins a house party, where Lulu and Jip finally kiss and attempt unsuccessfully to make love; whereas the established couple, Koop and Nina, fight over Koop's perceptions about her behaviour. Later, as expected by the group, "what goes up must come down" sets in as the effects of their drug use begin to hit home leaving them coping with feelings of anxiety and paranoia. They recover Lee from a group of younger partygoers he has spent the night with and make their way home.
On returning home, some of the group's issues are mended whilst some are thrown into sharper relief. Jip makes love with Lulu, overcoming his sexual problems. Koop and Nina's argument is resolved. Lee has made it through the weekend without any of his concerns being realised. Moff, however, is still caught up in the paranoia caused by his extensive drug use. He argues with his parents again and is seen walking alone around Cardiff feeling depressed. However, Moff joins his friends for an end of the weekend drink and having raged about his obsession with drugs is soon joking about his addiction with his friends. The film finishes with Jip and Lulu kissing in the street.
25 years old at the time, Welsh filmmaker Justin Kerrigan wrote the film along with producer Allan Niblo, Kerrigan's teacher and "mentor" at Newport film school. Kerrigan wanted the film to be as realistic as possible in depicting young people's lives in contemporary Britain, as well as realistically portraying drug culture and club culture, both walks of life in which Kerrigan had experience. Kerrigan based much of the film on his own exploits, and eventually took over in a director capacity. In an edition of UK gay lifestyle magazine Attitude, actor Danny Dyer spoke about the film being partly inspired by the 1995 BBC television drama Loved Up, and which had similar themes to the film.