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Index Librorum Prohibitorum
The Index Librorum Prohibitorum (English: Index of Forbidden Books) was a changing list of publications deemed heretical or contrary to morality by the Sacred Congregation of the Index (a former dicastery of the Roman Curia); Catholics were forbidden to print or read them, subject to the local bishop. Catholic states could enact laws to adapt or adopt the list and enforce it.
The Index was active from 1560 to 1966. It banned thousands of book titles and blacklisted publications, including the works of Europe's intellectual elites.
The Index condemned religious and secular texts alike, grading works by the degree to which they were deemed to be repugnant, potentially misleading or heretical to the Sacred Congregation of the Index at the time. The aim of the list was to protect church members from reading theologically, culturally, or politically disruptive books. At times such books included the works of theologians, such as Robert Bellarmine, and astronomers, such as Johannes Kepler's Epitome astronomiae Copernicanae (published in three volumes from 1618 to 1621), which was on the Index from 1621 to 1835; philosophers, such as Antonio Rosmini-Serbati and Immanuel Kant's Critique of Pure Reason (1781); and editions and translations of the Bible that had not been approved. Editions of the Index also contained the rules of the Church relating to the reading, selling, and preemptive censorship of books.
The historical context in which the Index appeared involved the early restrictions on printing in Europe. The refinement of moveable type and the printing press by Johannes Gutenberg c. 1440 changed the nature of book publishing, and the mechanism by which information could be disseminated to the public. Books, once rare and kept carefully in a small number of libraries, could be mass-produced and widely disseminated.
In the 16th century, both the churches and governments in most European countries attempted to regulate and control printing because it allowed for the rapid and widespread circulation of ideas and information. The Protestant Reformation generated large quantities of polemical new writing by and within both the Catholic and Protestant camps, and religious subject matter was typically the area most subject to control. While governments and the church encouraged printing in many ways, which allowed the dissemination of Bibles and government information, works of dissent and criticism could also circulate rapidly. As a consequence, governments established controls over printers across Europe, requiring them to have official licenses to trade and produce books.
The early versions of prohibition indexes began to appear from 1529 to 1571. In the same time frame, in 1557 the English crown aimed to stem the flow of dissent by chartering the Stationers' Company. The right to print was restricted to the two universities (Oxford and Cambridge) and to the 21 existing printers in the city of London, which had between them 53 printing presses.[page needed]
The French crown also tightly controlled printing, and the printer and writer Étienne Dolet was burned at the stake for atheism in 1546. The 1551 Edict of Châteaubriant comprehensively summarized censorship positions to date, and included provisions for unpacking and inspecting all books brought into France. The 1557 Edict of Compiègne applied the death penalty to heretics and resulted in the burning of a noblewoman at the stake. Printers were viewed as radical and rebellious, with 800 authors, printers and book dealers being incarcerated in the Bastille. At times, the prohibitions of church and state followed each other, e.g. René Descartes was placed on the Index in the 1660s and the French government prohibited the teaching of Cartesianism in schools in the 1670s.[page needed]
The Copyright Act 1710 in Britain, and later copyright laws in France, eased this situation. Historian Eckhard Höffner claims that copyright laws and their restrictions acted as a barrier to progress in those countries for over a century, since British publishers could print valuable knowledge in limited quantities for the sake of profit. The German economy prospered in the same time frame since there were no restrictions.[page needed]
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Index Librorum Prohibitorum
The Index Librorum Prohibitorum (English: Index of Forbidden Books) was a changing list of publications deemed heretical or contrary to morality by the Sacred Congregation of the Index (a former dicastery of the Roman Curia); Catholics were forbidden to print or read them, subject to the local bishop. Catholic states could enact laws to adapt or adopt the list and enforce it.
The Index was active from 1560 to 1966. It banned thousands of book titles and blacklisted publications, including the works of Europe's intellectual elites.
The Index condemned religious and secular texts alike, grading works by the degree to which they were deemed to be repugnant, potentially misleading or heretical to the Sacred Congregation of the Index at the time. The aim of the list was to protect church members from reading theologically, culturally, or politically disruptive books. At times such books included the works of theologians, such as Robert Bellarmine, and astronomers, such as Johannes Kepler's Epitome astronomiae Copernicanae (published in three volumes from 1618 to 1621), which was on the Index from 1621 to 1835; philosophers, such as Antonio Rosmini-Serbati and Immanuel Kant's Critique of Pure Reason (1781); and editions and translations of the Bible that had not been approved. Editions of the Index also contained the rules of the Church relating to the reading, selling, and preemptive censorship of books.
The historical context in which the Index appeared involved the early restrictions on printing in Europe. The refinement of moveable type and the printing press by Johannes Gutenberg c. 1440 changed the nature of book publishing, and the mechanism by which information could be disseminated to the public. Books, once rare and kept carefully in a small number of libraries, could be mass-produced and widely disseminated.
In the 16th century, both the churches and governments in most European countries attempted to regulate and control printing because it allowed for the rapid and widespread circulation of ideas and information. The Protestant Reformation generated large quantities of polemical new writing by and within both the Catholic and Protestant camps, and religious subject matter was typically the area most subject to control. While governments and the church encouraged printing in many ways, which allowed the dissemination of Bibles and government information, works of dissent and criticism could also circulate rapidly. As a consequence, governments established controls over printers across Europe, requiring them to have official licenses to trade and produce books.
The early versions of prohibition indexes began to appear from 1529 to 1571. In the same time frame, in 1557 the English crown aimed to stem the flow of dissent by chartering the Stationers' Company. The right to print was restricted to the two universities (Oxford and Cambridge) and to the 21 existing printers in the city of London, which had between them 53 printing presses.[page needed]
The French crown also tightly controlled printing, and the printer and writer Étienne Dolet was burned at the stake for atheism in 1546. The 1551 Edict of Châteaubriant comprehensively summarized censorship positions to date, and included provisions for unpacking and inspecting all books brought into France. The 1557 Edict of Compiègne applied the death penalty to heretics and resulted in the burning of a noblewoman at the stake. Printers were viewed as radical and rebellious, with 800 authors, printers and book dealers being incarcerated in the Bastille. At times, the prohibitions of church and state followed each other, e.g. René Descartes was placed on the Index in the 1660s and the French government prohibited the teaching of Cartesianism in schools in the 1670s.[page needed]
The Copyright Act 1710 in Britain, and later copyright laws in France, eased this situation. Historian Eckhard Höffner claims that copyright laws and their restrictions acted as a barrier to progress in those countries for over a century, since British publishers could print valuable knowledge in limited quantities for the sake of profit. The German economy prospered in the same time frame since there were no restrictions.[page needed]