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Irada (1991 film)
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| Iraada | |
|---|---|
Poster | |
| Directed by | Inderjeet Singh |
| Starring | Shatrughan Sinha Parveen Babi Moon Moon Sen |
| Music by | Kalyanji-Anandji |
Release date |
|
| Country | India |
| Language | Hindi |
Iraada (transl. Intention) is a 1991 Bollywood film starring Shatrughan Sinha, Parveen Babi, Moon Moon Sen in lead roles and music by Kalyanji-Anandji. This was the last film of iconic actress Parveen Babi, before she retired from the film industry.
Cast
[edit]- Shatrughan Sinha as Ashok Sinha
- Parveen Babi as Kiran
- Moon Moon Sen as Journalist Geeta Sen
- Suresh Oberoi as Vinod
- Om Puri as Shankar
- Amrish Puri as Dinanath
- Ranjeet as Tako Dada
- Jeevan as Mr. Gupta
- Nazir Hussain as Mr. Sharma
- Iftekhar as Mr. Ali
- Sudhir Dalvi as Mr. Gomes
- Girija Shankar as Mr. Khanna
- Paidi Jairaj as Sevakram
- Jankidas as Janki
- Brahmachari as Ramu
- Prema Narayan as Dancer
Soundtrack
[edit]All songs are music by Kalyanji-Anandji. This is one of the last released Hindi films where Kishore Kumar has lent his voice.
| Song | Singer |
|---|---|
| "Pehle Pet Pooja" | Kishore Kumar |
| "Rang Pyar Ka Chadha Re Chadha" | Kishore Kumar, Alka Yagnik |
| "Sapnon Ka Ho Saathi" | Alka Yagnik |
| "Aapne Husn Dekhe Hai" | Alka Yagnik |
External links
[edit]Irada (1991 film)
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Synopsis
Plot
Following the untimely death of her father, Kiran inherits his thriving construction business and commits to completing his dream project, Navbharat, intended to be India's tallest building.[3] Determined to seize control, her uncle Mr. Nath orchestrates a scheme involving corruption and sabotage to tarnish her reputation and usurp the company.[4][6] Ashok, an engineer working at the site and Kiran's love interest, supports her against these threats, confronts the conspirators including criminal workers using substandard materials, and rallies support to protect her and the business from escalating dangers.[7][6] Meanwhile, Vinod, who harbors romantic feelings for Kiran, grows jealous of her bond with Ashok and allies with Mr. Nath, intensifying the personal and professional conflicts.[7] In the climax, Ashok uncovers the full extent of the conspiracy, exposes Mr. Nath and his accomplices, proves Kiran's innocence in the schemes, and thwarts the takeover attempt, ensuring the Navbharat project's continuation.[6]Themes
The film Iraada centers on themes of family betrayal and corporate greed, as embodied by the antagonist Mr. Nath's scheme to seize control of his niece Kiran's ambitious construction venture following her father's death.[3] This betrayal underscores the tension between familial bonds and self-serving ambition within a high-stakes business environment, where personal relationships are sacrificed for financial gain.[3] A key motif is women's empowerment in a male-dominated industry, portrayed through Kiran's resolute leadership in spearheading the Navbharat project—a towering skyscraper envisioned as a symbol of progress and her late father's legacy.[3] Her determination to complete the endeavor despite opposition highlights resilience against patriarchal obstacles, positioning her as a figure of independence and capability in the cutthroat world of construction.[3] The narrative also delves into loyalty and romance complicated by jealousy, particularly through Vinod, who develops affection for Kiran, leading to conflict as he allies with Mr. Nath due to his jealousy of Ashok.[7] This subplot examines the interplay of personal allegiance and emotional vulnerability, intensified by Geeta—Mr. Nath's daughter and Vinod's admirer—who harbors jealousy toward Kiran and sows discord in their relationship.[7] Iraada critiques corruption within the construction sector, as Mr. Nath employs underhanded tactics, including interference with materials and workers, to sabotage the Navbharat project and consolidate power.[6] The story exposes systemic graft and the erosion of trust in professional spheres.[6] Finally, the Navbharat project serves as a potent symbol for unfulfilled dreams and enduring resilience, representing Kiran's inheritance of her father's vision amid relentless adversity, and ultimately affirming the triumph of perseverance over sabotage.[3]Cast and characters
Lead roles
Shatrughan Sinha plays Ashok Sinha, an engineer who serves as the supportive ally and moral anchor amid the central business conflict, guiding the protagonists through ethical dilemmas and threats from corrupt elements.[6][8] Parveen Babi portrays Kiran, the ambitious businesswoman who inherits her late father's construction project and fiercely defends his legacy against familial and corporate sabotage, though her role features limited screen time due to production constraints that reduced it to a cameo appearance.[6][1] Moon Moon Sen embodies Geeta Sen, the investigative journalist whose probing exposes key injustices and aids the protagonists in their quest for truth and resolution.[8][9] Suresh Oberoi depicts Vinod, a figure entangled in romantic rivalry and business alliances that introduce emotional tension and jealousy dynamics to the narrative.[8][9]Supporting roles
Amrish Puri portrays Mr. Nath (also referred to as Dinanath), the wealthy and scheming uncle of the protagonist Kiran, who masterminds a plot to sabotage her construction business and usurp control of it by framing her employee Ashok for murder.[1][4] Puri's performance emphasizes Nath's manipulative nature, driving much of the film's central conflict through his orchestration of corruption and deceit.[1] Om Puri plays Shankar, a pivotal supporting character who serves as a key ally and informant, aiding Ashok in his efforts to expose the conspiracy and prove his innocence after escaping prison.[1][9] Shankar's role provides crucial investigative support, highlighting themes of loyalty amid betrayal.[4] Ranjeet Bedi, credited as Ranjeet, appears as Jaggu, the ruthless henchman who carries out Mr. Nath's illicit schemes, including acts of intimidation and violence to undermine Kiran's enterprise.[1][9] Jaggu's antagonistic actions intensify the narrative tension as Nath's primary enforcer.[4] The film also features several actors in minor supporting roles that flesh out the family dynamics and business environment, such as Iftekhar as a business associate, Girija Shankar as a family member, Jairaj in a peripheral advisory capacity, Prema Narayan as a secondary familial figure, and Brahmachari as another associate.[10][8] These characters contribute briefly to the backdrop of interpersonal and professional relationships without dominating the storyline.[1]Production
Development
The development of Iraada began in the mid-1980s under the direction and production of Inderjeet Singh, who spearheaded the project as an independent endeavor.[11] The screenplay was credited to Laxmi Pandey, primarily for the dialogues.[8] Classified as an action-drama-thriller, the film was conceived amid Bollywood's prevalent trends of the 1980s and early 1990s, which frequently explored themes of corruption and familial intrigue in urban settings.[1] Central to the script's inception was a focus on scandals within the construction industry, reflecting social issues such as business rivalries and unethical practices.[4] Production planning encountered significant hurdles, resulting in a seven-year delay before the film's completion and release in 1991, attributed to logistical and financial challenges typical of mid-tier independent Bollywood ventures.[11] Specific budget details remain scarce, but the project operated on a modest scale without major studio backing.[3]Casting
Shatrughan Sinha was selected for the lead role leveraging his prominent action-hero image from numerous 1980s Bollywood films, such as Kaala Patthar (1979) and Aanand Ashram (1977), which aligned with the character's demanding narrative requirements. Parveen Babi was chosen for the role of Kiran owing to her proven dramatic versatility in earlier works like Deewaar (1975) and Amar Akbar Anthony (1977), though she exited the production midway.[12] To complement the principal cast and maintain equilibrium in star appeal, Moon Moon Sen was cast in a romantic capacity, drawing on her rising popularity from films like Andar Baahar (1984), while Suresh Oberoi was brought in for a supportive part, capitalizing on his reliable presence in ensemble dramas such as Kaala Patthar (1979).[8] Veteran performers Amrish Puri and Om Puri were enlisted to provide antagonistic force and nuanced character layers, respectively, with Amrish Puri's authoritative screen presence from over 400 films and Om Puri's depth from acclaimed roles in Aakrosh (1980) enhancing the film's intensity.[8]Filming and post-production
Principal photography for Irada commenced in the mid-1980s but was abruptly halted following Parveen Babi's sudden withdrawal from the production after only partial completion of her scenes.[13] This led to a prolonged delay of approximately seven years before the film could be finished and released in 1991, primarily due to the need for recasting and extensive reshoots to cover the unfinished portions.[13] To address the gaps left by Babi's departure, the production team conducted reshoots of her character's scenes, ensuring continuity despite the interruption. Filming locations were centered in Mumbai, capturing urban construction environments central to the story, alongside action sequences featuring high-speed chases and confrontations in city settings.[2] In post-production, the footage underwent significant re-editing to integrate the reshot material seamlessly with the existing scenes. Babi's dialogue was dubbed by another actress to maintain narrative flow, and visual effects were kept minimal, reflecting the technical limitations of early 1990s Bollywood filmmaking. The final runtime was trimmed to 126 minutes through these adjustments.[3]Soundtrack
Track listing
The soundtrack of Irada (1991) features four songs composed by the duo Kalyanji–Anandji, with all lyrics penned by Anjaan. It includes posthumous vocal contributions from Kishore Kumar, who passed away in 1987.[5][14]| No. | Title | Singer(s) | Duration |
|---|---|---|---|
| 1 | "Rang Pyar Ka Chadha Re Chadha" | Kishore Kumar, Alka Yagnik | 5:32 |
| 2 | "Aap Ne Husn Dekhe Hain Lakhon" | Alka Yagnik | 5:45 |
| 3 | "Sapnon Ka Woh Saathi" | Alka Yagnik | 6:10 |
| 4 | "Pehle Pet Pooja Phir Kaam Karo Koi Dooja" | Kishore Kumar | 5:20 |
