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Irada (1991 film)
Irada (1991 film)
from Wikipedia

Iraada
Poster
Directed byInderjeet Singh
StarringShatrughan Sinha
Parveen Babi
Moon Moon Sen
Music byKalyanji-Anandji
Release date
  • 8 March 1991 (1991-03-08)
CountryIndia
LanguageHindi

Iraada (transl. Intention) is a 1991 Bollywood film starring Shatrughan Sinha, Parveen Babi, Moon Moon Sen in lead roles and music by Kalyanji-Anandji. This was the last film of iconic actress Parveen Babi, before she retired from the film industry.

Cast

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Soundtrack

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All songs are music by Kalyanji-Anandji. This is one of the last released Hindi films where Kishore Kumar has lent his voice.

Song Singer
"Pehle Pet Pooja" Kishore Kumar
"Rang Pyar Ka Chadha Re Chadha" Kishore Kumar, Alka Yagnik
"Sapnon Ka Ho Saathi" Alka Yagnik
"Aapne Husn Dekhe Hai" Alka Yagnik
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Iraada is a 1991 Indian Hindi-language action drama film directed and produced by Inderjeet Singh, starring , , , , and in key roles. The film centers on Kiran, a young woman who inherits her late father's ambitious construction project to build the tallest in the city, known as Navbharat, only to face from her wealthy uncle, Mr. Nath, who seeks to seize control of the business. Kiran's colleague Ashok provides crucial support against these schemes, while complications arise with Vinod, who develops feelings for her and resents her close relationship with Ashok. Featuring music composed by the duo Kalyanji-Anandji, the movie explores themes of family betrayal, determination, and corporate intrigue in a thriller format. Originally shot in the late 1980s, Iraada's release was significantly delayed due to production issues, including Parveen Babi's abrupt departure midway, marking her final film appearance in a cameo role; it ultimately premiered on 8 March 1991 with a runtime of 127 minutes. Despite its star-studded cast, the film received mixed reception and underperformed commercially, though it remains notable for its portrayal of a strong female lead in the male-dominated construction industry during early 1990s Bollywood.

Synopsis

Plot

Following the untimely death of her father, Kiran inherits his thriving construction business and commits to completing his dream project, Navbharat, intended to be India's tallest building. Determined to seize control, her uncle Mr. Nath orchestrates a scheme involving and to tarnish her reputation and usurp the company. Ashok, an working at the site and Kiran's interest, supports her against these threats, confronts the conspirators including criminal workers using substandard materials, and rallies support to protect her and the business from escalating dangers. Meanwhile, Vinod, who harbors romantic feelings for Kiran, grows jealous of her bond with Ashok and allies with Mr. Nath, intensifying the personal and professional conflicts. In the climax, Ashok uncovers the full extent of the , exposes Mr. Nath and his accomplices, proves Kiran's in the schemes, and thwarts the attempt, ensuring the Navbharat project's continuation.

Themes

The film Iraada centers on themes of family betrayal and corporate greed, as embodied by the Mr. Nath's scheme to seize control of his niece Kiran's ambitious venture following her father's death. This betrayal underscores the tension between familial bonds and self-serving ambition within a high-stakes environment, where personal relationships are sacrificed for financial gain. A key motif is in a male-dominated industry, portrayed through Kiran's resolute leadership in spearheading the Navbharat project—a towering envisioned as a of progress and her late father's legacy. Her determination to complete the endeavor despite opposition highlights resilience against patriarchal obstacles, positioning her as a figure of independence and capability in the cutthroat world of construction. The narrative also delves into loyalty and romance complicated by , particularly through Vinod, who develops affection for Kiran, leading to conflict as he allies with Mr. Nath due to his jealousy of Ashok. This subplot examines the interplay of personal allegiance and emotional vulnerability, intensified by Geeta—Mr. Nath's and Vinod's admirer—who harbors jealousy toward Kiran and sows discord in their relationship. Iraada critiques within the sector, as Mr. Nath employs underhanded tactics, including interference with materials and workers, to the Navbharat project and consolidate power. The story exposes systemic graft and the erosion of trust in professional spheres. Finally, the Navbharat project serves as a potent symbol for unfulfilled dreams and enduring resilience, representing Kiran's inheritance of her father's vision amid relentless adversity, and ultimately affirming the triumph of perseverance over .

Cast and characters

Lead roles

Shatrughan Sinha plays Ashok Sinha, an engineer who serves as the supportive ally and moral anchor amid the central business conflict, guiding the protagonists through ethical dilemmas and threats from corrupt elements. portrays Kiran, the ambitious businesswoman who inherits her late father's construction project and fiercely defends his legacy against familial and corporate sabotage, though her role features limited due to production constraints that reduced it to a . Moon Moon Sen embodies Geeta Sen, the investigative journalist whose probing exposes key injustices and aids the protagonists in their quest for truth and resolution. Suresh Oberoi depicts Vinod, a figure entangled in romantic rivalry and business alliances that introduce emotional tension and jealousy dynamics to the narrative.

Supporting roles

Amrish Puri portrays Mr. Nath (also referred to as Dinanath), the wealthy and scheming uncle of the protagonist Kiran, who masterminds a plot to her construction business and usurp control of it by framing her employee Ashok for . Puri's performance emphasizes Nath's manipulative nature, driving much of the film's central conflict through his orchestration of corruption and deceit. Om Puri plays Shankar, a pivotal who serves as a key ally and informant, aiding Ashok in his efforts to expose the and prove his innocence after escaping . Shankar's role provides crucial investigative support, highlighting themes of amid . Ranjeet Bedi, credited as Ranjeet, appears as Jaggu, the ruthless who carries out Mr. Nath's illicit schemes, including acts of and to undermine Kiran's enterprise. Jaggu's antagonistic actions intensify the narrative tension as Nath's primary enforcer. The film also features several actors in minor supporting roles that flesh out the family dynamics and business environment, such as as a business associate, Girija Shankar as a family member, Jairaj in a peripheral advisory capacity, as a secondary familial figure, and Brahmachari as another associate. These characters contribute briefly to the backdrop of interpersonal and professional relationships without dominating the storyline.

Production

Development

The development of Iraada began in the mid-1980s under the direction and production of Inderjeet Singh, who spearheaded the project as an independent endeavor. The screenplay was credited to Laxmi Pandey, primarily for the dialogues. Classified as an action-drama-thriller, the film was conceived amid Bollywood's prevalent trends of the 1980s and early 1990s, which frequently explored themes of corruption and familial intrigue in urban settings. Central to the script's was a focus on scandals within the construction industry, reflecting social issues such as business rivalries and unethical practices. Production planning encountered significant hurdles, resulting in a seven-year delay before the film's completion and release in 1991, attributed to logistical and financial challenges typical of mid-tier independent Bollywood ventures. Specific budget details remain scarce, but the project operated on a modest scale without major studio backing.

Casting

Shatrughan Sinha was selected for the lead role leveraging his prominent action-hero image from numerous 1980s Bollywood films, such as Kaala Patthar (1979) and Aanand Ashram (1977), which aligned with the character's demanding narrative requirements. Parveen Babi was chosen for the role of Kiran owing to her proven dramatic versatility in earlier works like Deewaar (1975) and Amar Akbar Anthony (1977), though she exited the production midway. To complement the principal cast and maintain equilibrium in star appeal, was cast in a romantic capacity, drawing on her rising popularity from films like (1984), while was brought in for a supportive part, capitalizing on his reliable presence in ensemble dramas such as (1979). Veteran performers and were enlisted to provide antagonistic force and nuanced character layers, respectively, with Amrish Puri's authoritative screen presence from over 400 films and Om Puri's depth from acclaimed roles in Aakrosh (1980) enhancing the film's intensity.

Filming and post-production

Principal photography for Irada commenced in the mid-1980s but was abruptly halted following Parveen Babi's sudden withdrawal from the production after only partial completion of her scenes. This led to a prolonged delay of approximately seven years before the film could be finished and released in 1991, primarily due to the need for recasting and extensive reshoots to cover the unfinished portions. To address the gaps left by Babi's departure, the conducted reshoots of her character's scenes, ensuring continuity despite the interruption. Filming locations were centered in , capturing urban construction environments central to the story, alongside action sequences featuring high-speed chases and confrontations in city settings. In , the footage underwent significant re-editing to integrate the reshot material seamlessly with the existing scenes. Babi's was dubbed by another actress to maintain narrative flow, and were kept minimal, reflecting the technical limitations of early 1990s Bollywood filmmaking. The final runtime was trimmed to 126 minutes through these adjustments.

Soundtrack

Track listing

The soundtrack of Irada (1991) features four songs composed by the duo , with all lyrics penned by Anjaan. It includes posthumous vocal contributions from , who passed away in 1987.
No.TitleSinger(s)Duration
1"Rang Pyar Ka Chadha Re Chadha", 5:32
2"Aap Ne Husn Dekhe Hain Lakhon"5:45
3"Sapnon Ka Woh Saathi"6:10
4"Pehle Pet Pooja Phir Kaam Karo Koi Dooja"5:20
Durations are approximate based on available recordings.

Music composition

The soundtrack of Irada was composed by the duo Kalyanji-Anandji, a prolific pair renowned for their chart-topping melodies and versatile scores in Bollywood films throughout the and , often blending romantic ballads with rhythmic, dramatic elements to enhance narrative tension. Their approach in Irada continued this signature style, incorporating lush orchestral arrangements typical of the era's , which featured string sections, brass, and percussion to underscore the film's action-thriller dynamics. The lyrics, written by veteran poet Anjaan, were crafted to echo the movie's core motifs of romantic longing, personal ambition, and societal struggles, with poetic phrasing that complemented the composers' melodic structures. Recording sessions occurred at Film Center studios in , engineered by Kaushik, reflecting standard late-1980s production practices for Bollywood before the film's 1991 release. A key highlight was the inclusion of playback vocals by on select tracks, recorded prior to his death on October 13, 1987, and released posthumously following his death. These featured a combination of duet romantic numbers and solo motivational pieces, integrating seamlessly as background score to heighten emotional and suspenseful sequences in narrative. The overall composition emphasized melodic accessibility while providing rhythmic drive, resulting in a cohesive auditory layer that supported the film's thematic depth without overpowering its plot progression.

Release and reception

Release

Irada was theatrically released on March 8, 1991, in by producer Inderjeet Singh under his own banner. The film premiered with initial screenings in major Indian cities, including . The production had faced significant delays from its original filming schedule in the late , with the film delayed for seven years, resulting in the 1991 release slot. Marketed as a highlighting in the lead role alongside in her final screen appearance as a cameo, the film carried a runtime of 126 minutes. At the time of its theatrical run, Irada did not receive a wide release. In the post-2010s era, it became available for viewing on platforms such as , where the full film was uploaded in 2021.

Critical response

Upon its release, Iraada received mixed responses from audiences, with praise centered on the lead performances of and for their intensity in portraying determined protagonists amid corporate intrigue. Reviewers noted Sinha's commanding presence, though not at his peak, and Oberoi's natural delivery as key strengths, while was highlighted for adding glamour to her supporting role. Amrish Puri's authoritative antagonist was also commended for its form. Critics and viewers alike pointed to the film's predictable plot and weak screenplay as major flaws, characterizing it as a typical masala thriller hampered by its delayed production, which contributed to a sense of dated execution in the early 1990s Bollywood style. The direction by Indrajit Singh was described as adequate, maintaining viewer engagement without boredom, but failing to elevate the routine narrative. The , composed by Kalyanji-Anandji and featuring Kishore Kumar's vocals, was widely panned for its outdated tunes that failed to resonate. Retrospectively, the film holds an IMDb rating of 4.6 out of 10 based on 26 user votes (as of November 2025), with some labeling it an engaging one-time watch thriller and others dismissing it as dated. It is often noted as Parveen Babi's final film appearance, where her limited cameo role as a businesswoman drew comments on its brevity and the tragedy of her career's end amid personal struggles.

Box office performance

Iraada was a commercial flop at the box office, as indicated by , which recorded no specific nett gross figures for the film. Its release on , 1991, saw a poor opening with limited screen allocation, contributing to underwhelming initial reception in a year marked by high-profile successes such as Saajan. The film's performance was further hampered by extensive production delays, which eroded pre-release buzz and audience anticipation by the time of its eventual premiere. These factors aligned with broader market challenges, resulting in it being a typical underperforming mid-tier release of the early . Over the long term, Iraada has garnered negligible cult status and remains obscure, with viewership sustained mainly through digital re-releases on platforms like .
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