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Celtic harp
The Celtic harp is a triangular frame harp traditional to the Celtic nations of northwest Europe. It is known as cláirseach in Irish, clàrsach in Scottish Gaelic, telenn in Breton and telyn in Welsh. In Ireland and Scotland, it was a wire-strung instrument requiring great skill and long practice to play, and was traditionally associated with the Gaelic nobility of Ireland. It appears on Irish coins, Guinness products, and the coat of arms of the Republic of Ireland, Montserrat, Canada and the United Kingdom.
The early history of the triangular frame harp in Europe is contested. The first instrument associated with the harping tradition in the Gaelic world was known as a cruit. This word may originally have described a different stringed instrument, being etymologically related to the Welsh crwth. It has been suggested that the word clàrsach / cláirseach (from clàr / clár, a board) was coined for the triangular frame harp which replaced the cruit, and that this coining was of Scottish origin.
A notched piece of wood which some have interpreted to be part of the bridge of an Iron Age lyre dating to around 300 BC was discovered on the Isle of Skye, which, if actually a bridge, would make it the oldest surviving fragment of a western European stringed instrument (although images of Greek lyres are much older). The earliest descriptions of a European triangular framed harp, i.e. harps with a fore pillar, are found on carved 8th century Pictish stones. Pictish harps were strung from horsehair. The instruments apparently spread south to the Anglo Saxons who commonly used gut strings and then west to the Gaels of the Highlands and to Ireland. Exactly thirteen depictions of any triangular chordophone instrument from pre-11th-century Europe exist and twelve of them come from Scotland.
The earliest Irish references to stringed instruments are from the 6th century, and players of such instruments were held in high regard by the nobility of the time. Early Irish law from 700 AD stipulates that bards and 'cruit' players should sit with the nobility at banquets and not with the common entertainers. Another stringed instrument from this era was the tiompán, most likely a kind of lyre. Despite providing the earliest evidence of stringed instruments in Ireland, no records described what these instruments looked like, or how the cruit and tiompán differed from one another.
Only two quadrangular instruments occur within the Irish context on the west coast of Scotland and both carvings date two hundred years after the Pictish carvings. The first true representations of the Irish triangular harp do not appear till the late eleventh century in a reliquary and the twelfth century on stone and the earliest harps used in Ireland were quadrangular lyres as ecclesiastical instruments, One study suggests Pictish stone carvings may be copied from the Utrecht Psalter, the only other source outside Pictish Scotland to display a Triangular Chordophone instrument. The Utrecht Psalter was penned between 816 and 835 AD. However, Pictish Triangular Chordophone carvings found on the Nigg Stone date from 790 to 799 AD. and pre-date the document by up to forty years. Other Pictish sculptures also predate the Utrecht Psalter, namely the harper on the Dupplin Cross from c. 800 AD.
The Norman-Welsh cleric and scholar Gerald of Wales (c.1146 – c.1223), whose Topographica Hibernica et Expugnatio Hibernica is a description of Ireland from the Anglo-Norman point of view, praised Irish harp music (if little else), stating:
The only thing to which I find that this people apply a commendable industry is playing upon musical instruments… they are incomparably more skilful than any other nation I have ever seen
However, Gerald, who had a strong dislike of the Gaelic Irish, somewhat contradicts himself. While admitting that the style of music originated in Ireland, he immediately added that, in "the opinion of many", the Scots and the Welsh had now surpassed them in that skill. Gerald refers to the cythara and the tympanum, but their identification with the harp is uncertain, and it is not known that he ever visited Scotland.
Celtic harp
The Celtic harp is a triangular frame harp traditional to the Celtic nations of northwest Europe. It is known as cláirseach in Irish, clàrsach in Scottish Gaelic, telenn in Breton and telyn in Welsh. In Ireland and Scotland, it was a wire-strung instrument requiring great skill and long practice to play, and was traditionally associated with the Gaelic nobility of Ireland. It appears on Irish coins, Guinness products, and the coat of arms of the Republic of Ireland, Montserrat, Canada and the United Kingdom.
The early history of the triangular frame harp in Europe is contested. The first instrument associated with the harping tradition in the Gaelic world was known as a cruit. This word may originally have described a different stringed instrument, being etymologically related to the Welsh crwth. It has been suggested that the word clàrsach / cláirseach (from clàr / clár, a board) was coined for the triangular frame harp which replaced the cruit, and that this coining was of Scottish origin.
A notched piece of wood which some have interpreted to be part of the bridge of an Iron Age lyre dating to around 300 BC was discovered on the Isle of Skye, which, if actually a bridge, would make it the oldest surviving fragment of a western European stringed instrument (although images of Greek lyres are much older). The earliest descriptions of a European triangular framed harp, i.e. harps with a fore pillar, are found on carved 8th century Pictish stones. Pictish harps were strung from horsehair. The instruments apparently spread south to the Anglo Saxons who commonly used gut strings and then west to the Gaels of the Highlands and to Ireland. Exactly thirteen depictions of any triangular chordophone instrument from pre-11th-century Europe exist and twelve of them come from Scotland.
The earliest Irish references to stringed instruments are from the 6th century, and players of such instruments were held in high regard by the nobility of the time. Early Irish law from 700 AD stipulates that bards and 'cruit' players should sit with the nobility at banquets and not with the common entertainers. Another stringed instrument from this era was the tiompán, most likely a kind of lyre. Despite providing the earliest evidence of stringed instruments in Ireland, no records described what these instruments looked like, or how the cruit and tiompán differed from one another.
Only two quadrangular instruments occur within the Irish context on the west coast of Scotland and both carvings date two hundred years after the Pictish carvings. The first true representations of the Irish triangular harp do not appear till the late eleventh century in a reliquary and the twelfth century on stone and the earliest harps used in Ireland were quadrangular lyres as ecclesiastical instruments, One study suggests Pictish stone carvings may be copied from the Utrecht Psalter, the only other source outside Pictish Scotland to display a Triangular Chordophone instrument. The Utrecht Psalter was penned between 816 and 835 AD. However, Pictish Triangular Chordophone carvings found on the Nigg Stone date from 790 to 799 AD. and pre-date the document by up to forty years. Other Pictish sculptures also predate the Utrecht Psalter, namely the harper on the Dupplin Cross from c. 800 AD.
The Norman-Welsh cleric and scholar Gerald of Wales (c.1146 – c.1223), whose Topographica Hibernica et Expugnatio Hibernica is a description of Ireland from the Anglo-Norman point of view, praised Irish harp music (if little else), stating:
The only thing to which I find that this people apply a commendable industry is playing upon musical instruments… they are incomparably more skilful than any other nation I have ever seen
However, Gerald, who had a strong dislike of the Gaelic Irish, somewhat contradicts himself. While admitting that the style of music originated in Ireland, he immediately added that, in "the opinion of many", the Scots and the Welsh had now surpassed them in that skill. Gerald refers to the cythara and the tympanum, but their identification with the harp is uncertain, and it is not known that he ever visited Scotland.
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