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Jack Emblow
Jack Emblow
Jack Emblow
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Jack Alexander Emblow (born 27 June 1930) is a British jazz accordionist who is best known for his musical work accompanying the Cliff Adams Singers on BBC Radio.

Biography

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Emblow was born on 27 June 1930 in Lincoln, England. His father sang a little and his mother played piano but not professionally. He studied the piano at the age of nine although moved on to the accordion aged 11. In his early teens he was a member of Jack Kitson's Accordion Band. It was with this band that he met his future wife and fellow accordionist, Pat Lowe. At 15 he was part of a stage act with jazz pianist Eddie Thompson and in 1947, aged 17, he auditioned with the BBC. In addition to solo broadcasts, as a young man he played with Al Podesta & His Accordion Band also in the 1940s.

He worked at the Berkeley Hotel in Piccadilly, playing for Ian Stewart for three years. He formed a sextet (The Jack Emblow Sextet) in 1956 which made its radio debut in the programme Music While You Work and remained with them until 1961. Emblow performed in over 500 broadcasts of which 54 were in Music While You Work. He also contributed the music to the radio programmes Bright and Early, Morning Music and On with the Bands. The Sextet was regarded by senior BBC producers as 'the best small group on radio, led by one of the most skilful accordionists in the country'.[1]

As a session player, he worked with a huge number of artists, including singers and bands such as Alma Cogan, Elton John, Elaine Paige, the Beat, Curved Air, Rolf Harris, Michael Holliday, Tom Jones, Grace Jones, Donovan, Peter Sarstedt, Sandie Shaw as well as accordionists Jimmy Shand and Dermot O'Brien. He has also worked with orchestras led by George Martin, Ted Heath, Michel Legrand, Henry Mancini and bandleader Nelson Riddle. On 25 June 1967 he played on the Beatles' "All You Need Is Love" session held at Abbey Road Studios number 2 playing on the first live, worldwide satellite programme to an international audience in excess of 350 million. He is also featured on the soundtracks of many films, radio and TV programmes.[2]

He has been regarded as Britain's top jazz accordionist[citation needed] although Emblow has always said that he is a 'general all rounder'. For over 40 years he provided the accordion accompaniment for the Cliff Adams Singers in their half hour broadcasts on BBC Radio called Sing Something Simple.[3] During a BBC Radio 2 revamp, starting in January 1973, Emblow was asked to form and front a quintet called 'The French Collection' which he led on the French Musette accordion. It was created to offer light-hearted happy sounding incidental music for the Ray Moore Show on BBC Radio 2. The group became very popular and several LP recordings were made.

Emblow uses a straight-tuned Excelsior accordion, which has a dedicated tone chamber enabling him to create a mellow tone. He has contributed to the incidental music for the sitcom television series Last of the Summer Wine as well as playing the theme music to the sitcom 'Allo 'Allo!. His long career brought him the British Academy of Songwriters Composers and Authors Gold Badge of Merit for Music.[4]

In more recent years Emblow has worked with jazz guitarist Martin Taylor on recordings of Spirit of Django series. One of the tracks from the series was used in a well known television car advert featuring characters 'Nicole' and her ‘papa’. In 2002, he was elected Honorary President of the National Accordion Organisation of the United Kingdom and continued to give recitals throughout the UK until his retirement in July 2016. He has been dubbed 'Peter Pan' by his fellow musicians due to his young appearance for his age. He cites his influences as Art Van Damme and Ernie Felice, both of whom were accordionists with the Benny Goodman Band.[5][6]

Personal life

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Emblow married Pat Lowe, a fellow accordionist, whilst he was with the Amalfi Trio in London's west end. He also met friend, and jazz accordionist, Tony Compton in the early 1960s. They began playing together in 1985 at an impromptu session at the jazz masterclass at an accordion festival. They continued to play together for many years after this.

Discography

[edit]
  • Accordion Fire (1968)
  • Accordion Nights (1968)
  • Accordion Showcase (1979)
  • Around the World (1983)
  • Enjoy Yourself (1984)
  • I Love Paris (1986)

References

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Jack Emblow

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Jack Emblow is a British jazz accordionist and session musician known for his long association with the Cliff Adams Singers on the BBC radio programme Sing Something Simple, where he provided accordion accompaniment for over four decades, as well as his extensive contributions to television theme music and incidental scores. Born in England on 5 May 1930, Emblow began playing the accordion at the age of 11 and became a professional musician at 15. He established himself as a versatile performer with a repertoire spanning popular music, jazz, and light classics, and by the 1950s was active in small bands and as a session player. In 1959, he joined the original lineup for Sing Something Simple, which ran continuously until 2001 and became the longest-running continuous music programme on BBC radio. Emblow's career as a respected session musician included work on hundreds of recordings with artists such as Alma Cogan, Stéphane Grappelli, and Martin Taylor, as well as collaborations with orchestras led by Ted Heath, Michel Legrand, Henry Mancini, and Nelson Riddle. He contributed accordion and composed incidental music for various television series and films, including theme work for Bergerac, 'Allo 'Allo!, Last of the Summer Wine, Maigret, and A Year in Provence. In recognition of his lifelong dedication to the accordion and music, Emblow received the Gold Badge of Merit from the British Academy of Songwriters, Composers and Authors (BASCA) and was appointed Honorary President of the National Accordion Organization of the UK in 2001. He retired in 2016 at the age of 86.

Early life

Birth and background

Jack Alexander Emblow was born on 27 June 1930 in Lincoln, Lincolnshire, England, UK. He grew up in a family with amateur musical interests, as his father sang a little and his mother played the piano, though neither pursued these activities professionally.

Musical beginnings

Jack Emblow's interest in music was sparked early in life through his family environment. His father sang a little and his mother played the piano, though not professionally. He began his musical journey at the age of nine by taking piano lessons. At age eleven, Emblow switched to the accordion, taking up a 24-bass Geraldi instrument that his father had originally bought for his older brother. As the younger sibling demonstrated greater interest, he transferred his focus to the accordion. This instrument became central to his development as a musician. Emblow's entry into professional performance occurred at age fifteen when his father entered him in a talent show at the local cinema. Although he did not win, the event—organized by impresario Brian Mickey—led to an invitation three months later to join Mickey's touring variety shows across southeast England. Paired with blind jazz pianist Eddie Thompson, Emblow toured the theatre circuit for four years, an experience he later described as a major part of his musical education. He has expressed lasting gratitude to Thompson for the opportunity. During this period, he also began establishing his reputation as a soloist and performer with several stage bands.

Career

1950s: Early bands and session work

Jack Emblow's professional career gained momentum in the early 1950s as he performed with small bands across England. During this period, he honed his skills as an accordionist in various live settings, building a reputation in the British music scene. By the mid-1950s, Emblow expanded into session work, contributing to recordings and other studio projects. He was particularly active as a session musician at EMI's Abbey Road Studios, where his versatility supported a range of productions. In 1956, he formed and led his own ensemble, The Jack Emblow Sextet, which featured him as the principal accordionist and leader. The group made its radio debut on the BBC programme Music While You Work that same year and continued to appear on the show until 1961. The sextet earned praise from senior BBC producers, who regarded it as the best small group on radio, led by one of the country's most skilful accordionists. Through the late 1950s, Emblow's leadership of the sextet and its regular BBC broadcasts marked a transition toward more sustained radio accompaniment work.

Radio career

Jack Emblow is best known for his long tenure as the resident accordionist on the BBC radio programme Sing Something Simple, which ran from 1959 to 2001. The show, presented by Cliff Adams and featuring The Cliff Adams Singers, specialised in close-harmony arrangements of popular standards and light music favourites, with Emblow providing distinctive accordion accompaniment, fills, and occasional short solos that became integral to the programme's signature sound. Broadcast initially on the BBC Light Programme and later on BBC Radio 2, Sing Something Simple aired weekly on Sunday mornings and developed a loyal audience over its 42-year run, making it one of the longest-running continuous programmes in BBC history. Emblow participated throughout the entire duration of the series, contributing to every episode until the programme concluded following Cliff Adams's death in 2001. His consistent involvement in Sing Something Simple represented the central focus of his radio career, establishing him as a familiar figure in British light music broadcasting and highlighting his versatility as an accompanist in a live ensemble setting. While his work was primarily concentrated on this programme, it occasionally overlapped with his emerging contributions to other media in the 1960s.

Television composing

Jack Emblow composed incidental music for a selection of British television programmes, primarily comedy and children's series, during the 1960s and 1970s. In 1967, he provided incidental music for one episode of the anthology series Comedy Playhouse, the full run of The Old Campaigner (1967–1969), and seven episodes of The Further Adventures of Lucky Jim. His 1970s credits include music for six episodes of the comedy series Beyond a Joke (1972), five episodes of the children's storytelling programme Jackanory (1974), and all six episodes of the children's mini-series The Canal Children (1976). Emblow also composed for one episode of the sitcom Some Mothers Do 'Ave 'Em in 1978. He is particularly associated with his contributions to Jackanory and Some Mothers Do 'Ave 'Em among his television composing work.

Film and soundtrack contributions

Jack Emblow contributed to the 1995 comedy film Funny Bones as a musician, performing on accordion. His accordion work is featured on the film's original motion picture soundtrack, where he is credited as accordion soloist. He also performed the track "Jealousy" for the soundtrack of the 1993 television mini-series Lipstick on Your Collar. These remain his primary documented contributions to film and soundtrack projects.

Legacy

Recognition and influence

Jack Emblow's most significant recognition came from his long-standing role as the accordionist for the Cliff Adams Singers on the BBC radio programme Sing Something Simple, a half-hour series that became a beloved staple of British light entertainment music. The programme, featuring relaxed performances of popular standards, relied on Emblow's distinctive accordion accompaniment to help create its signature gentle and nostalgic sound, contributing to its enduring appeal across decades. His extended tenure on the show represented a key contribution to radio light music in Britain, earning appreciation from listeners and establishing him as a familiar voice in the genre. Emblow's work extended to iconic comedy programmes and television. Despite these associations, his career as a session musician and supporting player meant he received limited wider public or mainstream recognition, with few major awards or comprehensive biographies documented outside specialised music circles. Within the accordion community, Emblow garnered more explicit honours for his contributions. In 2001, he was elected Honorary President of the National Accordion Organisation (NAO) in recognition of his outstanding and long-term commitment to the instrument and its music in the UK. This accolade reflected his influence among accordionists and in promoting the instrument through his versatile session work across jazz, light music, and entertainment contexts. His legacy remains primarily in niche appreciation for sustaining the accordion's presence in British popular media during the mid-to-late 20th century.

Areas of limited documentation

Despite extensive searches across credible sources, several key aspects of Jack Emblow's life and career remain sparsely documented or entirely unverified. No confirmed date of death appears in primary references such as his IMDb profile or Discogs artist page, and no obituaries or announcements of passing have been identified in available records. Details of his personal life are notably limited, with no publicly available information on family members, marital status, or education beyond basic early musical training in piano and accordion. No in-depth interviews or autobiographical accounts appear to have been published or archived in accessible sources. Career documentation is primarily confined to IMDb credits focused on television and film contributions up to 1995, Discogs entries listing discography and session work, and passing mentions in radio programme histories such as his accordion role on BBC's Sing Something Simple. Information on later activities is inconsistent across sources, with references noting retirement in 2016 but limited corroboration in broader industry records. No records of major awards, honors, or official compilations of his discography exist, and there are no dedicated biographies or scholarly analyses of his contributions to British light music and session work. These gaps underscore the reliance on fragmented credits and programme notes for much of what is known, highlighting areas where primary sources are absent or incomplete.
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