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Jacno (3 July 1957 in Paris – 6 November 2009) was a French musician.

Born as Denis Quilliard, he was a founding member of the first French punk band The Stinky Toys. In the early 1980s, after the group disbanded, he teamed up with former Stinky Toys singer Elli Medeiros to form the pop duo Elli et Jacno.[1][2] Jacno had also released a number of solo albums since 1979.

He took his professional name from the name of the graphic artist who drew the Gallic helmet logo of French Gauloises cigarettes brand.

In 1999, the Italian DJ Gigi D'Agostino used the track Rectangle for his song La Passion. The song was a hit in Austria and Belgium where it became a number-one single, and was very popular in other European countries.

Jacno died in the night of the 5 and 6 November 2009 from cancer, aged 52.[3]

Discography

[edit]

Solo

Elli et Jacno

- Singles

  • "Main dans la main" / "T'oublier" (1980)
  • "Oh là la" / "Je t'aime tant" (1981)
  • "Je t'aime tant" / "Chanson pour Olivia" (1982)
  • "Le téléphone" / "Le téléphone" (instrumental) (1982)

- Albums

  • 1980 : Tout va sauter (Vogue)
  • 1982 : Boomerang (Celluloïd)
  • 1984 : Les nuits de la pleine lune (CBS)

- Compilation

  • 1981 : Inédits 77-81 (Vogue)

As producer, composer and/or arranger

As writer

Duets

Tribute

  • Jacno Future, 2011

References

[edit]
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Jacno

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''Jacno'' is a French musician, composer, and producer known for co-founding France's first punk band Stinky Toys, pioneering minimal electronic music with his influential 1979 solo album and instrumental hit "Rectangle", and achieving widespread popularity as half of the synth-pop duo Elli et Jacno. Born Denis Quilliard on July 3, 1957, in Paris, he adopted the stage name Jacno from the designer of the Gauloises cigarette logo and died on November 6, 2009, from cancer at the age of 52. Inspired by the Sex Pistols' 1976 Paris performance, Jacno formed Stinky Toys with his partner Elli Medeiros, introducing punk to France and performing at London's 100 Club festival at Malcolm McLaren's invitation. The band's self-titled 1977 album and earlier single attracted a cult following, including Andy Warhol, despite modest commercial success, before breaking up amid internal and external conflicts. In 1979, Jacno released his self-titled solo debut on Celluloid, an instrumental work of minimal analogue electronics featuring tracks like "Rectangle," "Triangle," and "Cercle," as well as the vocal song "Anne Cherchait L’amour" performed by Medeiros; the album is regarded as a foundational piece in French electronic music and a precursor to the French Touch movement. From 1980 to 1984, he and Medeiros recorded as Elli et Jacno, blending yé-yé melodies with Kraftwerk-inspired synths to produce several European hits, including "Je t’aime tant," before their personal and professional separation. Jacno later produced for artists such as Étienne Daho and Jacques Higelin, composed scores for films including Éric Rohmer's Full Moon in Paris (1984), and pursued occasional solo work, maintaining a distinctive retro-futurist style across punk, new wave, and electropop that earned him enduring reverence in French music circles despite remaining underappreciated internationally.

Early Life

Birth and Background

Denis Quilliard, better known by his stage name Jacno, was born on 3 July 1957 in Paris, France. He died on 6 November 2009 at the age of 52. He grew up in a close-knit family with strong ties to the Champagne region, where relatives owned a house that often served as a personal refuge. His grandfather was a colorful, eccentric figure described as an anarcho-monarchist, while his uncle, General André Zeller, was a notable historical personality involved in the OAS putsch. Quilliard attended primary school with the Marist Brothers at Notre-Dame-de-Bury in Margency, Val-d’Oise, and developed a heavy smoking habit of Gauloises cigarettes from an early age. A schoolmate nicknamed him "Jacno" after Marcel Jacno (real name Marcel Jachnovitch, 1904–1989), the self-taught French graphic designer renowned for modernizing the Gauloises cigarette pack in 1936 with its iconic winged Gallic helmet logo. His schooling proved turbulent; he was expelled from several Parisian lycées, including a final expulsion from Lycée Rodin after he and others locked the headmaster in his office. Quilliard's youth in Paris during the 1960s and 1970s was characterized by rebellion and an early passion for music, which later drew him into the emerging punk scene.

Punk Beginnings

Stinky Toys

Stinky Toys were a French punk rock band formed in Paris in 1976, often regarded as one of the pioneering acts—and frequently cited as the first—of the country's punk scene. Denis Quilliard, performing under the name Jacno (also known as Jan Colrth), was a founding member who played rhythm guitar and contributed as a key composer and musician for the group. The lineup also included Elli Medeiros on vocals, Bruno Carone on lead guitar, Albin Dériat on bass guitar, and Hervé Zénouda on drums. The band emerged during the early wave of European punk and participated in the 100 Club Punk Festival in London in 1976, which increased their visibility in the scene. Their profile led to a contract with Polydor Records, where they released the single "Boozy Creed" / "Driver Blues" in 1977. Later that year, Polydor issued the band's self-titled debut album, which showcased their raw, riff-driven punk sound influenced by earlier rock traditions. Stinky Toys released a second self-titled album in 1979 on Vogue before disbanding in the late 1970s. Following the group's dissolution, Jacno transitioned to new musical endeavors alongside Elli Medeiros.

New Wave Duo

Elli et Jacno

Elli et Jacno was a French electropop duo formed in the early 1980s by Denis Quilliard (known as Jacno) and Elli Medeiros, following the breakup of their punk band Stinky Toys. Jacno composed and performed the music primarily on synthesizers, while Medeiros wrote the lyrics and provided vocals, marking a clear shift from punk to a minimalist synth-pop and new wave sound. The duo released their debut album Tout va sauter in 1980 on Vogue Records, followed by Boomerang in 1982 on Celluloid and Les Nuits de la Pleine Lune in 1984 on CBS. Notable singles included "Main dans la main" in 1980 and "Je t'aime tant" in 1982, the latter achieving massive popularity. They enjoyed considerable commercial success in the French pop scene and gained some recognition abroad, including a front-page feature in Melody Maker magazine, with a series of European hits throughout their active years. The duo disbanded in 1984 when their romantic relationship ended.

Solo Career

Solo Albums and Productions

Jacno embarked on his solo career with the instrumental single Rectangle in 1979, marking an early departure from his band work toward minimalist electronic compositions. This piece later found new life when its melody was sampled in Gigi D'Agostino's 1999 international hit "La Passion," introducing his work to a broader electronic dance audience. In the late 1980s and beyond, Jacno released a series of solo albums that showcased his evolving style in synth-pop and chanson, beginning with T'es loin, t'es près in 1989 and continuing with Une idée derrière la tête (1991), Faux témoin (1995), La Part des anges (1999), French paradoxe (2002), and Tant de temps (2006). Parallel to his own recordings, Jacno established himself as a sought-after producer, composer, and arranger for other French artists, contributing to key works such as "Amoureux solitaires" for Lio in 1980, the album Mythomane for Étienne Daho in 1981, Sous influence divine for Daniel Darc in 1987, and Tombé du ciel for Jacques Higelin in 1988.

Film and Television Work

Composer Credits

Jacno earned credits as a composer on a selection of French films and short films over several decades. His most prominent contribution in this capacity was the original score for Éric Rohmer's Les Nuits de la pleine lune (Full Moon in Paris, 1984), where his music supported the film's introspective tone. His film composing career began with short works, including the original music for Copyright (1979) and Rectangle - Deux chansons de Jacno (1980), the latter incorporating his own songs. In later years, Jacno provided scores for additional projects such as Le contrat (1993, short), Variété française (2003), Lulu (2002), Code 68 (2005), and Les toits de Paris (2007). These compositions typically reflected the minimalist electronic approach that characterized his solo music career. No awards, nominations, or extensive television credits are documented in major film databases for his work as a composer.

Personal Life and Death

Relationships and Final Years

Jacno's most notable personal relationship was his long-term partnership with Elli Medeiros, described as a mythical couple in the French music scene. They were companions for over a decade. The couple had one daughter, Calypso Valois, born in 1986. Their relationship ended in separation when Calypso was two years old, following the couple's joint work on the soundtrack for Éric Rohmer's Les Nuits de la pleine lune (1984). Following the separation, Calypso was kept somewhat sheltered from media exposure, with limited access to television and films. Details about Jacno's personal life in his later years, particularly in the period leading up to his illness, remain limited in public sources, with much of the available information centered on his family ties rather than new relationships or daily circumstances.

Death and Legacy

Jacno died of cancer during the night of 5 to 6 November 2009 at the age of 52 in a Paris hospital. His record label Warner France confirmed the news shortly after. He is remembered as one of the pioneers of French punk and a precursor of the country's electronic pop and new wave scenes. Through his early work with Stinky Toys, one of the first French punk groups, and his subsequent instrumental compositions such as "Rectangle," Jacno helped lay the groundwork for synth-based music in France during the late 1970s and early 1980s. His influence extended through production for key figures in the French pop and new wave landscape, shaping the sound of the era and beyond. Contemporary press tributes emphasized his role in bridging punk energy with electronic experimentation, highlighting his lasting impact on French music's evolution.
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