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Jane Lawrence
Jane Lawrence
Jane Lawrence
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Jane Lawrence Smith (February 3, 1915 – August 5, 2005), born Jane Brotherton, was an American actress and opera singer who was part of the New York art scene beginning in the 1950s.[1]

Key Information

Life and work

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Jane Brotherton was born in Bozeman, Montana, and grew up in Mount Vernon, Washington.[1][2] Her father was Lawrence Langham Brotherton, a founder of the Bozeman Canning Company.[2] She attended Mount Vernon High School[3] and the University of Washington School of Drama.[2]

In 1943 she, created the small role of Gertie in Oklahoma! on Broadway. The same year, she married Tony Smith, an architect who later achieved fame as a minimalist sculptor.[1] Her close friend Tennessee Williams was best man at her wedding. The Smiths became the parents of three daughters, Kiki Smith, Seton Smith and Beatrice (Bebe) Smith Robinson.

She performed the lead role in the no wave opera XS: The Opera Opus (1984-6) that was created by composer Rhys Chatham and artist Joseph Nechvatal.[4][1][5]

Her only film role was that of Clementine Brown in Sailor's Holiday (1944) opposite Arthur Lake and Shelley Winters and in which she was credited as June Lawrence.[1]

She died at age of 90 on August 5, 2005, at her home in Greenwich Village, NY.[1]

Broadway appearances

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References

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Jane Lawrence

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Jane Lawrence was an American actress and opera singer known for her performances in the original Broadway casts of Oklahoma!, Inside U.S.A., and Where's Charley?, her transition to opera in Europe including a role at the Salzburg Festival, and her prominent place in the New York Abstract Expressionist art scene through her marriage to architect and sculptor Tony Smith. Born Jane Brotherton on February 3, 1915, in Bozeman, Montana, she began studying theater at age 16 and relocated to New York City by 18, where she quickly established herself on Broadway with roles in major musical productions during the 1940s. She also appeared in the film Sailor's Holiday (1944) under the name June Lawrence. In 1943 she married Tony Smith in Hollywood, with Tennessee Williams serving as best man, and she remained close to Williams, who reportedly drew inspiration from her for aspects of Blanche DuBois in A Streetcar Named Desire. Lawrence became an integral part of the mid-century New York art world, befriending figures such as Jackson Pollock—who painted her in his 1952 work No. 7—and Barnett Newman. In 1950 she moved to Europe to pursue opera, performing as Elettra in Mozart's Idomeneo at the 1951 Salzburg Festival conducted by Georg Solti. After Tony Smith's death in 1980, she returned to acting in avant-garde theater projects. She was the mother of artists Kiki Smith and Seton Smith, and she died on August 5, 2005, in Greenwich Village, New York, at age 90.

Early Life

Birth and Family Background

Jane Lawrence was born Jane Brotherton on February 3, 1915, in Bozeman, Montana. Her father was Lawrence Langham Brotherton, who founded the Bozeman Canning Company (also referred to as the Bozeman Pea Cannery). She grew up in Mount Vernon, Washington.

Education and Early Training

Jane Lawrence was raised in Mount Vernon, Washington, where she spent her formative years. At the age of 16, she began studying theater, marking the beginning of her early training in the performing arts as a teenager in Washington state.

Career

Broadway Appearances

Jane Lawrence appeared in three Broadway musical productions during the 1940s, all as a member of the original opening night casts. She made her Broadway debut creating the role of Gertie Cummings in the original production of Oklahoma!, which opened on March 31, 1943, at the St. James Theatre. This marked her first Broadway credit, in the landmark Rodgers and Hammerstein musical that went on to become one of the longest-running shows in Broadway history at the time. In 1948, Lawrence returned to Broadway in the musical revue Inside U.S.A., where she performed multiple roles including Mrs. Jones, 1st Couple, and Girl Diner, with the production opening on April 30, 1948. Later that same year, she appeared as Donna Lucia D'Alvadorez in Where's Charley?, the musical adaptation of Charley's Aunt, which opened on October 11, 1948. These were her final Broadway appearances.

Film Role

Jane Lawrence appeared in the 1944 comedy Sailor's Holiday, where she was credited as June Lawrence and portrayed the character Clementine Brown. The Columbia Pictures production, directed by William Berke, is a lightweight B-movie centered on lighthearted romantic and comedic entanglements involving sailors. The film starred Arthur Lake and Bob Haymes, with Shelley Winters among the supporting cast. Her obituary notes that she also appeared in three independent films. This screen credit occurred during the 1940s, overlapping with her Broadway activities.

Opera and Later Performances

Jane Lawrence embarked on an opera career in Europe after her earlier work in American theater. She began performing as a soloist in Germany in 1950. The following year, she performed as Elettra in Mozart's Idomeneo at the 1951 Salzburg Festival, conducted by Georg Solti. In 1958, she appeared in a production of Puccini's Turandot with the Greek National Opera in Athens. Following the death of her husband in 1980, Lawrence returned to performance in the 1980s through avant-garde and experimental works. She performed a lead role in the no wave opera XS: The Opera Opus (1984–1986), a collaborative project by composer Rhys Chatham and visual artist Joseph Nechvatal. In 1985, she contributed to another project with Nechvatal by recording a reading from Ovid's Metamorphoses for the audio art piece titled "murmuring tOngue Of Ovid." These later performances, though sparsely documented, reflect her shift toward innovative and multidisciplinary artistic expression in the New York experimental scene.

Personal Life

Marriage to Tony Smith

Jane Lawrence married the architect and sculptor Tony Smith on September 25, 1943, in Santa Monica, California, with her close friend Tennessee Williams serving as the only witness. Other accounts describe the wedding as taking place in Hollywood. She and Williams remained friends until his death in 1983. The marriage lasted until Tony Smith's death from a heart attack on December 26, 1980, in New York City. The couple had three daughters together.

Family and Children

Jane Lawrence and her husband, architect and sculptor Tony Smith, had three daughters: Kiki Smith, Seton Smith, and Beatrice (Bebe) Smith Robinson. Kiki Smith and Seton Smith are both artists. Her daughter Beatrice predeceased her in 1988. At the time of her death, Jane Lawrence was survived by her daughters Kiki and Seton.

Involvement in the New York Art Scene

Jane Lawrence became immersed in the New York art scene during the 1950s through her marriage to the architect and sculptor Tony Smith. Tony Smith was closely connected to leading figures of Abstract Expressionism, including Jackson Pollock and Barnett Newman. Lawrence herself was the subject of one of Pollock's late black-and-white paintings. These relationships positioned her within the mid-20th-century circle of Abstract Expressionist artists in New York, where she lived in Greenwich Village amid the era's vibrant creative community. Her association with this group stemmed primarily from her marriage and social ties rather than her own artistic production in that context.

Death

Later Years and Passing

Jane Lawrence Smith died on August 5, 2005, at her home in Greenwich Village, New York City, at the age of 90. Her death was announced by her family, with no cause reported in public accounts. She was survived by her daughters Kiki Smith and Seton Smith, both artists residing in New York, as well as one granddaughter.

Legacy

Jane Lawrence Smith is primarily remembered for her place within the New York art scene of the 1940s and 1950s, where she formed part of the central circle of Abstract Expressionist artists and their companions. As the wife of sculptor and architect Tony Smith, she was one of the last survivors of that influential group, which included close associations with figures such as Jackson Pollock, who depicted her in his 1952 painting No. 7, now in the collection of the Metropolitan Museum of Art. Her legacy also reflects her earlier contributions to Broadway theater, notably her appearance in the original production of Oklahoma!, alongside her work as an opera singer in Europe during the early 1950s and her later engagements in avant-garde theater after Tony Smith's death in 1980. As the mother of artists Kiki Smith and Seton Smith, she maintained enduring family ties to prominent figures in the contemporary art world. Her life bridged performing arts and the visual arts milieu of mid-century New York, though documentation of her professional career remains more limited beyond her early stage and operatic work.
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