"Jesus Walks" is a song by American rapper Kanye West. It was released on May 25, 2004, as the fourth single from his debut album The College Dropout (2004). The song contains a sample of "Walk with Me" as performed by the ARC Choir. "Jesus Walks" was acclaimed by music critics, who praised its compelling sonic atmosphere and boldness in its open embrace of faith. It was met by widespread commercial success, peaking at No. 11 on the Billboard Hot 100 and becoming West's fourth consecutive top-twenty hit in the United States.

The single was accompanied by three separate music videos, each of which visually interpreted a portion of its multifaceted context in different ways. "Jesus Walks" continues to be a crowd favorite and stands as one of the most-performed songs by West, who has included it within all of his headlining tours. At the 47th Grammy Awards, "Jesus Walks" was awarded the Grammy Award for Best Rap Song, and received a nomination for Song of the Year.

Various publications placed the song on several year and decade-end lists, and have since listed it among the greatest of all time. The song was named the best song of 2004 on Village Voice's Pazz & Jop critics poll. Pitchfork listed it at No. 123 on its list of the 200 Best Songs of the 2000s, while NME placed it at No. 69 on its list of the "150 Best Tracks of the Past 15 Years" in October 2014. Rolling Stone named the song No. 19 on their list of the 100 Best Songs of the 2000s, and later placed it at No. 273 on its 2010 list of The 500 Greatest Songs of All Time.

The song is essentially a spiritual exultation, wherein West discusses how Jesus "walks" with all manner of people, from the sinner to the saint. Towards this end, the first conceptual verse of the song is told through the eyes of a drug dealer contemplating his relationship with God. It reportedly took over six months for West to draw inspiration for the second verse. West also uses the song to express his critical views on how the media seem to shy away from songs that address matters of faith, while embracing songs discussing violence, sex, and illegal drugs. He rhymes, "So here go my single, dawg, radio needs this/They say you can rap about anything except for Jesus/That means guns, sex, lies, video tapes/But if I talk about God my record won't get played, huh?" This is directly taken from West's experiences when he was struggling to get signed onto a record label; many executives turned him down after he played a demo of the song for them. They reasoned that he did not conform to the stereotypes associated with mainstream hip-hop and therefore was not easily marketable. Many of his friends in the music industry also warned him that while the song was outstanding, it would never make it to radio.

"Jesus Walks" is a mid-tempo hip-hop song. It is set in common time with a moderate tempo of 87 beats per minute and composed in the key of E-flat minor. The song expresses a pulsating rhythm reminiscent to that of a marching band. The rhythm is accompanied by background vocal samples from the ARC Choir's arrangement of the traditional gospel song "Walk With Me" that emit a chant in cadence to the beat. Because of these elements, the composition has been widely described as evoking a militaristic atmosphere. The song begins with a medium tempo followed by its backing vocals and choral arrangement. After West's brief opening dialog, a drumroll sounds and the track's titular hook is belted by the ARC (Addicts Rehabilitation Center) choir and coupled with the chorus. Meanwhile, the song's melody is laced with auto-tune-processed gospel wails. Over time the song amasses itself, exhibiting multi-tracked violin flourishes and momentary vocal solos, gradually growing in intensity before peaking and immediately dissipating. The song repeats this process several times until it fades away completely at its conclusion.

The militant soundscape of "Jesus Walks" is complemented by its lyrical nuances. In the intro, the voice of a drill sergeant initiates the song with an "Order Arms" and is answered by a squad of soldiers who shout "1-2-3-4!" This exchange is followed by West's opening lines, where he declares, "we are at war with ourselves." West retains a considerable amount of dynamics in his rap delivery, as his flow features constant shifts in cadence, pitch, and volume over the simplistic rhythm. During the chorus, his voice builds in intensity in conjunction with the similarly swelling track, and peaks and fades away just before it follows suit. He also employs various rhyme schemes and phrasal techniques, at one point even using a call-and-response pattern.

The single received universal acclaim from critics for its open embracement of faith in the face of the oft-secular music industry, with many expressing their astonishment that such an overtly religious song was embraced by radio. In a review of The College Dropout, Village Voice characterized the song as a "desperate masterpiece." Stylus Magazine music reviewer Josh Love cited "Jesus Walks" as the best song on the entire album, saying "Kanye makes his spiritual toil sound like triumph thanks to martial drums and a little gospel choir fervor, sounding a clarion call of salvation to all would-be doubters and haters. He swears that he's not trying to 'convert atheists into believers,' but listening to The College Dropout might just convince you that Kanye West is the Second City's Second Coming." The Los Angeles Times similarly considered "Jesus Walks" to be the highlight of the album, stating, "Its pulsating drums serve as the perfect backing for West's reflections on his own mistakes as well as hip-hop's tendency to focus on negative subject matter." PopMatters, which hailed "Jesus Walks" as the year's best single, listed the song as one of the primary tracks which exemplified the thoughtfulness and scholastic complexity inherent of The College Dropout as a whole, commenting that, "On 'Jesus Walks' Kanye proclaims his devotion to Jesus as seriously as the most devotional hymn singer would, while illustrating the way he falls in and out of what he perceives as the good path to follow. 'I wanna talk to God but I'm afraid cause we ain't spoke in so long,' he confesses, but then he goes ahead and asks us all to join him in that conversation, to push the song onto radio and push the divine into the heart of public dialogue. Extra dimensions are added to the song by the intense, cinematic presence it has, with all of the drama of a gangster film's climactic scenes, and by a Curtis Mayfield drop that makes the song ripe for a study of intertextuality."

Alongside its subject matter, the production quality of the track received equal acclaim, with Garry Mulholland of The Observer chronicling it as "[a] towering inferno of martial beats, fathoms-deep chain gang backing chants, a defiant children's choir, gospel wails, and sizzling orchestral breaks." Kelefa Sanneh of The New York Times, who classified "Jesus Walks" as a gospel song, concurred with this sentiment, describing the song's choral arrangement as "clever". Blender likened the beat of the song to a "phantom marching army", and Entertainment Weekly testified that the "lush, intricate" production of the track gave off an "uplifting" presence. Time magazine critic Josh Tyrangiel declared "Jesus Walks" as "one of those miraculous songs that you hear for the first time and immediately look forward to hearing on a semiregular basis for the next 30 or 40 years." Sasha Frere-Jones of The New Yorker asserted that the song, "sounds simultaneously like V-Day and like a funeral" and concluded his review stating, "In a different year, 'Jesus Walks' might register as an eccentric's conflation of faith, commerce, and war. In 2004, it's a popular state of consciousness."