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Jigarwala
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| Jigarwala | |
|---|---|
 | |
| Directed by | Swaroop Kumar |
| Produced by | Surinder Kaur Jerath |
| Starring | Anil Kapoor Tina Munim |
| Music by | Nadeem-Shravan |
Release date |
|
| Country | India |
| Language | Hindi |
Jigarwala is a 1991 Indian Bollywood film directed by Swaroop Kumar and produced by Surinder Kaur Jerath. It stars Tina Munim and Anil Kapoor in pivotal roles.[1] This movie marked the final film appearance of Tina Munim. This movie also has one of the last released songs sung by Kishore Kumar, picturised on Jagdeep.
Cast
[edit]- Anil Kapoor as Amar Singh
- Tina Munim as Sohni
- Amrish Puri as Durjan Singh
- Gulshan Grover as Lakhan Singh
- Jagdeep as Shyamu
- Priti Sapru as Tara Singh
- Urmila Bhatt as Sohni's Mother
- Biswajeet as Ranjeet Singh
- Sanjay Jog as Khawali
Soundtrack
[edit]| Song | Singer |
|---|---|
| "Badi Mushkil Mein Jaan Hai" | Kishore Kumar |
| "Nakhre Na Kar" | Amit Kumar |
| "Hum To Hain Teen Bhai, Sun Le Zara, Koi Nahin in Mein Hai" | Amit Kumar, Asha Bhosle |
| "Aisa Lagta Tha Yeh Bairi Sawan Chala Jayega Tumhare Bina" | Amit Kumar, Asha Bhosle |
| "Apne Aashiq Ko Pehchano" | Mohammed Aziz |
| "Chale Hain Barati Ban Thanke" | Shabbir Kumar, Asha Bhosle |
References
[edit]- ^ "Movie Overview". Bollywood Hungama. 13 August 2011. Retrieved 15 May 2012.
External links
[edit]
.svg){kind=small} | This article about a Hindi film of the 1990s is a stub. You can help Wikipedia by adding missing information. |
Jigarwala
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Background
Development
Jigarwala was conceived by director Swaroop Kumar as a revenge drama set in rural India, incorporating common Bollywood tropes involving zamindar oppression. The screenplay was penned by Gyandev Agnihotri, with a focus on themes of justice and family vengeance.[6] Development commenced around 1982, when producer Surinder Kaur Jerath signed Anil Kapoor, then a newcomer prior to the release of his debut film Woh Saat Din (1983), for the lead role at a fee of 1.5 lakhs.[7] Jerath secured funding through Vishaal Raaj Productions, with the overall production budget estimated at 35 lakhs.[7][6] The project, initially announced in the mid-1980s, encountered delays due to scheduling conflicts and distributor challenges, ultimately leading to its completion and release in 1991.[7]Pre-production
The pre-production of Jigarwala commenced in 1982, with Anil Kapoor signed on as the lead actor Amar Singh while he was still an emerging talent prior to the release of his breakthrough film Woh Saat Din in 1983.[7] Tina Munim was cast in the pivotal role of Sohni, marking this as her final acting appearance before retiring from Bollywood to focus on personal life and philanthropy.[8] The ensemble supporting cast included Amrish Puri as the antagonist Dhurjan Singh, Gulshan Grover as Lakhan Singh, and Jagdeep as the comic character Shyamu, selected to balance dramatic tension with lighter elements in the narrative.[9] The process faced significant challenges, including prolonged delays attributed to scheduling conflicts, particularly Anil Kapoor's unavailability for shoots, which extended pre-production over several years before principal photography could advance.[7] These issues were compounded by the actors' scheduling conflicts over the subsequent years.[8]Cast and crew
Cast
The cast of Jigarwala features a mix of established Bollywood stars and supporting actors who brought depth to the film's rural revenge drama. Leading the ensemble is Anil Kapoor as Amar Singh, the determined protagonist driven by a quest for vengeance against a tyrannical landlord, marking one of his early action-hero showcases amid his ascent in the industry during the early 1990s.[1][10] Tina Munim portrays Sohni, Amar's love interest and emotional support, in what would be her final film role before marrying industrialist Anil Ambani and retiring from acting in 1991.[1][8] Amrish Puri delivers a commanding performance as Dhurjan Singh, the ruthless zamindar and primary antagonist whose oppression fuels the central conflict.[11][10] In supporting roles, Gulshan Grover plays Lakhan Singh, Dhurjan's loyal and menacing henchman, adding intensity to the film's action sequences.[1] Biswajeet Chatterjee appears as Ranjeet Singh, Amar's elder brother whose early demise sets the plot in motion.[1] Priti Sapru takes on the role of Tara Singh, a key family member providing emotional grounding amid the turmoil.[10][11] Jagdeep offers comic relief as Shyamu, the bumbling village character who lightens tense moments.[10] Urmila Bhatt rounds out the family dynamics as Sohni's mother, emphasizing the personal stakes for the leads.[1] The film also includes minor roles filled by actors such as Shahid Bijnori and Bharat Kapoor, who contribute to the village ensemble and portray figures like corrupt officials, enhancing the communal atmosphere without overshadowing the principals.[12][10]Crew
Swaroop Kumar served as the director of Jigarwala, guiding the film's overall artistic vision as a revenge drama centered on rural conflict and familial bonds.[1] The production was handled by Surinder Kaur Jerath, who oversaw the financial and logistical aspects of the project.[12] Nadeem-Shravan composed the soundtrack, blending emotional ballads with upbeat action-oriented tracks that aligned with the duo's signature style during their prominent phase in early 1990s Bollywood music.[13]Plot
Synopsis
In a small village, Ranjeet Singh (Biswajeet Chatterjee), a principled farmer, lives happily with his wife Laxmi and young brother Amar (in a childhood role).[4] Tensions rise when Ranjeet openly opposes the tyrannical zamindar Dhurjan Singh (Amrish Puri), who exploits the villagers through unfair taxes and land grabs.[4] Enraged by the defiance, Dhurjan orders his henchmen to murder Ranjeet, leaving Laxmi and young Amar to flee the village in fear for their lives.[4] In the chaos, plainclothes police intervene, apprehending Dhurjan, who is convicted and imprisoned for the crime.[4] Years pass, and Amar grows into a strong, determined young man in the city, fueled by memories of his family's tragedy.[1] Upon Dhurjan's release from prison, he returns to the village only to discover that his own son, Jagga, has been mysteriously killed in his absence, deepening his thirst for vengeance against the villagers he suspects.[4] Meanwhile, Amar decides to return to the village, allying with the oppressed villagers to expose Dhurjan's corruption and confront his henchman Lakhan (Gulshan Grover), a ruthless enforcer who continues to terrorize the community.[4] [14] Amid the escalating conflict, Amar develops a romantic relationship with Sohni (Tina Munim), the daughter of a local villager, whose support provides emotional solace and strengthens his resolve during intense action sequences and confrontations.[14] Musical numbers, including romantic duets and motivational songs, are woven into the narrative to advance the plot and highlight Amar's journey.[1] The story builds to a gripping climax as Amar uncovers the truth behind Jagga's death—linked to Dhurjan's past crimes—and leads the villagers in a series of fierce fights against Lakhan and Dhurjan's forces.[4] In the final showdown, Amar battles Dhurjan directly, avenging his brother's murder through skillful combat and the collective stand of the community.[4] Dhurjan meets his downfall, his empire crumbles, and justice is restored to the village, allowing Amar and Sohni to envision a peaceful future together while Laxmi reunites with her son.[4] This classic three-act revenge tale emphasizes themes of resilience and communal unity, integrated seamlessly with Bollywood-style action and melody.[1]Themes and motifs
The film Jigarwala centers on themes of justice against oppression, family loyalty, and rural exploitation by zamindars, portraying vengeance as a moral imperative in the face of systemic injustice. The narrative follows Amar's quest to avenge his family's murder at the hands of the tyrannical zamindar Dhurjan Singh, highlighting how feudal lords exploit impoverished villagers through extortion and violence, such as burning crops to enforce tax compliance.[4] This underscores family bonds as a driving force, with Amar's loyalty to his late brother Ranjeet motivating his return to the village to dismantle the zamindar's reign.[4] Recurring motifs emphasize the stark contrast between village poverty and the zamindar's opulence, symbolized through visual depictions of rundown huts juxtaposed against lavish havelis, reinforcing the economic divide perpetuated by feudal structures. Songs play a key role in underscoring emotional turmoil, notably Kishore Kumar's "Badi Mushkil Mein Jaan Hai Phansi," which conveys the protagonist's inner grief and determination amid loss.[13] These musical interludes provide emotional depth, blending melancholy with resolve to amplify the personal stakes of vengeance.[13] The film offers social commentary on feudalism in post-independence India, critiquing lingering traditions of landlord dominance despite legal reforms, with Amar emerging as a modern hero who challenges archaic power dynamics through law and direct confrontation.[4] This portrayal reflects broader Bollywood tropes of the 1990s, where rural heroes dismantle exploitative systems to restore equity. Stylistically, Jigarwala employs melodramatic action sequences, characterized by intense fistfights and chases, within the typical masala framework that intersperses romance and comedy to balance tension.[15] These elements create an engaging, multi-genre experience emblematic of the era's commercial cinema.[15]Production
Filming
Principal photography for Jigarwala began in 1982 but faced significant delays over several years before its completion and release in 1991.[16] The production was marked by scheduling issues, with lead actor Anil Kapoor, then a newcomer prior to the release of Woh 7um Din in 1983, reportedly contributing to the postponements by not prioritizing shoots.[16] By 1989, distributors were actively bidding for territorial rights, indicating that major filming and post-production phases were nearing an end, though exact shooting timelines remain undocumented in available records.[16] On-set tensions arose due to these delays, culminating in an incident where producer Surinder Kaur Jerath slapped Anil Kapoor outside a suburban hotel in frustration over his tardiness in completing shooting and dubbing commitments.[16] The film's budget was set at 35 lakhs, with Kapoor signing on for 1.5 lakhs in 1982, reflecting the modest scale of the project amid its prolonged timeline.[16] Co-star Tina Munim, one of Bollywood's top actresses at the time, participated in the early stages, making Jigarwala her final released film before retiring from acting.[16]Post-production
Following principal photography, the raw footage for Jigarwala was edited to achieve a final runtime of approximately 135 minutes.[1] The original score composed by the duo Nadeem-Shravan was integrated with the dialogue tracks.[17] The film obtained censor certification from the Central Board of Film Certification on August 3, 1990, clearing it for theatrical release.[18]Soundtrack
Composition
The soundtrack of Jigarwala was composed by the music director duo Nadeem-Shravan, renowned for their melodic romantic compositions in early 1990s Bollywood films.[13] They created six songs that blended folk influences with romantic ballads to complement the film's rural village setting and themes of familial bonds and vengeance.[13][4] Lyrics for the songs were penned by a team of writers, including Surendra Sathi, Aziz Khan Shahani, Madan Pal, Gauhar Kanpuri, and Rani Malik, emphasizing emotional depth around love, loss, and rustic life.[13] Notably, the track "Badi Mushkil Mein Jaan Hai Phansi," featuring vocals by Kishore Kumar alongside Shahid Bijnori and Johnny Whisky, marked one of the legendary singer's final posthumously released recordings, with lyrics by Surendra Sathi capturing poignant sentiments of hardship and resilience.[13] Recording sessions occurred in prominent Mumbai studios, including Film Centre, Mehboob Studios, and Famous Tardeo, during the film's production in 1990, utilizing live orchestration with assistance from Kishore Sharma and Gajanan Vatve to achieve an authentic, layered sound.[13] The overall style reflected Nadeem-Shravan's signature early 1990s aesthetic, incorporating melancholic melodies for dramatic sequences and upbeat, celebratory tracks to underscore action and communal moments.[13]Track listing
The soundtrack of Jigarwala features six songs composed in a typical early 1990s Bollywood style, released on cassette by T-Series with a total runtime of approximately 33 minutes.[13][17][19]| No. | Title | Singer(s) | Duration |
|---|---|---|---|
| 1 | "Hum To Hai Teen Bhai" | Asha Bhosle, Amit Kumar | 6:43 |
| 2 | "Apne Ashiq Ko Pehchano" | Mohammed Aziz | 4:37 |
| 3 | "Chale Hain Barati" | Asha Bhosle, Shabbir Kumar | 5:29 |
| 4 | "Badi Mushkil Mein Jaan Hai Phansi" | Kishore Kumar, Shahid Bijnori, Johnny Whisky & Chorus | 5:55 |
| 5 | "Nakhre Na Kar Sar Jhukana Padega Banke Dulhan" | Amit Kumar | 4:34 |
| 6 | "Aisa Lagta Tha Ye Bairi Sawan" | Asha Bhosle, Amit Kumar | 5:31 |