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Jon Bunch
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Key Information
Jonathan Bunch (October 25, 1970 – January 31, 2016) was an American rock singer and songwriter, known for fronting the post-hardcore band Sense Field and rock band Further Seems Forever. He went on to form the post-hardcore band War Generation, and, at the time of his death, he was the lead vocalist known as "Johnny Scars" for the band Lucky Scars.
Biography
[edit]Bunch was born Jonathan James Esbern Bunch in Harbor City, California, and came up in the hardcore punk rock scene in the South Bay of Los Angeles. He and Chris Evenson founded the hardcore punk band Reason to Believe (1986–1990). The band released The Next Door and When Reason Sleeps Demons Dance on the hardcore and punk label Nemesis Records.[1]
Bunch and his Reason to Believe bandmates evolved to form the post-hardcore band Sense Field (1990–2004), an emo band.[2] The band signed to Revelation Records and later to Warner Bros. Records. Sense Field released five albums and six EPs in the United States.[3]
Under the Canadian independent label Nettwerk, the band saw its greatest mainstream success with the single "Save Yourself" from the 2001 album Tonight and Forever.[4] The song also appeared on the soundtrack for the science fiction series Roswell.[5] During that period, Sense Field also appeared on The Tonight Show and The Late Late Show. Bunch and Evenson were featured in a pictorial spread for Rolling Stone.[6] The group disbanded in early 2004.
Later in 2004 Bunch joined the Florida-based post-hardcore band Further Seems Forever and recorded one album with them entitled Hide Nothing.[7] He sang with that outfit until 2006. That same year, Bunch and his Further Seems Forever bandmate, Derick Cordoba, toured Europe under the banner Fields Forever, playing acoustic versions of Sense Field and Further Seems Forever songs.
In late 2012 Bunch reunited with his Sense Field bandmates for two Revelation Records 25 Year Anniversary shows on June 7, 2012, at The Glass House in Pomona, California,[8] and on January 6, 2013, in Chicago.[9] Bunch was fronting the post-hardcore band War Generation, which he formed with Brad Lehmann (Maylene and the Sons of Disaster). War Generation is currently signed to Rise Records.[10] Their album, Start Somewhere, Never Surrender, was released September 3, 2013.[11] War Generation supported the album with a U.S. tour with The Red Jumpsuit Apparatus in the fall of 2013.
Bunch died on January 31, 2016, in Irvine, California, at the age of 45. His cause of death was ruled a suicidal overdose.[12] The autopsy revealed high levels of diphenhydramine, small amounts of alcohol and methamphetamine, and heart disease due to high blood pressure.
References
[edit]- ^ "Discogs Nemesis Records page". Discogs.
- ^ "Revelation Records". Archived from the original on 2016-04-04. Retrieved 2013-08-18.
- ^ "Allmusic.com discography". AllMusic.
- ^ "MTV". MTV. Archived from the original on December 12, 2012.
- ^ "Rolling Stone, Dec., 14, 2001". Rolling Stone. 14 December 2001.
- ^ "Rolling Stone". Rolling Stone. Archived from the original on May 10, 2014.
- ^ "Punknews.org". 23 February 2004.
- ^ "Revelation Records". Archived from the original on 2014-04-19. Retrieved 2013-08-18.
- ^ "Punknews.org". 8 November 2012.
- ^ "Alternative Press". Alternative Press.
- ^ "Amazon Release Page". Amazon. 2013.
- ^ DURANTY, ALYSSA. "Musician's death ruled suicidal overdose". The Orange County Register. Retrieved 2016-11-14.
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Jon Bunch
View on Grokipediafrom Grokipedia
Early career
Reason to Believe
Reason to Believe, Jon Bunch's first band formed in 1986 with guitarist Chris Evenson, produced a limited but influential body of work in the late 1980s Los Angeles hardcore punk scene. Their output emphasized raw, energetic recordings that blended aggressive rhythms with melodic elements, capturing the band's DIY ethos through lo-fi production techniques typical of the era's independent hardcore releases.[7][1] The band's earliest recording was a self-released demo cassette in 1987, captured over two days at South Bay Sound in California. This single-sided tape showcased their initial sound—fast-paced old-school hardcore punk with powerful, unpolished energy—but remains obscure, with limited distribution and no widely documented track listing beyond its raw, formative quality.[8][9] In 1988, Reason to Believe issued their debut EP, The Next Door, initially on Soul Force Records and reissued by Nemesis Records. The six-track 7-inch vinyl featured a pressing in translucent colored variants, reflecting the punk scene's emphasis on affordable, collectible formats. The EP's production was straightforward and unadorned, highlighting Bunch's intense vocal delivery alongside the band's tight instrumentation. Track listing:- True Love Always
- Mind On Paper
- Simplicity
- Rollercoaster
- New Foundation
- Pictures Upside Down[10]
- Places
- Again And Again
- Drawing Board
- Next Door
- Eyes Of The People
- Settled Thru
Formation of Sense Field
Sense Field was formed in 1990 in Harbor City, California, evolving directly from the ashes of Jon Bunch's previous hardcore punk band, Reason to Believe, amid frequent lineup instability in the local scene. Bunch served as lead vocalist, joined by guitarist Chris Evenson, second guitarist Rodney Sellars, bassist John Stockberger (also known as "Slow Johnny"), and drummer Scott McPherson. This core group marked the band's pivot from straight-ahead hardcore toward a more expansive sound.[14][15][1] Drawing on Bunch's experience with Reason to Believe's aggressive punk roots, Sense Field blended hardcore energy with melodic and atmospheric elements, influenced by post-hardcore acts like Jawbreaker, Samiam, and emerging emo pioneers. As Bunch noted, the band members were "all punk rock kids playing in bands rooted in punk rock, playing our own styles of music," which allowed them to infuse their work with greater emotional depth from the outset. Initial lineup tweaks occurred as the group solidified, but the foundational quintet remained intact for early recordings.[1][15] The band self-released their debut five-song EP, Sense Field, in 1991 on their independent Run H2O Records label, capturing their raw, transitional style. After building buzz through local performances, they connected with Revelation Records founder Jordan Cooper, who attended early shows and recognized their extension of hardcore traditions; this led to a signing that facilitated wider distribution. In 1994, Revelation issued the band's first full-length album, Killed for Less, alongside a compilation reissuing the 1991 EP and 1993's Premonitions EP, along with two previously unreleased tracks, under the simple title Sense Field. These releases highlighted a clear thematic evolution, with Bunch's lyrics shifting toward introspective explorations of personal struggle and hope, setting Sense Field apart in the post-hardcore landscape.[16][1][15] Sense Field cultivated a loyal following in the emo and post-hardcore underground via pivotal early tours, including gigs at Los Angeles venues like the Maconda Club and Jabberjaw, where they shared bills with like-minded acts such as Jimmy Eat World and Mineral. Bunch reflected that their music appealed to diverse crowds, noting, "We were the one band on the bill that girls could come down on the floor and watch without worrying about getting hurt," which helped foster a dedicated, emotionally engaged fanbase during the early 1990s DIY circuit.[1]Sense Field
Early releases and indie success
Sense Field's indie era with Revelation Records began with the distribution of their 1993 mini-album Premonitions, a seven-track EP that showcased the band's raw post-hardcore energy blended with melodic introspection.[17] This release, originally self-produced on Run H2O Records, marked their entry into the label's roster and helped solidify their presence in the Southern California punk scene through its dynamic shifts between aggressive riffs and emotive builds. Following closely, the 1994 full-length Killed for Less expanded on this foundation with fourteen tracks of urgent, harmony-driven songs that emphasized emotional depth over straight-ahead aggression.[18] That same year, Revelation reissued the band's early self-released EPs as a self-titled compilation, adding two unreleased tracks and providing a comprehensive entry point for new listeners into their evolving catalog.[19] The pinnacle of their indie output arrived with the 1996 album Building, mixed by Andy Wallace, which refined their sound into a more polished alternative rock framework while retaining hardcore roots.[20] Throughout these releases, Sense Field's music evolved by fusing alternative rock's accessibility with emo's confessional intensity, characterized by Jon Bunch's soaring, versatile vocals that shifted from harmonious croons to raw howls.[15] Lyrics often explored themes of hope, redemption, and personal resilience, as heard in tracks like "Today and Tomorrow" from Killed for Less, where Bunch's delivery conveyed optimism amid struggle.[1] This stylistic progression, rooted in the band's post-hardcore origins, allowed them to transcend genre constraints and appeal to a broadening audience within the underground.[21] The band's indie releases garnered strong critical acclaim in underground publications, with Killed for Less praised for its "powerful songs that take music to a new level of dynamics" and innovative blend of punk ferocity and melodic release.[18] Building further elevated their reputation, earning recognition for its emotional urgency and harmonic sophistication, which critics noted as a benchmark for melodic hardcore.[15] Sense Field's work during this period exerted significant influence on second-wave emo, inspiring bands like Jimmy Eat World and The Get Up Kids through its emphasis on cathartic, uplifting songcraft that bridged hardcore and pop sensibilities.[1] To promote these albums, Sense Field undertook extensive touring across the U.S. and internationally from 1994 to 1996, building a dedicated fanbase through high-energy live performances that captured their dynamic range. They secured support slots with prominent acts like Jawbox and Texas Is the Reason, exposing them to larger audiences and fostering connections within the post-hardcore community.[1] These tours, often grueling van-based treks, underscored their commitment to grassroots growth under Revelation's indie umbrella. The band's lineup remained stable during this phase, with core members Jon Bunch on vocals, guitarists Chris Evenson and Rodney Sellars, bassist John Stockberger, and drummer Scott McPherson providing consistent creative synergy since formation.[15] Operating under Revelation Records afforded them substantial artistic control, enabling experimentation without major-label interference and allowing their hopeful, redemptive ethos to flourish authentically in the indie punk ecosystem.[21]Major label era and mainstream exposure
Following the underground success of their 1996 album Building on Revelation Records, Sense Field entered into an upstream distribution deal with Warner Bros. Records, which provided major-label backing while retaining their indie roots. This arrangement marked the band's initial foray into broader commercial opportunities, but tensions arose when they recorded a full-length album tentatively titled Under the Radar. Key personnel changes at Warner Bros., including the firing of their supportive A&R representative, led to creative frustrations and the label ultimately shelving the project, resulting in a prolonged delay for the material.[1] In 2001, Sense Field signed with the independent label Nettwerk Productions and released Tonight and Forever, which incorporated re-recorded tracks from the abandoned Warner sessions alongside new material exploring themes of personal redemption and emotional resilience. The album's title track, "Save Yourself," became the band's signature song, featured in a re-mixed version on the soundtrack for the WB television series Roswell, boosting its visibility. This exposure helped propel the single to mainstream radio play and established Sense Field's most significant commercial breakthrough to date.[1][22] The momentum from "Save Yourself" led to high-profile television performances, including appearances on The Tonight Show with Jay Leno in April 2002 and The Late Late Show with Craig Kilborn in February 2002, where the band showcased their energetic live sound to national audiences. These slots represented a pinnacle of mainstream recognition, fulfilling long-held aspirations for vocalist Jon Bunch and his bandmates after years of grassroots touring.[1] Sense Field's follow-up, Living Outside, arrived in 2003 on Nettwerk, adopting a more experimental approach with influences from New Wave and electronic elements, including swirling synths, electronic drums, and piano arpeggios that expanded beyond their post-hardcore foundations. However, the album faced promotional hurdles when Nettwerk lost its distribution partnership with Capitol Records, limiting its reach amid shifting industry dynamics. Compounding these challenges, internal lineup instability—particularly the departure of drummer Scott McPherson—fueled creative differences, culminating in the band's announcement of an indefinite hiatus in January 2004 after a world tour.[1][23]Further Seems Forever and mid-career
Joining the band
In early 2004, following the breakup of Sense Field, Further Seems Forever faced another vocalist transition when Jason Gleason departed the band due to escalating interpersonal conflicts and a shift toward a more business-oriented dynamic that diminished the group's original enjoyment.[24] The remaining members, including guitarist Derick Cordoba and drummer Chad Neptune, sought a replacement with roots in the post-hardcore scene, leading them to invite Jon Bunch, whose emotive style from Sense Field aligned with their emo and alternative rock direction; Bunch, familiar with the band from prior Florida tours, agreed to join after reviewing their material and recognizing the potential for collaboration.[1] Bunch's integration was swift, bypassing a formal audition process as the band emphasized immediate creative synergy during initial remote exchanges of song ideas.[1] Rehearsals focused on adapting Bunch's vocal approach—characterized by its raw passion and melodic intensity—to the band's established sound, with preparations centering on developing new tracks for their upcoming release; this quick alignment allowed the group to maintain momentum, as Bunch's contributions brought a matured lyrical depth that complemented Cordoba and Neptune's instrumentation.[1][25] The lineup change was announced in mid-2004 alongside promotion for the band's third album, eliciting mixed reactions within the emo community, where some fans expressed loyalty to previous vocalists like Chris Carrabba and Jason Gleason while others welcomed Bunch's fresh perspective rooted in Sense Field's legacy.[2] Early promotional efforts included sharing demo snippets of new material, building anticipation for the full album without prior standalone singles, and positioning Bunch as a seamless addition to sustain the band's evolving identity.[1][26]Hide Nothing and subsequent tours
Following his integration into Further Seems Forever, Jon Bunch co-wrote the lyrics for all tracks on the band's third studio album, Hide Nothing, including the title track "Hide Nothing" and "Call on My Life."[1] The album was recorded in 2004 at producer James Paul Wisner's home studio outside Orlando, Florida, where Bunch had just one week to compose and record his vocal parts; he demoed two songs initially and completed one per day thereafter, with the band reviewing contributions remotely via email.[1] Released on August 24, 2004, by Tooth & Nail Records, Hide Nothing marked the band's sole full-length with Bunch on lead vocals and blended emo's emotional introspection with pop-punk's energetic hooks, featuring layered instrumentation and shifting time signatures across its 10 tracks.[27][28] The album's lyrics explored themes of vulnerability, personal grace, and faith, reflecting an urgency and hope that resonated through songs like the opener "Light Up Ahead" and the ballad "Like Someone You Know."[28][29] Critics praised Bunch's refined, passionate vocal delivery as a highlight, noting it surpassed the raw energy of prior singers while elevating the band's mature songcraft, though some observed the record's studio polish contrasted with less dynamic live showings.[28][1] Reviews described Hide Nothing as the group's most cohesive effort to date, with no weak tracks and a balance of upbeat rockers and mellow moments that solidified their emo/indie-rock standing.[28][30] To promote the album, Further Seems Forever headlined extensive U.S. tours in late 2004 and early 2005, including a month-long North American run with Sparta, Copeland, and Sunshine that spanned 25 dates from Houston to Los Angeles.[31] They also shared bills with The Starting Line on multiple East Coast shows in February and March 2005, alongside acts like Days Away and JamisonParker.[32] The band extended their efforts to Europe in May and June 2005, performing across the continent and United Kingdom with additional support from bassist Thomas Rankine.[1] These outings, which continued through 2006 including trips to Japan, showcased Bunch's stage presence despite challenging logistics like long drives and sparse promotion on some U.S. legs.[1] In 2006, Bunch joined forces with Further Seems Forever bandmate Derick Cordoba for the acoustic "Fields Forever" tour, a collaborative effort blending songs from both bands as a farewell gesture amid the group's impending dissolution.[33] The tour included European dates, such as a July performance in Germany with additional Sense Field and Further Seems Forever members, emphasizing shared emo roots in intimate settings.[34]Later projects
War Generation
War Generation was a short-lived punk rock project formed by Jon Bunch in collaboration with guitarist and bassist Brad Lehmann following his departure from Further Seems Forever, marking a return to Bunch's early punk influences from the 1980s Los Angeles scene.[35] The duo, along with drummer Craig Anderson, self-recorded the album using personal funds, with vocals and guitars captured at Papersound Studios in St. Petersburg, Florida, bass tracked at home, and drums at The Racket Room Recording Studios, before mixing at Rain City and mastering at Interlance Audio.[36] Released on September 3, 2013, via Rise Records, Start Somewhere, Never Surrender stands as the band's sole studio album, comprising 11 tracks that pay homage to Bunch's punk roots while exploring personal struggles through raw, energetic songwriting.[35][37] Bunch's lyrics on the album emphasize themes of resilience and perseverance, drawing from his experiences in the punk ethos of defiance and self-reliance, as evident in the title track "Start Somewhere" and the anthemic closer "Never Surrender."[38] The project produced no EPs or full-length follow-ups, focusing instead on this single release that blended hardcore punk aggression with melodic elements reminiscent of Bunch's prior work.Studio Album
| Track No. | Title | Duration |
|---|---|---|
| 1 | Nobody | 3:09 |
| 2 | Done and Gone | 2:56 |
| 3 | Keeping Quiet | 2:30 |
| 4 | Hardcore Love | 2:33 |
| 5 | Wake Up | 2:46 |
| 6 | Scratch to Survive | 2:52 |
| 7 | Collateral Damage | 3:05 |
| 8 | Do It Yourself | 2:45 |
| 9 | Start Somewhere | 3:12 |
| 10 | Never Surrender | 2:58 |
| 11 | Hybrid Moments (Misfits cover) | 1:38 |
Singles
The album spawned promotional singles to build anticipation for its release. "Done and Gone" was released as the lead single in July 2013, with an official music video following in August 2013 that highlighted the band's raw punk energy.[39][40] Additional tracks like "Do It Yourself" received streaming promotion via Rise Records' platforms, but no further standalone singles were released.[41]Reunions and Lucky Scars
In the early 2010s, Sense Field reunited for a pair of performances celebrating Revelation Records' 25th anniversary, marking a significant return for the band and vocalist Jon Bunch after years of relative inactivity. The first show took place on June 7, 2012, at The Glass House in Pomona, California, where the lineup—including Bunch on vocals, Chris Evenson on guitar, and other original members—delivered a high-energy set drawing from their catalog.[42] The performance featured classics such as "Overstand," "Outlive the Man," and "Sage," evoking strong nostalgia among attendees.[42] Bunch later reflected on the experience as deeply fulfilling, noting his profound connection to his bandmates and the joy of playing together again.[1] The reunion continued with a second show on January 6, 2013, at the House of Blues in Chicago, Illinois, alongside acts like Texas Is the Reason and Into Another as part of the ongoing anniversary events.[43] This performance further highlighted the band's enduring chemistry and Bunch's charismatic stage presence, with fans praising the raw emotion in songs like "Trip Poem" and "Different Times."[44] The positive reception from these limited appearances underscored Bunch's lasting appeal within the post-hardcore community, affirming his role as a pivotal figure in the genre.[2] Building on the momentum from these reunions and his prior project War Generation, Bunch formed the band Lucky Scars around 2014, adopting the stage name "Johnny Scars" for lead vocals.[2] Lucky Scars embraced an alternative rock sound infused with punk edges, characterized by upbeat, hook-driven tracks that blended hard-rocking riffs with catchy punk-pop energy.[45] The group focused on local performances in Southern California and released material including their debut EP Rock and Roll Party Foul in 2015, alongside some unreleased songs that showcased Bunch's versatile songwriting.[46] These efforts represented Bunch's final musical endeavors, maintaining a thread of creative continuity in his career.[47]Personal life and death
Personal struggles
Jon Bunch faced early personal challenges rooted in his family dynamics and childhood experiences. His parents divorced when he was three years old, and his father, a policeman, was emotionally distant and unsupportive, reportedly viewing his family as a burden and making them "pay for it," according to Bunch himself.[48] These tensions contributed to repressed trauma, including brutal memories of sexual assault by a neighbor during his youth, which Bunch initially denied to himself, his family, and friends.[48] In a 2003 interview, he described this denial as a long-standing barrier to addressing his "demons," marking the first time he publicly opened up about such issues through his songwriting.[48] Bunch struggled with substance abuse throughout much of his adult life, including a longtime drug addiction that persisted amid the highs and lows of his music career.[48] While specific substances beyond drugs were not detailed in public accounts, his battles with addiction were intertwined with broader patterns of alcohol and drug use common in the rock scene, exacerbating his personal turmoil during periods of professional uncertainty.[48] The pressures of the music industry further impacted Bunch's mental health, particularly during Sense Field's major label era with Warner Bros., where prolonged delays in album releases and the relentless stress of touring intensified his emotional strain.[48] These challenges, including the shift from indie success to mainstream expectations, contributed to a sense of isolation and heightened his underlying vulnerabilities, as reflected in his evolving lyrics that began confronting past repressions.[48] Public details about Bunch's relationships and family life remain limited, though he was known to be a devoted husband and father to his son, Jack, finding solace in these roles despite his struggles.[49] His mother played a supportive role early on, driving him to his first punk show at age 13 and nurturing his creative interests.[49] Bunch maintained close ties with his partner, Angelique Flores, and drew strength from a tight-knit circle in the Southern California hardcore and emo scenes, where longtime friends like Rich Labbate provided emotional backing through personal lows.[50][49] Bunch made efforts toward recovery, including periods of sobriety and leveraging his involvement in the hardcore/emo community for support, as evidenced by his cathartic work on Sense Field's 2003 album Living Outside, which addressed his traumas while emphasizing hope and self-assertion.[48] By reconciling with his father and channeling personal growth into music, he demonstrated ongoing attempts to overcome his addictions and mental health challenges within his supportive network.[48]Death and tributes
Jon Bunch died on January 31, 2016, in Irvine, California, at the age of 45.[5][51] He was discovered deceased the following morning around 8:45 a.m. on February 1 near Leatherwood Way, still wearing his Trader Joe's work uniform, with his car—containing empty diphenhydramine packs and methamphetamine—located about a half-mile away.[5][51] The Orange County coroner's office ruled the death a suicide by overdose of diphenhydramine (an over-the-counter sleeping aid), with contributing factors including small amounts of alcohol and methamphetamine in his system, as well as heart disease linked to high blood pressure.[5][51] Coroner spokesman Mitch Segal stated, "Bunch died from an overdose of diphenhydramine... He also had heart disease," noting long-term health issues as a complicating element.[5] In the wake of his death, immediate tributes poured in from the music community, with former bandmates from Sense Field and Further Seems Forever expressing profound sorrow through public statements and social media announcements covered in music news outlets.[52][53] Sense Field's official channels described him as a "talented and kind human being" who would be "sorely missed," while Further Seems Forever members highlighted his lasting influence on the emo and post-hardcore scenes.[54][53] Memorial events quickly followed to honor Bunch's legacy. On March 20, 2016—proclaimed "Jon Bunch Day" by organizers—a benefit concert took place at the Yost Theatre in Santa Ana, California, headlined by Sense Field with an all-star lineup of guest vocalists including Walter Schreifels (Quicksand, Rival Schools), Garrett Klahn (Texas Is the Reason), and Kenny Vasoli (The Starting Line), among others; proceeds supported a fund for Bunch's 12-year-old son, Jack.[55] A similar tribute show occurred on June 25, 2016, at the Theatre of Living Arts in Philadelphia, featuring Sense Field with guests like Jeff Caudill (Gameface) and Ari Katz (Lifetime), alongside full sets from Further Seems Forever, War Generation, and Texas Is the Reason, also benefiting Bunch's family.[56] These fan-led events drew hundreds from the emo community, underscoring Bunch's widespread admiration.[57] A GoFundMe campaign launched shortly after his death raised over $58,000 for funeral costs and Jack's college fund, reflecting the outpouring of support from fans and peers.[51] In the long term, Bunch's impact endures in the punk and hardcore scenes, with ongoing commemorations through fan events and dedications such as the limited-edition Sense Field – Jon Bunch Benefit Collection vinyl released exclusively for the Santa Ana memorial, which continues to circulate among collectors.[58] His songwriting and vocal style remain influential, often cited in discussions of early emo's emotional depth within the community.[2]Discography
Reason to Believe
Reason to Believe, Jon Bunch's first band formed in 1986 with guitarist Chris Evenson, produced a limited but influential body of work in the late 1980s Los Angeles hardcore punk scene. Their output emphasized raw, energetic recordings that blended aggressive rhythms with melodic elements, capturing the band's DIY ethos through lo-fi production techniques typical of the era's independent hardcore releases.[7][1] The band's earliest recording was a self-released demo cassette in 1987, captured over two days at South Bay Sound in California. This single-sided tape showcased their initial sound—fast-paced old-school hardcore punk with powerful, unpolished energy—but remains obscure, with limited distribution and no widely documented track listing beyond its raw, formative quality.[8][9] In 1988, Reason to Believe issued their debut EP, The Next Door, initially on Soul Force Records and reissued by Nemesis Records. The six-track 7-inch vinyl featured a pressing in translucent colored variants, reflecting the punk scene's emphasis on affordable, collectible formats. The EP's production was straightforward and unadorned, highlighting Bunch's intense vocal delivery alongside the band's tight instrumentation. Track listing:- True Love Always
- Mind On Paper
- Simplicity
- Rollercoaster
- New Foundation
- Pictures Upside Down[10]
- Places
- Again And Again
- Drawing Board
- Next Door
- Eyes Of The People
- Settled Thru
Sense Field
Sense Field was formed in 1990 in Southern California, with Jon Bunch joining as lead vocalist and primary lyricist shortly thereafter, shaping the band's evolution from hardcore roots to post-hardcore and alternative rock.[59] During Bunch's tenure through 2004, the band released five studio albums on independent and major labels, alongside numerous EPs and singles that showcased their dynamic sound blending emotional intensity with melodic accessibility.[14] Bunch's contributions as vocalist and lyricist were central to all releases, often drawing from personal themes of resilience and introspection.[60] The band's debut full-length efforts came in 1994 on Revelation Records. Killed for Less, released that year, marked their initial studio album with a raw post-hardcore edge, featuring tracks like "The Force" and emphasizing Bunch's soaring vocals over driving guitars.[61] Later the same year, the self-titled Sense Field compiled material from their early EPs (Sense Field from 1991 and Premonitions from 1993 on Run H2O Records) with two additional unreleased songs, "Greater Than" and "First Things First," serving as an indie reissue that bridged their formative years. This album highlighted Bunch's lyrical focus on hope and struggle, with standouts like "Soft" and "Chimney."[62] In 1996, Revelation issued Building, a pivotal release that refined the band's sound with more layered production and emotional depth, including songs such as "Taken" and "Leap in the Dark." Bunch's lyrics here explored themes of growth and connection, solidifying Sense Field's place in the emo and post-hardcore scenes. After signing with Warner Bros. Records, the band recorded material intended for a major-label debut, but contractual issues led to their release; they re-recorded and issued Tonight and Forever in 2001 on Nettwerk America, featuring the breakout single "Save Yourself." This album achieved modest commercial success, peaking at No. 37 on the Billboard Heatseekers chart, with Bunch's anthemic delivery driving tracks like "I Can't Breathe" and "Rebel." The band's final studio album during Bunch's time, Living Outside (2003, Nettwerk), adopted a more polished alternative rock approach amid lineup changes, including songs such as "Burn" and "On Your Own," where Bunch continued as primary lyricist despite reduced guitar contributions from co-founder Rodney Sellars.[63] Sense Field's EP output complemented their albums, providing experimental outlets and promotional material. Early efforts included the self-released cassette Sense Field (1990, Not On Label) and the 7-inch Premonitions (1993, Run H2O Records), both featuring Bunch's nascent vocal style in hardcore-inflected tracks. On Revelation, they released promo EPs like Papercut (1995) and Building Foundation (1996), the latter tying into their sophomore album with acoustic versions and rarities. Later EPs on independent labels included Part of the Deal (1999, GrapeOS), a transitional release during their Warner Bros. period, and Fun Never Ends (2002, Nettwerk America), which previewed material from Tonight and Forever with live-feel recordings. In total, the band issued over a dozen EPs, splits, and promos from 1990 to 2004, many crediting Bunch explicitly for vocals and lyrics.[14] Singles emphasized key tracks for radio and media exposure. "Save Yourself" (2001, Nettwerk America) stood out as a single from Tonight and Forever, gaining traction through TV placements and peaking on alternative charts. It also appeared on the soundtrack to the TV series Roswell the same year, broadening the band's reach. Other singles included "Beautiful, Beautiful" (2001, CI Records) and "On Your Own" (2003, Nettwerk America), both limited-edition 7-inches that highlighted Bunch's emotive range. Reissues during and post-Bunch's era preserved the indie-to-major transition. The 1994 self-titled album reissued early EP content on CD and vinyl via Revelation, contrasting the raw self-releases with polished mastering.[62] Warner Bros.-era demos surfaced unofficially as Under the Radar (2000 promo), but official re-recordings on Nettwerk avoided major-label versioning. Later vinyl reissues by Spartan Records (2014 onward) for Building, Tonight and Forever, and Living Outside revived the catalog on colored variants, though these postdate Bunch's active involvement.Further Seems Forever
Jon Bunch joined Further Seems Forever as lead vocalist in 2004, following the departures of Chris Carrabba and Jason Gleason, marking a transitional period for the band. His tenure with the group lasted until their breakup in 2006, during which he provided vocals and contributed lyrics to their output, emphasizing emotional delivery in the emo and post-hardcore style.[64] The primary release during Bunch's time with Further Seems Forever was the studio album Hide Nothing, issued on August 24, 2004, by Tooth & Nail Records. This 12-track album represented the band's only full-length effort with Bunch at the helm, showcasing his co-writing role through lyrics that complemented the music composed by band members Josh Colbert, Derick Cordoba, Chad Neptune, and Steve Kleisath. Produced and mixed by James Paul Wisner, the record highlighted Bunch's vocal range and lyrical focus on themes of vulnerability and resilience.[65][66][67] The full track listing for Hide Nothing is as follows:- Light Up Ahead (3:08)
- Hide Nothing (2:56)
- Already Gone (3:52)
- Like Someone You Know (3:16)
- Make It a Part (2:41)
- All Rise (2:49)
- Call on the Life (2:52)
- Lead the Way (3:25)
- The Sound (3:39)
- A New What? (2:51)
- Like a Kid (3:06)
- The Sound of Your Voice (3:30)[68]
War Generation
War Generation was a short-lived punk rock project formed by Jon Bunch in collaboration with guitarist and bassist Brad Lehmann following his departure from Further Seems Forever, marking a return to Bunch's early punk influences from the 1980s Los Angeles scene.[35] The duo, along with drummer Craig Anderson, self-recorded the album using personal funds, with vocals and guitars captured at Paper Sounds Studio in St. Petersburg, Florida, bass tracked at home, and drums at The Racket Room Recording Studios, before mixing at Rain City and mastering at Interlance Audio.[36] Released on September 3, 2013, via Rise Records, Start Somewhere, Never Surrender stands as the band's sole studio album, comprising 11 tracks that pay homage to Bunch's punk roots while exploring personal struggles through raw, energetic songwriting.[35][37] Bunch's lyrics on the album emphasize themes of resilience and perseverance, drawing from his experiences in the punk ethos of defiance and self-reliance, as evident in the title track "Start Somewhere" and the anthemic closer "Never Surrender."[38] The project produced no EPs or full-length follow-ups, focusing instead on this single release that blended hardcore punk aggression with melodic elements reminiscent of Bunch's prior work.Studio Album
| Track No. | Title | Duration |
|---|---|---|
| 1 | Nobody | 3:09 |
| 2 | Done and Gone | 2:56 |
| 3 | Keeping Quiet | 2:30 |
| 4 | Hardcore Love | 2:33 |
| 5 | Wake Up | 2:46 |
| 6 | Scratch to Survive | 2:52 |
| 7 | Collateral Damage | 3:05 |
| 8 | Do It Yourself | 2:45 |
| 9 | Start Somewhere | 3:12 |
| 10 | Never Surrender | 2:58 |
| 11 | Hybrid Moments (Misfits cover) | 1:38 |
Singles
The album spawned promotional singles to build anticipation for its release. "Done and Gone" was issued as the lead single on July 15, 2013, accompanied by an official music video that highlighted the band's raw punk energy.[70] Additional tracks like "Do It Yourself" received streaming promotion via Rise Records' platforms, but no further standalone singles were released.[41]Lucky Scars
Lucky Scars was a punk rock band featuring Jon Bunch as lead vocalist, alongside members from Sense Field and Ignite, formed in 2015 as one of Bunch's final projects. Their debut EP, Rock and Roll Party Foul, was released on Spartan Records on December 4, 2015 (with digital availability earlier in October). The four-track EP, produced by Jim Monroe, delivered fast-paced punk rock with themes of rebellion and humor, clocking in at under 10 minutes. A bonus acoustic version of "Bandita" was included on digital editions.[71][46]| Track No. | Title | Duration |
|---|---|---|
| 1 | All Lies | 2:09 |
| 2 | Bandita | 2:25 |
| 3 | Rules and Laws | 1:59 |
| 4 | Vampire | 2:11 |