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Joseph Hatton
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Joseph Paul Christopher Hatton (3 February 1837 – 31 July 1907) was an English novelist and journalist.[1][2] He was editor of many English publications including The Sunday Times from 1874 to 1881 and then served as a correspondent for several American periodicals.
Life and work
[edit]Hatton was born and baptised in Andover, Hampshire on 22 March 1837, but his parents, Francis Augustus and Mary Ann Hatton, moved to Chesterfield when he was young. Francis Hatton founded the Derbyshire Times in 1854. Hatton studied at Bowker's school and then studied law, becoming a clerk in the office of William Waller. He married Louisa Howard Johnson (d. 1900) in 1856 and they would have three children including the artist Helen Howard Hatton, writer Bessie Lyle Hatton, and explorer Frank Hatton.[3] From 1861 he began to write starting with Provincial Papers and two years later he became an editor for the Bristol Mirror. His brother Joshua Hatton was also a journalist. He then went on to edit Gentleman's Magazine, Illustrated Midland News and other publications produced by Messrs. Grant & Co. He retired from the company in 1874 and worked as a London correspondent for the New York Times, the Sydney Morning Herald, and the Kreuz-Zeitung. He also edited the Sunday Times.[3]
Hatton travelled to America in 1881 and began to write about the country and during the tour he covered the assassination of James A. Garfield in the Standard, scooping other English newspapers. He was a member of the Garrick Club and was a friend of Henry Irving and J.L. Toole. He joined Irving to North America in 1883 and published tour notes.[4] After the death of his son Frank Hatton in Borneo, he wrote a biographical sketch and published his travel memoirs in 1886. He also published several novels including Clytie (1874), By Order of the Czar (1890), and When Rogues Fall Out (1899).[3]
Joseph Hatton died in St John's Wood, Middlesex at the age of 70 and was buried in Marylebone cemetery.[3]
Works
[edit]Editor
- Bristol Mirror
- Gentleman's Magazine
- School Board Chronicle
- Illustrated Midland News
- The Sunday Times
- The People (1892)
Novels (incomplete) In title order:
- Bitter Sweets: a Love Story, London, 1865
- By Order of the Czar. A Novel, New York: John W. Lovell, 1890
- By Order of the Czar. A drama in five acts, London: Hutchinson & Co., 1904
- Captured by Cannibals. Some incidents in the life of Horace Duran, London: Hodder & Stoughton, 1888
- Christopher Henrick: his Life and Adventures London, 1869
- Cigarette Papers for after dinner smoking Anthony Treherne & Co.: London, 1902
- Clytie: a Novel of Modern Life London, Guildford, 1874
- Cruel London London, 1878
- The Dagger and the Cross London: Hutchinson & Co., 1897
- The Gay World London: Hurst & Blackett, 1877
- In Male Attire: a Romance of the Day London: Hutchinson & Co., 1900
- In the Lap of Fortune. A story stranger than fiction. London, 1873
- John Needham's Double, London: John & Robert Maxwell, 1885 (also a play, 1891)
- Kites and Pigeons London, 1872
- The Park Lane Mystery: a Story of Love and Magic London, 1887
- The Princess Mazaroff. A romance London: Hutchinson & Co., 1891
- The Queen of Bohemia London, 1877
- The Tallants of Barton: A Tale of Fortune and Finance, London: Tinsley Brothers, 1867
- The Valley of Poppies London: Chapman and Hall, 1871
- Three Recruits, and the girls they left behind them London : Hurst & Blackett, 1880
- The Old House at Sandwich, 1892
- The White King of Manoa, London: Hutchinson & Co., 1899
- Contribution to The Fate of Fenella, 1892
Non-fiction
- Henry Irving's Impression of America, Boston: James R Osgood, 1884
- North Borneo: Explorations and Adventures on the Equator [with son, Frank Hatton], London: Sampson Low, 1885
References
[edit]- ^ John Sutherland (1990) [1989]. "Hatton, Joseph". The Stanford Companion to Victorian Literature. Stanford University Press. p. 284. ISBN 9780804718424.
- ^ "Hatton, Joseph". Who's Who. Vol. 59. 1907. pp. 801–802.
- ^ a b c d Andrew Sanders, "Hatton, Joseph Paul Christopher", The Oxford Dictionary of National Biography (Oxford, OUP, 2004.)
- ^ "Mr Josseph Hatton". The Week: A Canadian Journal of Politics, Literature, Science and Arts. 1 (14): 215. 6 March 1884.
External links
[edit]
Works by or about Joseph Hatton at Wikisource- Works by or about Joseph Hatton at the Internet Archive
- Works by Joseph Hatton at LibriVox (public domain audiobooks)

Joseph Hatton
View on GrokipediaEarly life
Birth and family background
Joseph Paul Christopher Hatton was born on 3 February 1837 in Andover, Hampshire, England. [2] [1] Andover, a market town situated in the rural countryside of southern England, provided the setting for his birth and early family environment. [2] Details regarding his parents, siblings, and extended family background remain limited in verified biographical records.Early career
Joseph Hatton began his writing career in 1861 with the publication of Provincial Papers: Being a Collection of Tales and Sketches, a volume that gathered his early short fiction and descriptive pieces. [3] Published in London by W. Kent, this work marked his initial foray into professional authorship and established him as a contributor of tales and sketches drawn from provincial life. [4] His early output focused on such shorter forms, reflecting a gradual shift toward more consistent literary production in the years that followed. [1] These beginnings in tales and sketches laid the groundwork for his progression into sustained journalistic and literary endeavors.Journalistic career
Editorship and key positions
Joseph Hatton held several editorial positions in English journalism, beginning with provincial newspapers before advancing to prominent London papers. In 1863, he was appointed editor of the Bristol Mirror and continued in that role along with other provincial editorial posts until 1868, when he relocated to London. His most notable editorship was at The Sunday Times, where he served as editor from 1874 to 1881. [5] [6] Later, in 1892, he became editor of The People, a conservative Sunday newspaper, and contributed regularly to it as well as to a syndicate of newspapers.Contributions and American correspondence
After retiring from his editorial roles with Grant & Co. in 1874, Hatton served as the London correspondent for the New York Times, providing reports on British and European affairs to American readers. He also acted in a similar capacity for the Sydney Morning Herald, though his work for the New York Times represented a key contribution to transatlantic journalism by delivering timely insights into London events from a British perspective. In 1881 Hatton was dispatched by the London Standard to the United States to establish an independent telegraph service for the paper. During this assignment he secured early intelligence of the shooting of President James A. Garfield on 2 July 1881, holding the telegraph line for three hours to transmit what was then the longest cable message from America to England, enabling the Standard to publish comprehensive details ahead of its competitors. His impressions from this period were collected in the two-volume Today in America (1881), a series of articles and observations on the United States. Hatton returned to America in 1883 when he accompanied actor Henry Irving on his first North American tour, later narrating the journey in Henry Irving's Impressions of America (1884). These journalistic experiences and publications formed a significant part of his contributions to writing on American subjects.Literary career
Fiction and novels
Joseph Hatton emerged as a prolific Victorian novelist, producing more than thirty works of fiction between the 1860s and the early 1900s, many issued as three-volume novels typical of the era. [1] His output encompassed sensation fiction, romantic stories, adventure narratives, and occasional pieces with speculative elements. [7] [1] Key examples from his body of work include Cruel London (1878), a sensation novel exploring the harsh social conditions of urban life, and John Needham's Double (1885), a story described as founded upon fact that achieved particular recognition. [1] Later novels featured diverse themes, such as By Order of the Czar (1890), a tragic tale centered on persecution and ghetto life, and The White King of Manoa (1899), an Anglo-Spanish romance incorporating lost race adventure motifs. [1] [7] Hatton's speculative fiction included supernatural elements in The Park Lane Mystery: A Story of Love and Magic (1887) and a lost civilization plot in The White King of Manoa (originally published 1890, reissued under variant title 1899). [7] These works reflect his versatility in blending contemporary social commentary with imaginative storytelling across his long literary career. [1] [7]Non-fiction works
Joseph Hatton's non-fiction works drew heavily from his experiences in journalism, theater, and travel, resulting in several notable publications that profiled prominent figures and institutions of his time. His 1882 book Journalistic London: Being a Series of Sketches of Famous Pens and Papers of the Day offered detailed portraits of leading London newspapers and their contributors, providing an insider's view of the Victorian press landscape. [8] The volume was profusely illustrated with engravings from drawings and photographs, enhancing its documentary value as a snapshot of contemporary media. [8] That same year, Hatton served as co-editor (with A. H. Keane) of The Great Diamonds of the World: Their History and Romance, a work originally authored by Edwin W. Streeter that chronicled the origins, discoveries, and cultural significance of famous diamonds. [9] In 1884, Hatton authored Henry Irving's Impressions of America, narrating the renowned actor Henry Irving's experiences during his U.S. tour through a series of sketches, chronicles, and conversations that captured the transatlantic cultural exchange. [10] [11] Hatton later chronicled the Reminiscences of J. L. Toole (1889), a two-volume work in which the popular comic actor John Lawrence Toole recounted his life and theatrical career, with Hatton arranging and documenting the personal anecdotes and stage memories. [12] These books highlighted Hatton's close associations with leading theatrical personalities, blending biographical insight with his observational skills as a writer. [13]Personal life
Marriage and family
Joseph Hatton married the actress Louisa Howard, née Johnson, in 1860.[14] The marriage endured for four decades until Louisa's death in 1900. The couple had three children together: the artist Helen Howard Hatton, the novelist and women's suffrage advocate Bessie Hatton, and Frank Hatton.[15] Hatton's family life remained closely tied to his literary and journalistic pursuits, though details of daily domestic arrangements are limited in surviving records. His wife Louisa, known professionally as an actress, provided a connection to the theater world that complemented his own interests in drama and performance. The children pursued diverse paths, with Bessie achieving prominence as a writer and activist in her own right.Later years and death
Legacy
Posthumous recognition and adaptations
Posthumous recognition and adaptations Joseph Hatton's novel John Needham's Double, first published in 1885, was adapted into a silent film of the same name in 1916.[16] The film was produced by Bluebird Photoplays and distributed by Universal Film Manufacturing Company, with direction by Lois Weber and Phillips Smalley and a scenario by Olga Printzlau based on Hatton's original work.[16] It starred Tyrone Power in dual roles as Lord John Needham and Joseph Norbury.[16] The drama, released on April 10, 1916, ran five reels and is now considered lost, with no surviving prints known.[16] This silent film adaptation represents the only verified cinematic treatment of Hatton's literary output.[17] Hatton is credited solely for the novel on the production, with no other screen adaptations of his works documented in major film databases.[17] His legacy endures primarily as a Victorian-era novelist and journalist, with modest ongoing interest in his contributions to melodrama and period fiction rather than widespread revival or major cultural reappraisal.[13]References
- https://en.wikisource.org/wiki/Page:Dictionary_of_National_Biography,_Second_Supplement,_volume_2.djvu/243
