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Julius Dobos
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Julius Dobos
Gyula Julius Dobos (born in Budapest, Hungary) is a composer, synthesist and music producer, best known for his electronic and orchestral music releases worldwide, and for his film scores and music used in major motion pictures and television programs in Europe and in the United States.
With Mountain Flying, his most popular album up to date, Dobos became the first Hungarian composer of a large-scale orchestral-choral-electronic music project to receive international attention. With eleven album releases, including a platinum album, countless film- and television scores, Dobos is one of the prominent living electronic music composers with a Central European origin.
Dobos’ distinct musical style is characterized by emotionally deep, haunting melodies and monumental instrumentation, unique sound textures and the extensive use of synthesizers and other electronic musical instruments. Although classically trained, the composer generally disregards the formal rules of music composition. Dobos has been influenced by a wide range of musical styles and other art forms, however his post-2009 works do not follow the trends of popular musical genres. Currently living in the United States and working under the moniker forgotten future, he primarily composes psybient, ambient instrumental electronic music.
Dobos started playing the piano at the age of five and writing music at nine. After winning several district piano competitions, his interest turned towards composition. It was in these pre-teen years, when his father introduced him to the 70's and 80's electronic music. The young Dobos was greatly influenced by the sounds and musical worlds created by electronic music pioneers like Jean Michel Jarre, Mike Oldfield, Vangelis, Rick Wakeman and the visual nature of Isao Tomita's Pictures at an Exhibition. Following his dreams of creating musical worlds, or “visible music”, he found himself spending more time with composing than practicing the piano, and also obsessed with his new interest: learning about electronic musical instruments. He recorded his first collection of music pieces titled Mars in his parents’ living room with a very modest Yamaha synthesizer, borrowing his father’s two-track Teac X-7 reel-to-reel tape recorder.
After quitting his piano classes, Dobos studied composition and film score composition at various institutions in Europe, including the Weiner Leo Music School in Budapest and the University of Music and Performing Arts in Stuttgart in Germany, but never obtained a formal degree in composition. In a later radio interview, Julius expressed his beliefs about Europe's classical music training methods and music education system in general: “These ideas including solmization are greatly beneficial for performers, but severely narrowing the vision of composers and limiting the development of their personal style to its full extent. They are restricting their personal artistic freedom to creating original music without having to obey the formal rules”. After selectively learning the composition and orchestration techniques he found beneficial for his personal approach, Dobos started composing music for radio and TV commercials, mainly in Hungary.
The first few local successes and his involvement with the electronic instrument-maker Roland Corporation, whose newly introduced synthesizers he composed music and designed sounds for, enabled him to build his modest home recording setup, consisting of only two synthesizers and a computer. This is where, at the age of 19, he composed the early "demo" version of Mountain Flying – the music that brought him international success three years later with the album of the same title.
Dobos made his first appearance on Hungarian State Television 1, performing his piece Mountain Flying on synthesizers. Although he received great feedback from the viewers, neither this television performance, nor later radio broadcasts of Mountain Flying raised the interest of record labels.
In 1997, Dobos met Zsolt Menesi, Regional Marketing Director for Nokia. Menesi was immediately impressed by the young composer’s original musical style, unique vision, warm personality yet rather strong opinion about the mainstream music scene of the time. Instead of a sponsorship he was initially looking for, Dobos was offered the opportunity to produce a promotional / for-sale Nokia-sponsored album about communication, styles of self-expression and of course, mobile phones. Albeit the topic was challenging to put into music, the resulting album, Connecting Images, featured Dobos’ own, distinct musical style, catchy melodies, monumental instrumentation, a 50-piece choir and Grammy Awarded vocalist Márta Sebestyén on the track Connecting People. The album was exceptionally well received by listeners, to the satisfaction of Nokia. It was also a wakeup call for the country’s record industry, which had previously believed that there was no popular demand for music that did not belong to the mainstream or jazz or classical music category. The album reached platinum status in Hungary.
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Julius Dobos
Gyula Julius Dobos (born in Budapest, Hungary) is a composer, synthesist and music producer, best known for his electronic and orchestral music releases worldwide, and for his film scores and music used in major motion pictures and television programs in Europe and in the United States.
With Mountain Flying, his most popular album up to date, Dobos became the first Hungarian composer of a large-scale orchestral-choral-electronic music project to receive international attention. With eleven album releases, including a platinum album, countless film- and television scores, Dobos is one of the prominent living electronic music composers with a Central European origin.
Dobos’ distinct musical style is characterized by emotionally deep, haunting melodies and monumental instrumentation, unique sound textures and the extensive use of synthesizers and other electronic musical instruments. Although classically trained, the composer generally disregards the formal rules of music composition. Dobos has been influenced by a wide range of musical styles and other art forms, however his post-2009 works do not follow the trends of popular musical genres. Currently living in the United States and working under the moniker forgotten future, he primarily composes psybient, ambient instrumental electronic music.
Dobos started playing the piano at the age of five and writing music at nine. After winning several district piano competitions, his interest turned towards composition. It was in these pre-teen years, when his father introduced him to the 70's and 80's electronic music. The young Dobos was greatly influenced by the sounds and musical worlds created by electronic music pioneers like Jean Michel Jarre, Mike Oldfield, Vangelis, Rick Wakeman and the visual nature of Isao Tomita's Pictures at an Exhibition. Following his dreams of creating musical worlds, or “visible music”, he found himself spending more time with composing than practicing the piano, and also obsessed with his new interest: learning about electronic musical instruments. He recorded his first collection of music pieces titled Mars in his parents’ living room with a very modest Yamaha synthesizer, borrowing his father’s two-track Teac X-7 reel-to-reel tape recorder.
After quitting his piano classes, Dobos studied composition and film score composition at various institutions in Europe, including the Weiner Leo Music School in Budapest and the University of Music and Performing Arts in Stuttgart in Germany, but never obtained a formal degree in composition. In a later radio interview, Julius expressed his beliefs about Europe's classical music training methods and music education system in general: “These ideas including solmization are greatly beneficial for performers, but severely narrowing the vision of composers and limiting the development of their personal style to its full extent. They are restricting their personal artistic freedom to creating original music without having to obey the formal rules”. After selectively learning the composition and orchestration techniques he found beneficial for his personal approach, Dobos started composing music for radio and TV commercials, mainly in Hungary.
The first few local successes and his involvement with the electronic instrument-maker Roland Corporation, whose newly introduced synthesizers he composed music and designed sounds for, enabled him to build his modest home recording setup, consisting of only two synthesizers and a computer. This is where, at the age of 19, he composed the early "demo" version of Mountain Flying – the music that brought him international success three years later with the album of the same title.
Dobos made his first appearance on Hungarian State Television 1, performing his piece Mountain Flying on synthesizers. Although he received great feedback from the viewers, neither this television performance, nor later radio broadcasts of Mountain Flying raised the interest of record labels.
In 1997, Dobos met Zsolt Menesi, Regional Marketing Director for Nokia. Menesi was immediately impressed by the young composer’s original musical style, unique vision, warm personality yet rather strong opinion about the mainstream music scene of the time. Instead of a sponsorship he was initially looking for, Dobos was offered the opportunity to produce a promotional / for-sale Nokia-sponsored album about communication, styles of self-expression and of course, mobile phones. Albeit the topic was challenging to put into music, the resulting album, Connecting Images, featured Dobos’ own, distinct musical style, catchy melodies, monumental instrumentation, a 50-piece choir and Grammy Awarded vocalist Márta Sebestyén on the track Connecting People. The album was exceptionally well received by listeners, to the satisfaction of Nokia. It was also a wakeup call for the country’s record industry, which had previously believed that there was no popular demand for music that did not belong to the mainstream or jazz or classical music category. The album reached platinum status in Hungary.
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