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Justin Gordon
Justin Gordon
Justin Gordon
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Justin Gordon is an American actor, stage director, film producer, and painter. He is known for his work on Mike Flanagan's films Absentia, Oculus, and Before I Wake.

Key Information

Life and career

[edit]

Born in Bakersfield, California[1][2] and raised in the small Sierra Nevada town of Posey, Gordon fostered a creative spirit due to the natural solitude and beauty of his hometown surroundings. After attending a summer acting and directing program at Shakespeare's Globe Theatre in London, UK, Gordon went on to obtain his M.F.A. from the University of Illinois at Urbana-Champaign, while working in regional theatre around the United States. He then moved to Los Angeles in 2009. His first major film role was as the by-the-book Detective Lonergan in Mike Flanagan's horror film Absentia, produced by FallBack Plan Productions[3] (where Gordon was a founding partner). Since then, he has appeared in two other of Mike Flanagan's films: Oculus (serving also as an Associate Producer) [4] and Before I Wake.

Painting

[edit]
"Sunday No. 3," by Justin Gordon. Acrylic, sand and postage stamp on canvas.

In addition to his work in film and theatre, Gordon is an avid painter, working in the style known as action painting, made prominent by Jackson Pollock and Franz Kline.

Filmography

[edit]
Year Title Role Notes
2011 Absentia Detective Lonergan Producer
2012 The Unbreakable Sword Lt. Alex Corringfield
2012 Unlucky Lucky Jim Short
2014 Oculus Mark (Supervisor) Associate Producer
2015 Before I Wake Dr. Tennant
2015 The Hunting of Lost Characters John John Short
2015 Fun Sized Horror: Volume Two Evan Segment: Pinned
2017 Age of the Living Dead (Series) Phillip Six Episodes
2018 Gehenna: Where Death Lives Tyler
2023 The Fearway Michael

References

[edit]
[edit]
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Justin Gordon

View on Grokipedia
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Justin Gordon (born October 31, 1978) is an American actor, stage director, film producer, and arts educator best known for his recurring collaborations with director Mike Flanagan on horror films, including roles as Detective Lonergan in Absentia (2011), which he also produced, Mark in Oculus (2013), and Dr. Tennant in Before I Wake (2016). A member of SAG-AFTRA and Actors' Equity Association, Gordon has built a multifaceted career spanning regional theater, independent cinema, and academic instruction. Born in , Gordon initially pursued studies in before transitioning to theater, earning an M.F.A. from the University of Illinois at Urbana-Champaign and training at Theatre in and with the Royal Shakespeare Company. His early professional work focused on stage acting and directing across the , with credits including in a production directed by Kathleen Conlin, Tony in West Side Story at Pacific , and Vershinin in Three Sisters. As a director, he has helmed productions such as at The Western Stage, earning praise for his clear pacing and storytelling. In addition to his film and theater contributions, Gordon serves as the founding artistic director of New Canon Theatre Company, a diversity-driven ensemble focused on classical works in , and as chair of the theatre department at the New Mexico School for the Arts in Santa Fe. He has also appeared in other genre projects like Gehenna: Where Death Lives (2018) and (2023), while maintaining an active role as a guest lecturer and visiting artist at universities.

Early life and education

Upbringing in California

Justin Gordon was born on October 31, 1978, in . He was raised in the small community of Posey, a rural mountain town in the southern Sierra Nevada region. The isolated, natural setting of Posey immersed Gordon in a rural environment characterized by limited opportunities and close ties to the landscape. At age 12, he took on his first job chopping wood for neighbors, earning $20 per weekend in an area where employment was scarce. This mountain upbringing fostered a strong connection to outdoor activities, with Gordon later becoming an avid hiker, backpacker, and rock climber, self-describing himself as a "mountain brat." These formative experiences in California's Sierra Nevada region provided a backdrop of solitude and adventure that influenced Gordon's personal development before his transition to formal education.

Formal training and studies

Gordon initially pursued studies in at the university level but soon shifted his focus to after discovering his passion for performance. This transition led him to enroll at , where he earned a B.A. in Theatre Arts and English, studying directing and Elizabethan/Jacobean drama, laying the groundwork for his specialization in classical . To deepen his expertise in classical acting, Gordon participated in a summer program at Theatre in London, England, where he engaged in intensive training in period-specific techniques and voice work essential for Shakespearean performance. He also attended workshops with the Royal Shakespeare Company during this period, honing skills in ensemble acting and textual analysis. Gordon culminated his formal education by earning a (M.F.A.) in Theatre from the Professional Theatre Training Program at the University of Illinois at Urbana-Champaign in 2009, with an emphasis on actor training that integrated physical, vocal, and interpretive methods. This rigorous graduate program equipped him with advanced pedagogical tools, influencing his subsequent approach to both performing and teaching theatre.

Theatre career

Acting roles

Gordon's theatre acting career highlights his versatility, honed through classical training at institutions including Theatre in and an M.F.A. from the University of Illinois at Urbana-Champaign. This foundation enabled him to embody complex characters across genres, from introspective leads in Shakespearean tragedies to nuanced supporting roles in modern ensemble pieces. A pivotal early role came with Cornerstone Theater Company, where he portrayed the titular in William Shakespeare's Hamlet, directed by Kathleen Conlin, demonstrating his command of psychological depth and rhetorical intensity in classical tragedy. In the same ensemble-driven company, known for its community-engaged productions, Gordon played Lieutenant-Colonel Vershinin in Anton Chekhov's Three Sisters, capturing the character's philosophical melancholy and unfulfilled longing amid familial tensions. These performances underscored his ability to apply rigorous textual analysis from his training to layered, emotionally resonant portrayals. Transitioning to contemporary works, Gordon excelled in gritty dramas, notably as Sean in On Caring for the Beast at freeFall Theatre Company, a production that explored themes of and human connection through raw, intimate staging. His range in modern theatre extended to Felix Turner in Larry Kramer's The Normal Heart at freeFall, where he conveyed the anguish of AIDS-era with authenticity and urgency, earning critical praise for the ensemble's cohesion. Gordon's Shakespearean repertoire also includes comedic flair, as seen in his portrayal of the witty Benedick in with New Canon Theatre Company, blending verbal sparring with physical humor to highlight the play's romantic intrigue. In 2025, Gordon portrayed in New Canon Theatre Company's production of , directed by Sarah Dunnavant in a Regency-era setting. Overall, his stage work reflects a commitment to diverse narratives, leveraging classical techniques to bridge historical texts with pressing contemporary issues, often in collaborative settings like that prioritize inclusive storytelling.

Directing and education work

Gordon has directed numerous productions in regional theatre, drawing on his acting background to foster collaborative ensemble environments. His directing credits include The Tragedy of Hamlet for New Canon Theatre Company in 2024, presented in a modern reimagining at a Carmel Valley wine tasting shop. He also helmed The Miracle Worker at The Western Stage in 2019, where he served as both director and fight choreographer, emphasizing the physical intensity of the teacher-student dynamic between Annie Sullivan and Helen Keller. Other notable works include Romeo and Juliet at Monterey Peninsula College Theatre Company in 2019, Red Light Winter during his graduate training, It's a Wonderful Life: A Live Radio Play, and Macbeth as part of New Canon Theatre Company's inaugural season in 2022. As the founding Artistic Director of New Canon Theatre Company in Monterey, California, established in 2022, Gordon leads a professional not-for-profit organization dedicated to staging daring re-imaginings of classical and contemporary canons while fostering new works through its Theatre Lab program. The company's mission emphasizes creating theatre that reflects and celebrates diverse cultural and social landscapes, operating in found and temporary spaces to promote accessibility and innovation. Gordon's leadership underscores a commitment to diversity, equity, inclusion, and access, positioning the company as a catalyst for social and artistic change in the Monterey Bay area. In his education work, Gordon has taught at various colleges and universities, often as a guest director and instructor, focusing on ensemble-based that mirrors professional rehearsal rooms to nurture creativity and . Following his M.F.A. in from the University of Illinois at Urbana-Champaign in 2009, he served as a full-time Visiting Lecturer at , where he taught and Shakespeare in the B.F.A. actor program within the Department of and Dance. Currently, he chairs the Department at School for the Arts, a pre-professional high school, continuing his lifelong passion for arts through workshops, coaching, and tailored to emerging artists.

Film and television career

Breakthrough roles

Gordon's entry into film acting was marked by his debut role as Detective Lonergan in the 2011 independent Absentia, directed by Mike Flanagan. In the story, Gordon portrays a skeptical detective investigating a series of unexplained disappearances tied to a foreboding , providing a grounded counterpoint to the escalating dread experienced by the protagonists. This performance in the low-budget production, which premiered at film festivals and later gained a for its atmospheric tension, established Gordon's foothold in the horror genre and initiated a professional relationship with Flanagan that would span multiple projects. Building on this momentum, Gordon appeared in Flanagan's 2013 Oculus as Mark, a workplace supervisor who interacts with the lead character in a brief but pivotal scene underscoring themes of isolation and induced by a cursed mirror. He also contributed behind the scenes as an associate producer, helping develop the feature from its origins into a wider release that earned praise for its innovative narrative structure. In 2016, Gordon reunited with Flanagan for Before I Wake, taking on the role of Dr. Tennant, a compassionate pediatric specialist who assesses the young adoptee Cody's nightmarish visions that blur the line between dreams and reality. His character's medical insights drive key plot revelations, enhancing the film's exploration of and subconscious fears within a supernatural framework. The movie, starring and , highlighted Gordon's ability to portray authoritative yet empathetic figures in ensemble horror settings. That same year, Gordon appeared in the horror film Gehenna: Where Death Lives as Tyler, a member of a team scouting a location on Saipan who encounters supernatural horrors in a WWII . In 2017, he provided voice work as the Radio D.J. in the Christmas horror film Once Upon a Time at . Beyond these collaborations, Gordon ventured into other indie cinema during his early career, including the supporting role of Lt. Alex Corringfield in the 2012 adventure drama The Unbreakable Sword, where he depicted a officer amid themes of resilience and conflict. He also narrated the 2018 documentary How Jack Became Black, directed by Eli Steele, lending his voice to a personal examination of multiracial identity and societal pressures in contemporary America.

Recent projects

Gordon continued his screen work with a supporting role as Alex Corringfield in the 2022 adventure film Escape Through Africa, directed by Ted Betz, where he portrayed a character aiding a British nurse during in . In the same year, he appeared in the Early Checkout as David, a role in a thriller exploring interpersonal tensions in a mundane setting. These projects continued his involvement in narrative-driven independent productions following earlier television work. Serving as a bridge to his more recent endeavors, Gordon recurred as Phil/Phillip across multiple episodes of the 2018 horror television series Age of the Living Dead, depicting a survivor navigating a alongside figures like Captain Martin. Building on earlier collaborations with director Mike Flanagan in horror films such as Absentia and Oculus, Gordon's roles from 2018 onward have emphasized genre storytelling in low-budget features. In 2023, he took on the lead role of Michael in the supernatural horror film , directed by Slobodan Gajic, where his character and his wife become trapped in a while driving through a desolate highway haunted by eerie ferrymen. This performance highlighted his ability to convey escalating dread in confined, repetitive scenarios typical of indie horror. Looking ahead, Gordon provided voice work as the Police Dispatcher in the 2025 action thriller The Omro Heist, a film about a botched in a small town, underscoring his versatility in supporting ensemble casts within thriller genres. Throughout these projects, Gordon has consistently gravitated toward horror and thriller elements, often in independent productions that prioritize atmospheric tension over high production values.

Producing work

Company involvement

In 2009, shortly after completing his MFA in acting from the University of Illinois at Urbana-Champaign, Justin Gordon co-founded FallBack Plan Productions with fellow actor and producer Morgan Peter Brown, both alumni of the University of Illinois at Urbana-Champaign's Professional Theatre Training Program. The company's formation aligned with Gordon's relocation to , marking a pivotal shift toward pursuing opportunities in amid the city's vibrant independent scene. As a founding managing partner, Gordon played a central role in shaping the company's direction, emphasizing the development and funding of innovative projects that support emerging talent. FallBack Plan Productions was established with a mission to produce thought-provoking and engaging films while championing up-and-coming writers, directors, and actors in the industry. Under Gordon's leadership, the company concentrated on independent horror and thriller projects, securing funding through methods like and private investments to bring low-budget, high-concept stories to fruition. This focus allowed for creative risks in genre storytelling, with Gordon overseeing script development and production logistics to ensure artistic integrity on constrained budgets. The company's output has included several successful indie features, such as the horror films Absentia (2011) and Oculus (2013), which highlighted its commitment to atmospheric, psychologically driven narratives. Gordon's involvement extended to additional ventures like the thriller Scare Dares (in development as of 2012), incorporating innovative elements such as mobile app integrations to enhance audience engagement. Through these efforts, FallBack Plan has contributed to the indie horror landscape by providing a platform for genre innovators.

Key productions

Gordon served as a on the 2011 supernatural horror film Absentia, directed by Mike Flanagan, where he contributed to the project's low-budget execution, helping to realize Flanagan's vision on a modest $70,000 financing through personal investments and efforts by the core team. His involvement extended to casting and on-set decisions, leveraging his background as an to support the film's intimate, character-driven narrative about and disappearance. As associate producer on Oculus (2013), another Flanagan-directed horror feature, Gordon played a key role in development and production logistics, facilitating the expansion from Flanagan's into a feature with a $5 million budget backed by . His behind-the-scenes work aided in securing resources for the film's innovative non-linear storytelling and psychological effects, contributing to its commercial success with over $44 million in worldwide earnings. More recently, Gordon acted as on the 2023 horror thriller , directed by Robert Gajic, where he helped oversee financing and production for the independent project, enabling its completion and distribution through partnerships like Films. This role underscores his ongoing commitment to supporting genre films with limited resources, often overlapping with his acting contributions in the same productions.

Painting

Artistic influences

Gordon's approach to painting draws heavily from the action painting movement of the mid-20th century, particularly the spontaneous and gestural techniques pioneered by . As an amateur artist, he employs dynamic brushwork and dripping methods to capture immediate emotional responses on canvas, emphasizing process over premeditated composition. This style allows for expressive freedom, mirroring the improvisational energy of his acting and directing pursuits while remaining a private endeavor without formal exhibitions. In his works, Gordon frequently incorporates elements, blending acrylic paints with textures such as and unconventional materials like postage stamps to add layers of tactile depth and narrative allusion. These choices reflect a playful experimentation that distinguishes his from structured performative . As a personal outlet, provides Gordon a solitary contrast to his collaborative and career, serving as a meditative practice unbound by audience expectations.

Notable works and style

One representative work in Justin Gordon's painting practice is "Sunday No. 3", created using , , and a on . The application of adds textural depth to the surface, while the postage stamp serves as a collaged element, blending techniques in an abstract composition that evokes themes of chaos and introspection through layered, unstructured forms. Gordon's overall style features energetic drips and bold colors, hallmarks of that produce abstract expressions reflecting emotional and narrative undercurrents. This approach draws briefly from broader influences like Jackson Pollock's drip technique, emphasizing spontaneous gesture over precise representation. As an painter, Gordon's work remains avocational, without formal exhibitions or commercial sales.

References

  1. https://www.rottentomatoes.com/celebrity/justin_gordon
  2. https://www.imdb.com/name/nm1653291/
  3. https://www.themoviedb.org/person/583457-justin-gordon
  4. https://www.justingordon.info/about
  5. http://resumes.actorsaccess.com/justingordon
  6. https://www.imdb.com/name/nm1653291/bio/
  7. https://www.justingordon.info/directingreviews
  8. https://shoutoutla.com/meet-justin-gordon-artistic-director-of-new-canon-theatre-co-actor-director-and-cocktail-consultant/
  9. https://fabulouscalifornia.com/fabulous-people/fabulous-people-justin-gordon/
  10. https://www.newcanontheatre.org/team
  11. https://resumes.actorsaccess.com/justingordon
  12. https://www.linkedin.com/in/justinmatthewgordon
  13. https://www.justingordon.info/home/acting
  14. https://www.montereycountynow.com/entertainment/theater/new-canon-s-second-production-of-its-fourth-season-brings-even-greater-depth-to-othello/article_2e65387a-2edb-4c49-b603-d1551e1c38f7.html
  15. https://www.montereycountynow.com/blogs/arts_culture_blog/new-canon-theatre-wraps-up-its-third-season-and-what-a-season-it-was/article_2cfd940e-491c-11ef-9841-6baf4a62bcad.html
  16. https://www.justingordon.info/directing
  17. https://www.broadwayworld.com/san-francisco/article/THE-MIRACLE-WORKER-Announced-At-Hartnells-Western-Stage-20190520
  18. https://static1.squarespace.com/static/5e21e6e400c3786f0a2ce7ae/t/66c4f6df684ec6572fe8de6c/1724184287491/JG%2BDirecting%2BResume%2B2024.pdf
  19. https://www.montereyherald.com/2022/06/11/new-theater-company-reimagines-classical-and-contemporary-ideas/
  20. https://mptt.org/partners/
  21. https://www.newcanontheatre.org/
  22. https://www.justingordon.info/educator
  23. https://www.imdb.com/title/tt1610996/fullcredits/
  24. https://www.imdb.com/title/tt2388715/fullcredits/
  25. https://www.imdb.com/title/tt3174376/fullcredits/
  26. https://www.imdb.com/title/tt4499228/fullcredits/
  27. https://www.imdb.com/title/tt6172696/fullcredits/
  28. https://www.imdb.com/title/tt6085984/
  29. https://www.imdb.com/title/tt2218324/fullcredits/
  30. https://www.imdb.com/title/tt5338744/fullcredits/
  31. https://www.imdb.com/title/tt29711811/fullcredits/
  32. https://www.productionhub.com/profile/fallback-plan-productions
  33. https://www.playbillder.com/show/vip/New_Canon_Theatre_Co_/1999/Macbeth_121417/page/5
  34. https://www.kickstarter.com/projects/fallbackplan/absentia-a-new-vision-of-horror-from-mike-flanagan-0
  35. https://variety.com/2012/film/news/fallback-ramps-up-scare-dares-1118051597/
  36. https://www.horrordna.com/features/mike-flanagan-interview
  37. http://legacy.aintitcool.com/node/48548
  38. https://lovecraftzine.com/2012/04/18/my-interview-with-absentia-director-mike-flanagan/
  39. https://www.viceroyfilms.com/the-fearway
  40. https://www.imdb.com/title/tt14992524/fullcredits/
  41. https://www.imdb.com/name/nm1653291/trivia/
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