Kanak Rele (11 June 1937 – 22 February 2023) was an Indian dancer, choreographer, and academic best known as an exponent of Mohiniyattam. She was the founder-director of the Nalanda Dance Research Centre and the founder-principal of the Nalanda Nritya Kala Mahavidyalaya in Mumbai.

Born in Gujarat on 11 June 1937, Rele spent a part of her childhood in Santiniketan and in Kolkata with her uncle. At Santiniketan she had the opportunity to watch Kathakali and Mohiniyattam performances, which she claimed helped shape her artistic sensibilities.

Rele was a qualified lawyer with an LL.B. from the Government Law College, Mumbai and a diploma in international law from the University of Manchester. She also held a PhD in dance from the University of Mumbai.

Rele and her husband Yatindra had one son. She died in Mumbai on 22 February 2023.

Rele was also a Kathakali artiste having been trained under Guru "Panchali" Karunakara Panicker since the age of seven. Her initiation into Mohiniyattam came much later under Kalamandalam Rajalakshmi. A grant from the Sangeet Natak Akademi and later the Ford Foundation helped her delve deeper into her interest in Mohiniyattam and during 1970–71 she traveled to Kerala filming exponents of the dance form such as Kunjukutty Amma, Chinnammu Amma, and Kalyanikutty Amma. The project helped acquaint her with the nuances of Mohiniyattam and record its traditional and technical styles while also enabling her to evolve a teaching methodology for it. Her study of these artistes and their technique against the backdrop of classical texts like Natya Shastra, Hastalakshana Deepika, and Balarama Bharatam led her to develop her own style of Mohiniyattam dubbed the Kanaka Rele School of Mohiniyattam.

Rele's concept of body kinetics in dance is a pioneering innovation that disaggregates body movements in Mohiniyattam using a notation system. She is credited with having played a key role in the revival and popularisation of Mohiniyattam and for having brought a scientific temper and academic rigour to it.

Rele is noted for the contemporisation of mythological tales in her performances and her portrayal of strong women characters in them, which is a marked departure from the traditional Mohiniyattam theme of the nayika pining for love. Some of her notable subjects and choreographies include Kubja, Kalyani, Silappadikaram, and Swapnavasavadattam.

Rele's association with the Malayalam poet and scholar Kavalam Narayana Panicker led to her introduction to Sopana Sangeetham and creation of choreographic pieces set to Sopana Sangeetam's talas. Rele credited Kavalam's compositions as being inspirational for several of her choreographies that "highlight the trauma of women in society based on women characters in mythology".