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King Knight
King Knight
from Wikipedia

King Knight
Theatrical release poster
Directed byRichard Bates Jr.
Written byRichard Bates Jr.
Produced by
  • Rob Higginbotham
  • Colin Tanner
Starring
CinematographyShaheen Seth
Edited byBrit DeLillo
Music bySteve Damstra II
Distributed byXYZ Films
Release dates
Running time
78 minutes
CountryUnited States
LanguageEnglish

King Knight is a 2021 American comedy film written and directed by Richard Bates Jr.[1]

Plot

[edit]

As admired leaders of their Wiccan coven, Thorn and his life partner Willow provide couples counseling for eccentric coven members Desmond and Neptune, Percival and Rowena, and Angus and Echo. Thorn routinely pressures Willow with his desire to start a family, but Willow remains hesitant about having children.

On Thorn's computer, Willow finds emails inviting Thorn to his 20-year reunion at Desert Dunes High School. Willow is horrified to learn that Thorn was a wholesome conformist who was class president, prom king, and voted Most Likely to Succeed. Willow confronts Thorn for the truth about his past. Thorn admits that his estranged mother Ruth forced him into a mainstream lifestyle while his grandmother was the only person who truly understood his desire to be different. Although distraught by the revelation, Willow reconciles with Thorn. However, Willow reveals she RSVP'd for the reunion, which additionally means that, per tradition, Thorn will have to perform a dance at the event since he was class president.

Willow asks to meet Thorn's mother. Thorn calls Ruth, and Willow discovers how mean the woman is when she berates her son for his Wiccan beliefs and warns he will humiliate himself if he shows his high school classmates that he became a failure. Thorn reveals the truth about his high school days to the coven. Feeling betrayed, the coven votes to banish Thorn, so he goes on a walkabout at a Los Angeles park to reconsider his identity while Willow tries convincing the coven to forgive him.

While high on ayahuasca in the park, Thorn gets life advice from a seemingly sentient pinecone and a rock. A psychedelic vision of the wizard Merlin further motivates Thorn to assert agency over his life by dancing at the reunion. Thorn imagines a confrontation with an angry park ranger, but when he vanishes, the rock tells Thorn that the ranger was an imaginary invention of the ego dominating Thorn's mind. Thorn undergoes a psychological transformation in the restroom and emerges as a renewed man. Thorn then arranges a rideshare pool to travel to his hometown and discusses lasagna as a life metaphor with a fellow passenger on the way.

During Willow's discussion with the coven, Desmond finally joins her in vouching for Thorn's character. Desmond's courage causes his boyfriend Neptune to confess he is actually straight while telling Desmond he deserves a better man. Willow ultimately rallies the coven to support Thorn at the reunion so he doesn't have to do his dance alone. Upon arriving in his hometown, Thorn leaves a flaming bag of excrement on his mother's doorstep. At the reunion, Thorn has odd run-ins with former classmate Nicholas Reed as well as Thorn's former student government rival Alexandra Riley. Thorn delivers a strange speech prior to his ceremonial dance, but attendees merely roll their eyes and insult Thorn.

Thorn's confidence renews when Willow arrives with the apologetic coven and they pledge themselves to his leadership. Desmond makes an unexpected romantic connection with Nicholas. Rowena and Echo recruit Alexandra to join the coven. Thorn performs his dance. The dance arouses Willow so much that she immediately has sex with Thorn directly on the dance floor. The coven encircles the couple while reunion attendees leave in confused disgust. That night, Thorn leaves a voicemail for his mother to apologize for the flaming bag of poo and to invite Ruth and Thorn's grandmother to a lasagna dinner.

Twelve new moons later, Thorn and Willow decide their coven needs new leadership, so Alexandra becomes the new high priestess. Having shed their egos, Thorn and Willow commit to raising their newborn son Knight.

Cast

[edit]

Release

[edit]

The film was shot in 2019[2] and had its world premiere at the Fantasia Film Festival on August 8, 2021.[3] It was released in the United States in select theaters and on-demand on February 17, 2022, by XYZ Films.[4]

Reception

[edit]

The review aggregator website Rotten Tomatoes has an approval rating of 73% based on 40 reviews, with an average rating of 6.2/10. The website's critics consensus reads, "King Knight's humor doesn't always land, but viewers who can pick up the movie's sweetly strange wavelength will be glad they tuned in."[5] Chad Collins of Dread Central gave the film 4/5 and called it "uncommonly endearing."[6]

Rosie Knight of Nerdist gave the film 2.5/5 and said the film "never fully finds itself."[7]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
King Knight is a 2021 American independent comedy film written and directed by Richard Bates Jr., starring as Thorn and as Willow, a couple serving as the and priestess of a modern-day of witches whose seemingly perfect lives unravel after a long-buried secret from Thorn's past emerges, propelling them on a surreal and humorous journey of self-discovery. The film blends elements of , fantasy, and horror, exploring themes of authenticity, hidden identities, and the quirks of contemporary through a trippy that follows the couple as they confront their histories amid encounters with eccentric members and figures from Thorn's youth. Released theatrically and on streaming platforms on February 17, 2022, it runs for 81 minutes and was produced as a low-budget indie project emphasizing mumblecore-style dialogue and absurd humor. Critically, King Knight received mixed-to-positive reviews, earning a 76% approval rating on based on 41 critic scores, with praise for its offbeat charm and Gubler's performance as a sex-help within the community, though some noted uneven pacing and inconsistent laughs. reception was more divided, scoring 38% on the site, reflecting its niche appeal to fans of quirky indie cinema. The supporting cast includes notable actors such as , , and , contributing to the film's ensemble-driven exploration of suburban mysticism and personal reinvention.

Synopsis and cast

Plot

King Knight follows Thorn and Willow, the high priest and of a quirky Wiccan based in , whose seemingly idyllic lives are upended by long-buried personal secrets. As leaders of a tight-knit group of new-age witches dressed in black-and-white attire, they guide their members through rituals and communal living, emphasizing harmony and spiritual growth. However, an invitation to Thorn's high school reunion forces him to confront his conformist past, revealing that he was once a popular king and . The narrative delves into the coven's dynamics as Thorn embarks on a journey of self-discovery, traveling to Las Vegas for the reunion where family confrontations expose deeper tensions and hypocrisies in his former life. Willow provides steadfast support amid the upheaval, highlighting their partnership's role in navigating these revelations. Through these events, the film explores the central conflict of reconciling one's authentic self with societal expectations, introducing themes of self-acceptance as Thorn grapples with his dual identities. This resolution underscores the film's progression toward personal growth, where the characters learn to integrate their pasts into a more genuine present.

Cast

The principal cast of King Knight features as Thorn, the high priest and leader of a modern of witches who maintains a dual life as a relationship therapist while concealing a conformist past from his youth. portrays Willow, Thorn's devoted partner and the coven's , a grounded who offers unwavering support to the group. Andy Milonakis plays Percival, a coven member known for his comic relief and practical skills in welding, often navigating insecurities in his relationship with Rowena. Kate Comer appears as Rowena, a loyal and devoted follower within the coven who provides emotional stability to Percival. Josh Fadem embodies Neptune, an eccentric and quirky witch whose unconventional personality adds levity to the group's dynamics. Johnny Pemberton stars as Desmond, another member whose interactions highlight the ensemble's interpersonal tensions and bonds. In supporting roles, plays Ruth, a figure tied to Thorn's personal history, while appears as Merlin, a mystical presence in the narrative. provides the voice for Pinecone, a whimsical element in the story. Additional and flashback roles are filled by actors including as Angus and Emily Chang as Echo, contributing to the film's ensemble of eccentric characters.

Production

Development

King Knight was written and directed by Richard Bates Jr., who drew inspiration from 1990s outsider comedies, particularly ' Pecker, to craft a sweet and provocative narrative centered on lovable, eccentric characters. Bates intentionally stripped away cynicism from the script, opting for overwritten dialogue to allow flexibility during production, and consulted friends practicing to portray sensitively and authentically. The film was produced under King Knight LLC, with Bates self-financing the project through a personal loan to maintain creative control. Key producers included Bates himself, alongside Rob Higginbotham and Colin Tanner, enabling a streamlined pre-production process focused on the director's vision. Casting announcements began in November 2019, when it was revealed that Criminal Minds star Matthew Gray Gubler and Westworld actress Angela Sarafyan would lead as the high priest and priestess of a modern coven. Supporting roles were quickly filled, with horror veteran Barbara Crampton and RoboCop actor Ray Wise attached at the time of the initial reveal; additional cast members, including a voice role for Aubrey Plaza, were confirmed in the following year. As a low-budget indie production, King Knight emphasized humor derived from pagan and self-discovery themes, reflecting Bates' evolution from earlier works like Suburban Gothic (2014), which also featured Gubler and explored quirky outsider dynamics. This approach allowed Bates to prioritize character-driven over high production values, aligning with his track record of intimate, genre-blending films.

Filming

Principal photography for King Knight took place in late 2019 over the course of several weeks in , . The production captured suburban neighborhoods to depict the coven's everyday gatherings, a local high school for the pivotal reunion sequences, and various outdoor sites to convey the ritualistic, Wiccan-inspired aesthetics central to the film's satirical tone. Cinematographer Shaheen Seth employed vibrant, colorful visuals to heighten the comedic and fantastical elements, while editor Brit DeLillo handled the post-shoot assembly to balance the farce with character depth. Composer Steve Damstra II crafted a score blending folk influences with humorous undertones, enhancing the film's quirky pagan atmosphere. As an independent production self-financed by director Richard Bates Jr. through personal funds and a , the shoot faced typical low-budget constraints, including limited resources that encouraged improvisational approaches in the ensemble interactions to amplify the absurd, riff-like dialogues. Bates emphasized treating scenes with dramatic seriousness to elicit authentic performances amid the , fostering a collaborative on-set environment despite the logistical hurdles.

Release

Premiere

King Knight had its world premiere on August 8, 2021, at the in , . In response to the , the 2021 edition of the festival operated in a hybrid format, combining in-person screenings at select venues with virtual access for audiences across , and featured live Q&A sessions with director Richard Bates Jr. following select showings. The premiere generated positive audience feedback, with viewers praising the film's irreverent humor and the strong ensemble performances, particularly from leads and , which helped build anticipation for its broader release. Several cast members, including , participated in festival events such as post-screening discussions. The film enjoyed subsequent festival screenings later in 2021, including its UK premiere at the Arrow Video FrightFest in on August 29 and a showing at the in October.

Distribution and home media

King Knight had a in the United States on February 17, 2022, distributed by , following its festival premiere which facilitated key distribution agreements. The film became available for digital rental and purchase on video-on-demand platforms including Amazon Video, Apple TV, and starting the same day as its theatrical debut. A Blu-ray edition was released on February 17, 2022, by . A DVD edition followed on April 19, 2022, distributed by . Due to its independent status and the ongoing effects of the , performance was minimal, with detailed earnings not publicly tracked but estimated under $100,000 in domestic theatrical gross.

Reception

Critical response

Upon its release, King Knight received mixed reviews from critics, with praise for its quirky humor and ensemble but criticism for its execution. On , the film holds a 76% approval rating based on 41 reviews, with an average score of 6.2/10. On , it has a score of 30 out of 100, based on 5 reviews, indicating generally unfavorable reception. Positive reviews highlighted the film's ensemble chemistry and satirical take on Wiccan culture. For instance, awarded it 4 out of 5 stars, commending the "endearing" coven dynamics and the cast's committed performances, including and as anchors, which brought "sweet heart" to the pagan hijinks. Roger Ebert's review gave it 2 out of 4 stars, noting the premise's "endearingly funny" potential for eccentric comedy despite its amateurish flaws and uneven dialogue. Critics who were less favorable pointed to uneven pacing and underdeveloped subplots as major weaknesses. Nerdist rated the film 2.5 out of 5, criticizing its tonal inconsistencies and failure to fully develop the Wiccan coven beyond an "improv joke," resulting in a narrative that felt unresolved. Common themes in reviews included the film's exploration of paganism through humorous satire, as well as motifs of self-discovery amid identity crises in an indie comedy context. Critics appreciated how it portrayed the coven's spiritual and communal bonds, though some found the irony detached from deeper emotional resonance.

Accolades

King Knight garnered recognition primarily at genre film festivals following its premiere. At the 2021 , the film was nominated for the Audience Award in the Best European/North-South American Feature category. It also secured the Bronze Award (third place) in the audience-voted Best International Feature category at the same event. These honors stemmed in part from critical acclaim for the film's distinctive humor, which resonated with festival programmers and audiences.

References

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