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Kiroro
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Kiroro (キロロ) is a Japanese pop duo from Yomitan, Okinawa that debuted in 1996.

Key Information

History

[edit]

Kiroro debuted in 1996 as an independent band, and later made their major debut in 1998 with the song "Nagai Aida (長い間)". They performed on Kōhaku Uta Gassen in 1998, 1999 and 2001.

The ending theme for the Japanese dub of The Good Dinosaur was contributed by them, and was a newly rerecorded "Mother Earth version" of their song "Best Friend".[1]

Etymology

[edit]

When vocalist Chiharu Tamashiro was in her primary school days, she visited Ikedamachi, Hokkaido, for a regional exchange program. The Ainu language made a deep impression on her. With the Ainu words 'Kiroru' and 'Kiroro-an', Tamashiro and Kinjo decided on the name "Kiroro" for the group; "Kiroru" meaning a wide walking path and "Kiroro-an" meaning "resilient" and "healthy."

The name "Kiroro" however, was already registered in 1981 to the Yamaha Organization in Hamamatsu City, Shizuoka, for the Kiroro Resort in Akaigawa Village, Hokkaido. Victor Entertainment made agreements with the Yamaha organization for use of the name.

Members

[edit]

Both members are born and raised in Yomitan village in Okinawa Prefecture, Japan:

  • Chiharu Tamashiro (玉城 千春, Tamashiro Chiharu; born (1977-04-17) April 17, 1977 (age 48)) - chorus and vocals
  • Ayano Kinjō (金城 綾乃, Kinjō Ayano; born (1977-08-15) August 15, 1977 (age 48)) - keyboard

Discography

[edit]

Albums

[edit]
  • Nagai Aida ~Kiroro no Mori~ (長い間 ～キロロの森～) - October 1, 1998
  • Hiruyasumi (昼休み) - September 22, 1999 (Ayano Kinjo's solo album)
  • Suki na Hito ~Kiroro no Sora~ (好きな人 ～キロロの空～) - December 8, 1999
  • Nanairo (七色) - September 26, 2000 (concept album)
  • Tree of Life - January 13, 2001 (Taiwan), January 24, 2001 (Japan) - the first time (and only time, up to the album Wonderful Days) that the date of release in Taiwan was earlier than Japan
  • Kiroro no Uta 1 (Kiroroのうた1) - February 21, 2002
  • Four Leaves Clover - December 18, 2002
  • Diary - March 3, 2004
  • Kaeru Basho (帰る場所) - January 21, 2005 (Okinawa limited edition), June 23, 2005 (national edition, mini album) - dedicated to their homeland, Okinawa; the 'national level' edition also contains an introductory flash clip that describes the places of interest in Okinawa
  • Wonderful Days - November 23, 2005
  • Kiroro no Ichiban Ii Uta Atsumemashita (キロロのいちばんイイ歌あつめました) - March 29, 2006
  • Kiroro no Hōra, Naki Yanda! (キロロのほーら、泣きやんだ!) - March 7, 2007 (played by Ayano, a lullaby album for babies)
  • Kiroro no Ichiban Ii Uta Atsumemashita ~10th Anniversary Edition~ (キロロのいちばんイイ歌あつめました～10th Anniversary Edition～) - March 7, 2007 (collector's edition)
  • Kodomo to Issho ni Kikitai Kiroro no uta (子供といっしょにききたいキロロのうた) - March 29, 2016
  • Aihaberu (アイハベル) - January 24, 2018

Singles

[edit]
  • "Nagai Aida" (長い間) - January 21, 1998
  • "Mirai e" (未来へ) - June 24, 1998
  • "Fuyu no Uta" (冬のうた) - November 21, 1998
  • "Ao no Jumon" (青のじゅもん) - February 24, 1999
  • "Saigo no Kissu" (最後のKiss) - June 23, 1999
  • "Suki na Hito" (好きな人) - November 10, 1999
  • "Himawari" (ひまわり) - March 23, 2000
  • "Namida ni Sayonara" (涙にさよなら) - July 26, 2000
  • "Aitai" (逢いたい) - December 6, 2000
  • "Best Friend" - June 6, 2001
  • "Aisanai" (愛さない) - August 21, 2002
  • "Hitotsubu no Namida" (ひとつぶの涙) - December 4, 2002
  • "Bokura no Messēji" (僕らのメッセージ) - November 21, 2003
  • "Mou Sukoshi" (もう少し) - January 21, 2004
  • "Ikitekoso" (生きてこそ) - July 6, 2005 (Mushiking anime opening theme song)
  • "Wasurenai de ~Live at Okinawa '05~" (忘れないで〜Live at OKINAWA '05〜) - October 21, 2005 (with special edition)
  • "Shiawase no Tane ~Winter version~" (幸せの種 ～Winter version～) - December 3, 2008
  • "Minna Anata wo Aishiteru" (みんなあなたを愛してる) - March 4, 2009 (anime film Chō Gekijōban Keroro Gunsō: Gekishin Dragon Warriors theme song)

Note: All singles from "Nagai Aida" up to "Suki na Hito" were released again on February 21, 2002.

Personal lives

[edit]

In January 2005, vocalist Chiharu Tamashiro announced that she was engaged. On April 17 (which coincided with her birthday), she and her fiancé entered the family registry. In May, pianist Ayano Kinjo announced her pregnancy and marriage. In July, Tamashiro announced her pregnancy. In September 2005, they held their "four person concert" in Okinawa with the finale, Wasurenaide ("Don't Forget") before their maternal leave. Kinjo gave birth to a daughter in November 2005. Tamashiro gave birth to a son in February 2006. In March 2007, Tamashiro announced her second pregnancy, and in September 2007, she gave birth to a daughter. In August 2008, Kinjo announced her second pregnancy, and she gave birth to a son in March 2009. Also in March 2009, Tamashiro announced her third pregnancy, and she gave birth to another daughter in September 2009. In October 2010, Kinjo announced her third pregnancy, and she gave birth to another son in March 2011. In April 2013, Kinjo divorced her husband. In January 2023, Kinjo announced her remarriage to a guitarist, Yoshimi Katayama from the band Kata-Kana.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Kiroro

View on Grokipedia
from Grokipedia
Kiroro (キロロ) is a Japanese pop duo formed in 1995 in Yomitan Village, Okinawa Prefecture, consisting of vocalist Chiharu Tamashiro (born April 17, 1977) and pianist Ayano Kinjo (born August 15, 1977). The group began as an independent act, releasing their debut indie single "Nagai Aida / Ao no Jumon" in 1996, which sold over 10,000 copies in Okinawa. They made their major-label debut on January 21, 1998, with the single "Nagai Aida" (Long Time No See), a heartfelt piano ballad that peaked at number one on the Oricon Weekly Singles Chart and ranked as the sixth best-selling single of the year in Japan with 1,182,010 copies sold. Kiroro rose to national prominence in the late and early with their signature style of emotional, piano-driven ballads addressing themes of love, friendship, and perseverance, earning them widespread popularity across . Key hits include "" (To the Future, 1998) and "Best Friend" (2001), the theme song for the morning serial Churasan, both of which became enduring staples and were popular in multiple Asian countries. Their debut album Kiroro no Mori (1998) reached number one on the Oricon Albums Chart, solidifying their status as one of Japan's top-selling female duos of the era. The duo received the New Artist of the Year award at the 13th Japan Gold Disc Awards in 1999, along with honors for Best New Artist, Best Song, and Best Composer at various Japanese music ceremonies. After a period of reduced activity following the birth of their children—both members are now mothers of three—Kiroro continues to perform and release music as of 2025, including international appearances, maintaining a strong fanbase in Okinawa and beyond while balancing family life.

Origins

Etymology

The name "Kiroro" draws inspiration from two Ainu words that vocalist Chiharu Tamashiro encountered during a childhood regional exchange trip to Ikeda Town in Hokkaido. These words—"kiroru," referring to a wide path trodden firm by human footsteps, and "kiroro-an," connoting strength, health, prosperity, largeness, or firmness—captivated Tamashiro and pianist Ayano Kinjō with their phonetic appeal and symbolic depth when the duo selected the name during their formation in 1995. As Okinawan natives from Yomitan Village, the pair's choice reflects a personal bridge to indigenous northern Japanese linguistic elements, distinct from their southern island heritage yet emblematic of their shared creative vision.

Formation

Kiroro was formed in 1995 in Yomitan, , by Chiharu Tamashiro and Ayano Kinjō, who were classmates at Yomitan High School during their early adulthood in the mid-1990s. Although they had first met at a during , their musical collaboration began in earnest during high school. The duo's inception occurred in the school's after-hours music room, where Tamashiro sang original songs and Kinjō spontaneously added accompaniment, creating an immediate synergy that prompted them to pursue music together. This led to their decision to establish Kiroro as a piano-vocal duo, with Kinjō handling arrangements and Tamashiro focusing on lyrics and vocals, emphasizing intimate, acoustic-style performances. Before any commercial releases, the pair engaged in songwriting and independent performances in Yomitan, including composing originals during —such as Tamashiro jotting on test papers and Kinjō arranging by ear from cassette recordings—and sharing songs with classmates at informal events. As part of this formative process, they named the group "Kiroro," inspired by Ainu terms for a wide path and thriving vitality that Tamashiro encountered during a childhood exchange in .

Members

Chiharu Tamashiro

Chiharu Tamashiro (玉城 千春, Tamashiro Chiharu) is a Japanese singer born on April 17, 1977, in Yomitan, Okinawa Prefecture. As the lead vocalist of the duo Kiroro, she is renowned for her clear, emotive delivery that conveys deep sentiment in the group's piano-driven ballads. From a young age, Tamashiro harbored a strong aspiration to become a singer, nurtured amid Okinawa's vibrant cultural environment where music and local traditions played a central role in community life. This passion for music, rooted in her Okinawan upbringing, naturally drew her toward collaborative creative pursuits during her high school years. Tamashiro met her future bandmate Ayano Kinjō as a classmate at Okinawa Prefectural Yomitan High School, where their shared enthusiasm for songwriting and performance led to the formation of Kiroro in 1995. In the duo, her vocal contributions emphasize heartfelt expression, particularly in slower, introspective pieces that highlight themes of emotion and connection.

Ayano Kinjō

Ayano Kinjō (金城 綾乃, Kinjō Ayano; born August 15, 1977) is the and of the Japanese pop duo Kiroro, hailing from Yomitan Village, . Her instrumental contributions have been central to the duo's identity since their formation in 1995. Kinjō's early exposure to piano occurred during her high school years at Okinawa Prefectural Yomitan High School, where she served as a piano assistant in music classes and was known for her ability to play by ear without . This skill was first noticed by vocalist Chiharu Tamashiro in , leading to their collaboration and the eventual creation of Kiroro. Her piano proficiency provided a foundational acoustic layer that complemented Tamashiro's expressive vocals, emphasizing the duo's focus on heartfelt, melody-driven ballads. As Kiroro's primary , Kinjō shapes their acoustic sound through delicate arrangements that underscore emotional themes, creating an intimate backdrop for the and vocals. This role highlights her technical background in , contrasting with Tamashiro's vocal emphasis and allowing for a balanced, duo-centric performance style in their early works.

History

Independent beginnings (1996–1997)

Kiroro officially debuted as an independent act in November 1996 with their first single, "Nagai Aida / Ao no Jumon," released on a local Okinawan label and limited to the region. The lead track "Nagai Aida" quickly gained traction, selling over 10,000 copies within Okinawa despite its restricted distribution, a remarkable feat for an indie release that helped establish their early presence. This success was bolstered by the song's use in a local commercial for Anshin Yusō Service, a , which aired on regional television and introduced their harmonious sound to everyday audiences across the prefecture. Building on this momentum, the duo actively performed at grassroots venues in Okinawa throughout 1996 and 1997, starting with school events at their , Yomitan High School, where they had initially formed as classmates in 1995. They sold CDs by hand at these local gatherings and expanded to community festivals, including a notable appearance at the Yomitan Village Festival on November 2, 1997, which drew enthusiastic crowds and solidified their reputation among Okinawan youth. Their win of the Special Award at the Yamaha Teens Music Festival Okinawa in June 1996 further elevated their profile, leading to regional media coverage and a ranking of 92nd on the Wired Best Hit chart for "Nagai Aida" in May 1997. These efforts fostered a dedicated local following, with Chiharu Tamashiro handling vocals, lyrics, and composition alongside Ayano Kinjō's and harmonies, creating an authentic, island-inspired style that resonated deeply in their hometown. By late 1997, Kiroro's independent achievements caught the attention of major labels, culminating in preparations for a contract with Victor Entertainment. Following their festival performances and chart recognition, the duo signed with the company, setting the stage for a national major debut on January 21, 1998, while expressing gratitude to their Okinawan supporters in local interviews for the grassroots foundation that made it possible. This transition marked the end of their indie phase, during which they had transformed from high school performers into a regionally celebrated act.

Major debut and breakthrough (1998–2000)

Kiroro transitioned from their independent phase to label signing with Victor Entertainment, marking their entry into the mainstream music industry. Their debut single, "Nagai Aida," released on January 21, 1998, quickly became a national sensation, topping the weekly charts and selling 1,182,010 copies that year to rank as Japan's sixth best-selling single of 1998. Building on this momentum, the duo released their second single, "Mirai e," on June 24, 1998, which captured widespread appeal with its uplifting melody and lyrics about hope and perseverance. The track earned them their first invitation to NHK's prestigious Kōhaku Uta Gassen, where they performed it during the 49th edition on December 31, 1998, solidifying their rising stardom. Their debut album, Nagai Aida Kiroro no Mori, followed on October 1, 1998, compiling their early hits alongside new material and achieving over 1.2 million sales, which placed it at No. 29 on the year-end album chart for 1998. In 1999, Kiroro returned to for the 50th edition, performing "Nagai Aida" and further cementing their breakthrough status with continued chart success and media exposure. By 2000, their sound had established them as a prominent act, with "Nagai Aida" remaining a cultural staple in .

Continued activity (2001–present)

Following their major breakthrough, Kiroro sustained their career through selective releases and contributions that highlighted their enduring appeal in Japanese pop music. In 2016, the duo rerecorded a "Mother Earth version" of their song "Best Friend" specifically for the ending credits of the Japanese-dubbed edition of Disney's animated film The Good Dinosaur, released on March 12, blending their signature emotional balladry with themes of friendship and nature. This collaboration underscored their versatility in media tie-ins while reinforcing their status as a go-to act for heartfelt soundtracks. Marking their 20th anniversary since major debut, Kiroro issued their first original studio in 13 years, Ai Haberu, on January 24, 2018, via Victor Entertainment. The 12-track collection featured introspective tracks like "" and "Anata ni Aenaku Natte," emphasizing themes of and reflection that echoed their early work but incorporated matured arrangements with and vocals at the forefront. This release demonstrated the duo's commitment to evolving their sound without frequent output, prioritizing quality over quantity in a shifting landscape. Their early performances on NHK's prestigious Kōhaku Uta Gassen provided a foundation for long-term popularity, allowing Kiroro to transition into more sporadic but impactful activities, often through members' solo projects. In recent years, vocalist Chiharu Tamashiro has taken the lead in international outreach, including a solo concert in São Paulo, , on August 16, 2025, where she performed Kiroro classics alongside new material. Just months later, on November 8, 2025, Tamashiro held her first show at Gateway Theatre, titled Chiharu Tamashiro (Kiroro) Live in 2025 – Best of Kiroro Hits and More, drawing fans with renditions of hits like in an intimate setting. Meanwhile, pianist Ayano Kinjo contributed to community events, such as a public appearance at the "JA Kyosai Presents Childcare Support Festa 2025" in on November 16, 2025, and her solo LIVE 2025 "Piano to Ayano vol.3" in on November 24, 2025, focusing on piano-driven performances. These endeavors reflect Kiroro's ongoing influence through individual expressions tied to the duo's legacy, with no major group hiatus announced as of late 2025.

Musical style and influences

Core characteristics

Kiroro's music is firmly rooted in the genre, distinguished by its emphasis on emotional ballads that deliver a soothing, introspective quality. The duo's signature sound revolves around heartfelt vocals paired with delicate melodies, creating an intimate atmosphere that resonates deeply with listeners seeking comfort and reflection. This approach prioritizes simplicity and emotional authenticity over elaborate production, allowing the music to evoke a sense of quiet vulnerability. Central to their arrangements are acoustic-driven elements, with serving as the primary instrument alongside unadorned vocals, fostering a gentle and poignant lyrical delivery. Themes of resilience—often portrayed through narratives of overcoming hardship and moving forward—and interpersonal relationships, such as familial bonds and enduring friendships, permeate their songwriting, infusing the tracks with universal appeal and subtle optimism. These lyrics, characterized by their straightforward yet evocative language, avoid complexity to focus on raw human experiences, enhancing the ballads' therapeutic impact. As natives of Okinawa, Kiroro's work reflects broad themes of warmth and perseverance, though their polished structures show no overt traditional elements. Their debut album played a pivotal role in solidifying these core traits, setting the foundation for their enduring ballad-centric identity.

Inspirations and evolution

Kiroro's name derives from the , specifically combining elements such as "kiroru," meaning a wide path trampled by humans, and "kiroro-an," signifying strength or health, which Chiharu Tamashiro encountered during a childhood school exchange trip to and found resonant with themes of endurance. This etymology ties to the cultural resilience of the Ainu, Japan's indigenous people of , who have preserved their traditions amid centuries of marginalization and assimilation efforts by the Japanese government. The choice reflects the duo's admiration for Ainu fortitude, infusing their identity with a symbolic emphasis on perseverance and communal paths forward. As natives of Yomitan in , Kiroro's lyrics often emphasize family bonds and hope amid adversity, drawing from universal human experiences. The duo's musical style originated in indie acoustic roots during their 1996 formation, characterized by raw piano-vocal arrangements and self-released demos that captured intimate, unpolished expressions of everyday emotions. Following their major-label debut in 1998, Kiroro evolved toward polished ballads, incorporating fuller orchestration and professional production while preserving the core piano-driven simplicity, as evident in hits like "" that transitioned from indie demo to chart-topping single. This progression allowed broader accessibility without diluting their heartfelt essence. As of 2025, they continue to perform and release music in this ballad style, including recent solo works by Chiharu Tamashiro. Their versatility in emotional themes is demonstrated through adaptations like the 2015 rerecording of "Best Friend" as the "Mother Earth Version" for the Japanese ending credits of Disney-Pixar's , where the track's themes of companionship and growth were tailored to align with the film's narrative of overcoming fear and building bonds in a vast, challenging world.

Discography

Studio albums

Kiroro has released seven studio albums, all under Victor Entertainment.
Release dateAlbum title
October 1, 1998Nagai Aida Kiroro no Mori (長い間 ～キロロの森～)
December 8, 1999Suki na Hito Kiroro no Sora (好きな人 ～キロロの空～)
January 24, 2001Tree of Life (TREE OF LIFE)
December 18, 2002Four Leaves Clover (フォーリーブス・クローバー)
September 22, 2004Diary (ダイアリー)
September 21, 2005Wonderful Days (ワンダフル・デイズ)
January 24, 2018Aihaberu (アイハベル)

Singles

Kiroro released 18 singles between 1998 and 2009, marking their major label output under Victor Entertainment. These releases often featured heartfelt, acoustic-driven pop songs that resonated with audiences, achieving varying degrees of chart success on the weekly singles chart. Several singles, such as their debut "Nagai Aida", reached the top position and sold over a million copies, establishing the duo's breakthrough in the scene. The following table enumerates their singles chronologically, including release dates, peak Oricon positions where applicable, estimated cumulative sales for top performers, and notable media ties. Chart data is sourced from Oricon records, with sales figures reflecting certified or reported totals.
No.Title (Romanized)Japanese TitleRelease DatePeak Oricon PositionSales (est.)Notes
1Nagai Aida長い間January 21, 1998#11,182,010Debut major single; 46 weeks on chart; #6 yearly.
2Mirai e未来へJune 24, 1998#4498,940Certified platinum (RIAJ); #48 yearly single.
3Fuyu no Uta冬のうたNovember 21, 1998#9N/ASeasonal hit with holiday themes.
4Ao no Jumon青のじゅもんFebruary 24, 1999#12N/AFollow-up to early successes.
5Saigo no Kissu最後のキッスJune 23, 1999#28N/ARomantic single.
6Suki na Hito好きな人November 10, 1999#20N/ARomantic ballad single.
7HimawariひまわりMarch 23, 2000#12N/AUplifting track.
8Namida ni Sayonara涙にさよならJuly 26, 2000#25N/AEmotional release.
9Aitai会いたいDecember 6, 2000#30N/AYear-end single.
10Best FriendベストフレンドJune 6, 2001#1417,000Theme song for NHK morning drama Churasan; 21 weeks on chart.
11Ai Sanai愛さないAugust 21, 2002#28N/ARelationship-focused song.
12Hitotsubu no Namidaひとつの涙December 4, 2002#25N/AReflective track.
13Bokura no Message僕らのメッセージNovember 21, 2003#31N/AInspirational message song.
14Mou Sukoshiもう少しJanuary 21, 2004#25N/AMotivational single.
15Ikite Koso生きてこそJuly 6, 2005#25N/ATheme for anime Mushiking.
16Wasurenai de Live at Okinawa '05忘れないで ～Live at Okinawa '05～October 21, 2005#45N/ALive version single.
17Shiawase no Tane Winter version幸せの種 ～Winter version～December 3, 2008#120N/AWinter re-release variant.
18Minna Anata wo Aishiteruみんなあなたを愛してるMarch 4, 2009#45N/AAffirmation of love single; theme for Keroro Gunsō film.
Later singles saw declining chart positions amid the duo's evolving career, but early releases like "Nagai Aida" and "Best Friend" remain enduring hits, with the former ranking #6 on the 1998 Oricon yearly chart.

Personal lives

Family and relationships

Chiharu Tamashiro and Ayano Kinjō, the members of Kiroro, both entered into marriages in 2005, marking a significant personal milestone that coincided with the duo's early family expansions. Tamashiro married on April 17, 2005, her 28th birthday. Kinjō wed a on May 24, 2005. These unions led to a brief pause in their professional activities as they focused on impending motherhood, with both announcing pregnancies later that year. Tamashiro welcomed her first child, a son, on February 14, 2006. Her second child, a daughter, was born on September 9, 2007. The couple's third child, another daughter, arrived on September 29, 2009, two weeks ahead of schedule. Tamashiro has remained married since 2005, raising her three children in Okinawa while balancing family and music. Kinjō gave birth to her first child, a , in November 2005, just months after her . Her second child, a son, followed on March 14, 2009. The third, another son, was born on March 29, 2011. Kinjō announced her from her first in 2013 after nearly eight years of . She remarried Yoshimi Katayama, a fellow Okinawan , on January 1, 2023, and continues to raise her three children alongside her new family.

Health and other events

Chiharu Tamashiro of Kiroro engaged in educational outreach by leading an online lecture in March 2021 for ninth-grade students at in , where she guided participants in composing songs based on poems written during the school's Peace Week activities. In October 2025, Tamashiro appeared in an exclusive interview for the Creative Centre's E-Magazine, published by the Embassy of in , sharing insights on her personal connections to the and its cultural vibrancy. The duo's members have navigated transitions with resilience, allowing them to sustain creative endeavors alongside family responsibilities without major interruptions to their professional pursuits or reported health issues.

References

  1. https://www.kiroromusic.com/profile/
  2. https://music.apple.com/us/artist/kiroro/83011487
  3. https://www.generasia.com/wiki/1998_Oricon_Top_100_Singles
  4. https://www.generasia.com/wiki/Best_Friend_(Kiroro)
  5. https://www.bandwagon.asia/articles/chiharu-tamashiro-of-kiroro-to-perform-in-singapore-for-the-1st-time-this-november
  6. https://www.generasia.com/wiki/13th_Japan_Gold_Disc_Awards
  7. https://public.yomitan-sonsi.jp/1997/12/01/id-9065/
  8. https://jisin.jp/region/1598468/
  9. https://www.jvcmusic.co.jp/-/Profile/A011363.html
  10. https://vgmdb.net/artist/10639
  11. https://music.apple.com/ae/artist/kiroro/83011487
  12. https://rkb.jp/article/38715/
  13. https://vgmdb.net/artist/10640
  14. https://www.generasia.com/wiki/Kinjo_Ayano
  15. http://www.yun-taku-nana-iro.net/story-01.html
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  23. https://bestsellingalbums.org/album/24848
  24. https://www.livefans.jp/events/196056
  25. https://bestsellingalbums.org/artist/7073
  26. https://music.apple.com/ca/album/ai-haberu/1332973349
  27. https://www.kiroromusic.com/information/post2177-202510142257/
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  29. https://gatewaytheatre.sg/events/chiharu-tamashiro-kiroro-2025/
  30. https://www.academia.edu/301398/Uchinaa_Pop_Place_and_Identity_In_Contemporary_Okinawan_Popular_Music
  31. https://en.namu.wiki/w/Kiroro
  32. https://www.sapiens.org/archaeology/ainu-prejudice-pride/
  33. https://www.japantimes.co.jp/culture/2015/05/09/music/sound-waves-music-okinawa/
  34. https://music.apple.com/us/artist/chiharu-tamashiro/193509234
  35. https://jpop.fandom.com/wiki/Suki_na_hito_~Kiroro_no_Sora~
  36. https://jpop.fandom.com/wiki/Four_Leaves_Clover
  37. https://jpop.fandom.com/wiki/Diary
  38. https://jpop.fandom.com/wiki/Wonderful_Days
  39. https://jpop.fandom.com/wiki/Aihaberu
  40. https://www.oricon.co.jp/prof/13863/rank/single/
  41. https://www.japan-zone.com/news/2005/06/
  42. https://syncnet.work/en/archives/6699
  43. https://www.nikkansports.com/entertainment/p-et-tp0-20070911-254437.html
  44. https://www.oricon.co.jp/news/69586/full/
  45. https://chanto.jp.net/articles/-/1006401?display=b
  46. https://www.oricon.co.jp/news/64222/full/
  47. https://www.tokyohive.com/article/2011/04/kiroros-kinjo-ayano-gives-birth-to-3rd-child
  48. https://doramaworld.blogspot.com/2013/04/kiroros-kinjo-ayano-announces-her.html
  49. https://www.sponichi.co.jp/entertainment/news/2023/01/01/kiji/20230101s00041000413000c.html
  50. https://www.amicus.ed.jp/en/news/27642/
  51. https://www.sg.emb-japan.go.jp/JCC/E-Magazine-Oct-2025.html
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