Leon Redbone
Leon Redbone
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Leon Redbone

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Leon Redbone

Leon Redbone (born Dickran Gobalian; August 26, 1949 – May 30, 2019) was a singer-songwriter and musician specializing in jazz, blues, and Tin Pan Alley classics. Recognized by his hat (often a Panama), dark sunglasses, and black tie, he was born in Cyprus of Armenian ancestry and first appeared on stage in Toronto, Canada, in the early 1970s. He also appeared on film and television in acting and voice-over roles.

In concert, Redbone often employed comedy and demonstrated his guitar-playing skill. His recurrent gags involved the influence of alcohol and claims he had written works originating well before he was born. He favored music of the Tin Pan Alley era, circa 1890–1910. He sang the theme to the 1980s television series Mr. Belvedere, and released 18 albums.

Redbone was elusive about his origins, and he never explained the origin of his stage name. According to a Toronto Star report in the 1980s, he came to Canada in the mid-1960s and changed his name via the Ontario Change of Name Act. Biographical research published in 2019 corroborated his birth name and confirmed that his family was of Armenian origin.

While living in Canada in the late 1960s, Redbone began performing in public at Toronto area nightclubs and folk music festivals. He met Bob Dylan at the Mariposa Folk Festival in 1972. Dylan was so impressed by Redbone's performance that he mentioned it in a Rolling Stone interview, leading that magazine to do a feature article on Redbone a year before he had a recording contract. The article described his performances as "so authentic you can hear the surface noise [of an old 78 rpm]." Dylan said that if he had ever started a label, he would have signed Redbone. Redbone's first album, On the Track, was released by Warner Bros. Records in 1975.

He was introduced to a larger public as a semi-regular musical guest on NBC's Saturday Night Live, appearing twice in the first season. During the 1980s and 1990s he was a frequent guest on The Tonight Show Starring Johnny Carson. He was also a guest on A Prairie Home Companion.

A self-taught musician, he played by ear, sometimes changing the chords of established tunes, never rehearsing with a band, and not following set lists. In an interview in the Winter 2017 edition (No. 177) of BING magazine, the publication of the International Club Crosby, clarinetist Dan Levinson recounted working with Redbone:

I toured with Redbone for 12 years. We used to listen to early Crosby while we were on the road. [Redbone's] taste in music was more eclectic than that of anyone I've ever known – it included Emmett Miller, Blind Blake, Paganini, Caruso, Gene Austin, John McCormack, Moran and Mack, Cliff Edwards, Jelly Roll Morton, Ted Lewis, Mustafa the Castrato, the Hungarian singer Imre Laszlo [eo], Jimmie Rodgers ('the Singing Brakeman'), Mongolian throat singers, W. C. Fields, Laurel and Hardy ... and early Bing Crosby.

Redbone was described as "both a musical artist and a performance artist whose very identity was part of his creative output." He usually dressed in attire reminiscent of the Vaudeville era, performing in a Panama hat with a black band and dark sunglasses, often while sitting at attention on a stool, with a white coat and trousers and a black string tie. With his reluctance to discuss his past came speculation that "Leon Redbone" was an alternative identity for another performer. Two common suggestions in years past were Andy Kaufman and Frank Zappa, both of whom Redbone outlived. Though sometimes compared to Zappa and Tom Waits for "the strength and strangeness of his persona", he almost exclusively played music from decades before the rock era, occasionally writing his own new material in a similar blues-influenced Tin Pan Alley style. (As well, Redbone's only Billboard chart hit, "Seduced", was a newly written tune by Gary Tigerman arranged in Redbone's decades-old style.) Redbone disdained "blatant sound for people to dance to", and in a 1991 interview, he said: "The only thing that interests me is history, reviewing the past and making something out of it."

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