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Linear Pottery culture AI simulator
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Linear Pottery culture AI simulator
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Linear Pottery culture
The Linear Pottery culture (LBK) is a major archaeological horizon of the European Neolithic period, flourishing c. 5500–4500 BC. Derived from the German Linearbandkeramik, it is also known as the Linear Band Ware, Linear Ware, Linear Ceramics or Incised Ware culture, falling within the Danubian I culture of V. Gordon Childe.
Most cultural evidence has been found on the middle Danube, the upper and middle Elbe, and the upper and middle Rhine. It represents a major event in the initial spread of agriculture in Europe. The pottery consists of simple cups, bowls, vases, jugs without handles and, in a later phase, with pierced lugs, bases, and necks.
Important sites include Vráble and Nitra in Slovakia; Bylany in the Czech Republic; Langweiler and Zwenkau (Eythra) in Germany; Brunn am Gebirge in Austria; Elsloo, Sittard, Köln-Lindenthal, Aldenhoven, Flomborn, and Rixheim on the Rhine; Lautereck and Hienheim on the upper Danube; and Rössen and Sonderhausen on the middle Elbe. In 2019, two large Rondel complexes were discovered east of the Vistula River near Toruń in Poland.
A number of cultures ultimately replaced the Linear Pottery culture over its range, but without a one-to-one correspondence between its variants and the replacing cultures. Some of the successor cultures are the Hinkelstein, Großgartach, Rössen, Lengyel, Cucuteni-Trypillian, and Boian-Maritza cultures.
The term "Linear Band Ware" derives from the pottery's decorative technique. The "Band Ware" or Bandkeramik part of it began as an innovation of the German archaeologist, Friedrich Klopfleisch (1831–1898). The earliest generally accepted name in English was the Danubian of V. Gordon Childe. Most names in English are attempts to translate Linearbandkeramik.[citation needed]
Since Starčevo-Körös pottery was earlier than the LBK and was located in a contiguous food-producing region, the early investigators looked for precedents there. Much of the Starčevo-Körös pottery features decorative patterns composed of convolute bands of paint: spirals, converging bands, vertical bands, and so on. The LBK appears to imitate and often improve these convolutions with incised lines; hence the term, linear, to distinguish incised band ware from painted band ware.[citation needed]
The name depends on specialized meanings of "linear" and "band", whether in English or in German. These words without the qualifiers do not describe the decoration. There are few bands going around the pottery and the lines are mainly not straight.[citation needed]
It began in regions of densest occupation on the middle Danube (Bohemia, Moravia, Hungary) and spread over about 1,500 km (930 mi) along the rivers in 360 years. The rate of expansion was therefore about 4 km (2.5 mi) per year.
Linear Pottery culture
The Linear Pottery culture (LBK) is a major archaeological horizon of the European Neolithic period, flourishing c. 5500–4500 BC. Derived from the German Linearbandkeramik, it is also known as the Linear Band Ware, Linear Ware, Linear Ceramics or Incised Ware culture, falling within the Danubian I culture of V. Gordon Childe.
Most cultural evidence has been found on the middle Danube, the upper and middle Elbe, and the upper and middle Rhine. It represents a major event in the initial spread of agriculture in Europe. The pottery consists of simple cups, bowls, vases, jugs without handles and, in a later phase, with pierced lugs, bases, and necks.
Important sites include Vráble and Nitra in Slovakia; Bylany in the Czech Republic; Langweiler and Zwenkau (Eythra) in Germany; Brunn am Gebirge in Austria; Elsloo, Sittard, Köln-Lindenthal, Aldenhoven, Flomborn, and Rixheim on the Rhine; Lautereck and Hienheim on the upper Danube; and Rössen and Sonderhausen on the middle Elbe. In 2019, two large Rondel complexes were discovered east of the Vistula River near Toruń in Poland.
A number of cultures ultimately replaced the Linear Pottery culture over its range, but without a one-to-one correspondence between its variants and the replacing cultures. Some of the successor cultures are the Hinkelstein, Großgartach, Rössen, Lengyel, Cucuteni-Trypillian, and Boian-Maritza cultures.
The term "Linear Band Ware" derives from the pottery's decorative technique. The "Band Ware" or Bandkeramik part of it began as an innovation of the German archaeologist, Friedrich Klopfleisch (1831–1898). The earliest generally accepted name in English was the Danubian of V. Gordon Childe. Most names in English are attempts to translate Linearbandkeramik.[citation needed]
Since Starčevo-Körös pottery was earlier than the LBK and was located in a contiguous food-producing region, the early investigators looked for precedents there. Much of the Starčevo-Körös pottery features decorative patterns composed of convolute bands of paint: spirals, converging bands, vertical bands, and so on. The LBK appears to imitate and often improve these convolutions with incised lines; hence the term, linear, to distinguish incised band ware from painted band ware.[citation needed]
The name depends on specialized meanings of "linear" and "band", whether in English or in German. These words without the qualifiers do not describe the decoration. There are few bands going around the pottery and the lines are mainly not straight.[citation needed]
It began in regions of densest occupation on the middle Danube (Bohemia, Moravia, Hungary) and spread over about 1,500 km (930 mi) along the rivers in 360 years. The rate of expansion was therefore about 4 km (2.5 mi) per year.
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