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Looks That Kill
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| "Looks That Kill" | ||||
|---|---|---|---|---|
 | ||||
| Single by Mötley Crüe | ||||
| from the album Shout at the Devil | ||||
| Released | January 1984 (US)[1] | |||
| Recorded | 1983 | |||
| Genre | ||||
| Length | 4:07 | |||
| Label | Elektra | |||
| Songwriter | Nikki Sixx | |||
| Producer | Tom Werman | |||
| Mötley Crüe singles chronology | ||||
| ||||
| Music videos | ||||
| "Looks That Kill" on YouTube | ||||
"Looks That Kill" is a song by American heavy metal band Mötley Crüe. It was released as a single in January 1984. The song is considered one of their best.[2][3] It has regularly featured in Mötley Crüe's live performances. The video marked the band's inaugural appearance on mainstream MTV.[4]
Background
[edit]The track was written by bassist Nikki Sixx and spent 10 weeks on the Billboard Hot 100 chart in the United States, peaking at #54. On the Mainstream Rock Tracks chart, it peaked at #12.
Music video
[edit]The music video was filmed at A&M Records' main sound stage. It features the band in a post-apocalyptic setting where they trap a group of women in a cage while performing the song. In the middle of the video, the warrior queen (played by Wendy Barry) appears to release the women before confronting the band. The band follows and surrounds her, but she disappears, leaving a flaming pentagram on the ground.[5]
Track listing
[edit]- "Looks That Kill" – 4:07
- "Piece of Your Action"
Personnel
[edit]- Vince Neil – vocals
- Mick Mars – guitar
- Nikki Sixx – bass
- Tommy Lee – drums, percussion
Charts
[edit]| Chart (1984) | Peak position |
|---|---|
| US Billboard Hot 100[6] | 54 |
| US Mainstream Rock (Billboard)[7] | 12 |
References
[edit]- ^ Strong, Martin Charles (1995). The Great Rock Discography. Canongate Press. p. 567. ISBN 9780862415419.
- ^ "Motley Crue's 15 Best Songs: Critic's Picks". Billboard. Retrieved July 1, 2021.
- ^ Rivadavia, Eduardo (June 27, 2017). "Top 50 Motley Crue Songs". Ultimate Classic Rock. Retrieved July 1, 2021.
- ^ Whitaker, Sterling (October 3, 2012). "Top 10 Motley Crue Songs". Ultimate Classic Rock. Retrieved December 3, 2023.
- ^ "The Girl in the Video: "Looks That Kill" (1983)". Noblemania. July 13, 2014. Retrieved March 25, 2019.
- ^ "Motley Crue Chart History (Hot 100)". Billboard. Retrieved December 25, 2021.
- ^ "Motley Crue Chart History (Mainstream Rock)". Billboard. Retrieved December 25, 2021.
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 | This metal song-related article is a stub. You can help Wikipedia by adding missing information. |
Looks That Kill
View on Grokipediafrom Grokipedia
Background and recording
Writing and inspiration
"Looks That Kill" was composed solely by Mötley Crüe bassist Nikki Sixx in 1983, serving as a key track on the band's second studio album, Shout at the Devil, which marked their breakthrough into mainstream success.[6] The song emerged during a period of intense creativity for the band, following the release of their debut album Too Fast for Love in 1981, as Mötley Crüe navigated rising fame and internal shifts, including a growing dissatisfaction with their earlier material that spurred the development of new songs.[7] In band interviews, Sixx has described the writing process as remarkably swift, with the group often crafting tracks like "Looks That Kill" and debuting them live shortly thereafter at iconic Los Angeles venues such as the Whiskey a Go Go, where the immediate audience enthusiasm—described by Sixx as fans shouting "Dude! That song's insane!"—validated the material and encouraged further composition amid the band's dynamic evolution.[8] This rapid approach reflected the high-energy environment of early 1980s Hollywood rock, where Mötley Crüe's experiences in the local scene informed their songwriting, capturing the allure and peril of the glam metal lifestyle through themes of seductive danger.[9]Recording process
The recording of "Looks That Kill" occurred at Cherokee Studios in Hollywood, California, during the 1983 sessions for Mötley Crüe's second album, Shout at the Devil, under the production of Tom Werman for Elektra Records.[10][11] The sessions followed a bottom-up approach typical of Werman's method, beginning with live drum tracks captured by Tommy Lee, whose explosive fills and rhythmic intensity established the song's high-energy pulse.[12] Nikki Sixx, recovering from a shoulder injury sustained in a car accident and playing bass with a cast and sling, laid down his driving bass lines next, providing a gritty foundation that locked in with Lee's drums despite the physical limitations.[12] Mick Mars contributed his signature guitar riffs, recorded in a single take but doubled across two tracks panned hard left and right to create a wide, immersive stereo field that amplified the track's raw aggression.[13] Vocals were tracked last by Vince Neil, with production choices emphasizing layered harmonies in the chorus for added thickness and impact, though Neil's performances often required extended sessions due to his frequent all-night partying.[14] Werman refined the layers through overdubs and mixing to achieve a polished yet unpolished heavy metal sound, stacking elements for density without overproducing the band's chaotic energy.[12] The sessions were complicated by the band's rampant substance use, including heroin experimentation by Sixx and Lee, which led to inconsistent focus and prolonged timelines, as recalled by Werman.[12] Neil's cocaine and alcohol-fueled lifestyle further disrupted vocal tracking, sometimes yielding only one usable line after hours of attempts, forcing the team to piece together takes meticulously.[14] Despite these hurdles, the production captured the song's essence, building directly from Sixx's foundational writing into a cohesive studio realization.[12]Composition and style
Musical structure
"Looks That Kill" has a runtime of 4:07 and is composed in the key of E minor.[15] The song operates at a tempo of approximately 136 BPM, delivering the high-energy pulse typical of 1980s heavy metal. Its structure adheres to a standard verse-chorus format, commencing with a signature intro riff on dual guitars that sets a menacing tone, followed by alternating verses and choruses, and incorporating a fiery guitar solo performed by Mick Mars toward the end.[16] The instrumentation centers on lead vocals by Vince Neil, dual electric guitars played by Mick Mars and Nikki Sixx, a forceful bass line from Sixx that anchors the rhythm, and propulsive drums by Tommy Lee, all layered to produce a dense wall of sound. Power chords dominate the rhythm guitar parts, while Mars adds harmonic overlays in the intro and solo sections for added depth and aggression.[17] From its initial demo recording to the final studio version, the track evolved through extensive overdubs at Cherokee Studios in Los Angeles, where additional guitar layers, vocal harmonies, and polished mixes transformed the raw demo's energy into a more refined, radio-ready heavy metal anthem. The demo, featured on the 40th anniversary edition of Shout at the Devil, clocks in longer at 5:06 and lacks some of the final production's sheen.[13][18]Lyrical themes
The lyrics of "Looks That Kill," penned by Mötley Crüe bassist Nikki Sixx, center on a femme fatale figure whose physical allure serves as a weapon of seduction and destruction, embodying the perilous temptations of rock 'n' roll excess.[19][20] Described through vivid metaphors like "razor sharp" and "moves like a cat," the protagonist is portrayed as an enigmatic, predatory woman who "slices you apart" if crossed, blending erotic appeal with imminent threat in lines such as "She's got the looks that kill."[21] These themes reflect the toxic attraction and unbalanced power dynamics prevalent in the band's depiction of relationships, where the woman's "bulletproof" confidence and "number thirteen" mystique symbolize bad-luck allure amid hedonistic indulgence, mirroring the decadent 1980s Los Angeles Sunset Strip scene of parties, drugs, and fleeting encounters that defined Mötley Crüe's world.[20][22] The song's emphasis on her turning "on the power" at "midnight" evokes nocturnal revelry and sensory overload, tying into the era's rock lifestyle of unrestrained pleasure and risk.[21][23] Critics have interpreted the lyrics through lenses of misogyny, viewing the femme fatale as an objectified threat that reinforces male machismo by reducing women to dangerous stereotypes without agency, a common trope in glam metal that objectifies female sexuality to affirm band dominance.[20] Conversely, some readings frame her as an empowering symbol of female potency in a male-driven genre, where her lethal gaze subverts traditional victimhood by wielding attraction as control, though such empowerment is complicated by the song's predatory undertones.[20] The aggressive musical backing, with its driving riffs and pounding rhythm, amplifies these themes of urgent desire and peril.[23]Release and promotion
Single release
"Looks That Kill" was released as a single on January 4, 1984, by Elektra Records, marking the lead single from Mötley Crüe's second studio album, Shout at the Devil.[24][25] The single was initially issued in a 7-inch vinyl format at 45 RPM, with "Looks That Kill" on the A-side and "Piece of Your Action"—a track from the band's 1981 debut album Too Fast for Love—serving as the B-side.[2][26] Subsequent reissues appeared on CD within anniversary editions and compilations of Shout at the Devil, including the 40th anniversary box set.[27] The single's rollout aligned with the band's Shout at the Devil Tour, which began in late 1983 and extended into 1984, incorporating live performances of the track alongside targeted radio promotion to build on the album's success.[28]Marketing and chart performance
The single "Looks That Kill" benefited from aggressive marketing strategies centered on visual media and live performances. Its accompanying music video, directed by Marcelo Epstein and featuring theatrical elements like pyrotechnics and band performances amid gothic sets, received substantial airplay on MTV starting in early 1984, marking Mötley Crüe's breakthrough moment on the network and exposing the band to a broader audience beyond hard rock circles.[29][5] This MTV exposure was complemented by the band's grueling Shout at the Devil Tour, which spanned late 1983 to mid-1984 across North America, incorporating the track into nightly setlists to build fan engagement and drive single and album sales.[11] Commercially, "Looks That Kill" achieved moderate success on U.S. charts, debuting in January 1984 and peaking at number 54 on the Billboard Hot 100 while reaching number 12 on the Mainstream Rock Tracks chart; it maintained a presence on the Hot 100 for 10 weeks overall. The single did not receive standalone RIAA certification, but its radio play and video-driven popularity played a key role in elevating the Shout at the Devil album, which sold over 500,000 copies to earn gold status in January 1984 and crossed the one-million mark for platinum certification just a month later.[30]Music video
Production details
The music video for Mötley Crüe's "Looks That Kill" was directed by Marcelo Epstein and filmed over an 18-hour shoot in late 1983 at the main soundstage on the A&M Records lot in Hollywood, California.[29][5] The production had a budget of $75,000, overseen by Elektra Records executive Robin Sloane, who was tasked by label president Bob Krasnow to ensure the video aligned with MTV's emerging format requirements.[5] The cast featured the band members—Vince Neil, Nikki Sixx, Tommy Lee, and Mick Mars—alongside Wendy Barry in the role of the warrior queen leading a group of women.[29] Special effects included pyrotechnics for fire elements, such as the shield scene and a fiery pentagram created by the band, with set design evoking a post-apocalyptic cage and throne environment constructed on the soundstage.[5] Production faced challenges including extended delays that led to the band consuming alcohol and engaging in arguments, as well as the logistical demands of coordinating multiple takes for the pyrotechnic sequences, which proved intimidating for cast members like Barry.[5] Post-production involved editing the footage to fit MTV's three-minute broadcast standard, emphasizing quick cuts and high-energy visuals to capture the song's intensity.[5]Visual elements and themes
The music video for "Looks That Kill" is set in a post-apocalyptic landscape, evoking a dystopian, futuristic wasteland where the band members portray menacing captors armed with flaming torches.[5] A group of scantily clad women, styled as wild survivors, flee from the band before being captured and imprisoned in large metal cages, emphasizing a narrative of pursuit and confinement.[29] The band's performance intercuts with these scenes, featuring Vince Neil singing amid pyrotechnic displays while the other members—dressed in exaggerated S&M-inspired attire with spikes, platform boots, and heavy makeup—maintain the aggressive captor roles.[5] Midway through, a warrior queen figure, portrayed by Wendy Barry in a regal, armored outfit, emerges to liberate the caged women, symbolizing empowerment and defiance against oppression.[29] She confronts the band, who surround her, before raising a shield emblazoned with a pentagram that ignites in flames, culminating in a dramatic closing shot of a massive flaming pentagram.[5] This visual progression highlights themes of rebellion through the queen's heroic intervention and sexuality via the provocative depictions of the women and the band's fetishistic aesthetics, which amplify the song's seductive danger.[5] Satanic imagery, particularly the recurring pentagram motif and fiery effects, underscores the band's shock rock persona, blending occult symbolism with theatrical excess to provoke and captivate audiences.[5] The video's over-the-top style, including low-budget pyrotechnics and B-movie-inspired sets reminiscent of 1980s sword-and-sorcery films, draws from the era's heavy metal video conventions, prioritizing spectacle and narrative flair.[31] It premiered on MTV in late 1983, marking a pivotal moment in the band's visual presentation.[32]Reception and legacy
Critical reception
Upon its release as a single in January 1984, "Looks That Kill" received positive attention from critics for its infectious energy and powerful riffs, which were seen as emblematic of Mötley Crüe's evolving hard rock sound. A Rolling Stone review highlighted the album's boogie riffs as a driving force, noting how they animated tracks with raw intensity in a review that praised the band's ability to blend aggression with catchiness.[33] Similarly, Kerrang!'s Howard Johnson described the album as delivering "loud and louder" arena rock with focused hooks and style, positioning the band as youthful harbingers of heavy metal's future, with "Looks That Kill" contributing to its rebellious vigor. AllMusic's Barry Weber echoed this, calling the track a showcase of muscular riffs and massive hooks that propelled the band's mainstream breakthrough.[34] However, some critiques pointed to the song's lyrical content as superficial and laced with misogyny, reflecting broader concerns about the band's hedonistic themes. Consequence noted the "vaguely misogynist lyrics" in "Looks That Kill," which portrayed women in objectified, dangerous terms, critiquing the excess that defined early '80s glam metal.[35] This shallowness was occasionally cited as a flaw amid the otherwise praised sonic punch. Retrospectively, "Looks That Kill" has been hailed as a glam metal classic, with modern reviews emphasizing its enduring role in the genre's foundation. In a 2023 40th-anniversary assessment, Louder gave the album four stars, lauding "Looks That Kill" as a standout alongside other hits that solidified Mötley Crüe's superstar status through pouting, satanic-panic glory.[36] AllMusic further reinforced its legacy, describing the song as a raw, high-energy staple that helped define the band's catalog. Fan polls, such as Loudwire's reader survey on favorite Mötley Crüe albums, frequently rank Shout at the Devil highly, with "Looks That Kill" cited as a top track for its riff-driven appeal.[37]Cultural impact and covers
"Looks That Kill" has had a notable influence on the hair metal genre, exemplifying the high-energy riffs and theatrical style that defined 1980s glam metal anthems, with its MTV video serving as a visual manifesto for the era's [Sunset Strip](/page/Sunset Strip) scene.[38] The track's aggressive hooks and themes of dangerous allure inspired subsequent bands in the genre, contributing to the broader pop culture narrative of 1980s excess through analyses of its role in promoting hyper-masculine aesthetics and rock excess.[39] Its video was cited by Tipper Gore during the 1985 PMRC hearings as an example of graphic content in heavy metal, highlighting concerns over sex and violence in 1980s media.[40] The song appeared in the 2006 video game Grand Theft Auto: Vice City Stories on the fictional V-Rock radio station, exposing it to new generations amid the game's 1980s-themed setting.[41] It was also featured in the 2019 Netflix biopic The Dirt, which chronicles Mötley Crüe's rise, with the band performing the track on the accompanying soundtrack.[42] Covers of "Looks That Kill" have appeared on tribute projects, including Lauren Jenkins' rendition on the 2014 country-infused album Nashville Outlaws: A Tribute to Mötley Crüe, blending the original's hard rock edge with Nashville twang.[43] Industrial metal band Static-X recorded a version for a 2009 special edition of their album Cult of Static, incorporating their nu-metal style while preserving the song's driving rhythm.[44] Mötley Crüe continued to include "Looks That Kill" in their live setlists during 2020s tours, such as their 2024 performance at Hard Rock Live in Hollywood, Florida, and their 2025 Las Vegas residency at Dolby Live at Park MGM, where it energized crowds alongside other classics from their catalog.[45][46]Track listing and personnel
Formats and track listing
"Looks That Kill" was initially released as a single in 1984 on 7-inch vinyl format by Elektra Records, featuring the title track on the A-side and "Piece of Your Action" on the B-side. The A-side runs for 4:07, while the B-side is 4:38 in length. A promotional 12-inch picture disc EP was issued in the UK, featuring four tracks: "Looks That Kill", "Helter Skelter", "Piece of Your Action", and "Live Wire".[47] The song first appeared on Mötley Crüe's 1983 album Shout at the Devil, where it serves as the third track with a duration of 4:07. Subsequent reissues of the album, such as the 1999 remastered edition, retain this standard version. The 2003 remastered edition includes the original track along with a demo version as bonus content (track 13, duration 5:06). The 2023 40th anniversary super deluxe edition includes a remastered demo version (duration 4:17) as bonus content.[48] In the digital era, "Looks That Kill" has been available on streaming platforms since the early 2000s, typically featuring the album version at 4:07.[49]| Format | Track Listing | Duration | Label | Year |
|---|---|---|---|---|
| 7-inch vinyl single | A: "Looks That Kill" B: "Piece of Your Action" | 4:07 4:38 | Elektra | 1984 |
| 12-inch promo picture disc EP | "Looks That Kill" "Helter Skelter" "Piece of Your Action" "Live Wire" | 4:07 3:09 4:38 3:28 | Elektra | 1984 |
| Shout at the Devil (original LP/CD) | Track 3: "Looks That Kill" | 4:07 | Elektra | 1983 |
| Shout at the Devil (1999 remaster) | Track 3: "Looks That Kill" | 4:07 | Elektra | 1999 |
| Shout at the Devil (2003 remaster) | Track 3: "Looks That Kill" Bonus Track 13: "Looks That Kill" (Demo) | 4:07 5:06 | Elektra | 2003 |
| Shout at the Devil (2023 40th anniversary super deluxe) | Track 3: "Looks That Kill" Bonus: "Looks That Kill" (Demo) (2023 Remaster) | 4:07 4:17 | BMG | 2023 |
| Digital streaming (e.g., Spotify) | "Looks That Kill" (album version) | 4:07 | BMG Rights Management | 2008 onward |
Personnel
Mötley Crüe- Vince Neil – lead vocals[50]
- Mick Mars – electric guitar, acoustic guitar, backing vocals[50]
- Nikki Sixx – bass guitar, bass pedals, backing vocals, lyrics[50]
- Tommy Lee – drums, Simmons drums[50]
- Tom Werman – producer[51][52]
- Geoff Workman – recording engineer, mixing engineer[50][53]
- Doug Schwartz – second engineer[50][54]
- George Marino – mastering engineer[54]