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Meeting Evil
Meeting Evil
from Wikipedia

Meeting Evil
Theatrical release poster
Directed byChris Fisher
Written byChris Fisher
Based onMeeting Evil
by Thomas Berger
Produced byJustin Bursch
Mike Callaghan
Brad Krevoy
Reuben Liber
Jimmy Townsend
Roman Viaris-de-Lesegno
StarringSamuel L. Jackson
Luke Wilson
CinematographyMarvin V. Rush
Edited byMiklos Wright
Music byRyan Beveridge
Production
companies
Distributed byMagnet Releasing
Release dates
  • March 30, 2012 (2012-03-30) (Video on demand)
  • May 4, 2012 (2012-05-04) (U.S.)
Running time
89 minutes
CountryUnited States
LanguageEnglish
Box office$525[1]

Meeting Evil is a 2012 American mystery thriller film directed by Chris Fisher.[2] It is based on the 1992 novel Meeting Evil by Thomas Berger. It stars Samuel L. Jackson and Luke Wilson.

Plot

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John Felton, who lives in Orly County in an unnamed southern state (probably, Louisiana), has a wife named Joanie, and two kids named Sam and John Jr.. John is a mild-mannered real estate agent who has just been fired, making his personal crisis go from bad to worse.

John comes home and finds a foreclosure notice on the front door, and goes inside to a surprise birthday party thrown by Joanie and the kids. The foreclosure notice makes John angry, so Joanie takes the kids to a local park.

Felton is in the backyard, staring at the hole that's being dug for the swimming pool he is having installed and notices that the job is going slowly. John standing near the pit thinking about suicide. There is an incessant banging on the front door. John answers, and it's a man who calls himself Richie. Wearing a suit and fedora, Richie says his car, a 1972 Pontiac GTO stalled and requires a push. As John pushes the car from the back while Richie steers, the car backfires, injuring John's left knee. Richie opens the trunk of his car and approaches John concealing a revolver behind his back but hides it when he sees a little girl walking her dog.

Richie offers to take John to the hospital, and he reluctantly accepts, not realizing that he's leaving his wallet and cell phone behind at the house. On the way, John wonders about Richie's strange behavior—Richie is continuously "whistling Dixie"—and then Richie stops at a bar. John goes across the street to a cell phone dealership, where Rhonda, a clerk with a severe attitude problem, rudely denies him the use of a phone to call Joanie for a ride home.

At the bar, John crosses paths with Trevor, the man who fired him, and Tammy Strate, the woman with whom he had his affair. Tammy was Trevor's girlfriend before she left Trevor to be with John, and this is hinted as why he was fired.

A few minutes later, police cars start showing up, and Richie suggests that he and John leave. They leave with Tammy in her car, and once they get out onto a remote part of the road, a trucker harasses them and forces them to pull over.

The trucker is Rhonda's boyfriend, angry that Rhonda has been killed, and he thinks John did it. John gets out of the car, and the trucker approaches him with a tire iron. Suddenly, Richie hits the trucker with the car, killing the trucker. It turns out that Richie, who killed Rhonda, is a murderous psychopath. Local cops Frank and Latisha think John is the killer.

John realizes that this was not the day to play good samaritan. He and Tammy are in for a violent ride that they don't want to be on. Tammy escapes from Richie, and John tries to escape, Richie, disguised as a deputy, recaptures John. John forces Richie to let him go, and Richie threatens Joanie and the kids.

After a massacre at a store, John is arrested by Frank, who refuses to believe John's story about Richie, and that night, Latisha learns that John is not the killer—murders were committed in a diner while John was in custody, and Tammy has corroborated John's story about Richie.

Frank releases John, who goes home with Joanie and the kids, and Frank and Latisha, who thought Richie was killed at the diner, learn that he's still alive, and may be on his way to the Felton house.

In fact, Richie is already there, harassing the Feltons, and it's raining heavily. While they are eating dinner, Richie explains to John that Joanie is having an affair and had, in fact, hired Richie to kill him for insurance money. John attacks Joanie being egged on by Richie, she tries to stab John with a knife and he takes it from her ready to do the same, but instead stabs Richie and she then uses one of John's golf clubs to attack Richie as well. John and Richie crash through a window and fall into the pool hole struggling, which has been filled with water because of the rain. Frank and Latisha arrive, and Latisha fires a shot that kills Richie. That night, in bed, Joanie asks if everything is going to be okay, and turns off her light. John doesn't answer and turns off his light too, ominously whistling Dixie, just like Richie.

Cast

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Reception

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The reviewer aggregator site Rotten Tomatoes gives Meeting Evil a 13% positive rating based on 8 reviews, with an average rating of 4.0/10.[3]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Meeting Evil is a American mystery directed and written by Chris Fisher, adapted from the 1992 of the same name by Thomas Berger. The story centers on John Fleton, a disillusioned suburban who loses his job and subsequently aids a charismatic but dangerous stranger named Richie after the man's car breaks down, propelling John into a surreal and violent that upends his life and family. Starring as John, as Richie, and as John's wife Joanie, the film explores themes of malevolence, moral ambiguity, and the blurred line between . The novel Meeting Evil by Thomas , first published in 1992 by , follows a similar narrative arc, depicting ordinary salesman John Felton's encounter with the enigmatic Richie, which escalates into a harrowing confrontation with unadulterated and forces John to grapple with his own ethical boundaries. , renowned for works like (1964) and the Pulitzer Prize-nominated The Feud (1983), crafts a taut that critiques suburban complacency and human vulnerability to chaos. The 2012 film adaptation, produced by MAGNET Releasing and released theatrically on May 4, 2012, received mixed to negative reviews for its pacing and tonal inconsistencies, earning a 13% approval rating from critics on . Despite its critical reception, the movie highlights strong performances, particularly from Jackson, and maintains a runtime of 89 minutes with an R rating for violent content and language.

Overview

Plot

John Felton, a mild-mannered and devoted family man living in suburban America with his wife Joanie and two young children, faces a personal crisis when he loses his job but conceals the news from his family to maintain a sense of normalcy. On the same day, a charismatic stranger named Richie knocks on John's door, claiming his car has stalled nearby and requesting assistance to push it to a nearby hill for a jump-start. Reluctantly agreeing out of neighborly kindness, John helps, but the car's backfire injures his leg, leading Richie to insist on driving him to the hospital as a of gratitude. This seemingly innocuous encounter quickly spirals as Richie detours to a local bar, where John unexpectedly runs into his co-worker and secret romantic interest, Tammy Strate. As the trio proceeds, Richie's towed car prompts a stop at the impound lot, but their journey takes a dark turn when a forces them off the road, prompting Richie to seize control of the vehicle and deliberately run down the driver in a shocking . The pair then seeks temporary refuge at a remote farmhouse, where Richie's unpredictable and ruthless nature leads to further bloodshed, escalating the situation into a full-blown spree that implicates John despite his passive involvement. Torn between his instinct to flee and his growing fear for his family's safety—especially after Richie ominously hints at visiting Joanie and the children—John grapples with intense , questioning his own complacency as a law-abiding husband and father now entangled in chaos. A tense unfolds at a roadside , heightening the stakes as John attempts to assert some control amid Richie's manipulative dominance. The narrative intensifies with a police manhunt targeting John due to the mounting trail of crimes, forcing the duo into high-speed chases and narrow escapes across rural backroads. John's repeated pleas to be released fall on deaf ears as Richie taunts him with psychological games, drawing out John's suppressed frustrations and pushing him toward a breaking point. Desperate to protect his loved ones from the encroaching danger, John races against time to return home, setting the stage for a climactic showdown that tests the boundaries of his moral compass.

Cast

The principal cast of Meeting Evil features as John Felton, a struggling and family man who reluctantly embarks on a dangerous after aiding a charismatic stranger. portrays Richie, the enigmatic and manipulative antagonist who draws John into a spiral of violence and crime with his unpredictable demeanor. plays Joanie Felton, John's devoted wife who grows increasingly anxious over his unexplained absence and the threats to their family. Supporting roles include Peyton List as Tammy Strate, John's co-worker and secret romantic interest whom he encounters at a bar amid the escalating chaos; as Latisha Rogers, Joanie's friend who assists in the search for her missing husband; and as Frank, a menacing figure encountered during the journey. Ryan Lee appears as Scooter, a young boy whose encounter with Richie highlights the stranger's criminal tendencies, while Sam Robbins and Gabrielle Harvey play the Feltons' children, John Felton Jr. and Sam Felton, respectively, representing the innocent family life John leaves behind. Other credited cast members encompass Bret Roberts as Peter the Pool Guy, a brief but tense interaction in the narrative; Jason Alan Smith as Greg, another victim in Richie's path; as Tammy's Mother; Danny Epper as Redneck Trucker; Danny Hanemann as Bartender; Allison McConnell as Gas Station Attendant; Avi Lake as Little Girl with Dog; Jimmy Townsend as Suburban Cop #1; Ritchie Montgomery as Suburban Cop #2; Charles Ferrara as Old Diner Patron; Claire Conti as Diner Waitress; Dustan Costine as State Policeman; and Samantha Sitzman as Girl at Gas Station. Samuel L. Jackson's casting as the enigmatic antagonist Richie brings a layer of intense charisma to the role, drawing on his experience in thriller genres to embody the film's exploration of moral ambiguity.

Production

Development

The novel Meeting Evil was published in 1992 by , written by Thomas Berger as a thriller exploring the encounter between an ordinary real-estate agent, John Felton, and a stranger named Richie who represents pure evil. Chris Fisher, who wrote and directed the film adaptation, first became involved with the project in 2005 when it was brought to him by another director who did not own the rights to the novel. Fisher contacted Berger directly, shared an early version of his , and secured the rights after the author approved the approach, allowing Fisher to proceed with the adaptation. In adapting the story, Fisher emphasized thriller elements by portraying the as an anti-hero navigating moral ambiguity and enhancing the villain's charismatic menace, diverging from the novel's more introspective tone to heighten tension and pacing. Pre-production began in earnest around 2007 after Fisher completed the script, but the project took five years to advance due to financing challenges. The film was officially announced in late 2010, with casting confirmations for leads including and , setting to start in January 2011. Producers involved included Mike Callaghan, who helped secure key talent, alongside , Justin Bursch, and Reuben Liber. The production operated on a modest budget of slightly over $1 million, characteristic of an independent thriller. To suit cinematic demands, Fisher's incorporated contemporary updates such as references to the and modern like cell phones, while expanding action-oriented sequences to maintain momentum and altering the resolution for a more conclusive, visually dynamic close compared to the novel's ambiguous finish.

Filming

for Meeting Evil took place primarily in January 2011 in the New Orleans area of . Shooting began on January 12 in St. Charles Parish, with production wrapping in that location on January 29. The choice of benefited from state tax incentives for film productions. Filming locations included urban settings in to capture the story's escalating tension and more rural areas such as Destrehan and Luling for key sequences, including a residential used as the protagonist's home. Streets and neighborhoods in the New Orleans vicinity facilitated action-oriented scenes, while the surrounding parishes provided contrasting rural backdrops for initial encounters and pursuits. The production operated on a modest , emphasizing practical approaches for maneuvers and violent confrontations to maintain authenticity without relying heavily on digital enhancements. Challenges included coordinating stunts and action sequences on location with limited resources. Key crew members contributed to the film's tense atmosphere, with Marvin V. Rush employing dynamic camera work from the outset to heighten unease and immersion in the narrative's chaos. Rush's experience in and features helped achieve a gritty, immediate visual style suited to the thriller's themes.

Release

Theatrical release

Meeting Evil had its world premiere at the on April 28, 2012. The film was released theatrically in a limited capacity in the United States on May 4, 2012, distributed by Magnet Releasing. It received distribution in select international markets during 2012, including the , on July 26, and on August 29. The marketing efforts centered on promotional trailers debuted in March 2012, which spotlighted Samuel L. Jackson's menacing performance as the enigmatic Richie opposite Luke Wilson's everyman protagonist. Posters featured the lead actors in tense poses, underscoring the film's tone with imagery evoking moral descent and suspense. The Motion Picture Association rated the film R for violent content and language.

Home media

The home media release of Meeting Evil occurred on July 24, 2012, in the United States, distributed by on both DVD and Blu-ray formats. The release did not include special features such as director commentary or deleted scenes. In the , the DVD was released one day earlier, on July 23, 2012, also by . No significant international variations in content were reported beyond regional formatting and packaging. Digitally, the film was previously available for streaming on in the United States until around 2018, after which it was removed from the platform. As of 2025, Meeting Evil is not available on major streaming services or for digital rental/purchase through video-on-demand platforms such as Prime Video or Apple TV; physical disc copies remain the primary access method via retailers like Amazon. Due to its low-profile status, the film has not received any re-issues, restorations, or upgrades to 4K Ultra HD by 2025.

Reception

Critical reception

Meeting Evil received overwhelmingly negative reviews from critics, earning a 13% approval rating on based on eight reviews, with an average score of 3.1/10. The film's audience score stands at 31% on the same platform. On , it holds a 5.3/10 rating from over 12,000 user votes as of 2025. Critics frequently praised Samuel L. Jackson's charismatic portrayal of the enigmatic villain Richie, noting his ability to blend ingratiating charm with menacing intensity, which propelled the narrative and provided a perverse appeal to the character. Jackson's performance, enhanced by sharp costuming and makeup that evoked classic aesthetics, was highlighted as the film's primary draw, offering enjoyable menace amid the thriller's otherwise routine elements. Several reviewers appreciated the film's nods to noir influences, such as its mortgage-crisis backdrop and shadowy visuals, positioning it as a modern take on existential thrillers. However, common criticisms centered on the film's uneven pacing and underdeveloped characters, with Luke Wilson's portrayal of the hapless John criticized for lacking psychological depth until late in the story. Reviewers noted that the failed to capture the philosophical depth of Thomas Berger's novel regarding the nature of good versus evil, instead opting for superficial explorations of themes like alter egos and ambiguity without meaningful development. The direction was often described as over-the-top and heavy-handed, with exaggerated stylistic choices like stark lighting and slow-motion sequences turning potentially tense scenes into unintentional . In Variety, the film was deemed a "contrived suspenser" that flirted with exaggeration but ultimately provided modest amusement for genre fans. Screen Daily called it a "merely serviceable indie thriller," crediting Jackson's turn while lamenting the absence of on-screen violence and unresolved thematic ideas. awarded it one out of four stars, faulting the script's excess and lack of suspense in conveying Richie's enigmatic nature. Overall, the consensus viewed Meeting Evil as a flawed effort elevated sporadically by its lead performance but hindered by narrative inconsistencies.

Box office

Meeting Evil had a on May 4, 2012, earning just $181 during its opening weekend of May 4–6 across one theater, for an average of $181 per screen. The film's total domestic gross reached only $525, with no international earnings reported. This dismal financial performance stemmed from its extremely limited release, which coincided with the wide debut of the blockbuster The Avengers in over 4,000 theaters, alongside modest efforts and negative word-of-mouth.

References

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