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Mehdi Hassan
Mehdi Hassan Khan NI PP TI HI (Urdu: مہدی حسن خاں; 18 July 1927 – 13 June 2012), known as Mehdi Hassan, was a Pakistani ghazal singer and playback singer of great renown. Known as Shahenshah-e-Ghazal (شہنشاہِ غزل, "Emperor of Ghazal"), he is widely regarded as one of the greatest and most influential figures in the history of ghazal singing. Known for his "haunting" baritone voice, Hassan is credited with bringing ghazal singing to a worldwide audience. He is unique for his melodic patterns and maintaining integrity of the ragas in an innovative way.
Born into a family of Kalawant musicians, Hassan was naturally inclined towards music from a young age. He influenced generations of singers from diverse genres, from Jagjit Singh to Parvez Mehdi. He earned numerous awards and accolades during his lifetime and remained a leading singer of Pakistani film industry, along with contemporary playback singer Ahmed Rushdi; it is estimated that Hassan sang for over 300 films during his career. For his contributions to the arts, Hassan was awarded the Nishan-e-Imtiaz, Tamgha-e-Imtiaz, Pride of Performance, and Hilal-e-Imtiaz by the Government of Pakistan.
Hassan was born on 18 July 1927 into a mixed Pathan-Mughal family in the village of Luna, then located in the Jaipur State of the Rajputana Agency in British India but now in the Indian state of Rajasthan, into a family of traditional musicians. He claims to be the 16th generation of hereditary musicians hailing from the Kalawant clan of musicians who have been ustads and teachers to royal families, including the kings of Nepal. Hassan started singing at the age of 4-5 and writing lyrics and composing music at the age of 6 but began his formal musical training in Hindustani classical music at the age of 8, completing it with his father Ustad Azeem Khan and uncle Ustad Ismail Khan who were both traditional dhrupad singers. Hassan started performing at a young age, his first professional performance being before the Maharaja of Baroda at the age of 8; by the time he was 18 years old, Hassan is said to have mastered the classical singing forms of dhrupad, dadra, thumri, and khayal, and started performing at royal courts with his brother Ghulam Qadir. Hassan started his career primarily as a thumri exponent. His first concert of dhrupad and khayal with his elder brother is reported to have been held in Fazilka Bungla, near present DC House (1935) of undivided Punjab. His elder brother Pandit Ghulam Qadir also was instrumental in sharpening his skills. Instruments he would master include the harmonium as well the jal tarang.
Hassan credited his aristocratic upbringing and early training with instilling discipline and physical stamina that shaped his musical career. He stated that, despite not completing formal education due to the demands of music, his daily routine involved rigorous physical exercise, religious observance, and extended hours of vocal practice. Hassan recalled that his father emphasized physical fitness and discipline as essential to becoming a successful singer, and he attributed this regimen to his ability to sing continuously for up to 52 hours without experiencing breathlessness.
After the partition of India in 1947, the 20-year-old Hassan and his family migrated to Pakistan, carrying little with them by way of material belongings. The family proceeded to his paternal aunt's house who lived in a village, Chak No 111/7R, near Chichawatni. They suffered severe financial hardships in their new country. Hassan initially started working in nearby Chichawatni, in a bicycle shop Mughal Cycle House and later became a car and diesel tractor mechanic. Despite the financial hardships, he kept up his singing practice on a daily basis.
In 1957, Hassan was again given the opportunity to sing on Radio Pakistan, primarily as a thumri singer and later as a ghazal performer, which earned him recognition within the musical fraternity. He had a passion for Urdu poetry, and therefore, he began to experiment by singing ghazals on a part-time basis. He cites radio officers Z.A. Bukhari and Rafiq Anwar as additional influences in his progression as a ghazal singer. He first sang on Radio Pakistan in 1952. His first film song was "Nazar Milte Hi Dil Ki Bat Ka Charcha Na Ho Jaye" film Shikhar in 1956. This song was written by poet Yazdani Jalandhari and its music was composed by Asghar Ali M. Husain. In 1964, his ghazal for a film Farangi, "Gulon mein rang bharay, baad-e-naubahar chale" written by renowned Pakistani poet Faiz Ahmed Faiz and composed by Rasheed Attre, gave him a major breakthrough into the Pakistani film industry and he never looked back after that. Even the original ghazal poet Faiz Ahmed Faiz stopped reciting it in his 'mushairas' (poetry reciting events) and, instead, recommended that the audience ask Hassan to sing it for them because the poet jokingly used to say that the ghazal belonged to Hassan after its popularity.
In October 2010, Saregama released "Sarhadein" in which his first and last duet song Tera Milna featuring Hassan and Lata Mangeshkar was released. This song was composed by Hassan and written by Farhat Shahzad. Hassan recorded it in Pakistan in 2009, and Mangeshkar later heard the track and recorded her part in India in 2010, and the song was later mixed for a duet. The same duet was also sung by Hassan and Noor Jehan.
Following a severe illness in the late 1980s, Hassan cut back on his singing, eventually stepping down from playback singing altogether. Later, due to the severity of his illness, he completely departed from music.
Mehdi Hassan
Mehdi Hassan Khan NI PP TI HI (Urdu: مہدی حسن خاں; 18 July 1927 – 13 June 2012), known as Mehdi Hassan, was a Pakistani ghazal singer and playback singer of great renown. Known as Shahenshah-e-Ghazal (شہنشاہِ غزل, "Emperor of Ghazal"), he is widely regarded as one of the greatest and most influential figures in the history of ghazal singing. Known for his "haunting" baritone voice, Hassan is credited with bringing ghazal singing to a worldwide audience. He is unique for his melodic patterns and maintaining integrity of the ragas in an innovative way.
Born into a family of Kalawant musicians, Hassan was naturally inclined towards music from a young age. He influenced generations of singers from diverse genres, from Jagjit Singh to Parvez Mehdi. He earned numerous awards and accolades during his lifetime and remained a leading singer of Pakistani film industry, along with contemporary playback singer Ahmed Rushdi; it is estimated that Hassan sang for over 300 films during his career. For his contributions to the arts, Hassan was awarded the Nishan-e-Imtiaz, Tamgha-e-Imtiaz, Pride of Performance, and Hilal-e-Imtiaz by the Government of Pakistan.
Hassan was born on 18 July 1927 into a mixed Pathan-Mughal family in the village of Luna, then located in the Jaipur State of the Rajputana Agency in British India but now in the Indian state of Rajasthan, into a family of traditional musicians. He claims to be the 16th generation of hereditary musicians hailing from the Kalawant clan of musicians who have been ustads and teachers to royal families, including the kings of Nepal. Hassan started singing at the age of 4-5 and writing lyrics and composing music at the age of 6 but began his formal musical training in Hindustani classical music at the age of 8, completing it with his father Ustad Azeem Khan and uncle Ustad Ismail Khan who were both traditional dhrupad singers. Hassan started performing at a young age, his first professional performance being before the Maharaja of Baroda at the age of 8; by the time he was 18 years old, Hassan is said to have mastered the classical singing forms of dhrupad, dadra, thumri, and khayal, and started performing at royal courts with his brother Ghulam Qadir. Hassan started his career primarily as a thumri exponent. His first concert of dhrupad and khayal with his elder brother is reported to have been held in Fazilka Bungla, near present DC House (1935) of undivided Punjab. His elder brother Pandit Ghulam Qadir also was instrumental in sharpening his skills. Instruments he would master include the harmonium as well the jal tarang.
Hassan credited his aristocratic upbringing and early training with instilling discipline and physical stamina that shaped his musical career. He stated that, despite not completing formal education due to the demands of music, his daily routine involved rigorous physical exercise, religious observance, and extended hours of vocal practice. Hassan recalled that his father emphasized physical fitness and discipline as essential to becoming a successful singer, and he attributed this regimen to his ability to sing continuously for up to 52 hours without experiencing breathlessness.
After the partition of India in 1947, the 20-year-old Hassan and his family migrated to Pakistan, carrying little with them by way of material belongings. The family proceeded to his paternal aunt's house who lived in a village, Chak No 111/7R, near Chichawatni. They suffered severe financial hardships in their new country. Hassan initially started working in nearby Chichawatni, in a bicycle shop Mughal Cycle House and later became a car and diesel tractor mechanic. Despite the financial hardships, he kept up his singing practice on a daily basis.
In 1957, Hassan was again given the opportunity to sing on Radio Pakistan, primarily as a thumri singer and later as a ghazal performer, which earned him recognition within the musical fraternity. He had a passion for Urdu poetry, and therefore, he began to experiment by singing ghazals on a part-time basis. He cites radio officers Z.A. Bukhari and Rafiq Anwar as additional influences in his progression as a ghazal singer. He first sang on Radio Pakistan in 1952. His first film song was "Nazar Milte Hi Dil Ki Bat Ka Charcha Na Ho Jaye" film Shikhar in 1956. This song was written by poet Yazdani Jalandhari and its music was composed by Asghar Ali M. Husain. In 1964, his ghazal for a film Farangi, "Gulon mein rang bharay, baad-e-naubahar chale" written by renowned Pakistani poet Faiz Ahmed Faiz and composed by Rasheed Attre, gave him a major breakthrough into the Pakistani film industry and he never looked back after that. Even the original ghazal poet Faiz Ahmed Faiz stopped reciting it in his 'mushairas' (poetry reciting events) and, instead, recommended that the audience ask Hassan to sing it for them because the poet jokingly used to say that the ghazal belonged to Hassan after its popularity.
In October 2010, Saregama released "Sarhadein" in which his first and last duet song Tera Milna featuring Hassan and Lata Mangeshkar was released. This song was composed by Hassan and written by Farhat Shahzad. Hassan recorded it in Pakistan in 2009, and Mangeshkar later heard the track and recorded her part in India in 2010, and the song was later mixed for a duet. The same duet was also sung by Hassan and Noor Jehan.
Following a severe illness in the late 1980s, Hassan cut back on his singing, eventually stepping down from playback singing altogether. Later, due to the severity of his illness, he completely departed from music.
