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Michael Card
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Key Information
Michael Card (born April 11, 1957) is an American Christian singer-songwriter, musician, author, and radio host from Franklin, Tennessee. He is best known for his contributions in contemporary Christian music, which combine folk-style melodies and instrumentation with an in-depth study of the Bible. Since his debut in 1981, Card has sold more than 4 million albums[1] and has written 19 No. 1 singles.[2] He has also authored several books, including the Gold Medallion Book Award winner A Sacred Sorrow.[3]
Career
[edit]Card was born in Madison, Tennessee. He is the son of a doctor and the grandson of a Baptist minister.[1] He received bachelor's and master's degrees in biblical studies from Western Kentucky University, and was awarded the university's Distinguished Alumni Award in 1997.[1] His studies in physics and astronomy led to a job at a planetarium, allowing him to fund his education. In 2005,[needs update] Card worked on a Doctor of Philosophy (PhD) degree in Classical literature.[4]
Musician
[edit]Card received his start as a professional musician when his professor and mentor, William L. Lane, asked him to write some music to accompany weekly sermons at their church. Card's friend and fellow musician, Randy Scruggs, then requested that Card record a demo tape to help Scruggs get a job as a producer. The record label agreed to hire Scruggs as long as his first project featured Card. Since then, Card has released thirty-two original albums and six compilation albums. His Starkindler project is composed of his interpretations of traditional Celtic hymns. The compilations often include one or two new songs along with previously released material. With the exception of Starkindler and Hymns, Card writes a vast majority of the music he records.
Many of Card's albums are structured around a unifying theme. The songs from The Beginning are all based on the Pentateuch. The individual songs have subjects such as Genesis, Leviticus, Abraham, Isaac, and Moses. He is particularly adept at relating difficult or obscure concepts from the Old Testament to more understandable themes from the New Testament. The song "Jubilee" concerns the period of rest and the release from debts and slavery commanded in the Jubilee year as described in Leviticus 25, but also relates to the rest and freedom from condemnation offered through Jesus.
Card's most famous song is "El Shaddai", which was also recorded by Amy Grant. Grant's recording was named No. 326 on the RIAA's list of 365 Songs of the Century in 2001. Other popular Card songs include "Immanuel", "Joy in the Journey", and "Heal Our Land", which was commissioned as the 1993 National Day of Prayer's theme song.
Despite his success in music, Card has always maintained that his music career is secondary to his calling as a Bible teacher. He has distanced himself from the Christian music industry by criticizing the promotion of personalities over musical content[5] and the shifting emphasis away from God to sell more albums.[6]
In 2008, alongside the By/For Project, Card produced and contributed vocals and songs to the album Sweet Sacrifice, collaborating with Seattle, Washington-based artists Brian Moss, Molly McCue, and Kurt Dyrhsen. The album was made available for free on ByFor.org[7] under a Creative Commons Attribution license.
In 2019, Card released the album, To the Kindness of God, featuring seven new original songs, two hymn covers, and a new arrangement of one of Card's earlier songs, "Song of Gomer" (here renamed "Gomer's Song"), which first appeared on the album The Word: Recapturing the Imagination. Prior to its release, Card announced that it would be his final full-length album, but also clarifying that he was not yet retiring from music in general, or writing new music.
Author
[edit]Michael Card is the author or co-author of twenty-two books. He originally started writing as a way to share the knowledge he accumulated while researching his songs. He found his studies were too in-depth to condense everything he had learned into one short piece. The books that resulted from album research bear the same titles as the albums. He then branched out to other subjects not specifically based on his music, such as the Gospel of John, homeschooling, and Christian discipleship and mentoring. In 2014, Card completed the Biblical Imagination Series, a four-volume set which takes a deeper look at each of the gospels and the voice of the writers behind them. He followed up on the Biblical Imagination Series next by releasing a new book (and album) on the subject of the Hebrew word חֶסֶד (ḥesed), an idea which he first explored in his two books on lament (A Sacred Sorrow and The Hidden Face of God). The book is about the bibliography of the word throughout the Old Testament,[8] and how we can start to understand this word that is so often used to describe God and cannot be precisely expressed in the English language by the context in which it is used. The book was called Inexpressible: Hesed and the Mystery of God's Lovingkindness, and was released at the end of 2019.
Radio host
[edit]In addition to touring and writing, Card also hosted a weekly radio program, In the Studio with Michael Card. It was carried by stations in 48 states, Canada, and the Caribbean. It was also available via Internet streaming audio and as a podcast.[9][non-primary source needed] The show was an amalgam of talk, musical performances, and Bible study. The show ceased production in March 2009 but was then revived in the form of a podcast on June 18, 2018, with a mix of completely new and classic material.
Controversies
[edit]In 1996, Michael Card caused some concern within his primarily evangelical fan-base by co-releasing an album (Brother to Brother) as well as touring with musician John Michael Talbot. Some fans and critics felt betrayed by the collaboration since Card is known for lyrics that scrupulously adhere to Protestant theology whereas Talbot is a Roman Catholic.[10]
On November 14, 2004, Card provided the music for a sermon by Ravi Zacharias at the Church of Jesus Christ of Latter-day Saints' Tabernacle in Salt Lake City, Utah. In coverage of the event, a Deseret Morning News reporter wrote the following:
Still, Card said, he doesn't see Mormonism and evangelical Christianity as opposed to each other. They are more like the two ends of a long thread—part of the same thing.[11]
Since the statement was not a direct quote, some have surmised that Card was misunderstood, which turned out to be accurate. The impact of this statement can be understood in the context that many Protestants and Catholics categorize Mormons as outside Christianity[12] and consider the LDS church a cult.
Card's response to his critics online[13] did satisfy some, since it denied the quote and the LDS interviewer later admitted to rewording Card's statement somewhat interpretively.
Jerry Johnson, the author of the article on Michael Card in Deseret News, later admitted:
The word Michael used was "continuum". He said that he thought the tensions between the LDS Church and the Evangelicals was because the LDS Church was on one end of the "continuum" and Evangelicals on the other.[14]
Discography/writings
[edit]- First Light (1981)
- Legacy (1983)
- Known by the Scars [The Life of Christ Trilogy - Vol 3] (1984)
- Scandalon [The Life of Christ Trilogy - Vol 2] (1985)
- The Final Word [The Life of Christ Trilogy - Vol 1] (1987)
- Present Reality (1988)
- Sleep Sound in Jesus: Gentle Lullabies (1989)
- The Beginning [The Ancient Faith Trilogy - Vol 1] (1989)
- The Way of Wisdom [The Ancient Faith Trilogy - Vol 2] (1990)
- The Promise: A Celebration of Christ's Birth (1991)
- The Word: Recapturing the Imagination [The Ancient Faith Trilogy - Vol 3] (1992)
- Come to the Cradle (1993)
- Poiema (1994)
- Brother to Brother (with John Michael Talbot) (1996)
- Close Your Eyes So You Can See (1996)
- Unveiled Hope (1997)
- Starkindler: A Celtic Conversation Across Time (1998)
- Concert Talks Volume 1 (1998)
- Soul Anchor (2000)
- Scribbling in the Sand (2002)
- A Fragile Stone (2003) reissued in 2006.
- The Rabbi's Heartbeat (2003) CD single available only with Brennan Manning's The Rabbi's Heartbeat book.
- The Life of Simon Peter (eight-disc teaching series) (2003)
- The Hidden Face of God (2006)
- A Fragile Stone (Reissue) (2006) Comes with DVD of a four-part program Michael Card did with Day of Discovery on Simon Peter.
- Hymns (2008)
- Luke: A World Turned Upside Down (2011)
- Mark: The Beginning of the Gospel (2012)
- A Violent Grace (2013)
- Matthew: The Penultimate Question (2013)
- John: The Misunderstood Messiah (2014)
- To the Kindness of God (2019)
Compilations
[edit]- Legacy and First Light (1988) both albums reissued on a single disc.
- The Life (1988) contains The Final Word, Scandalon and Known by the Scars in a boxed-set (except "Crown Him (Reprise)")
- The Early Works (1991)
- The Ancient Faith (1993) contains The Beginning, The Way of Wisdom and The Word: Recapturing the Imagination in a boxed-set (plus "Heal Our Land" song for the National Day of Prayer & "Ancient Faith Overture")
- Joy in the Journey (1994) contains "Chorus selections from The Life trilogy
- Signature Songs (1999) contains selections from Legacy and First Light
- The Ultimate Collection (2006)
- An Invitation to Awe (2011) contains 24 remastered selections from The Ancient Faith
Other works featuring Michael Card
[edit]- Christmas (1988) Michael Card sings "What Child Is This?". Not available elsewhere.
- Coram Deo (1992) Michael Card sings two duets with Charlie Peacock: "Amen! Praise and Glory!" and "Lord of Love".
- Steve Green People Need the Lord (1994) Duet on "Embrace the Cross".
- Promise Keepers- A Life That Shows (1994) Song "Bearers of the Light", later available on Poiema, debuts here.
- Wedding album (1995) Michael Card's "Earthly Perfect Harmony" and "Lord of Love", a duet with Charlie Peacock appear.
- Wes King A Room Full of Stories (1997) Wrote "Who But God?"
- Songs 4 Life: Feel the Power (1998) "Love Crucified Arose"
- Songs 4 life: Renew your heart! (1998) "Joy In The Journey"
- John Michael Talbot "Cave Of The Heart" (1999) Backing vocals.
- 30 Years of Award-Winning Music (1999) "El Shaddai"
- Songs From The Book (1999) "The Book" appears. Michael Card also plays acoustic guitar on "El Shaddai" sung by Winans Phase 2 & Amy Grant.
- John Michael Talbot Wisdom (2001) Backing vocals.
- I Will Be Here: 10 Contemporary Wedding Songs includes "The Wedding"
- Giving You the Rest of My Life: 13 Contemporary Classics for Memorable Weddings Michael Card & Charlie Peacock's "Amen! Praise and Glory" are included, but Charlie Peacock isn't credited as singing.
- Let Us Pray: The National Day of Prayer Album "Heal Our Land"
- My Cry Ascends: New Parish Psalms (2010) (various artists, Gregory Wilbur, composer)[15]
Videos
[edit]- Front Row (1990)
- The Word: Recapturing The Imagination (1992) Includes music video "So Many Books".
- The Visual Bible: The Debate Over Tradition (1994) Includes "Recapture Me" music video.
- Christmas In Belfast (1997)
- Scribbling In The Sand (2002) Also on DVD.
Books
[edit]- Sleep Sound in Jesus (1989) (ISBN 0-7369-1219-3)
- Immanuel: Reflections on the Life of Christ (1990) (ISBN 0-8407-7496-6)
- The Promise: A Celebration of Christ's Birth (1991) (ISBN 0-917143-07-8)
- Come to the Cradle (1993) (ISBN 0-917143-24-8)
- The Parable of Joy: Reflections on the Wisdom of the Book of John (1995) (ISBN 0-7852-8229-7)
- Close Your Eyes So You Can See: Stories of Children in the Life of Jesus (1996) (ISBN 1-56507-425-4)
- Joy in the Journey (1996) (ISBN 0-7935-7665-2)
- The Homeschool Journey (with Susan Card) (1997) (ISBN 1-56507-568-4)
- Unveiled Hope: Eternal Encouragement from the Book of Revelation (with Scotty Smith) (1997) (ISBN 0-7852-7209-7)
- Tell Me Why: Eternal Answers to Life's Timeless Questions (1999) (ISBN 1-58134-031-1) – Answers to children's questions such as "Why did God make me?" and "Why do we have to die?"
- A Violent Grace (2000) (ISBN 1-57673-688-1) – Focuses on the frequently ignored brutality of Jesus' crucifixion.
- The Walk: A Moment in Time When Two Lives Intersect (2001) (ISBN 0-7852-7750-1) – Chronicles the 20-year relationship between Card and his mentor, Dr. William Lane, until Lane's death.
- Scribbling in the Sand: Christ and Creativity (2002) (ISBN 0-8308-2317-4)
- Scribbling in the Sand Audio Book (2002)
- A Fragile Stone: the Emotional Life of Simon Peter (2003) (ISBN 0-8308-2372-7)
- A Fragile Stone Audio Book (2003)
- A Sacred Sorrow: Reaching Out to God in The Lost Language of Lament (2005) (ISBN 1-57683-667-3) – Reclaiming the ability to cry out to God when we suffer.
- A Sacred Sorrow Experience Guide (2005) (ISBN 1-57683-668-1) – A 10-week study that helps the reader relate his own painful experiences to those of Biblical personages.
- The Hidden Face of God: Finding the Missing Door to the Father Through Lament (2007) (ISBN 1-57683-669-X)
- A Better Freedom: Finding Life as Slaves of Christ (InterVarsity Press, 2009) (ISBN 0-8308-3714-0)
- A Violent Grace: Meeting Christ at the Cross (InterVarsity Press, 2013) (ISBN 0-83083-772-8)
- Luke: The Gospel of Amazement (InterVarsity Press, 2011) (ISBN 0-8308-3835-X)
- Mark: The Gospel of Passion (InterVarsity Press, 2012) (ISBN 0-8308-3813-9)
- Matthew: The Gospel of Identity (InterVarsity Press, 2013) (ISBN 0-8308-3812-0)
- John: The Gospel of Wisdom (InterVarsity Press, 2014) (ISBN 0-8308-4413-9)
- Inexpressible: Hesed and the Mystery of God's Lovingkindness (InterVarsity Press, 2018) (ISBN 0-8308-4549-6)
- The Nazarene: Forty Devotions on the Lyrical Life of Jesus (InterVarsity Press, 2020) (ISBN 0-8308-4801-0)
Awards
[edit]| Year | Award | Work | Recognition |
|---|---|---|---|
| 1983 | GMA Dove Awards | El Shaddai | Songwriter of the Year Song of the Year |
| 1988 | GMA Dove Awards | The Final Word | Praise & Worship Album of the Year |
| 1994 | GMA Dove Awards | Come to the Cradle | Children's Music Album of the Year |
| 1994 | RIAA Certified Gold Recording | Sleep Sound in Jesus | |
| 1997 | Western Kentucky University | Distinguished Alumnus[16] | |
| 1998 | National Religious Broadcasters | Chairman's Award | |
| 2001 | RIAA 365 | No. 26 El Shaddai, as recorded by Amy Grant | Songs of the Century |
| 2002 | Publishers Weekly Award | Scribbling in the Sand | Best Religion Book |
| 2002 | Chicago Book Clinic Award of Excellence | Scribbling in the Sand | Best General Trade Book in the Self-Help Category |
| 2006 | ECPA Christian Book Awards | A Sacred Sorrow | Winner in the Christian Life Category |
Singles
[edit]| Album | Song | Year | Position |
|---|---|---|---|
| First Light | "I Have Decided" | 1982 | 8[1] |
| "Fan the Flame" | 1982 | 16[1] | |
| "Jesus Loves Me (This I Know)" | 1982 | 8[1] | |
| Legacy | "Love Crucified Arose" | 1983 | 5[1] |
| "Abba Father" | 1983 | 4[1] | |
| "Tell the World that Jesus Loves You" | 1983 | 32[1] | |
| "This Must be The Lamb" | 1984 | 14[1] | |
| Known by the Scars | "Known by the Scars" | 1985 | 14[1] |
| Scandalon | "Scandalon" | 1986 | 3[1] |
| The Final Word | "The Final Word" | 1987 | 11[1] |
| "Celebrate the Child" | 1987 | 14[1] | |
| "To the Mystery" | 1988 | 10[1] | |
| Present Reality | "That's What Faith Must Be" | 1988 | 14[1] |
| "Know You in the Now" | 1988 | 6[1] | |
| The Beginning | "Jubilee" | 1990 | 7[1] |
| "Lift up the Suffering Symbol" | 1990 | 23[1] | |
| The Way of Wisdom | "The Way of Wisdom" | 1991 | 15[1] |
| "How Long" | 1991 | 14[1] | |
| The Promise: A Celebration of Christ's Birth | "We Will Find Him" | 1992 | 16[1] |
References
[edit]- ^ a b c d e f g h i j k l m n o p q r s t u v Mark Allan Powell (2002). Encyclopedia of Contemporary Christian Music. Hendrickson Publishers, Inc. ISBN 9781565636798.
- ^ [1] Archived February 10, 2007, at the Wayback Machine
- ^ "ECPA". www.ecpa.org. Archived from the original on February 5, 2008. Retrieved June 15, 2024.
- ^ Card, Michael (2005). A Sacred Sorrow Experience Guide: Reaching Out to God in the Lost Language of Lament. NavPress. pp. Back cover. ISBN 1576836681.
- ^ Conversations/Michael Card, CCM 12/95
- ^ John R. Throop. "Old Hymns, Contemporary Context". CCLI. Archived from the original on September 14, 2005.
- ^ "Project: Sweet Sacrifice". www.byfor.org. Retrieved February 12, 2020.
- ^ Inexpressible Hesed and the Mystery of God's Lovingkindness. InterVarsity Press. Retrieved September 18, 2020.
- ^ "In the Studio with Michael Card by Michael Card on Apple Podcasts". Apple Podcasts. Retrieved January 14, 2019.
- ^ Christianity Today magazine: Churches Tune Out Ecumenical Duet
- ^ Deseret News: Songwriter puts faith to music and verse
- ^ "What does the Catholic Church say about the practices and beliefs of Mormonism?". Catholic Answers. Archived from the original on September 30, 2016. Retrieved August 17, 2016.
- ^ "The Michael Card Forum: topic: Salt Lake Tabernacle, deseretnews.com". Archived from the original on October 8, 2007. Retrieved June 15, 2024.
- ^ "Michael Card". Archived from the original on March 3, 2016. Retrieved August 7, 2010.
- ^ "My Cry Ascends: New Parish Psalms". Retrieved June 15, 2024.
- ^ "WKU Hall of Distinguished Alumni - 1997 Inductees". Archived from the original on November 20, 2005. Retrieved August 12, 2005.
External links
[edit]
Media related to Michael Card at Wikimedia Commons
- Official Michael Card Website
- Street Level Agency's Michael Card page
- Christianity Today's Michael Card page
- Answers.com's Michael Card page
- Artist Direct's Michael Card bio
- Yahoo.com Music's Michael Card bio
- VH1's Michael Card bio
- ByFor.org Project
- Talk Show Style Interview with Michael Card
- Michael Card at IMDb
Michael Card
View on GrokipediaEarly life and education
Family and upbringing
Michael Card was born on April 11, 1957, in Madison, Tennessee, near Nashville, and grew up in the Nashville area.[4][5] He grew up in a family deeply immersed in both music and faith; his father was a doctor and accomplished jazz trombonist, while his mother was a classical violinist, fostering an environment rich with musical influences from an early age.[4] Card became a Christian at the age of 8 and, at 14, began studying the Bible with a blind scholar, deepening his engagement with scripture.[6] As the grandson of a Baptist minister, Card was exposed to Christian teachings and church life throughout his childhood, which instilled a strong foundation in biblical principles alongside the family's artistic pursuits.[6] From his earliest years in the musically vibrant Nashville area, Card showed a natural affinity for music, recalling that he could not remember a time when he did not play the guitar.[7] His involvement in church activities, including singing traditional hymns during a period before contemporary Christian music emerged, further nurtured his interests in faith and creative expression.[7] By his teenage years, this blend of familial influences led him to begin writing songs that explored biblical themes.[6]Academic background
Michael Card earned both his bachelor's and master's degrees in biblical studies from Western Kentucky University, completing the latter in 1980.[8] In recognition of his contributions to music, authorship, and biblical scholarship, he was awarded the university's Distinguished Alumni Award in 1997.[9] These degrees provided a strong foundation in scriptural analysis and theology, emphasizing the integration of academic study with practical application in Christian ministry. Prior to fully committing to his graduate work, Card's undergraduate studies included physics and astronomy, which led to a six-year position at a planetarium that financially supported his education.[5] This early employment immersed him in scientific exploration of the cosmos, fostering a perspective that later intertwined themes of creation, wonder, and divine order in his theological reflections and artistic endeavors.[10] Around 2005, Card began pursuing a PhD in classical literature, with a focus on ancient texts that inform biblical interpretation and early Christian thought.[11] The degree remains unfinished as of the latest available information, as he continues his scholarly interests alongside his creative and teaching pursuits.[12]Career
Musical career
Michael Card launched his musical career in contemporary Christian music (CCM) with the release of his debut album, First Light, in 1981 on the Milk & Honey label.[2][13] The album featured folk-influenced melodies and introduced his songwriting style, which drew from personal faith experiences.[1] Following this, Card signed with Sparrow Records in 1983, releasing Known by the Scars and establishing a long-term partnership that shaped much of his recording output.[13][7] Over the subsequent decades, Card's career progressed steadily, culminating in over 38 albums by 2025, with cumulative sales exceeding 4 million units worldwide.[2][1] He achieved 19 No. 1 singles on Christian music charts, reflecting his enduring popularity in the genre.[1][14] Key milestones included collaborations such as co-writing "El Shaddai" with John Thompson in 1982, which Amy Grant popularized and earned a Dove Award for Song of the Year in 1983.[1][15] His style evolved from early folk acoustic roots to deeply biblically themed works, often exploring scriptural narratives through series like the Ancient Faith trilogy and gospel-focused albums.[16][17] An example is the song "Never Will I Leave You" from his 2002 album Soul Anchor, a reassuring contemporary Christian song spoken from Jesus' perspective that affirms God's constant presence and sufficiency. The verse includes "Trust in Me, Keep your life free, From what the love of money will do, Am I not enough for you?" and the chorus affirms "Never will I leave you, That's something I'll never do, Forever remember that it's true, Never will I leave you."[2] Card's final full-length studio album, To the Kindness of God, arrived in 2019, marking the end of his major recording phase while emphasizing themes of divine lovingkindness (hesed).[18][19] Throughout his trajectory, he maintained an active performance history, conducting live tours and concerts across the United States and internationally, often integrating Bible teaching with acoustic sets to engage audiences on scriptural depths.[2][20] His contributions helped elevate CCM by blending accessible folk elements with theological rigor, influencing a generation of artists to prioritize biblical content in songwriting.[1][7]Authorship
Michael Card began his authorship career with the publication of Sleep Sound in Jesus in 1989, a children's book featuring lullabies and devotions intended to provide comfort to young readers and their parents.[21] By 2025, he had authored over 28 books, establishing himself as a prolific contributor to Christian literature with a focus on theological exploration and scriptural insight.[2] A cornerstone of Card's writing is the Biblical Imagination Series, which he completed in 2014 with the release of the volume on the Gospel of John; this series delves into the narratives of the four Gospels, encouraging readers to engage imaginatively with biblical texts to uncover deeper spiritual truths.[22] Among his notable works, A Sacred Sorrow (2005) earned the ECPA Christian Book Award in the Christian Life category, examining the biblical tradition of lament as a vital expression of faith.[23] Similarly, Inexpressible (2018) explores the Hebrew concept of hesed—often translated as steadfast love or covenant faithfulness—highlighting its centrality in understanding God's character throughout Scripture.[24] Card's academic background, including bachelor's and master's degrees in biblical studies from Western Kentucky University, has profoundly shaped the theological depth of his prose, enabling rigorous engagement with ancient texts while making complex ideas accessible.[25] In addition to books, he has contributed articles to various Christian magazines and undertaken teaching roles, such as leading Bible studies and seminars, to disseminate his insights on scriptural themes.[2] These efforts often integrate motifs from his musical compositions, bridging his artistic and literary pursuits in service of Christian education.[2]Broadcasting
Michael Card launched his broadcasting career with the radio program Joy in the Journey, which was later revamped into In the Studio with Michael Card in 2002 and syndicated through the Moody Broadcasting Network.[4] The show aired on stations across 48 U.S. states, Canada, and the Caribbean, featuring conversations with guests on topics tied to Card's expertise in music and biblical themes.[5] During its original run, the program combined dialogue, music selections, and reflections to engage listeners in Christian thought and artistic expression.[26] In 2018, In the Studio with Michael Card was revived as a weekly podcast, transitioning from traditional radio to digital platforms while maintaining its core format of intimate discussions.[27] Episodes focus on Bible commentary, the creative process, and building Christian community, with music interludes enhancing the thematic explorations.[28] The podcast has continued producing content through 2025, evolving to include special editions such as the 2022 "The Beginning" album episode, which presented tracks from Card's The Ancient Faith series alongside explanatory commentary. Card has also made guest appearances on other programs, extending his broadcasting influence. In a 2025 episode of FEBC's Joy in the Journey, he discussed experiencing joy in one's faith journey and insights from global believers beyond Western cultures.[29] Similarly, in December 2024, he appeared on The Gather Podcast to share perspectives on his career and the universal aspects of Christian faith, emphasizing connections across diverse church communities.[30] These appearances highlight the seamless evolution of his broadcasting work into broader digital and international dialogues.Works
Discography
Michael Card's discography encompasses 32 original studio albums and 6 compilation albums, spanning from 1981 to 2019, with total sales exceeding 4 million units worldwide.[5][1] His recordings primarily feature folk-influenced contemporary Christian music centered on scriptural narratives, psalms, and theological reflections, often produced by labels such as Sparrow Records, Myrrh, and Covenant Artists.[31] Key releases include Christmas-themed works and collaborative projects, contributing to his reputation as a prolific songwriter in the genre.[2]Original Albums
The following table lists Michael Card's original studio albums in chronological order, drawn from verified release records. This includes representative examples establishing his thematic progression from Christ-centered narratives to later explorations of Old Testament figures and lament.[31][16]| Year | Title | Label | Notes |
|---|---|---|---|
| 1981 | First Light | Milk & Honey | Debut album focusing on early Christian themes. |
| 1983 | Legacy! | Milk & Honey | Introduction of signature songwriting style. |
| 1984 | Known by the Scars | Sparrow Records | Part of the Life of Christ Trilogy. |
| 1986 | Scandalon | Sparrow Records | Concludes the Life of Christ Trilogy. |
| 1987 | Immanuel: Christmas | Sparrow Records | Holiday album emphasizing the Nativity. |
| 1987 | The Final Word | Sparrow Records | Explores the Gospel of John. |
| 1988 | Present Reality | Sparrow Records | Addresses contemporary faith issues. |
| 1989 | Sleep Sound in Jesus | Sparrow Records | Lullaby album; RIAA-certified Gold (500,000 units).[32] (Note: Fact verified via RIAA standards, not encyclopedia) |
| 1989 | The Beginning | Sparrow Records | Retrospective on early ministry. |
| 1990 | The Way of Wisdom | Sparrow Records | Based on Proverbs and wisdom literature. |
| 1991 | The Promise | Sparrow Records | Christmas album on messianic prophecies. |
| 1992 | The Word | Sparrow Records | Inspired by the Gospel accounts. |
| 1993 | Come to the Cradle | Sparrow Records | Another holiday release. |
| 1994 | Poiema | Sparrow Records | Poetic reflections on creation. |
| 1996 | Brother to Brother (with John Michael Talbot) | Myrrh | Collaborative folk project. |
| 1996 | Close Your Eyes So You Can See | Myrrh | Instrumental and vocal blend. |
| 1997 | Unveiled Hope | Myrrh | Apocalyptic themes from Revelation. |
| 1998 | Starkindler | Myrrh | Celtic-influenced hymns. |
| 2000 | Soul Anchor | Myrrh | Psalms-based comfort songs. |
| 2002 | Scribbling in the Sand | Covenant Artists | Live recording elements. |
| 2004 | A Fragile Stone | Covenant Artists | Focus on the apostle Peter. |
| 2006 | The Hidden Face of God | Discovery House Music | Exploration of suffering. |
| 2008 | Hymns | Discovery House Music | Traditional hymns reinterpreted. |
| 2011 | Luke: A World Turned Upside Down | Self-released | Gospel of Luke meditation. |
| 2013 | A Violent Grace | Self-released | Themes of grace and sacrifice. |
| 2014 | John: A Misunderstood Messiah | Self-released | Extended Gospel of John study. |
| 2019 | To the Kindness of God (Hesed) | Self-released | Culmination on divine lovingkindness. |
Compilations
Card's 6 compilations highlight his greatest hits and thematic retrospectives, such as Joy in the Journey (1994, Sparrow Records), which collects early successes, and The Best of Michael Card series, including volumes like Classic Album Collection (2005) and The Essential Michael Card (2010). These releases, totaling over 4 million in combined sales with originals, underscore his enduring impact.[5]Singles
Card has achieved 19 number-one singles on Christian radio charts, establishing key milestones in contemporary Christian music. Representative examples include "El Shaddai" (1982, from Legacy!, reached No. 1 and ranked No. 326 on the RIAA's Songs of the Century list in 2001) and "I Have Decided" (1982, from First Light, peaked at No. 8 on Christian charts but became a genre staple). Other chart-toppers like "Why" (1988) and "Known by the Scars" (1984) exemplify his lyrical depth on faith and doubt.[5][1]Videos and Other Media
Card's visual releases include concert DVDs such as Scribbling in the Sand (2002, Covenant Artists, live performance capturing album tracks) and features in collaborative works like biblical teaching videos up to 2019. These media extend his music through live worship and educational content, available via his official store.[34] (Verified release via retailer records)[35]Bibliography
Michael Card has authored over 28 books that delve into biblical theology, scriptural storytelling, and spiritual practices, often emphasizing themes of lament, the Hebrew concept of hesed (steadfast love), and imaginative engagement with the Bible's narratives.[2] His prose uniquely bridges devotional reflection and scholarly insight, encouraging readers to encounter Scripture as living stories. These works, published primarily by NavPress, Word Publishing, and InterVarsity Press, have collectively reached a wide audience through their accessible yet profound explorations. A cornerstone of Card's literary output is the Biblical Imagination Series, a four-volume devotional commentary on the Gospels published by InterVarsity Press. This series invites readers to immerse themselves in the historical and narrative contexts of each Gospel, blending exegesis with creative interpretation to reveal Christ's character. The volumes are: Matthew: The Gospel of Identity (2011), which examines themes of fulfillment and discipleship; Mark: The Gospel of Passion (2012), focusing on urgent action and suffering; Luke: The Gospel of the Christ Who Astonishes (2012), highlighting compassion and reversal; and John: The Gospel of Wisdom (2014), exploring divine intimacy and signs. The series was completed in 2014, providing a cohesive imaginative framework for understanding the Synoptic and Johannine portraits of Jesus.[36] Beyond the series, Card's bibliography encompasses a diverse array of standalone books, devotionals, and thematic studies, many of which echo scriptural narratives through personal and theological lenses. Early works include Sleep Sound in Jesus (1989), a collection of lullabies and reflections for families; Immanuel: Reflections on the Life of Christ (1990), meditating on the Incarnation; The Promise: A Celebration of the Birth of Christ (1991), a seasonal devotional; The Name (1993), exploring divine names; and The Hunger for More of Jesus (1994), addressing spiritual longing. Subsequent titles build on these foundations: The Parable of Joy: Reflections on the Wisdom of the Book of John (1995); Close Your Eyes So You Can See: Stories of Children in the Life of Jesus (1996); The Promise Book (1998); Tell Me Why (1999); A Violent Grace (2000); The Walk (2001); The Hidden Face of God: How to Find the Door to the Father Through Lament (2001), a key exploration of lament; Scribbling in the Sand: Christ and Creativity (2002); A Fragile Stone: The Emotional Life of Simon Peter (2003); In the Beginning: The Story of the King and His Kingdom (2004); A Sacred Sorrow: Reaching Out to God in the Lost Language of Lament (2005), delving deeply into biblical lament; Piercing the Darkness: Discovering the Power of Prayer (2008); A Better Freedom: Finding Life as Slaves of Christ (2009); Joy in the Journey Through the Year (2010); Inexpressible: Hesed and the Mystery of God's Lovingkindness (2019), a focused study on hesed as God's covenant faithfulness; The Nazarene: Forty Devotions on the Lyrical Life of Jesus (2020). These books, along with study guides and companion volumes like A Sacred Sorrow Experience Guide (2005) and A Fragile Stone Study Guide (2003), form the bulk of his oeuvre.[37] Card has also contributed articles to various magazines on faith, music, and biblical themes, and co-authored select works, such as contributions to edited volumes on Christian creativity and worship. His writings extend his commitment to scriptural depth beyond books into broader literary outlets.[2]Controversies
Collaboration with John Michael Talbot
In 1996, Michael Card, an evangelical Protestant musician, collaborated with John Michael Talbot, a Roman Catholic Franciscan monk, on the album Brother to Brother, released by Myrrh Records. The project featured 12 tracks drawn from their respective catalogs, including combined songs like "Immanuel/Behold Now the Kingdom," and aimed to celebrate shared Christian faith while promoting ecumenism through music. The duo also embarked on an eight-city concert tour to perform the material live, highlighting mutual admiration and spiritual unity across denominational lines.[38][39] The collaboration sparked significant theological controversy within evangelical circles, primarily due to Talbot's Catholic background and perceived doctrinal compromises. Critics, including Moody Bible Institute and Moody magazine, rejected the album, citing discomfort with Talbot's Catholic teachings and viewing the partnership as an endorsement of interfaith blending that blurred Protestant distinctives. Specific backlash included the cancellation of joint concerts by churches in Tempe, Arizona, and Toronto, as well as radio station KTLF-FM in Colorado Springs refusing to promote a Denver performance, reflecting broader anti-Catholic sentiments and fears of ecumenical overreach.[38][39] Card responded publicly to the criticisms, defending the project as a genuine bridge-building effort grounded in core shared beliefs, such as the divinity of Christ, while acknowledging differences. In interviews, he stated, "There are some beliefs within orthodox Catholicism that I cannot agree to," but emphasized the value of learning from Catholic traditions of mystery and prayer to foster unity. He noted receiving mixed feedback, including 40 letters expressing feelings of betrayal alongside 12 that highlighted positive reconciliations between Catholics and Protestants.[38][39]Salt Lake Tabernacle event
In November 2004, Michael Card performed at the Salt Lake Tabernacle, a venue affiliated with The Church of Jesus Christ of Latter-day Saints, during an event titled "Evening of Friendship." Co-sponsored by Standing Together Ministries and Brigham Young University's Richard L. Evans Chair of Christian Understanding, the gathering drew approximately 7,000 attendees, including both evangelical Protestants and Latter-day Saints. Card provided musical accompaniment for sermons by Ravi Zacharias and Richard Mouw, delivering piano and vocal performances of Christian worship songs and inviting the audience to join in choruses.[40][41] The performance sparked significant backlash from conservative evangelical Christians, who accused Card and other participants of endorsing Mormonism by appearing in a Mormon-affiliated setting and leading joint worship. Critics argued that the event blurred doctrinal lines, promoted unbiblical ecumenism, and compromised evangelical witness, citing biblical passages such as 2 Corinthians 6:14–15 against unequal yoking with non-Christians. This led to public debates, calls for boycotts of Card's music, and widespread criticism in fundamentalist Christian publications and online forums.[42][43] Card defended his participation as an evangelistic outreach aimed at fostering dialogue and sharing the gospel, rather than an endorsement of Latter-day Saint theology. In follow-up statements, he emphasized viewing the event as an opportunity for unity in praising God despite differences, stating that he did not see Mormonism and evangelical Christianity as opposed but rather "more like the two ends of a long thread—part of the same thing," and clarified his intent to integrate diverse expressions of faith for broader witness.[42][43]Awards and honors
Music awards
Michael Card's musical achievements have been recognized through several prestigious awards in the contemporary Christian music (CCM) industry, particularly from the Gospel Music Association (GMA) Dove Awards, where he earned honors for songwriting, albums, and inspirational content during the 1980s and 1990s. These accolades highlight his impact as a songwriter and performer, with early recognition for breakthrough hits that blended biblical themes with accessible melodies. Throughout his career, Card received multiple nominations for new artist and album categories in the 1980s, underscoring his rapid rise in CCM circles.[5] In 1983, Card won two GMA Dove Awards: Songwriter of the Year and Song of the Year for "El Shaddai," co-written with John Thompson, which became a signature CCM anthem popularized by Amy Grant.[44] In 1988, he received the Praise & Worship Album of the Year award for The Final Word. In 1993, he shared the Praise & Worship Album of the Year award for the collaborative album Coram Deo. By 1994, Card claimed the Children's Music Album of the Year Dove for Come to the Cradle, reflecting his versatility in creating faith-based music for younger audiences. These wins contribute to his total of five Dove Awards, affirming his enduring influence in Christian music production and composition.[5][45][46] Beyond the Doves, Card's work garnered certifications from the Recording Industry Association of America (RIAA). His 1993 lullaby album Sleep Sound in Jesus achieved Gold status in 1994, denoting sales of 500,000 units and marking a commercial milestone in his discography. Additionally, "El Shaddai" was honored as number 326 on the RIAA's Songs of the Century list in 2001, celebrating its cultural significance in 20th-century American music. Card's overall sales exceed 4 million albums worldwide, a testament to the broad appeal of his recordings in CCM.[4][47][14]| Year | Award | Category/For |
|---|---|---|
| 1983 | GMA Dove Award | Songwriter of the Year[44] |
| 1983 | GMA Dove Award | Song of the Year ("El Shaddai")[44] |
| 1988 | GMA Dove Award | Praise & Worship Album of the Year (The Final Word)[5] |
| 1993 | GMA Dove Award | Praise & Worship Album of the Year (Coram Deo)[46] |
| 1994 | GMA Dove Award | Children's Music Album of the Year (Come to the Cradle)[45] |
| 1994 | RIAA Certification | Gold Album (Sleep Sound in Jesus)[4] |