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Dukey Flyswatter
Dukey Flyswatter
Dukey Flyswatter
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Michael David Sonye (/ˈsʌni/; born April 22, 1954), best known by his stage and screen name Dukey Flyswatter, is an American actor, screenwriter, and musician, recognized for his work on numerous low-budget B movies and as singer for the Los Angeles horror punk band Haunted Garage.

Key Information

Career

[edit]

Film

[edit]

Flyswatter first began acting as a teenager in community theatre, where at one point he received improvisation lessons from Del Close.[1] His earliest screen credit came in 1975, when he worked as a script doctor on a draft of the screenplay for the horror film Frozen Scream, which was famously listed as one of the original "video nasties"; though the film was not banned outright, it still remains unreleased in the United Kingdom.[2] Nearly a decade later, Flyswatter struck up a partnership with prolific low-budget director Fred Olen Ray. With Ray, Flyswatter penned the screenplays for his films Prison Ship and Commando Squad, both of which he acted in, and appeared in minor roles in films including The Tomb, Cyclone and Hollywood Chainsaw Hookers.

In 1987, Flyswatter wrote the screenplay for the campy horror comedy Blood Diner. A loose remake of the 1963 Herschell Gordon Lewis film Blood Feast, Blood Diner has since been dubbed a "cult classic" by horror fans and websites such as Dread Central,[3] HorrorNews.net[4] and GeekNation.[5] The same year, he appeared in a co-starring role as the villainous Mengele in the infamous Troma-produced Surf Nazis Must Die, itself also considered a "cult classic", albeit as one of the worst movies ever made.[6] In 1988, Flyswatter provided the voice of Uncle Impie, the primary puppet antagonist of David DeCoteau's Sorority Babes in the Slimeball Bowl-O-Rama.

Since the 1990s, Flyswatter has mostly played cameos in smaller-budgeted independent horror films, though also appeared in a string of adult films playing comedic non-sex roles such as "The Clit Master" in the Extreme Associates film Terrors from the Clit and "P. T. Bone 'Em" in the superhero parody Super Quick 2, the latter of which earned him a nomination for "Best Non-Sex Performance – Film or Video" at the 2002 AVN Awards.[7] In 2004, Flyswatter had a major role playing fetish filmmaker Irving Klaw in the Bettie Page biopic Bettie Page: Dark Angel.

Music

[edit]
Flyswatter performing with Haunted Garage in March 2014.

In 1985, Flyswatter formed the horror punk/heavy metal band Haunted Garage in Los Angeles, where he filled the role of lyricist and lead singer at the behest of the band's bassist – as he recalled in a 2013 interview, "I hadn't done any singing, except [while] being drunk".[8] It was during the formation of the band that he created his Dukey Flyswatter nickname and stage persona. Wanting to be an "Isaac Hayes/Escape from N.Y./Duke of LA-type character", he adopted the name "Dukey", while "Flyswatter" was suggested by a bandmate. As he said in a 2012 interview, "Michael Sonye was gone and Dukey Flyswatter stayed...Michael Sonye was the reserved one and Dukey Flyswatter was the persona, the artist, and he was really out there".[1]

Noted for their bloody and prop-filled live shows, irreverent B movie-inspired lyrics and Flyswatter's manic shock rock stage antics, Haunted Garage became a prominent fixture in the Los Angeles underground throughout the late 1980s and early 1990s, recording music for and appearing onscreen in several low-budget horror films including Cyclone and Nightmare Sisters before eventually signing to Metal Blade Records to release their sole LP Possession Park in 1991.[9] Following their disbandment in 1993, Flyswatter sang in several other groups including the cross-dressing riot grrrrl parody band Fox Twat,[10] the Dead Kennedys tribute Hemorrhoid in Cambodia and the Dead Boys tribute Moronic Reducer, the latter of which was showcased in the 2001 tribute band documentary Tributary: A Study of an American Pop Culture Subculture.[11][12] During the 2010s, Flyswatter fronted another Dead Kennedys tribute band, the zombie-themed Undead Kennedys, which, in 2015, was ranked 14th on LA Weekly's list of the top 20 tribute bands in Los Angeles.[13]

After a series of one-off reunion shows spanning from 1995 to 2008, Haunted Garage re-formed in 2013 with an all new line-up, featuring Flyswatter as the only original member. In 2016, with producer Paul Roessler, the band released the EP Slenderman and Other Strange Tales, their first studio release in twenty five years. The EP was re-issued on vinyl in 2020, featuring two newly-recorded tracks.

Other endeavors

[edit]

In 1991, Flyswatter made a cameo appearance in the music video for Green Jellÿ's "The Misadventures of Shitman", which was later released on their video tape Cereal Killer. In 1992, he appeared with Haunted Garage on The Montel Williams Show alongside Sean Brennan of London After Midnight in a special about gothic rock and the vampire subculture.[14] Flyswatter's eyeball is featured as the cover of Transmissions from Planet Awesome, a 1998 album by punk rock band ADZ, a side project of Adolescents singer Tony Cadena. ADZ additionally recorded a song called "Flyswatter" in tribute to him which appeared on the 1999 compilation Odz 'n' Sodz.

Flyswatter has also appeared in numerous projects by the comedy punk band the Radioactive Chicken Heads, including a cameo appearance in their 2013 music video "Atom the Amazing Zombie Killer" and portraying Elvis Presley in their 2015 stage play The Radioactive Chicken Heads Tanksgiving Special at The Steve Allen Theater. For the release of the band's 2017 concept album Tales From The Coop, Flyswatter played the role of the narrative's antagonist Dr. Baron von Kluckinstein, contributing vocals to the album and playing the character in the Chicken Heads' accompanying television pilot The Radioactive Chicken Heads Show.

Flyswatter is an avid fan and collector of vintage horror and exploitation cinema, and served as a creative consultant on Fred Olen Ray's 1985 Sleazemania!, a video compilation of exploitation trailers from the 1930s through the 1960s. He has written articles about horror and Halloween-related media and events for The Los Angeles Beat,[15] and has also written several unproduced scripts and projects.[1][8]

At one point, a nude portrait of Flyswatter as the god Pan painted by lowbrow artist Stacy Lande was hung in the home of Clive Barker.[1][16]

In late 2018, it was announced that Flyswatter would receive brain surgery to remove a tumor near his visual cortex, for which Haunted Garage performed a benefit show nine days prior to his surgery.[17] As detailed on the band's social media, the tumor was successfully removed and declared benign, and Flyswatter returned to performing live with Haunted Garage just six months later with a show in Los Angeles on May 18, 2019.

Filmography

[edit]

As actor

[edit]
Year Film Role Notes
1986 Cards of Death Shot on video feature film.
Prison Ship Krago AKA Star Slammer. Directed by Fred Olen Ray
The Tomb Waiter Directed by Fred Olen Ray
1987 Commando Squad Directed by Fred Olen Ray
Cyclone Haunted Garage Directed by Fred Olen Ray
Surf Nazis Must Die Mengele Directed by Peter George
1988 Sorority Babes in the Slimeball Bowl-O-Rama Uncle Impie (the Imp) Directed by David DeCoteau
Hollywood Chainsaw Hookers Jake the Bartender Directed by Fred Olen Ray
Nightmare Sisters Omar Directed by David DeCoteau
The Phantom Empire Picnic Guy Directed by Fred Olen Ray
1989 Disgusting Space Worms Eat Everyone!! Ziegler Shot on video feature film.
Roller Blade Warriors: Taken By Force Karp Directed by Donald G. Jackson
1990 Dark Romances, Vol. 1 Nightmare Man
1991 Shock Cinema Vol. 3 Self (interviewee) Documentary film on low-budget horror cinema
1993 Breakfast of Aliens Singer for Haunted Garage Directed by David Lee Miller
1995 Lord of Illusions Cultist Directed by Clive Barker
1998 Terrors from the Clit Clit Master Adult film. Directed by Rob Black
Zombie Toxin
1999 Cool Air Street Bum Short film based on H. P. Lovecraft's "Cool Air"
Debbie Does Damnation
2000 Callgirls Undercover 3 Adult film
2001 Terrors from the Clit 2 Clit Master Adult film
Super Quick 2 P. T. Bone 'Em Adult film. Nominated for Best Non-Sex Performance at the 2002 AVN Awards
Wally Wanker's Candy Fuctory Adult film
2002 Deathbed Ghost Man
2004 Bettie Page: Dark Angel Irving Klaw Directed by Nico B.
2006 Dorm of the Dead Alf
2009 Chatterbox: Biography of a Bar, San Francisco 1986-1990 Himself (interviewee) Documentary film on the San Francisco punk rock club The Chatterbox.
The Crystal Lake Massacres Revisited Himself Mockumentary featured on several Friday the 13th DVDs.
2012 Reel Evil Homeless Man
2013 Lights Out Harry the Homeowner Short film
That $#!% Will Rot Your Brain: How the Monster Kids Transformed Popular Culture Himself (interviewee) Documentary film on Shock Theater directed by Robert Tinnell
2016 Grindsploitation Hamburger
2017 The Radioactive Chicken Heads Show Dr. Baron von Kluckinstein Television pilot; segment: "Pox"

As screenwriter

[edit]
Year Film Notes
1975 Frozen Scream with Doug Ferrin & Celeste Hammond
1986 Prison Ship Story by Sonye, Fred Olen Ray & Miriam L. Preissel
1987 Blood Diner
Cold Steel Story by Lisa M. Hansen, Dorothy Ann Puzo & Moe Quigley
Commando Squad
1989 Out on Bail with Tom Badal & Jason Booth

As composer

[edit]

All with Haunted Garage.

Year Film
1987 Cyclone
1988 Nightmare Sisters
1990 Dark Romances, Vol. 2
2000 The Dead Hate the Living!
2009 Night of the Demons

Discography

[edit]
See Haunted Garage#Discography

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Dukey Flyswatter

View on Grokipedia
from Grokipedia
Dukey Flyswatter, born Michael David Sonye on April 22, 1954, in Los Angeles, California, is an American musician, actor, and screenwriter renowned for his contributions to the horror punk genre and low-budget B-movies. As the frontman and sole remaining original member of the Los Angeles-based horror punk and heavy metal band Haunted Garage, which he formed in 1985, Flyswatter has been a pivotal figure in blending shock rock with campy horror and science fiction themes. The band's theatrical live performances, often featuring outrageous elements like simulated births on stage and slime effects, drew from B-horror aesthetics, with their debut album Possession Park (1991) including tracks such as "Welcome to Hell" and "976-Kill." Active primarily from 1985 to 1993, Haunted Garage toured Europe and California, performing for notable audiences including Guns N' Roses members Axl Rose and Slash in San Francisco. In film, Flyswatter's career spans acting, voice work, and writing in cult classics of the 1980s underground scene. He provided the voice of Uncle Impie in Sorority Babes in the Slimeball Bowl-O-Rama (1988) and appeared in roles such as Jake the Bartender in Hollywood Chainsaw Hookers (1988) and Mengele in Surf Nazis Must Die (1987). As a screenwriter, he contributed to Blood Diner (1987) and Star Slammer (also known as Prison Ship Star Slammer, 1986), often drawing inspiration from the same low-budget horror tropes that influenced his music. Early in his career, his band performed themes from films like The Blob (1988 remake) and Green Slime (1968), further intertwining his multimedia pursuits. Flyswatter's work embodies the DIY ethos of ' punk and horror subcultures, where he has remained an active performer and creator into the , including a documentary about his life and band, The Life & SLIMES of Dukey Flyswatter and Haunted Garage (in production as of 2024). As of 2025, he continues to participate in horror events. His enduring legacy lies in pioneering horror-themed rock entertainment that satirizes and celebrates B-movie excess.

Early life

Birth and upbringing

Michael David Sonye, best known by his stage name Dukey Flyswatter, was born on April 22, 1954, in Los Angeles, California. Sonye was raised in Los Angeles, growing up in the city's dynamic urban environment during the 1950s and 1960s. Public information on his family background is limited, but his formative years in this creative hub of film and music fostered early interests that would influence his later pursuits in entertainment.

Initial involvement in entertainment

Born and raised in , Michael David Sonye, known professionally as Dukey Flyswatter, immersed himself in the city's vibrant underground entertainment scene during the 1970s. As a native Angeleno, he became deeply involved in the emerging movement and the of horror films, regularly attending local punk shows at venues like the and screenings of B-movies that fueled the era's countercultural spirit. In the late , Sonye adopted the stage name "Dukey Flyswatter," a moniker that encapsulated his growing affinity for horror aesthetics and punk rebellion, evoking the grotesque charm of B-movie villains. While the precise origin of the name remains undocumented, it aligned with his developing persona as a figure blending punk energy with horror tropes, reminiscent of a "punk-rock " complete with green hair and vampire-like features. Flyswatter's initial forays into entertainment involved minor collaborations within ' underground theater and circles, where he contributed to low-budget projects amid the DIY ethos of the punk scene. These early experiences, influenced by and rave-up rock and the Hollywood club circuit, laid the groundwork for his transition into professional B-movie acting and further creative endeavors.

Film career

Acting roles

Dukey Flyswatter, whose real name is Michael Sonye, debuted in acting during the mid-1980s, quickly becoming a fixture in low-budget horror and exploitation cinema through small but memorable roles that showcased his affinity for the genre's over-the-top style. His early breakthrough came in 1987 with the role of Mengele, a key gang member in the Surf Nazis Must Die, directed by Peter George, where he portrayed one of the antagonistic surf Nazis in a post-apocalyptic revenge tale. This appearance marked his entry into Troma Entertainment's roster of eccentric performers, aligning with his burgeoning persona. Throughout 1988, Flyswatter delivered a string of standout supporting roles in quick succession, cementing his status as a B-movie staple. In , directed by , he played Jake the Bartender, a sleazy establishment owner amid the film's satirical take on chainsaw-wielding prostitutes. That same year, he appeared as Omar, the fortune-teller whose severed head prop he personally supplied, in , another Ray production featuring sorority girls and hijinks. Flyswatter also voiced Uncle Impie (the ) in Sorority Babes in the Slimeball Bowl-O-Rama, contributing to the film's goblin-infused bowling alley chaos. These performances highlighted his knack for eccentric, horror-themed characters—often bizarre or villainous figures with a punk edge—that resonated in the scene. Flyswatter's portrayals typically involved brief but vivid cameos or supporting parts that amplified the films' campy, low-fi appeal, earning him a dedicated among fans of exploitation cinema. Over the course of his career, he amassed credits in more than 20 films, predominantly from the and , with occasional cameos in later works such as Cool Air (1999), where he played the Street Bum, and into the 2000s in low-budget and adult films including Callgirls Undercover 3 (2000) and Terrors from the Clit 2 (2001). His consistent presence in these productions, often alongside scream queens like and , underscored his reputation as an indispensable oddball in the B-movie ecosystem.

Screenwriting contributions

Dukey Flyswatter, whose real name is Michael Sonye, is credited as the screenwriter for the 1987 horror-comedy film , directed by . The script serves as an unofficial remake and homage to Herschell Gordon Lewis's 1963 , incorporating themes of , , and surreal, absurd humor within a low-budget framework. Flyswatter's writing emphasizes grotesque violence juxtaposed with comedic elements, such as anthropomorphic body parts and punk-inspired irreverence, contributing to the film's status as a staple. Flyswatter's screenwriting style in Blood Diner blends excessive gore with satirical humor and underground punk aesthetics, reflecting his background in the Los Angeles punk scene and influencing the film's chaotic, over-the-top tone. This approach allowed for creative freedom in a shoestring production, where practical effects and improvised absurdity amplified the narrative's bizarre elements like reanimated corpses and a monstrous entity called the She-Bitch. The script's development stemmed from Flyswatter's collaboration with producer Jimmy Maslon, who shared an affinity for Lewis's splatter films, resulting in a project that paid tribute while escalating the original's schlocky excess. Beyond , Flyswatter's writing credits are limited, primarily within the 1980s independent horror and exploitation genres. He penned the screenplay for (also known as , 1986), a B-movie directed by , co-written with Miriam L. Preissel and featuring space prison intrigue with low-fi action sequences. Additionally, he wrote (1987), a crime thriller involving vigilante justice and . These scripts, produced under tight budgets, often intersected with Flyswatter's acting pursuits, providing entry points into the tight-knit world of ' direct-to-video filmmaking community and enhancing his opportunities for on-screen roles in similar cult productions.

Composing work

Dukey Flyswatter, under his real name Michael Sonye, made significant contributions to the soundtracks of low-budget horror films in the 1980s, often blending his punk rock sensibilities with thematic horror elements. His work emphasized campy, energetic scores that amplified the B-movie aesthetic of these productions. One of his key composing efforts was for the 1988 horror comedy Nightmare Sisters, directed by David DeCoteau, where Flyswatter is credited as an original music composer alongside Del Casher and his band Haunted Garage. The soundtrack incorporated punk-horror infused tracks performed by Haunted Garage, providing a raw, rock-driven underscore to the film's sorority succubus storyline. These contributions drew from Flyswatter's background as the band's frontman, integrating aggressive guitar riffs and macabre lyrics to heighten the film's outrageous tone. Flyswatter extended this collaborative approach into the early 2000s with The Dead Hate the Living! (2000), a zombie horror film directed by . Here, he again served as composer in tandem with Haunted Garage, delivering punk-infused music that supported the movie's meta-narrative about amateur filmmakers encountering real horrors. This project exemplified his solo and band-based efforts for low-budget soundtracks, maintaining a consistent fusion of rock energy and horror motifs across decades.

Music career

Formation of Haunted Garage

Haunted Garage was formed in 1985 in , California, by vocalist Dukey Flyswatter (real name Michael Sonye), bassist Ace McCoomba, and guitarist Nyck Varoom. The band's origins stemmed from Flyswatter's background in B-movie acting and , where he drew inspiration from vintage horror and sci-fi films of the 1950s through 1980s, as well as shock rock pioneers like and the raw energy of . Initially, the group experimented with and covers of B-movie theme songs, such as those from The Blob and , before solidifying their sound. The band's genre emerged as a distinctive blend of and heavy metal, often self-described by Flyswatter as "splatter punk" or "splatterrock," characterized by theatrical horror elements, aggressive riffs, and directly referencing classic B-horror tropes like chainsaws, , and graveyard parties. This style fused the campy aesthetics of low-budget films with punk's DIY ethos and metal's intensity, evoking comparisons to Alice Cooper's stage antics and bands like or . Themes centered on gore, satire, and supernatural mayhem, with Flyswatter's performances featuring fake blood, outrageous costumes, and audience interaction to immerse fans in a "B-horror movie" atmosphere. Over the years, Haunted Garage underwent frequent lineup changes, with Flyswatter remaining the sole constant member; early additions included guitarist Gaby Godhead and drummer Stiff Slug, while later contributors encompassed on bass, Johnny Ho on rhythm guitar, and others like Erik Erath and Andy Chavez. The band stayed active through the late 1980s and early 1990s, touring and with their elaborate shows, before disbanding in 1993 amid personal and creative shifts. Sporadic reunions followed, including a 2008 performance and a 2013 revival featuring Flyswatter with new members, sustaining activity into the 2010s through occasional gigs tied to horror events. Activity continued into the 2020s, with performances in 2024 tied to the band's documentary and further filming in August 2025.

Discography and performances

Haunted Garage's discography began with early demos recorded in the mid-1980s, reflecting the band's raw horror punk roots in the Los Angeles underground scene, where Dukey Flyswatter served as lead singer and frontman. These unreleased tapes, such as a rare 1980s demo cassette featuring primitive tracks, captured the group's initial blend of punk energy and B-movie horror themes before their first official release. The band's debut EP, Mother's Day, arrived in 1989 via Sympathy for the Record Industry, available as a cassette and limited double-7" vinyl edition complete with 3D glasses. As lead vocalist, Flyswatter delivered snarling performances on tracks like "Brain in a Jar," "Incredible Two Headed Transplant," "Bitch Like You," and "976-Kill You," establishing the band's signature shock-rock style infused with gore and satire. This four-song release marked a pivotal step from demos to formal output on an indie label known for punk acts. In 1991, Haunted Garage signed with , unleashing their sole full-length studio album, Possession Park, which showcased Flyswatter's theatrical vocals amid thrashy riffs and horror motifs. The 12-track LP included standouts like "Welcome to ," "She-Freak," "," and a cover of the latter, produced with a polished yet gritty sound that highlighted the band's crossover appeal in the metal and punk scenes. Supporting singles that year featured "976-Kill" as a promotional and "Welcome to " as another standalone release, both emphasizing Flyswatter's commanding presence in promoting the album's macabre narratives. The original lineup disbanded in 1993 after Possession Park, but Flyswatter revived Haunted Garage in the with new members, leading to further releases including the self-released EP Slenderman and Other Strange Tales in 2016, expanded in 2020 with additional tracks like " (Ode to )," "Five Dead Stage Divers," and a live medley of "Party in the Graveyard / Brain in a Jar." This digital, vinyl, and CD offering, limited to 300 vinyl copies, revisited horror themes while incorporating modern elements, with Flyswatter's enduring role as lead singer tying it to the band's foundational era. In December 2024, remaining Slenderman LPs were distributed in and Portland, sustaining the band's cult releases. Compilations and reissues, such as appearances on Metal Blade Records Inc. Sampler 1991/1992 with "976-Kill," extended their catalog to over five releases, preserving their cult status. Live performances defined Haunted Garage's impact, with Flyswatter's slime-drenched, blood-squirting stage antics drawing crowds in the Los Angeles punk and metal scenes throughout the 1980s and 1990s. Early shows included an appearance in the 1987 film Cyclone, where the band performed the unreleased track "Devil Metal" as themselves, and a full 1990 bootleg concert capturing their chaotic energy with songs from the nascent Possession Park era. By 1991, gigs at venues like the Country Club in Reseda featured Flyswatter prowling dementedly, evoking horror icons while engaging audiences with gore effects and female dancers dubbed "The Gore Gore Girls." Reunions in the revitalized the band, including a 2010 Halloween tour and a 2013 performance at the Long Beach , where Flyswatter led sets of classics like "Welcome to Hell" amid hordes, blending music with horror festivities. These events, often tied to horror conventions and walks, underscored Flyswatter's dual legacy in punk and B-movies, with later shows in 2022 revisiting tracks from Possession Park to connect with enduring fans, and further performances in 2024 supporting the documentary production.

Later life and legacy

Health challenges

In late 2018, Dukey Flyswatter announced that he would undergo brain surgery to address undisclosed neurological issues, specifically to remove a tumor located near his . The procedure was scheduled for December 10, 2018, and proved successful, allowing for eventual recovery. The punk community rallied in support, organizing a at Cafe NELA in on November 30, 2018. The event featured performances by Haunted Garage—Flyswatter's band—alongside acts like and Radioactive Chicken Heads, with proceeds directed toward covering his medical expenses. Flyswatter's health challenges prompted a temporary hiatus from live performances for Haunted Garage during his recovery period. By 2019, he had recovered sufficiently to enable sporadic activity, including select shows that highlighted his enduring ties to the punk scene.

Documentary and recognition

In recent years, Dukey Flyswatter's contributions to B-horror cinema and music have been highlighted through dedicated projects. The primary effort, titled The Life and SLIMES of Dukey Flyswatter and Haunted Garage, is an independent feature directed by Kevin Vonesper, a former member of the punk band . Announced in 2021 via an campaign that raised funds for production, the film explores Flyswatter's (real name Michael Sonye) dual career as a and frontman of the band Haunted Garage, incorporating interviews with collaborators like and Johnny Angel. As of 2025, the project remains in , with ongoing updates shared through its official website and social media, emphasizing Flyswatter's influence on underground culture from the onward. An earlier documentary, Scenesters: Music, Mayhem & Melrose Ave. (1985-1990), directed by and released in 2016, captures Flyswatter's role in the vibrant Hollywood punk and alternative music scene of the late 1980s. The film features archival footage and interviews with Flyswatter alongside other scene figures like Pat Munzingo and Christopher Thorn, showcasing his early performances with Haunted Garage amid the era's chaotic club culture on . This work underscores his status as a key participant in the pre-grunge underground, blending music and performative shock elements that defined his persona. Flyswatter's recognition extends beyond these films to a enduring in and B-movie enthusiast communities. His outrageous stage antics and thematic songwriting with Haunted Garage—often involving fake blood, props, and sci-fi horror motifs—have earned acclaim for pioneering "splatterrock," a niche fusion of punk energy and theatrical gore that influenced later acts in the . While no formal industry awards are documented, his legacy is honored through fan-driven tributes, such as guest appearances in horror festivals and revival tours, affirming his impact on alternative entertainment subcultures. In October 2025, Flyswatter promoted the Zombie Joe’s Urban Death Tour of Terror, a horror theater production in North Hollywood featuring themes of death and .

References

  1. https://www.imdb.com/name/nm0814516/
  2. https://www.metal-archives.com/artists/Dukey_Flyswatter/265516
  3. https://www.discogs.com/artist/1436255-Dukey-Flyswatter
  4. https://www.discogs.com/artist/1177348-Haunted-Garage
  5. https://www.metal-archives.com/bands/Haunted_Garage/76637
  6. https://earofnewt.com/2022/07/30/shock-rocker-dukey-flyswatter-invites-horror-fans-to-park-in-the-haunted-garage/
  7. https://www.imdb.com/title/tt31548142/
  8. https://thelosangelesbeat.com/2025/10/halloween-happenings-in-la-2025/
  9. https://thelosangelesbeat.com/2018/11/benefit-for-dukey-flyswatter-at-cafe-nela-saturday/
  10. https://thelosangelesbeat.com/author/dukey-flyswattery-flyswatter/
  11. https://www.worldradiohistory.com/Archive-All-Music/Cash-Box/90s/1992/CB-1992-02-29.pdf
  12. https://www.imdb.com/title/tt0094077/
  13. https://www.imdb.com/title/tt0095312/
  14. https://www.imdb.com/title/tt0096142/
  15. https://www.indiegogo.com/projects/kevinvonesper/the-life-and-slimes-of-dukey-flyswatter
  16. https://www.imdb.com/title/tt0092669/trivia/
  17. https://filmfreakcentral.net/2016/10/blood-diner/
  18. http://dailygrindhouse.com/thewire/vestron-week-movies-damned-blood-diner-1987/
  19. https://catalog.afi.com/Catalog/moviedetails/57585
  20. https://www.imdb.com/title/tt0093628/fullcredits
  21. https://www.imdb.com/title/tt0225481/fullcredits
  22. https://www.theaudiodb.com/artist/160059-Haunted-Garage
  23. https://letsgopunk.com/haunted-garage/
  24. https://www.ocweekly.com/top-ten-horror-punk-bands-6598250/
  25. https://www.facebook.com/hauntedgarage666/
  26. https://www.facebook.com/groups/2036194559985583/posts/4137388676532817/
  27. https://www.ebay.com/itm/187214181517
  28. https://www.discogs.com/release/1406222-Haunted-Garage-Mothers-Day
  29. https://www.45cat.com/record/sftri35
  30. https://www.metalblade.com/us/releases/haunted-garage-possession-park/
  31. https://www.discogs.com/release/4732359-Haunted-Garage-976-Kill
  32. https://musicbrainz.org/artist/d3c96dec-5e69-4e4e-9505-4b3c307759fb
  33. https://hauntedgarage.bandcamp.com/album/slenderman-and-other-strange-tales-expanded-ep
  34. https://www.metal-archives.com/albums/Haunted_Garage/976-Kill/141926
  35. https://www.facebook.com/hauntedgarage666/posts/pfbid0PveSrScKUDmKGqWJ2yAXyngb5F2Lpz3r6aYhGjzs1Lxfmj4XfiyoN3FPPExX5hYMl
  36. https://www.youtube.com/watch?v=RFHQVqpeGVI
  37. https://www.latimes.com/archives/la-xpm-1991-09-16-ca-1764-story.html
  38. https://www.youtube.com/watch?v=MFqz6AYTteU
  39. https://www.youtube.com/watch?v=JQyGA-ABnuk
  40. https://razorcake.org/deb-frazin-photo-column-haunted-garage/
  41. https://www.dukeydoc.com/
  42. https://tubitv.com/movies/467291/scenesters-music-mayhem-melrose-ave-a-documentary-1985-1990
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