Pan (god)

In ancient Greek religion and mythology, Pan (/pæn/; Ancient Greek: Πάν, romanized: Pán) is the god of the wild, shepherds and flocks, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring.

In Roman religion and myth, Pan was frequently identified with Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna; he was also closely associated with Silvanus, due to their similar relationships with woodlands, and Inuus, a vaguely defined deity also sometimes identified with Faunus. In the eighteenth and nineteenth centuries, Pan became a significant figure in the Romantic movement of Western Europe and also in the twentieth-century Neopagan movement.

Many modern scholars consider Pan to be derived from the reconstructed Proto-Indo-European god *Péh₂usōn, whom they believe to have been an important pastoral deity (*Péh₂usōn shares an origin with the modern English word "pasture"). The Rigvedic psychopomp god Pushan (from PIE zero grade *Ph₂usōn) is believed to be a cognate of Pan. The connection between Pan and Pushan, both of whom are associated with goats, was first identified in 1924 by the German scholar Hermann Collitz. The familiar form of the name Pan is contracted from earlier Πάων, derived from the root *peh₂- (guard, watch over). According to Edwin L. Brown, the name Pan is probably a cognate with the Greek word ὀπάων "companion".

In his earliest appearance in literature, Pindar's Pythian Ode iii. 78, Pan is associated with a mother goddess, perhaps Rhea or Cybele; Pindar refers to maidens worshipping Cybele and Pan near the poet's house in Boeotia.

The worship of Pan began in Arcadia which was always the principal seat of his worship.^{[citation needed]} Arcadia was a district of mountain people, culturally separated from other Greeks. Arcadian hunters used to scourge the statue of the god if they had been disappointed in the chase.

Being a rustic god, Pan was not worshipped in temples or other built edifices, but in natural settings, usually caves or grottoes such as the one on the north slope of the Acropolis of Athens. These are often referred to as the Cave of Pan. Although there were exceptions like the Sanctuary of Pan on the Neda River gorge in the southwestern Peloponnese, the ruins of which survive to this day, the Temple of Pan at Apollonopolis Magna in ancient Egypt and the sanctuary on the mount Homole in Thessaly. In the fourth century BC Pan was depicted on the coinage of Pantikapaion.

Archaeologists, while excavating a Byzantine church of around 400 AD in Banyas, discovered in the walls of the church an altar of the god Pan with a Greek inscription, dating back to the second or third century AD. The inscription reads, "Atheneon son of Sosipatros of Antioch is dedicating the altar to the god Pan Heliopolitanus. He built the altar using his own personal money in fulfillment of a vow he made."

In the mystery cults of the highly syncretic Hellenistic era, Pan is identified with Phanes/Protogonos, Zeus, Dionysus and Eros.