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Michel Safra
Michel Safra
Michel Safra
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Michel Safra (1899–1967) was a Russian-born French film producer. He was born in the Ukrainian city of Kiev, then part of the Russian Empire. After working in the German cinema for a decade during the silent era, during the early 1930s he began producing films in the French film industry.[1]

Key Information

In 1938 he established the production and distribution company DisCina with André Paulvé and produced around thirty films until his death in 1967. He was part of a sizeable contingent of Russian-born figures working in the French film industry during the era.[2]

Selected filmography

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References

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Bibliography

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Michel Safra

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Michel Safra is a Russian-born French film producer and production manager known for his extensive work in European cinema from the 1930s to the 1960s. Born on May 16, 1899, in Kyiv, Russian Empire, he built a prolific career producing and overseeing a wide range of films, often through international co-productions that spanned drama, thriller, and genre pictures. He died in 1967. Safra began as a production manager in the French film industry during the mid-1930s before transitioning to producing, accumulating credits on over thirty features. Among his most notable productions are Personal Column (1939), The Damned (1947), Diary of a Chambermaid (1964), and The Diabolical Dr. Z (1966), which reflect his collaborations with directors including René Clément, Luis Buñuel, and others. His work helped sustain mid-level film production in France across pre-war, post-war, and New Wave-adjacent periods, contributing to the international character of European filmmaking during turbulent decades.

Early life

Birth and origins

Michel Safra was born on May 16, 1899, in Kyiv, Kyiv Governorate, Russian Empire, now known as Kyiv, Ukraine. He was Russian-born and later became active as a French film producer. No further details about his early family background or childhood are documented in available sources.

Career

Entry into the film industry

Michel Safra entered the French film industry in the mid-1930s, beginning his career with roles as production manager and executive producer during the post-transition period of sound cinema. In 1936, he served as production manager and executive producer on Au service du tsar, directed by Pierre Billon. In 1938, he co-founded the production and distribution company DisCina with André Paulvé. He served as production manager on It Happened in Gibraltar (1938), an adventure film starring Charles Boyer. A significant pre-war achievement came with his role as producer on Pièges (1939), known in English as Personal Column, directed by Robert Siodmak and starring Maurice Chevalier and Marie Déa. This thriller represented one of Safra's most notable credits before the outbreak of World War II disrupted French cinema. In 1938 he co-founded DisCina, through which he produced many subsequent films. Safra continued his producing work into the 1940s following these early experiences.

1940s career

In the 1940s, Michel Safra continued his involvement in French cinema amid the challenges of World War II and the post-liberation era, working through his company DisCina and other production arrangements. He served as production manager on the 1945 film Vingt-quatre heures de perm'. Safra took on producer roles for several features in the decade, including La Fille du diable (Devil's Daughter, 1946) and Impasse (1946). His most notable contribution during this period came with Les Maudits (The Damned, 1947), directed by René Clément, which he co-produced alongside André Paulvé and Paul Wagner. The film follows a group of high-ranking Nazis and collaborators attempting to flee to South America aboard a submarine as the Third Reich collapses. Regarded as a significant post-war French production, Les Maudits has been praised for its technical accomplishment, claustrophobic atmosphere, and realistic depiction of the fugitives' disillusionment and desperation. Critics have highlighted its suspenseful sequences, long takes, and unflinching examination of former Nazis confronting the failure of their ideology and allies. The work stands out as one of the earliest cinematic treatments of Nazi escapes after the war and is considered among Clément's strongest achievements in creating tension and character-driven drama within a confined setting.

1950s career

In the 1950s, Michel Safra remained an active producer in French cinema, contributing to a range of films that spanned comedy, drama, and crime genres. He began the decade with producer credit on Lady Paname (1950), a comedy-drama directed by Henri Jeanson and starring Louis Jouvet and Suzy Delair. The same year, he produced Just Me (1950), though this was followed by a focus on additional titles in subsequent years. Safra's work in 1952 included producer credit on Pleasures of Paris (1952) as well as a presenter role on Casque d’Or (1952). He also took on writing duties during the decade, receiving screenplay credit for Paris Nights (1951) and an uncredited story credit for Diary of a Bad Girl (1956). The mid-to-late 1950s saw Safra produce Le dossier noir (1955), Paris, Palace Hotel (1956), and A Kiss for a Killer (Une manche et la belle, 1957). His final 1950s credits as producer were on Le désert de Pigalle (1958) and Adorable Sinner (1959). These projects highlighted his ongoing collaboration with French production companies like DisCina, emphasizing narrative-driven films with popular appeal.

1960s career

In the 1960s, Michel Safra remained active as a film producer, contributing to a series of French and European productions that spanned various genres. He served as producer on Madame (1961), L'oiseau de paradis (1962), and co-producer on Scorching Sands (Les bœufs de Dieu / Du rififi à Paname, 1963). Among his most significant works in this decade was Diary of a Chambermaid (Le Journal d’une femme de chambre, 1964), directed by Luis Buñuel, where Safra acted as producer. This adaptation of Octave Mirbeau's novel, starring Jeanne Moreau, received critical recognition. In the same year, he was associate producer on The Spy (Agent X-77 Orders to Kill, 1964). Safra's output continued into the mid-1960s with producer credits on Galia (1966), The Diabolical Dr. Z (Miss Death, 1966), and Cartes sur table (Attack of the Robots, 1966). His final producer credit came on Fleur d'oseille (1967), which concluded his active involvement in filmmaking.

Death

Death

Michel Safra died in 1967. His death came in the same year as the release of his final production credit, Fleur d'oseille.

Selected filmography

Producer credits

Michel Safra was credited as a producer on 31 films according to his IMDb profile. Among his notable producer credits are Personal Column (1939), The Damned (1947), Lady Paname (1950), A Kiss for a Killer (1957), Diary of a Chambermaid (1964), The Diabolical Dr. Z (1966), Galia (1966), and Fleur d'oseille (1967). These titles reflect a selection of his contributions across several decades of French cinema production.

Other roles

Michel Safra contributed to several films in roles other than producer, including production management, writing, and presentation. His production management credits encompass Au service du tsar (1936), It Happened in Gibraltar (1938), Vingt-quatre heures de perm' (1945), and Cartes sur table (1966, uncredited). He also worked as a writer, providing the screenplay for Paris Nights (1951) and the uncredited story for Diary of a Bad Girl (1956). In addition, Safra served as presenter on Casque d’Or (1952).
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