Midnight City
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Midnight City

"Midnight City" is a song by French electronic music band M83. It was first released in France on 16 August 2011, as the lead single from the group's sixth studio album, Hurry Up, We're Dreaming (2011). The song was written by Anthony Gonzalez, Yann Gonzalez, Morgan Kibby and Justin Meldal-Johnsen.

The track saw international success, peaking at number eight in France and charting on Billboard Alternative Songs and Rock Songs charts. Due to French network TF1's use of the song as the closing theme after the UEFA Euro 2012 football matches, the song topped the digital French chart. Elsewhere, "Midnight City" rose to acclaim in the United Kingdom in 2012, following its selection as the theme to reality TV show Made in Chelsea and prominent usage for the BBC's London 2012 Olympic Games coverage; it peaked at number thirty-four on the UK Singles Chart.

Gonzalez's observations of Downtown Los Angeles at night helped inspire "Midnight City"'s lyrics. Gonzalez created the song's opening riffs by heavily distorting his own voice. The song ends on a saxophone solo played by Fitz and the Tantrums' James King. Regarding the solo, Gonzalez said: "Sometimes a song needs an element to be finished. You know that this element has been overused in the past and is considered clichéd or cheesy, but the song needs it."

Going with Hurry Up, We're Dreaming's theme of childhood, the artwork for the "Midnight City" single was meant to reflect the fascination a kid experiences while watching a fantasy, mystery, or science fiction film. Gonzalez described the single's cover as "a crazy looking alien, a sort of mix of owls and E.T. and science fiction and fantasy movies like The Neverending Story."

The song premiered online on 19 July 2011 as an MP3 download, and was officially released on 16 August 2011.

M83's vocal range spans from B3 to the high note of F5.

"Midnight City" received universal acclaim, and was hailed as one of the best songs of 2011. Pitchfork Media's Brandon Stosuy wrote: "'Midnight City' comes off like Gonzalez's '1979.' The parallels are there, from the instantly memorable riff to the gentle sense of longing". Ryan Reed of PopMatters also praised the song, writing: "On this transcendent standout [...] Anthony Gonzalez and co-synth-scientist Justin Meldal-Johnsen build layer upon layer of keys, arena-sized drums, and vocal atmospherics (not mentioning one of the tastiest sax solos this side of a Springsteen record). The result? The synth Sistine Chapel." Josh Jackson of Paste wrote that the song "[...] sees Anthony Gonzalez at his spacey, dramatic best," while Spin's Charles Aaron described the song as "[...] Korg synths set to 'stunned.'"

The track was ranked fifth on Triple J's Hottest 100 for 2011.

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