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Miles Malleson
William Miles Malleson (25 May 1888 – 15 March 1969) was an English actor and dramatist, particularly remembered for his appearances in British comedy films of the 1930s to 1960s. Towards the end of his career, he also appeared in cameo roles in several Hammer horror films, with a fairly large role in The Brides of Dracula as the hypochondriac and fee-hungry local doctor. Malleson was also a writer on many films, including some of those in which he had small parts, such as Nell Gwyn (1934) and The Thief of Bagdad (1940). He also translated and adapted several of Molière's plays (The Misanthrope, which he titled The Slave of Truth, Tartuffe and The Imaginary Invalid).
Malleson was born in Avondale Road, South Croydon, Surrey, England, the son of Edmund Taylor Malleson (1859-1909), a manufacturing chemist, and Myrrha Bithynia Frances Borrell (1863-1931), a descendant of the numismatist Henry Perigal Borrell and the inventor Francis Maceroni. (Miles' cousin and contemporary, Lucy Malleson, had a long career as a mystery novelist, mostly under the pen name "Anthony Gilbert".)[citation needed]
He was educated at Brighton College and Emmanuel College, Cambridge. At Cambridge, he created a sensation when it was discovered that he had successfully posed as a politician and given a speech instead of the visitor who had failed to attend a debating society dinner.
As an undergraduate, Malleson made his first stage appearance in November 1909, playing the slave Sosias in the biennial Cambridge Greek Play production of Aristophanes' The Wasps presented at the New Theatre, Cambridge.
He turned professional in November 1911. He studied acting at Herbert Beerbohm Tree's Academy of Dramatic Art, which later was renamed the Royal Academy of Dramatic Art (RADA). Here he met his first wife in 1913.
In September 1914, he enlisted in the Army, and was sent to Malta, but was invalided home and discharged in January 1915. In late 1915, Malleson met Clifford Allen, who converted Malleson to pacifism and socialism. Malleson subsequently became a member of the peace organisation, the No-Conscription Fellowship. By June 1916, he was writing in support of conscientious objectors. Malleson wrote two anti-war plays, "D" Company and Black 'Ell, the latter refused for performance in 1916 and only produced in the UK nine years later. When the plays were published in book form in 1916, copies were seized from the printers by the police, who described them as "a deliberate calumny on the British soldier".
Malleson was a supporter of the Bolshevik revolution and a founder member of the socialist 1917 Club in Soho. Another play of Malleson's, Paddly Pools, (a children's play with a socialist message) was frequently performed by British amateur dramatic groups in the period after World War I.
In the 1920s, Malleson became director of the Arts Guild of the Independent Labour Party. In this capacity, Malleson helped establish amateur dramatics companies across Britain. The Arts Guild also helped stage plays by George Bernard Shaw, John Galsworthy and Laurence Housman, as well as Malleson's own work. His 1934 play Six Men of Dorset (written with Harvey Brooks), about the Tolpuddle Martyrs, was later performed by local theatre groups under the guidance of the Left Book Club Theatre Guild.
Miles Malleson
William Miles Malleson (25 May 1888 – 15 March 1969) was an English actor and dramatist, particularly remembered for his appearances in British comedy films of the 1930s to 1960s. Towards the end of his career, he also appeared in cameo roles in several Hammer horror films, with a fairly large role in The Brides of Dracula as the hypochondriac and fee-hungry local doctor. Malleson was also a writer on many films, including some of those in which he had small parts, such as Nell Gwyn (1934) and The Thief of Bagdad (1940). He also translated and adapted several of Molière's plays (The Misanthrope, which he titled The Slave of Truth, Tartuffe and The Imaginary Invalid).
Malleson was born in Avondale Road, South Croydon, Surrey, England, the son of Edmund Taylor Malleson (1859-1909), a manufacturing chemist, and Myrrha Bithynia Frances Borrell (1863-1931), a descendant of the numismatist Henry Perigal Borrell and the inventor Francis Maceroni. (Miles' cousin and contemporary, Lucy Malleson, had a long career as a mystery novelist, mostly under the pen name "Anthony Gilbert".)[citation needed]
He was educated at Brighton College and Emmanuel College, Cambridge. At Cambridge, he created a sensation when it was discovered that he had successfully posed as a politician and given a speech instead of the visitor who had failed to attend a debating society dinner.
As an undergraduate, Malleson made his first stage appearance in November 1909, playing the slave Sosias in the biennial Cambridge Greek Play production of Aristophanes' The Wasps presented at the New Theatre, Cambridge.
He turned professional in November 1911. He studied acting at Herbert Beerbohm Tree's Academy of Dramatic Art, which later was renamed the Royal Academy of Dramatic Art (RADA). Here he met his first wife in 1913.
In September 1914, he enlisted in the Army, and was sent to Malta, but was invalided home and discharged in January 1915. In late 1915, Malleson met Clifford Allen, who converted Malleson to pacifism and socialism. Malleson subsequently became a member of the peace organisation, the No-Conscription Fellowship. By June 1916, he was writing in support of conscientious objectors. Malleson wrote two anti-war plays, "D" Company and Black 'Ell, the latter refused for performance in 1916 and only produced in the UK nine years later. When the plays were published in book form in 1916, copies were seized from the printers by the police, who described them as "a deliberate calumny on the British soldier".
Malleson was a supporter of the Bolshevik revolution and a founder member of the socialist 1917 Club in Soho. Another play of Malleson's, Paddly Pools, (a children's play with a socialist message) was frequently performed by British amateur dramatic groups in the period after World War I.
In the 1920s, Malleson became director of the Arts Guild of the Independent Labour Party. In this capacity, Malleson helped establish amateur dramatics companies across Britain. The Arts Guild also helped stage plays by George Bernard Shaw, John Galsworthy and Laurence Housman, as well as Malleson's own work. His 1934 play Six Men of Dorset (written with Harvey Brooks), about the Tolpuddle Martyrs, was later performed by local theatre groups under the guidance of the Left Book Club Theatre Guild.
