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Mister Magic
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| Mister Magic | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | February 7, 1975 | |||
| Recorded | November 1974 | |||
| Studio | Van Gelder, Englewood Cliffs | |||
| Genre | Jazz funk[1] | |||
| Length | 32:51 | |||
| Label | Kudu | |||
| Producer | Creed Taylor | |||
| Grover Washington Jr. chronology | ||||
| ||||
| Alternative cover | ||||
 Motown Jazz reissue | ||||
Mister Magic is the fourth album by jazz saxophonist Grover Washington Jr., released in February 1975. The album topped both the soul and jazz albums chart and peaked at number ten on the pop chart.
Critical reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [2] |
| Christgau's Record Guide | B−[3] |
| The Penguin Guide to Jazz Recordings | [5] |
| The Rolling Stone Jazz Record Guide |   [4] |
Reviewing for The Village Voice in 1975, Robert Christgau found the album "functional" and satisfactory for a commercially successful jazz album: "Washington plays a warm tenor in the pop jazz tradition of Gene Ammons, but the rhythm section percolates danceably, and the result is sexy background music only superficially marred by Bob James's strings."[6]
In a retrospective review for AllMusic, Scott Yanow said that it is "one of Grover Washington Jr.'s best-loved recordings and considered a classic of r&bish jazz." He found Washington to be in "particularly creative form" and called James' arrangements "colorful if somewhat commercial".[2]
Track listing
[edit]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Earth Tones" | Bob James | 12:20 |
| 2. | "Passion Flower" | Billy Strayhorn, Milt Raskin | 5:30 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Mister Magic" | Ralph MacDonald | 8:58 |
| 2. | "Black Frost" | Bob James, Grover Washington Jr. | 6:03 |
| Total length: | 32:51 | ||
Personnel
[edit]- Grover Washington Jr. – alto saxophone, soprano saxophone, tenor saxophone
- Bob James – acoustic piano, Fender Rhodes, arrangements and conductor
- Eric Gale – guitars
- Phil Upchurch – bass (1)
- Gary King – bass (2, 3, 4)
- Harvey Mason – drums
- Ralph MacDonald – percussion
Brass and reed section
- Phil Bodner – baritone saxophone
- Jerry Dodgion – tenor saxophone
- Tony Studd – bass trombone
- Wayne Andre – trombone
- Jon Faddis and Marvin Stamm – trumpet, flugelhorn
String section
- Charles McCracken and Alan Shulman – cello
- Alfred Brown and Emanuel Vardi – viola
- Max Ellen, Paul Gershman, Harry Glickman, Harold Kohon, Harry Lookofsky, Joe Malin, David Nadien and Matthew Raimondi – violin
Production
- Creed Taylor – producer
- Rudy Van Gelder – engineer
- Bob Ciano – album design
- Alen MacWeeney – photography
- Doug Ramsey – liner notes
Charts
[edit]| Chart (1975) | Peak position |
|---|---|
| Billboard Pop Albums[7] | 10 |
| Billboard Top Soul Albums[7] | 1 |
| Billboard Top Jazz Albums[7] | 1 |
Singles
[edit]| Year | Single | Chart positions[8] | |
|---|---|---|---|
| US Pop |
US R&B | ||
| 1975 | "Mister Magic" | 54 | 16 |
References
[edit]- ^ Maclaren, Trevor (July 13, 2004). "Grover Washington Jr.: Mister Magic". All About Jazz. Retrieved May 26, 2013.
- ^ a b Yanow, Scott. "Mister Magic – Grover Washington Jr". AllMusic. Retrieved May 26, 2013.
- ^ Christgau, Robert (1981). "Consumer Guide '70s: W". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved March 22, 2019 – via robertchristgau.com.
- ^ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 203. ISBN 0-394-72643-X.
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1468. ISBN 978-0-141-03401-0.
- ^ Christgau, Robert (June 16, 1975). "Consumer Guide". The Village Voice. New York. Retrieved May 26, 2013.
- ^ a b c "Grover Washington Jr. US albums chart history". allmusic.com. Retrieved October 24, 2011.
- ^ "Grover Washington Jr. US singles chart history". allmusic.com. Retrieved October 24, 2011.
External links
[edit]- Mister Magic at Discogs (list of releases)
Mister Magic
View on Grokipediafrom Grokipedia
Development and Production
Background
Grover Washington Jr. honed his saxophone skills in the vibrant Philadelphia music scene after relocating there in 1967 following his U.S. Army service from 1965 to 1967. Initially working as a sideman in local clubs, he performed with R&B and soul-jazz ensembles led by organists such as Charles Earland and Johnny "Hammond" Smith, immersing himself in the fusion of jazz improvisation and rhythmic grooves prevalent in the city's nightlife. By 1970 and 1971, Washington contributed to recording sessions as a sideman for Prestige Records, appearing on Leon Spencer's first two albums alongside drummer Idris Muhammad and guitarist Melvin Sparks, which helped build his profile in the emerging jazz-funk landscape.[6][7] Washington's breakthrough as a bandleader occurred in 1971 when he substituted for alto saxophonist Hank Crawford at a session for Creed Taylor's Kudu Records, a subsidiary of CTI Enterprises, leading to the release of his debut album Inner City Blues in 1972. This marked his full transition to Kudu, where he pursued broader commercial success in fusion jazz by emphasizing accessible soulful arrangements over traditional hard bop. Over the next two years, he issued two more albums on the label—All the King's Horses (1972) and the double live set Soul Box (1973)—that further entrenched his jazz-funk reputation through extended tracks featuring tight ensemble interplay and his signature tenor and soprano sax tones.[8][9] Influenced by Miles Davis's electric period explorations in albums like In a Silent Way (1969) and Bitches Brew (1970), which integrated rock and funk elements into jazz, Washington sought to craft a similarly innovative sound that appealed beyond jazz purists. He drew parallel inspiration from soul-jazz pioneers like Herbie Mann, whose flute-driven blends of Latin rhythms and pop sensibilities in works such as Memphis Underground (1969) encouraged Washington's emphasis on soprano sax improvisation layered over R&B grooves. This artistic vision aimed to bridge jazz artistry with mainstream accessibility, positioning him at the forefront of the crossover movement.[10][11] Pre-production for Mister Magic began in late 1974 with Washington's collaboration alongside composer and percussionist Ralph MacDonald, who co-wrote the title track with bassist William Salter; this partnership infused the project with infectious, groove-oriented hooks designed to elevate Washington's fusion style toward greater pop-jazz prominence.[12]Recording Process
The recording sessions for Mister Magic occurred at Van Gelder Studio in Englewood Cliffs, New Jersey, spanning November 1974.[13][14] Creed Taylor produced the album, overseeing the fusion of jazz and funk elements in line with his CTI Records approach.[15] Rudy Van Gelder engineered the sessions, applying his signature meticulous techniques that emphasized clarity and balance in jazz recordings, as seen in his work with Blue Note and Impulse! labels.[16] Washington contributed multi-instrumentally, laying down tracks on soprano, tenor, and alto saxophones to shape the album's layered sound.[13] Session highlights included overdubbing for the horn and percussion sections to enhance the rhythmic drive, a common practice in Taylor's productions to build depth without losing improvisational feel.[17] Notable guest musicians featured guitarist Eric Gale, whose soulful lines complemented Washington's solos, and drummer Harvey Mason, providing the propulsive grooves central to the sessions' improvisational energy.[15][18]Musical Content
Composition and Style
In the novel, the fictional 1990s children's television show Mister Magic incorporates music typical of educational programming for young audiences, featuring upbeat, repetitive tunes and rhymes designed to teach lessons on behavior and morality. These elements, however, carry an underlying eerie and manipulative tone, reflecting the show's role in brainwashing children through a dimensional entity that enforces conservative ideologies of purity and compliance. The music emphasizes catchy, memorable phrases that linger in the survivors' fragmented memories, blending whimsy with subtle horror to underscore themes of childhood trauma and control.[5] The survivors recall the show's songs as simple, chant-like compositions sung by child performers, promoting ideals of cleanliness and happiness while suppressing negative emotions or "dirty" thoughts. This style evokes nostalgia for 1990s children's media like Barney & Friends or Sesame Street, but White infuses it with psychological tension, highlighting how such music can mask darker influences.[19]Title Track
The title track of the fictional show, its theme song, serves as the most vividly remembered element among the survivors and implied fans, despite the absence of any recorded episodes. The song's lyrics reinforce the show's indoctrinating message: "Clean hearts and clean minds, cleanliness at all times! Nothing dirty, nothing bad, always happy, never sad!" Performed in an cheerful, repetitive manner by the child cast, it encapsulates the enigmatic host's philosophy of enforced positivity and purity.[20][21] In the narrative, humming or singing the theme song triggers buried memories and supernatural occurrences during the reunion, amplifying the story's horror. As the only consistent recollection of the show, it symbolizes the enduring grip of childhood programming on the adult psyche, tying into White's exploration of repressed trauma and fandom. No full recording exists in the story's universe, mirroring the real-world erasure of the show's history after the fatal fire.[22]Release and Promotion
Book Release
Mister Magic was released on August 8, 2023, by Del Rey, an imprint of Random House Worlds.[5] The hardcover edition spans 304 pages.[1] An audiobook adaptation, narrated by Rebecca Lowman, was released simultaneously by Random House Audio, running approximately 10 hours and 33 minutes.[23] A paperback edition followed on May 28, 2024, with 320 pages.[24] The book quickly achieved national bestseller status upon its initial release.[2] As of November 2025, no additional editions or reissues have been announced beyond the standard formats.[5]Promotion
Promotional efforts for Mister Magic included author appearances at book events and in-store discussions. Kiersten White participated in an in-store event at Mysterious Galaxy Books in San Diego, featuring a discussion, Q&A, and signing.[25] She also appeared at the 2023 San Diego Union-Tribune Festival of Books.[26] White promoted the novel through interviews and podcasts, including a discussion on the Turn the Page Podcast in August 2023 and an interview with FanFiAddict in October 2023.[27][28] Additionally, she contributed a guest post to the Barnes & Noble blog on August 8, 2023, exploring themes of nostalgia in the book.[29] Marketing emphasized the novel's horror elements, 1990s nostalgia, and connections to White's previous Bram Stoker Award-winning work, targeting fans of supernatural thrillers.Reception and Impact
Commercial Performance
Mister Magic became a national bestseller following its August 2023 release.[1] A paperback edition was published on May 28, 2024.[5]Critical Reception
The novel received generally positive reviews for its atmospheric horror, psychological tension, and exploration of themes like childhood trauma, religious abuse, and 1990s nostalgia. Critics praised White's commentary on the dark underbelly of fandom and repressed memories, though some noted pacing challenges and found the supernatural elements uneven or less terrifying than anticipated.[4] On Goodreads, it has a 3.6 out of 5 rating based on over 27,000 reviews as of November 2025.[19] Amazon customer reviews average 3.9 out of 5 from approximately 1,500 ratings.[1] It was nominated for the Readers' Favorite Award in the Horror category in 2023 and named a nominee for the 2024 Alex Awards by the American Library Association.[19][30]Cultural Legacy
Mister Magic has contributed to discussions on the impact of childhood media and the perils of nostalgia, particularly through its allegorical treatment of religious trauma informed by the author's ex-Mormon background.[31] The novel appeals to fans of supernatural thrillers by authors like Stephen King and Silvia Moreno-Garcia, highlighting the psychological effects of idealized pasts and obsessive fandom.[2] As a relatively recent release, its long-term influence remains emerging, but it has been noted for addressing how 1990s children's programming shapes adult identities.[32]Track Listing and Credits
Track Listing
Mister Magic is a prose novel without audio tracks. It is structured into chapters titled after lines from nursery rhymes, tying into the fictional children's television show central to the plot. The full chapter list is as follows (based on available previews; durations not applicable):| No. | Title |
|---|---|
| Dedication | |
| Mister Magic | |
| 1 | One |
| 2 | Two. Buckle My Shoe |
| 3 | Three |
| 4 | Four. Lock the Door |
| 5 | Five |
| 6 | Six. Pick Up Sticks |
| 7 | Seven |
| 8 | Eight. Bar the Gate |
| 9 | Nine |
| 10 | Ten |
Personnel
Authors and Contributors- Kiersten White – Author[5]
- Rebecca Lowman – Audiobook narrator [extraction; cite publisher if possible]