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Monowhales
View on Wikipediafrom Wikipedia
Monowhales (stylized in all caps) were a Canadian alternative rock band from Toronto, Ontario. Originally called Ginger Ale & the Monowhales, their lineup consisted of lead vocalist Sally Shaar, drummer Jordan Circosta, and guitarist Zach Zanardo.
Key Information
To date, they have released two studio albums, Daytona Bleach (2020) and their most recent, Tunnel Vision (2022). The group are best known for their 2019 song, "RWLYD (Really Wanna Let You Down)", which broke Canadian radio records as the highest charting single by an independent musical act ever, reaching #2 on the Canadian Alternative Rock Chart.[1]
At the 2022 Juno Awards, Monowhales were named the winners of Breakthrough Group of the Year.[2]
On April 9, 2024, the band announced that they would be disbanding.[3]
History
[edit]The band (originally called Ginger Ale & the Monowhales) made their debut as a four-piece band in 2017 with their first single "Take It Back",[4] produced by Al-P of MSTRKRFT,[5] which went on to peak at #25 on the Mediabase Canada Alternative Rock Chart. This was followed by the six-song EP Control Freak on June 1, 2018.[6] Three songs off Control Freak were featured in Season 1, Episode 5 of 2020 Netflix series Spinning Out,[7] which also included a cameo appearance by the band.
After spending the latter half of 2018 touring, the band flew British Columbia-based producer Ryan Worsley to Toronto to record new material. The resulting single "RWLYD (Really Wanna Let You Down)" was released on September 13, 2019.[8] Overwhelming support from Canadian alternative rock radio propelled the single to #2 on the Mediabase Canada Alternative Rock Chart, making Monowhales the only independent band in Canadian radio history to reach that high on the chart.[9] Between dates on their subsequent cross-Canada tour during 2019, the band spent two weeks living above Worsley's Echoplant Studios in Port Coquitlam, British Columbia, working on material for their pending debut album. On July 30, 2020, founding member and synth player, Holly Jamieson announced she had left the band to pursue a career in music therapy. The group would continue as a trio, following Jamieson's departure.
Monowhales' debut album Daytona Bleach was released on March 5, 2021.[10] Due to the COVID-19 pandemic, the band promoted the release using storefront displays and guerrilla projection installations around their hometown of Toronto.[11] Later that year, the band released a cover of the Nine Inch Nails song "The Hand That Feeds"[12] and announced their label TRUE Records had signed a distributed label deal with Warner Music Canada.[13]
In January 2022, Monowhales announced a national tour supporting Mother Mother in April/May 2022. The band released a new single "CTRL^^^" along with a music video on February 4, 2022, and announced that a new album "Tunnel Vision" was slated for release that fall.[14] Soon afterwards, Monowhales won the Juno Award for Breakthrough Group of the Year at the Juno Awards of 2022.[15] Soon afterwards, Monowhales performed at Osheaga Festival,[16] Festival d'été de Québec,[17] Hillside Festival,[18] and more before embarking on a cross-Canada headline tour that fall.
In the summer of 2023, Monowhales performed at Ottawa Bluesfest[19] before touring as direct support to Grandson on the Canadian leg of his I Love You, I'm Trying world tour. Immediately afterwards, the band released a new song entitled "Hear Me Out" and announced a tour of the USA and Canada for fall 2023.[20]
On April 9, 2024, Monowhales released a statement on their social media accounts announcing that they would be breaking up. They stated that they "no longer feel we can do justice to the vision of MONOWHALES we set out with", but shared that each member has "exciting endeavours ahead".[3]
Members
[edit]Former
- Sally Shaar – lead vocals (2017–2024)
- Zach Zanardo – guitar, bass, synthesizer, backing vocals (2017–2024)
- Jordan Circosta – drums, percussion, synthesizer, backing vocals (2017–2024)
- Holly Jamieson – synthesizer, backing vocals (2017–2020)
Touring
- Dylan Burrett – bass, backing vocals (2022–2024)
- Gina Kennedy – bass, backing vocals (2021–2022)
Discography
[edit]Studio albums
[edit]| Title | Details |
|---|---|
| Daytona Bleach |
|
| Tunnel Vision |
|
EPs
[edit]| Title | Details |
|---|---|
| Control Freak |
|
| Who's There to Hear Me Out? |
|
Singles
[edit]| Title | Year | Peak chart position |
Album |
|---|---|---|---|
| CAN alt. | |||
| "Take It Back" | 2017 | 25 | Control Freak (EP) |
| "Real Love" | 2018 | 31 | |
| "Let It Go" | 32 | ||
| "RWLYD (Really Wanna Let You Down)" | 2019 | 2 | Daytona Bleach |
| "All or Nothing" | 2020 | 6 | |
| "Out with the Old" | 2021 | 5 | |
| "The Hand That Feeds" (Nine Inch Nails cover) | 30 | Non-album single | |
| "CTRL^^^" | 2022 | 8 | Tunnel Vision |
| "Song 2" (Blur cover) | 2023 | — | Non-album single |
| "Hear Me Out" | 10 | Who's There to Hear Me Out? (EP) | |
| "Backbone" | — |
Other charted songs
[edit]| Title | Year | Peak chart position |
Album |
|---|---|---|---|
| CAN alt. | |||
| "StuckInTheMiddle" | 2022 | 22 | Tunnel Vision |
| "RICH$$$" | 2023 | 7 |
Awards and nominations
[edit]| Year | Organization | Award | Work or author awarded | Result |
|---|---|---|---|---|
| 2019 | Canadian Music Week | Jim Beam INDIES Award (Best Alternative Artists or Group of the Year)[21] | MONOWHALES | Winner |
| 2019 | Forest City London Music Awards | Ontario Indie Recording Artist of the Year[22] | MONOWHALES | Winner |
| 2022 | Juno Award | Breakthrough Group of the Year | MONOWHALES | Won |
References
[edit]- ^ "Music News Digest, March 27, 2020". FYIMusicNews. 2020-03-27. Retrieved 2020-05-07.
- ^ "Winners Announced for the 2022 JUNO Opening Night Awards Presented by Ontario Creates". 15 May 2022.
- ^ a b Hudson, Alex (9 April 2024). "MONOWHALES Break Up". Exclaim!. Retrieved 9 April 2024.
- ^ "Monowhales "Take It Back" (video)". exclaim.ca. Retrieved 2020-05-07.
- ^ Murray, Joshua (2018-06-01). "Control Freak – MONOWHALES EP Review". thereviewsarein. Retrieved 2025-01-17.
- ^ "MONOWHALES release new EP, Control Freak". 102.1 the Edge. Retrieved 2020-05-07.
- ^ "Spinning Out Season 1: All songs with scene descriptions". Soundtrackradar.com. 2020-01-01. Retrieved 2020-05-07.
- ^ Brimstin, Chelsea (16 September 2019). "Listen: MONOWHALES drop new single 'RWLYD (Really Wanna Let You Down)'". Indie88. Retrieved 2020-05-07.
- ^ "Music News Digest, March 27, 2020". FYIMusicNews. 2020-03-27. Retrieved 2020-05-07.
- ^ "MONOWHALES Don't Waste a Single Moment on 'Daytona Bleach' | Exclaim!". exclaim.ca. Retrieved 2022-03-14.
- ^ "Interview with Canadian Pop-Rock Band MONOWHALES". Online Music Promotion | Independent Music Magazine | Social Music Marketing. 17 February 2021. Retrieved 2022-03-15.
- ^ "Listen: MONOWHALES – The Hand The Feeds". The Alternative Nation. 2021-11-02. Retrieved 2022-03-14.
- ^ Brimstin, Chelsea (2021-10-29). "MONOWHALES cover Nine Inch Nails' 'The Hand That Feeds'". Indie88. Retrieved 2022-03-14.
- ^ "SPILL NEW MUSIC: MONOWHALES RELEASE NEW SINGLE + VIDEO "CTRL^^^" | NEW ALBUM 'TUNNEL VISION' OUT 2022". The Spill Magazine. 9 February 2022.
- ^ Holly Gordon, "Here are all the 2022 Juno Award winners". CBC Music, May 14, 2022.
- ^ "Interview: MONOWHALES @ Osheaga 2022". Montreal Rocks. 2022-08-07. Retrieved 2023-08-21.
- ^ Dorta, Daniel (8 July 2022). "Festival d'été de Québec - July 7, 2022 - IN PHOTOS". Retrieved 2023-08-21.
- ^ "Hillside 2022: Monowhales - Concert Photos". Retrieved 2023-08-21.
- ^ Cross, Alan (2023-07-20). "Wait! One last report from Ottawa Bluesfest 2023 | Alan Cross". Alan Cross' A Journal of Musical Things. Retrieved 2023-08-21.
- ^ LaPierre, Megan (August 17, 2023). "MONOWHALES Plot North American Tour, Share "Hear Me Out"".
- ^ "CMW 2019: Announcing the Winners of the 19th Annual Independent Music Awards Presented by Jim Beam and Indie 88". Unity360. 2019-05-14. Retrieved 2020-05-08.
- ^ "Past Winners". FCLMA. Retrieved 2020-05-08.
External links
[edit]Monowhales
View on Grokipediafrom Grokipedia
Monowhales was a Canadian alternative rock trio from Toronto, Ontario, active from 2017 to 2024.[1][2]
Comprising vocalist Sally Shaar, guitarist Zach Zanardo, and drummer Jordan Circosta, the band—originally known as Ginger Ale & the Monowhales—emerged with a raw, energetic sound blending indie rock influences and propulsive rhythms.[2] Their breakthrough came with the 2017 debut single "Take It Back," which charted at number 25 on Canada's alternative rock radio, followed by the EP Control Freak produced by Al-P.[1]
Monowhales achieved significant milestones, including their 2019 single "RWLYD (Really Wanna Let You Down)," which became their first self-managed track to reach number two on the Mediabase Canada Alternative Rock Chart and earned them the Jim Beam INDIE Award for Best Alternative Artist/Group that year.[1] The band's music gained wider exposure through placements in Netflix's Spinning Out and CBC's Northern Rescue, while their 2020 single "All or Nothing" peaked at number seven on alternative charts.[1] In 2021, they released their debut full-length album Daytona Bleach, solidifying their presence with tours supporting artists like K.Flay and Marianas Trench across Canada.[1]
Recognized for revitalizing the alternative rock scene, Monowhales won the Juno Award for Breakthrough Group of the Year in 2022.[1] Their final EP, Who's There to Hear Me Out?, arrived in 2024 amid planned festival appearances and a support slot on Tokyo Police Club's farewell tour.[2] However, the group disbanded on April 9, 2024, stating that creative and personal growth had diverged from their original vision, allowing members to embark on individual projects.[2]
History
Formation and early releases (2016–2018)
Monowhales was originally formed in Toronto, Ontario, in 2016 as a four-piece band named Ginger Ale and the Monowhales by vocalist Sally Shaar, guitarist Zach Zanardo, drummer Jordan Circosta, and synthesizer player Holly Jamieson, while studying at Humber College.[3] The group initially performed and released music under the name Ginger Ale & the Monowhales, a moniker they shortened to Monowhales by 2017.[4] The band's debut single as Monowhales, "Take It Back," was released independently on September 19, 2017, via TRUE Records, marking their entry into the Canadian indie rock scene and peaking at number 25 on Canada's alternative rock charts.[5][1] Early performances took place at local Toronto venues such as the Smiling Buddha, where they built initial buzz through energetic live shows.[6] In 2018, Monowhales issued their debut EP, Control Freak, produced by Al-P of MSTRKRFT and Death from Above 1979, featuring tracks including "Real Love" and incorporating earlier material like "Take It Back." The EP's lead single "Real Love," released April 17, 2018, received airplay on Canadian radio stations and contributed to the band's growing presence in the indie circuit.[7][8] Embracing a DIY ethos, the band self-recorded early demos and cultivated a local fanbase through grassroots promotion, including social media and small-scale tours across Ontario.[9]Daytona Bleach and rising popularity (2019–2021)
In 2018, the band stylized their name in all caps as MONOWHALES to simplify branding and broaden its appeal beyond local scenes.[10][4] This rebranding coincided with the release of their breakthrough single "Real Love" on April 17, 2018, which garnered over 500,000 streams on Spotify and airplay on independent radio stations across Canada.[11][12][13] The band's rising profile led to a standout performance at Canadian Music Week in Toronto on May 7, 2019, where they headlined a sold-out show at the Horseshoe Tavern, generating significant industry buzz.[14][9] During the COVID-19 lockdowns in 2020, MONOWHALES adapted by hosting virtual performances, including a quarantine-recorded version of their single "RWLYD (Really Wanna Let You Down)," to maintain fan engagement amid restricted live events.[15] MONOWHALES recorded their debut studio album Daytona Bleach in sessions across Toronto and Vancouver in 2019, completing it in approximately four weeks with producer Ryan Worsley.[16] The album, released independently on March 5, 2021, via the band's own label TRUE Records, explores themes of youthful restlessness, romantic desire, frustration in relationships, and personal assertiveness through straightforward, exuberant lyrics.[17][18] Teased with singles like "All or Nothing" in late 2020, Daytona Bleach marked a pivotal step in their growth; it included the single "RWLYD (Really Wanna Let You Down)," which achieved the highest charting position for an unsigned band on Canada's Mediabase Alternative Rock Chart at the time, reaching number two.[18][19] Following the album's release, TRUE Records secured a distribution deal with Warner Music Canada, enabling wider reach.[1] This supported MONOWHALES' first headlining tour in Ontario that summer, including dates at venues like the Horseshoe Tavern and festival appearances, solidifying their national recognition.[20] Core members Sally Shaar (vocals), Zach Zanardo (guitar), and Jordan Circosta (drums) handled primary songwriting duties, evolving the band's alt-rock sound toward a more polished, synth-infused edge.[16][18]Tunnel Vision and peak success (2022–2023)
In 2022, Monowhales achieved their commercial peak with the release of their second studio album, Tunnel Vision, on September 9 via TRUE Records.[21] Produced by Dave Schiffman, the seven-track record marked a sonic evolution from their debut, incorporating groove-oriented hooks and experimental elements while delving into introspective themes of mental health struggles, personal relationships, and pandemic-induced isolation.[22] Key singles leading up to the album included "CTRL^^^" in January, which explored digital disconnection, followed by "Change###" and the synth-driven "RICH$$$" in August, the latter blending pop-rock with commentary on emotional wealth amid superficiality.[23][22][24] The band's heightened profile translated to extensive touring, beginning with a national Canadian support slot for Mother Mother in April and May, which showcased their high-energy live performances and built momentum for their own headline dates.[25] Expanding internationally, they performed at major festivals like Osheaga in Montreal in July, where their set drew enthusiastic crowds with tracks from the new album, and later embarked on a fall headlining tour across Ontario, Quebec, Nova Scotia, and Western Canada.[26][27] In 2023, this success continued with a co-headlining tour alongside grandson across Canada in summer, followed by a joint U.S. and Canadian headline run in fall, solidifying their presence in the North American alt-rock scene.[28][29] Complementing Tunnel Vision, the single "RICH$$$" served as an experimental companion piece, released ahead of the album and highlighting the band's fusion of rave-like synths with rock instrumentation to address relational dynamics.[24] This period also saw increased media recognition, with Exclaim! covering their summer and fall tours as a key moment in their ascent, and Billboard Canada noting their chart performance in alternative rock year-end rankings alongside acts like Mother Mother.[27][30] Publications praised Monowhales for injecting fresh energy into Canadian alternative rock through their raw, hook-laden sound and DIY ethos.[31] Capping the year, Monowhales released the reflective single "Hear Me Out" on August 17, 2023, conceived during sessions amid personal challenges and serving as the lead for their subsequent EP Who's There to Hear Me Out? (January 2024), which emphasized themes of vulnerability and seeking connection.[32] This output, paired with their 2022 Juno Award for Breakthrough Group of the Year, underscored the trio's stable lineup and artistic maturity during this prolific phase.[33][34]Breakup and legacy (2024)
On April 9, 2024, Monowhales announced their disbandment via a joint social media statement, citing that after over a decade together, they could no longer sustain the original vision of the band while delivering their best work, and expressing deep gratitude to fans for supporting their journey.[2] The trio emphasized the bittersweet nature of the decision, noting that all remaining scheduled shows and festival appearances, including dates for Springtide Music Festival, Area 506 Festival, and the Tokyo Police Club farewell tour, would be canceled to honor the project's integrity.[2] They also highlighted excitement for individual paths ahead, stating, "We each have exciting endeavours ahead, and we can't wait to share them with you."[2] The band's final release, the EP Who's There to Hear Me Out?, came out on January 18, 2024, serving as a reflective farewell project with introspective lyrics addressing themes of personal support, internal dialogue, and life's balances, as exemplified in the lead single "Hear Me Out."[35][36] This four-track effort, including "Backbone" and "Flatbread," marked a poignant close to their discography, blending alt-rock energy with vulnerable songwriting.[37] Monowhales wrapped their live career with select performances in early 2024 during the Who's There to Hear Me Out? tour, including a January 27 show at Richmond Hill Centre for the Performing Arts alongside Loviet, which the band later described as among their strongest ever.[38][20] Post-breakup, members have shifted to solo pursuits, with vocalist Sally Shaar updating her social media to signal newfound creative freedom following the band's end.[39] In their legacy, Monowhales stand as pioneers of Syrian representation in Canadian rock, with Shaar—born in Syria and raised in a bilingual Arab-English household—breaking barriers in a genre historically lacking such visibility, as she noted in interviews about embracing her heritage to inspire others with similar backgrounds.[40] Their energetic, pop-infused alt-rock sound helped revive interest in the Canadian indie scene during the late 2010s and early 2020s, amassing over 8 million Spotify streams by mid-2025 and building a dedicated community through high-energy tours and fan engagement that influenced emerging acts in the genre.[28][12]Musical style and artistry
Genre and sound
Monowhales' core genre was alternative rock, blending pop-rock and indie pop elements to create anthemic choruses, driving guitar riffs, and energetic drumming that defined their high-energy sound.[41][42][43] Their music often featured hook-heavy structures with grunge-infused aesthetics and pop-focused hooks, making it both radio-friendly and raw-edged.[44] The band's sound evolved from the raw, DIY indie approach of their early releases, characterized by stripped-down rock 'n' roll, to a more polished alternative rock style in later works like Tunnel Vision, incorporating synth accents for added texture.[45][46] This progression reflected a shift toward louder, prouder arrangements while retaining their foundational intensity.[22] Their final EP, Who's There to Hear Me Out? (2024), further showcased this evolution with a blend of indie rock featuring fuzzy guitar distortion, dynamic instrumentation, and a raw emotional edge, emphasizing vulnerability and sonic experimentation while preserving the raw energy of their earlier work.[44] In terms of production, Monowhales began with a self-produced, DIY ethos that emphasized authenticity and community-driven creation.[47] They later collaborated with producers like Ryan Worsley for layered vocals and electronic flourishes, as heard in tracks from Daytona Bleach and beyond, and Dave Schiffman for Tunnel Vision, all while prioritizing the capture of live performance energy in studio recordings.[1][44][22] Key to their sonic identity were Sally Shaar's powerful, emotive vocals, which delivered a warrior-like intensity over Zach Zanardo's chunky guitar hooks and synthesizer elements, underpinned by Jordan Circosta's dynamic drumming and percussion.[23][48][49] This interplay created a propulsive, gut-punch quality that propelled their tracks forward.[50] Their accessible yet edgy rock drew comparisons to bands like Sloan and Marianas Trench, with whom they toured extensively, highlighting shared traits in melodic drive and crowd-engaging anthems.[51][18]Influences and themes
Monowhales drew from a diverse array of musical influences, blending early exposure to Arabic music from Sally Shaar's Syrian roots with Western pop icons such as Celine Dion, ABBA, and Elton John, alongside Disney soundtracks that shaped the frontwoman's initial passion for melody.[40] Later, the band's sound incorporated elements from indie and alternative acts like Arctic Monkeys, The Killers, HAIM, CHVRCHES, and Canadian contemporaries such as Mother Mother, contributing to their high-energy pop-rock style.[52][53] Shaar's formative years in Quebec also introduced French-Canadian artists like Ginette Reno, adding layers of nostalgic pop structure to the group's collaborative ethos.[54] The band's lyrical content often explored personal and emotional landscapes, including themes of control, growth, pain, and trauma, as evident in works like the Tunnel Vision album, where Shaar reflected on embracing vulnerability amid life's challenges.[40] Relationships and self-reflection featured prominently, with songs addressing toxic dynamics and the struggle to let go, stemming from the band's perfectionist tendencies.[55] Empowerment emerged through messages of kindness and positivity, positioning Monowhales as a message-driven act that countered doubt with communal uplift.[53] As a Syrian-Canadian frontwoman, Shaar challenged the homogeneity of rock music by openly representing her immigrant heritage, drawing from family experiences of assimilation and cultural duality to inspire others from similar backgrounds.[40] This autobiographical lens infused lyrics with identity exploration, moving from initial concealment of her roots—advised by parents for safety—to full embrace, promoting diversity in a genre historically dominated by uniform narratives.[40] Her Quebec upbringing, marked by bilingual immersion and later language loss after relocating, further enriched themes of belonging and home.[54] Monowhales' songwriting process was inherently collaborative, with all members contributing equally to music and lyrics on every track, fostering a democratic environment that evolved toward greater emotional openness in later releases.[54] Shaar often led on personal lyrical elements, while group input shaped melodies, as seen in remote sessions during the COVID-19 lockdown that incorporated writers from Germany and Los Angeles for Tunnel Vision.[40] This approach emphasized authenticity and vulnerability, transforming individual experiences into shared anthems.[40] The band's visual artistry complemented their irreverent themes through budget-conscious, DIY-inspired music videos, where Shaar conceptualized ambitious ideas like surreal latex installations despite limited resources, executed with a tight-knit team to evoke humor and rebellion.[54] This hands-on style aligned with their independent spirit, using everyday rebellion to mirror lyrical defiance against conformity.[47]Personnel
Band members
Sally Shaar served as the lead vocalist and primary songwriter for Monowhales, shaping the band's introspective and energetic lyricism drawn from personal experiences of identity and control. Of Syrian heritage, she grew up in Toronto and studied music business and marketing at Humber College, where she received songwriting mentorship from Triumph guitarist Rik Emmett, honing her skills in crafting pop-infused alternative rock anthems.[40][3] Shaar was the band's charismatic frontwoman, often leading interviews and delivering commanding stage presence that energized live performances. Zach Zanardo functioned as the lead guitarist and backing vocalist, infusing Monowhales' sound with raw garage rock edges and melodic hooks that defined their synth-guitar-driven arrangements. A Toronto native, Zanardo also contributed multi-instrumental elements, including bass, keyboards, synthesizers, and sound design, while engineering several tracks to support the band's polished yet gritty production. His role extended to co-writing lyrics and music, emphasizing nostalgic and explosive rock structures that balanced the group's pop sensibilities with harder alternative influences. Jordan Circosta provided the drumming and rhythmic foundation for Monowhales. As a core collaborator, he also handled background vocals, percussion variations, and elements of production, including early recording setups that facilitated the trio's DIY-leaning creative process. Circosta's steady groove complemented the melodic interplay between Shaar and Zanardo, ensuring a cohesive drive across their discography. He studied at Humber College.[56] Shaar and Zanardo first met in high school, later connecting with Circosta at Humber College.[15] Their collaborative ethos emphasized equal input in songwriting and arrangement, rooted in a hands-on approach to music creation despite diverse backgrounds in pop, garage rock, and jazz. The core trio—Shaar, Zanardo, and Circosta—formed the stable lineup of Monowhales since transitioning to a three-piece in 2020, with no subsequent changes. Following the band's 2024 breakup, Circosta joined Enlightened Management as an artist manager, while Shaar and Zanardo have pursued individual songwriting and production projects, with no confirmed solo ventures announced as of November 2025.[57]Timeline
Monowhales formed in 2017 in Toronto, Ontario, as a quartet comprising lead vocalist Sally Shaar, guitarist Zach Zanardo, drummer Jordan Circosta, and synthesizer player Holly Jamieson. The lineup remained unchanged through the band's initial releases and early tours from 2017 to mid-2020.[58][59] In July 2020, Holly Jamieson departed the band to pursue a career in music therapy, leaving Monowhales as a consistent trio of Shaar, Zanardo, and Circosta. No further alterations to the core membership occurred during the subsequent years, including through the release of their albums Daytona Bleach (2021) and Tunnel Vision (2022) and associated tours, with occasional guest producers contributing to recordings but without joining as permanent members. For live performances after 2020, the band incorporated session musicians, particularly bassists to support Zanardo's multi-instrumental role.[40] On April 9, 2024, the trio announced their simultaneous disbandment, citing a divergence in personal paths that prevented maintaining the band's original vision, with no interim lineup adjustments or replacements. This remarkable stability in the core personnel throughout their active years contributed significantly to the band's unified sound and enduring fan connection.[2]Discography
Studio albums
Monowhales released two studio albums during their active years, both under the TRUE Records label and characterized by high-energy alternative rock production that garnered praise for its polished sound and emotional depth.[60][61] Their debut album, Daytona Bleach, arrived on March 5, 2021, featuring seven tracks that blend upbeat rhythms with lyrics exploring personal struggles, relationships, and self-worth, often evoking a sense of escapism through relentless energy and anthemic hooks.[17][18] Produced by Ryan Worsley, the record's tight songwriting and dynamic arrangements were highlighted by critics for maintaining momentum without excess, solidifying the band's DIY ethos amid pandemic-era promotion.[18][51] The follow-up, Tunnel Vision, was released on September 9, 2022, also comprising seven tracks and shifting toward more introspective themes of mental health, resilience, and self-discovery, influenced by the band's experiences during challenging times.[21][62] Produced by Dave Schiffman, it amplified the group's sound with bolder hooks and groove-oriented elements, earning acclaim for its evolution and emotional authenticity while reflecting on growth and camaraderie. The single "RICH$$$" from Tunnel Vision explores satirical themes of wealth and excess through distorted production and ironic lyrics, peaking at #7 on the Mediabase Canada Alternative Rock chart.[46][63] No further studio albums were released after Tunnel Vision, as the band announced their disbandment in 2024.[64]| Album | Release date | Label | Tracks | Key themes and reception |
|---|---|---|---|---|
| Daytona Bleach | March 5, 2021 | TRUE Records | 7 | Escapism, relationships; praised for upbeat energy and production polish.[17][18] |
| Tunnel Vision | September 9, 2022 | TRUE Records | 7 | Introspection, resilience; noted for bold evolution and emotional depth.[21][62] |